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Authors: Steve Amick

Nothing but a Smile

BOOK: Nothing but a Smile
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ALSO BY STEVE AMICK

The Lake, the River & the Other Lake

For Sharyl, gorgeous and smart

And in memory of
Don Burau (1935–2007),
commercial illustrator, Chicago ad man,
amateur boxer, artist, father-in-law

Prologue

She knew what they were doing in the house. She wasn't that far gone. She even knew who they were, more or less. The strapping one with the Kirk Douglas chin and a T-shirt that said his name was Earl, though she was fairly certain it was not, was her grandson, Billy's kid. The one sorting through her silverware and boxing up the kitchen was the grandson's wife, what's-her-name. They were there to help her pack up the house, to move her to a facility of some kind.

And she wouldn't have fought them on this, even if she could get the names right. The fact was, she'd been unable to negotiate the stairs since the gladiolas, and here the leaves were turning on the sugar maple out back. So it was fine—why hang on to a place where she could only use one floor?

It had been even longer since she'd ventured beyond the upstairs, to the attic and its pull-down set of steps. But she knew that's where they'd found themselves now by the muffled distance of the voices of the grandson and his helpers and friends—the people Billy had enlisted long distance to help pack it all away. She could tell by the creaking hinge of the stairs, though she hadn't heard it in years, and she could tell, mostly, by the rise in their voices, the near yelp of surprise and discovery.

Now she'd have to explain about the trunk.

He didn't come right out and describe what he'd found—the equipment and back issues, the grease-penciled contact sheets and crumbly negatives in their tidy tin sarcophagi—but it was clear from the way he kicked at the foyer rug they had yet to roll up,
and the way he tried to dismiss it as “some old junk in the attic, probably Grampa's,” that they were planning to pitch it. Or maybe sell it on the computer. But either way, dispose of it, and that wouldn't do.

“It's not your grampa's,” she told him, making sure to hold her chin level, keep his restless gaze fixed. “Or anyway, it's mine as well, just as much.”

1

On a warm June day in 1944, Wink Dutton, known most recently to the U.S. Army as Staff Sergeant Winton S. Dutton, special correspondent and burgeoning cartoonist and illustrator, stepped out onto the streets of Chicago in his civvies. In his pocket, he had seventeen dollars, the address of his buddy's camera shop, a short list of publishers and advertising agencies, and the Purple Heart awarded to him for misunderstanding an ensign's instructions regarding a flywheel aboard a sub he was supposed to be working up a piece on for the pages of
Yank
magazine.

The ensign had probably told him more than clearly to
“Keep your finger out of this here,”
but given the effects of a bottle of peach brandy the night before—a gift from a grateful quartermaster colonel for the boldly rugged rendering he'd done of him to accompany an article about fruitcake distribution and Christmas morale—the submarine tour seemed more like a cacophony of alarms, whistles, bells, and bellowing. He couldn't think of a worse post-brandy story than, possibly, covering a riveter's competition at a shipyard. Between the banging in his head and the banging in the tin can that was the USS _____________ (name censored for military secrecy), the only message he was able to receive was
“Be sure to touch this flywheel I'm pointing to.”

He didn't actually lose the hand, just proper use of the middle finger down to the pinky, plus the tip of the middle finger, right where he rested his pencils, pens, and paintbrushes.

“It's the fuck finger and then some,” the navy doctor informed him. “You can still pinch, of course.”

“Great,” he'd told him. “I'll put in for a transfer to the Pinching Brigade. I'll get right on that.”

Before Wink shipped out of Townsville, Queensland, Sergeant Bill Chesterton, known to his fellow correspondents and poker players as Chesty, stopped by to say good-bye and good luck—and since Wink was planning on heading to Chicago, could he check in on his wife, Sal, and tell her he loved her still and was still being true?

“Absolutely,” he told him, and resisted horsing around with any cheap jokes—offering to do more than that for him or doubt the man's statement of fidelity. It was the sort of thing guys did, the way they kidded, but personally, he thought it was a little too mean and a little too easy. And a little too close to the sort of demoralizing crap guys could hear plenty just by dialing in Tokyo Rose on the radio.

Besides, he counted himself lucky for having no such serious attachments—either back in the States or in the Pacific theater—and it was only this luck, he knew, that kept him from being such a vulnerable, miserable, hang-faced slob.

He made four stabs at the job search that first day in Chicago. All three interviewers were respectful and very complimentary of his portfolio. The two that seemed at least on the ball enough to assess his new situation—that he wouldn't be able to illustrate or cartoon anymore and that the third thing he did, marginally well, writing copy, was also limited as he had yet to relearn how to write with the other hand, and it left his typing appallingly more hunt-and-peck—nevertheless agreed that he would still make a great art director. Unfortunately, neither one currently had any art director positions available. At one of the four stops,
an ad agency that was doing a lot of promotional poster work for the bond drive, he was told they might be needing a new stock boy in the art department soon, but that wouldn't happen for another month and only if the husband of the girl currently holding the job got shipped stateside, in which case they imagined she would most likely want to quit work and return to taking care of her home. It hardly sounded like a long shot.

And say it worked out—what was the jackpot? Counting gum erasers and reordering Berol pads in a windowless supply room? Filling out endless ration forms just to order the stuff? Bearing the abuse and demands of actual illustrators and art directors, whose job he should have? Fun.

