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Authors: Dean Koontz

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FORTY-NINE

IN THE COTTAGE OF THE HAPPY MONSTER waited the lingering spirit of Mr. Sinatra, my ghost dog, Boo, the golden retriever once named Murphy, Annamaria—and Blossom in a state of high enchantment.

That long-ago barrel of fire had neither ruined her life nor stolen the essence of her beauty. When she had delight in her heart, her face transcended all her suffering, whereupon the scars and the deformed features and the mottled skin became the remarkable face of a hero and the cherished face of a friend.

“Come see, you’ve got to see,” she said, leading me by the hand from the front door to a kitchen suffused with candlelight.

Annamaria sat at the table, and around her gathered the visible and the invisible.

On the table lay one of the white flowers with thick waxy petals that grew as large as bowls on the tree I had not been able to name.

“You have a tree that grows these?” I asked Blossom.

“No. I’d love such a tree. Annamaria brought this with her.”

Raphael came to me, tail wagging, wiggling with pleasure, and I crouched to pet him.

“I didn’t see you bring a flower,” I told Annamaria.

“She took it from her purse,” said Blossom. “Annamaria, show him. Show him about the flower.”

On the table stood a cut-glass bowl of water. Annamaria floated the flower in it.

“No, Blossom,” she said. “This is yours. Keep it to remember me. I’ll show Odd when he’s ready.”

“Here tonight?” Blossom asked.

“All things in their time.”

For Blossom, Annamaria had one of those gentle smiles that you wanted to look at forever, but for me, a more solemn expression.

“How are you doing, young man?”

“I don’t feel so young anymore.”

“It’s the foul weather.”

“It was very foul tonight.”

“Do you wish to leave town alone?”

“No. We’ll go together.”

The candlelight seemed to attend her.

“The decision is always yours,” she reminded me.

“You’re safest with me. And we better go.”

“I forgot!” Blossom said. “I was packing you a hamper for the road.” She hurried to the farther end of the kitchen.

“There will be sun in a few hours,” Annamaria said.

“Somewhere,” I agreed.

Rising from the table, she said, “I’ll help Blossom.”

Mr. Sinatra came to me, and I stood up from Raphael to say, “Thank you, sir. And I’m sorry for cranking you up that way.”

He indicated that all was forgiven. He put one fist under my chin and gave me an affectionate faux punch.

“I thought you might have gone by now. You shouldn’t have waited for me. It’s too important—moving on.”

He made that gesture of a magician, rolling his hands over to present empty palms, an introduction to a performance.

Manifesting now in the clothes that he had worn when he had first fallen into step beside me on a lonely highway—hat tipped at the particular cocky angle he preferred, sport coat tossed over his shoulder—he walked across the kitchen, up a wall of cabinets, and vanished through the ceiling, always the entertainer.

“How did the golden retriever get here?” I asked.

“He just showed up at the door,” Blossom said, “and he woofed so politely. He’s a sweet one. He doesn’t look like his people took good care of him. He needed to be better fed and brushed more.”

I had seen on entering that Raphael was aware of Boo. And I had no doubt that the ghost dog led the living dog to Blossom’s place.

“We should take him with us,” said Annamaria.

“The vote’s unanimous.”

“A dog is always a friend in hard times.”

“That sounds like you’re buying into trouble,” I warned Raphael.

He produced a big goofy grin, as if nothing would please him more than trouble, and plenty of it.

“This town’s no place for us now,” I told Annamaria. “We really need to go.”

Blossom had packed a hamper to sustain a platoon, including beef and chicken for our four-legged companion.

She walked us out to the car, and after I stowed the hamper, I held her close. “You take care of yourself, Blossom Rosedale. I’m going to miss beating you at cards.”

“Yeah, right. As soon as I join up with you, I’ll whup your butt as usual.”

I leaned back from her and, in the porte-cochere lights, I read in her face the delight that had been there when she opened the door, but also a deeper joy that I had not initially recognized.

“I’ll conclude business here in a few weeks,” she said, “and then I’ll come to win this Mercedes from you.”

“It’s borrowed.”

“Then you’ll have to buy me another one.”

I kissed her brow, her cheek. Indicating the charming cottage, the diamond-paned windows full of warm light, I said, “You really want to leave all this?”

“All this is just a place,” she said. “And sometimes such a lonely one.”

Annamaria joined us. She put one arm around Blossom’s shoulders, one around mine.

To Blossom, I said, “What is this thing we’re doing? You know?”

Blossom shook her head. “I don’t understand it at all. But I’ve never wanted anything in my life like going with you.”

As always, Annamaria’s eyes invited exploration but remained inscrutable.

I asked her, “Where are we going? Where will she find us?”

“We’ll stay in touch by phone,” Annamaria replied. “And as for where we’re going…you always say, you make it up as you go along.”

