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Authors: STEPHANIE LAURENS

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BOOK: On a Wild Night
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Stephanie trained as a research scientist and has a Ph.D. in biochemistry. After nineteen years in medical research (during which time she rose to head her own laboratory), Stephanie decided that too much of her time was spent on administrative, non-creative labors. In looking for a more
satisfying career, she started writing novels. Her first work,
Tangled Reins
, a Regency romance, was published in 1992 by Harlequin Mills & Boon, London. Seven books followed for HM&B and they were also published in Germany, France, Japan, Italy, Australia, the Philippines, the U.S., and Canada. Stephanie then turned to writing longer historical romances, still set in the Regency but specifically tailored for American readers.

Her first such romance was
Captain Jack's Woman
[Avon, 1997; HarperCollins e-book, 2002] which received a rave review and an “Outstanding” rating of six stars from
Affaire de Coeur
— only the second book ever to have achieved this rating.
Romantic Times
rated
Captain Jack's Woman
as “exceptional,” and dubbed Stephanie “a bright new star of the adventure romance genre.”

Stephanie is best known for her Bar Cynster novels. The first six Cynster books tell the stories of six cousins:
Devil's Bride
(1998);
A Rake's Vow
(1998);
Scandal's Bride
(1999);
A Rogue's Proposal
(1999);
A Secret Love
(2000);
All About Love
(2001).

“Each book has as its hero one of the male members of the infamous Bar Cynster family,” Stephanie explains. “Each novel tells the tale of how the hero meets his fated match, how he woos and weds his lady, how he falls victim to the inescapable fate that overtakes all Cynster men — despite their strong resistance, all Cynsters are fated to love.”

The Promise in a Kiss
(2001) is the story of Helana and Sebastian, and the beginning of the Cynster dynasty.
On a Wild Night
(2002) and
On a Wicked Dawn
(2002) tell the stories of the Cynster twins, Amanda and Amelia.

All About Passion
(2001) is the story of Cynster rival Gyles Frederick Rawlings, fifth Earl of Chillingworth, and his enchantment by a “gypsy in green”...

[All ten titles are available as HarperCollins e-books.]

 

Stephanie lives in a leafy suburb of Melbourne with her husband and two daughters. She talked with us about her career change from cancer researcher to romance novelist and gave us some insight on how she creates her romantic treasures.

~

 

HarperCollins e-book editor's note: The interview that follows commences in Amanda's e-book,
On a Wild Night
, and concludes in Amelia's,
On a Wicked Dawn
.

~

 

Claire E. White:
When did you first start reading romance novels?

 

Stephanie Laurens:
The first I recall was when I was thirteen and my mother was reading Georgette Heyer — she borrowed them from a friend and I would read them before she returned them.
These Old Shades
was the very first I read. Through my teens, I bought the whole set, and they have been read and re-read many times, by my mother and sister as well as by me.

 

Claire E. White:
Tell us about your prior career as a senior research scientist. What was your specialty?

 

Stephanie Laurens:
My specific training was in immunology, immunogenetics, and molecular biology. I always worked in one area or another of medical research, but for most of my career I worked in cancer research. My two
major projects before I stopped were in studying a family of genes overexpressed in ovarian cancers, and a new cancer-associated gene in breast cancer.

 

Claire E. White:
How did you go from being a research scientist to being a romance novelist?

 

Stephanie Laurens:
I made the transition over a period of about four years. I originally made a decision to move out of research, then looked around for what else I could do. During that period, I accidentally stumbled onto writing novels — I ran out of the type of book I wanted to read (at that point, I was thirsting for a Regency romance), so I sat down to write one, to amuse myself more than anything else. Once it was written, I thought it was quite reasonable — I enjoyed it, so made someone else would. Someone else did, and from that a romance novelist was born.

 

Claire E. White:
Do you ever miss your scientific work?

 

Stephanie Laurens:
I've asked myself this often over the years, but the answer remains the same: No. I think that's because I'm an inherently creative sort, and the element that initially attracted me to scientific research was the cutting-edge, creative side of it. But the more senior you become, the less time you can spend at the creative interface personally, and that was where I started losing interest.