No, at this rate, he was likely going to have to head home to Michigan, maybe help out at his uncle's farm in St. Johns till he could retrain himself as a lefty.

So it was with a sense of defeat and lean prospects that he sought out a room at a walk-up hotel he'd gotten off a list from the VA. Jobs aside, he didn't even feel that upbeat about the chance of scrounging a good meal. It was almost five. Chow time wasn't that far off, and checking in had already put him down another buck fifty.

After hanging his one extra shirt on the hook on his door, he lay back on the clangy little bed—no worse than Government Issue, but he'd grown used to the nonreg hammocks and hooch pads of the South Pacific. He tried to lie cadaver straight, not wanting to wrinkle his suit for the job hunt ahead, and stared out the window at a billboard across the street. Of course, it was imploring him to buy U.S. bonds.

“Sure thing, Unc,” he said to himself. “First nickel I earn.”

He wished he at least had a book to read. Maybe, with a book, he could distract himself enough to stay in the room all
night and skip going out and wasting what little coin he had in his pocket tying one on. Maybe if it were a really engaging read, he could manage to distract himself enough to skip dinner, too.

Already he was thinking what places there were to eat around the hotel and how much it would put him out.

He realized then that he was on Adams. Chesty's camera shop was on Adams, the number not far off from his hotel address. He figured he might as well go look up the guy's wife and check that errand off the list.

2

She'd been keeping it from Chesty, but the camera shop just wasn't making it. It hadn't done well before Pearl, during the Depression, but with the war on now, folks' loose money had other practical purposes than camera equipment or even getting film developed. Occasionally, someone brought in their old Brownie to be repaired, and there were ardent hobbyists who simply had to splurge, but for the most part, the shop was a leaky boat, losing money every month her husband had been away.

Sal tried to make up the difference as best she could moonlighting at the
Trib
as a darkroom tech. She'd spoken to an editor about picking up an assignment as a photographer. He was an admirer of Chesty's and so wasn't overtly rude about it, but did say, “We're not quite there yet, Sal.”

He offered to put in a word for her in the secretarial pool, but she told him she couldn't type. It wasn't true—she'd earned As in typing class two straight years in high school—but it hadn't come down to being a secretary yet. Doing that would
mean full-time, daytime hours, hence closing the shop.
We're not quite there yet,
she thought.

One of the other possibilities she hadn't fully explored was something she found in the back of the photography magazines they sold at the shop—small ads, phrased with discretion, asking for girlie photos. Typically, they said things like:

WE BUY ART PHOTOS
$$$ paid for QUALITY pics
With Male Appeal
Life Study • Naturist • Sun Worship
For publishing/mass market
Very Reasonable Offers

She'd gone as far as writing a few of them—queries only, with only two or three photos enclosed—asking for a little more guidance in terms of subject matter.

She thought she had a pretty good idea what they were driving at.

The photos she enclosed she shot herself, as samples. To make sure they didn't just steal them and reproduce them— though it would be hard to do, grainy and raw looking, shooting from the print, not the negative—she'd further stymied them in any potential attempt to steal the shots by running a big
X
across the face in each with a grease pencil.

The face, of course, was her face. She'd decided to pose for these practice shots herself, using a timer gizmo of her husband's own devising. No sense going to the trouble of hunting up subjects and shelling out a modeling fee for something she wasn't sure could even turn a profit.

In the first, she was standing behind a wingback chair, her breasts resting on the back of it, peeking over the top. She
didn't enjoy the look of her large nipples in that one. They seemed to be staring back at the camera like the wide eyes of an owl.

The second was her sitting in the chair, legs tucked up under her chin, her arms wrapped around the whole business, hiding her goodies as best she could. Expressionwise, she'd been trying for coy and coquettish, but she looked, she thought, more like she had some sort of intestinal issues, maybe an ulcer or just really bad heartburn.

The third, she just lay on her tummy on a towel on the floor, at a right angle to the camera, her chin propped up on her hands, her head tipped slightly in the direction of the tripod. To her, her grin seemed pasted on, but it was x-ed out, anyway, and besides, these were just test shots.

After practicing a manlier hand, she signed the queries
S. Dean Chesterton.
It was her name, after all—Dean was her maiden name—but she wasn't surprised when one of the replies began with
Dear Dean.

Two things did surprise her: they offered up no criticism of her composition and lighting. She knew she didn't have Chesty's eye, but they'd failed to mention these flaws. And the second surprise was she'd shown too much skin:

Today's wartime pinups are running a tad more conservative, Dean. Ease up on the flesh.

We want to show the boys in uniform what they're fighting for, but the USO does not like dispensing anything that might get them thinking the girls back home are too sexed up & easy & begging for it.

More girl-next-door brunette is big right now–less blonde bombshell. Long leg shots. Think mild distraction, Dean. (Just enough to get the boys hot, not enough to get them worried and going AWOL!)

And speaking of uniforms, may we suggest that's a great way to dress up your model. Half a sailor's tunic, maybe an aviator's cap, cocked at a flirty angle. Get the girls saluting, waving flags, straddling cannons–that sort of thing.

BOOK: Nothing but a Smile
3.65Mb size Format: txt, pdf, ePub
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