We left Blossom there alone, but not forever, and with the dogs in the backseat, I drove along the lane between the rows of immense drooping deodar cedars, which seemed to be robed giants in a stately procession.

I worried that the FBI or Homeland Security, or some nameless agency, would set up roadblocks, checkpoints, something, but the way remained clear. I suppose the last thing they wanted was to draw media attention.

Nevertheless, after we had crossed the town limits, for several miles south, as the fog thinned somewhat across land less hospitable to it, I continued to check the rearview mirror with the expectation of pursuit.

When abruptly I could not drive anymore, and found it necessary to pull to the side of the highway, I was surprised by how the world fell out from under me, leaving me feeling as if I had fallen off a cliff and could not see the bottom.

Annamaria seemed not surprised at all. “I’ll drive,” she said, and assisted me around the car to the passenger seat.

Desperately, I needed to be small, bent forward, curled tight, my face in my hands, so small that I should not be noticed, my face covered so that it should not be seen.

In recent hours, I had taken in too much of the sea, and now I had to let it out.

From time to time, she took a hand from the wheel to put it on my shoulder, and occasionally she spoke to comfort me.

She said, “Your heart shines, odd one.”

“No. You don’t know. What’s in it.”

And later: “You saved cities.”

“The killing. Her eyes. I see them.”

“Cities, odd one. Cities.”

She could not console me, and I heard myself saying, as from a distance, “All death, death, death,” as if by chanting I could do penance.

A time of silence heavier than thunder. The fog behind us. To the east, a disturbing geography of black hills. To the west, a dark sea and a setting moon.

“Life is hard,” she said, and her statement needed no argument or clarification.

Miles later, I realized that she had followed those three words with six more that I had not then been ready to hear: “But it was not always so.”

Well before dawn, she stopped in an empty parking lot at a state beach. She came around the car and opened my door.

“The stars, odd one. They’re beautiful. Will you show me the constellation Cassiopeia?”

She could not have known. Yet she knew. I did not ask how. That she knew was grace enough.

We stood together on the cracked blacktop while I searched the heavens.

Stormy Llewellyn had been the daughter of Cassiopeia, who had died in my sweet girl’s childhood. Together, we had often picked out the points of the constellation, because doing so made Stormy feel closer to her lost mother.

“There,” I said, “and there, and there,” and star by star I drew the Cassiopeia of classic mythology, and recognized in that familiar pattern the mother of my lost girl, and in the mother I saw also the daughter, there above, beautiful and bright, for all eternity, her timeless light shining upon me, until one day I at last stepped out of time and joined her.

ABOUT THE AUTHOR

DEAN KOONTZ
is the author of many #1
New York Times
bestsellers. He lives with his wife, Gerda, and the enduring spirit of their golden retriever, Trixie, in southern California.

         

Correspondence for the author should be addressed to:

Dean Koontz

P.O. Box 9529

Newport Beach, California 92658

ALSO BY DEAN KOONTZ

The Darkest Evening of the Year

The Good Guy

Brother Odd

The Husband

Forever Odd

Velocity

Life Expectancy

The Taking

Odd Thomas

The Face

By the Light of the Moon

One Door Away From Heaven

From the Corner of His Eye

False Memory

Seize the Night

Fear Nothing

Mr. Murder

Dragon Tears

Hideaway

Cold Fire

The Bad Place

Midnight

Lightning

Watchers

Strangers

Twilight Eyes

Darkfall

Phantoms

Whispers

The Mask

The Vision

The Face of Fear

Night Chills

Shattered

The Voice of the Night

The Servants of Twilight

The House of Thunder

The Key to Midnight

The Eyes of Darkness

Shadowfires

Winter Moon

The Door to December

Dark Rivers of the Heart

Icebound

Strange Highways

Intensity

Sole Survivor

Ticktock

The Funhouse

Demon Seed

DEAN KOONTZ’S FRANKENSTEIN

Book One: Prodigal Son
• with Kevin J. Anderson

Book Two: City of Night
• with Ed Gorman

ODD HOURS

A Bantam Book / June 2008

Published by Bantam Dell

A Division of Random House, Inc.

New York, New York

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.

Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

All rights reserved.

Copyright © 2008 by Dean Koontz

Title page photograph by Lynne Lancaster

Illustration on Backmatter: YOU ARE DESTINED TO BE TOGETHER FOREVER. © 2003 by Phil Parks

A signed, limited edition has been privately printed by Charnel House.

Charnelhouse.com

Bantam Books is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc.

Library of Congress Cataloging-in-Publication Data

Koontz, Dean R. (Dean Ray), 1945–Odd hours / Dean Koontz.

p.                  cm.

1. Cooks—Fiction 2. Mediums—Fiction. I. TItle

PS3561.O55 O3 2008

813'.54 22                                             2008010411

www.bantamdell.com

eISBN: 978-0-553-90501-4

v3.0

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