 

Claire E. White:
How did you make your first professional sale as an author? Did you use an agent?

 

Stephanie Laurens:
My first sale, of that first manuscript of mine,
Tangled Reins
, a Regency romance, was to Harlequin Mills & Boon, London. I submitted it unsolicited based on
their guidelines. An agent wasn't necessary, and, for that house, still isn't. Crossing to New York, however, changed things, but while I now have a wonderful and savvy agent who handles all my new works, all with New York publishers, my “sales” as such have always come about through my work itself — either the editor reads it and wants it, or another editor has read something of mine and approaches me to write something for them.

 

Claire E. White:
What are your writing habits and where do you write?

 

Stephanie Laurens:
I write in a study, which is pretty well devoted to writing and the business of writing. It's a fairly large room, with good natural light and good lighting as well. When I'm “creating” — i.e., writing the first draft — then I simply write as much as I can, for as long as I can, every day that I can. My impulse is to write. I want to be at the computer with my fingers on the keys, typing away, essentially draining the story from my head.

There are, of course, all sorts of interruptions to this simple timetable, until it becomes anything but simple. My experience is that you can't become a professional writer without establishing some sort of discipline to your writing week. I currently write four days a week, and my minimum acceptable is thirty hours per week, Monday to Sunday. I won't let myself drop below that no matter what. I am a “computer writer” in that I couldn't have become a writer without computers. I think far too fast to write in longhand, and I would have become too frustrated to have ever finished that first manuscript if it hadn't been for computers. I'm not a touch typist, but my speed and accuracy are good, so I can go along as fast as a slow think.

 

Claire E. White:
What are your pet peeves in reading romance novels?

~

 

Interview concludes in the HarperCollin e-book edition of
On a Wicked Dawn
.

~

 

Excerpts from an interview with Stephanie Laurens by Claire E. White, editor-in-chief,
The Internet Writing Journal
®, http://www.writerswrite.com. Edited for this HarperCollins e-book edition.

Upper Brook Street, London
February 20, 1825

 

“It's
hopeless!
” Amanda Cynster flopped on her back on her twin sister's bed. “There is simply no gentleman in the ton worth considering—not at present.”

“There hasn't been for the last five years—well, not gentlemen interested in taking a wife.” Stretched beside Amanda, Amelia stared up at the canopy. “We've searched and searched—”

“Turned every stone.”

“And the only ones even vaguely interesting are . . . not interested.”

“It's ludicrous!”

“It's depressing.”

Alike in both feature and figure, blessed with blond ringlets, cornflower blue eyes and porcelain complexions, the twins could easily have posed for
La Belle Assemblée
as the epitome of well-bred fashionable young ladies, except for their expressions. Amelia looked disgusted, Amanda mutinous. “I refuse to lower my standards.”

They'd discussed their requirements in a husband
ad infinitum
over the years. Their standards did not materially differ from those espoused by their mentors—their mother and
aunts, their cousins' wives. They were surrounded by strong women, ladies all, who had, one and all, found happiness in their marriages. The twins had little doubt as to the qualities they sought.

A gentleman who loved them, who would set them and the family they would raise above all other considerations. A protector, a helpmate, with a reliable, strong arm who would always be there to keep them safe. A man who valued their skills, intelligence and opinions, who would accept them as an equal however much he wished to be lord and master of his world. A gentleman of sufficient substance to render their not-inconsiderable dowries by-the-by; a man of their world well connected enough to take the powerful Cynster clan in his stride.

A man of passion and family feeling—lover, protector, partner. Husband.

Amanda humphed. “There have to be
some
out there who measure up to our cousins”—the Bar Cynster, that notorious group of six who had for so long lorded it over the ton, leaving uncounted ladies languishing in their wake until, one by one, fate had snared their hearts. “They can't be unique.”

“They're not. Think of Chillingworth.”

“True—but when I do, I think of Lady Francesca, so that's not much help. He's already taken.”

“He's too old, anyway. We need someone nearer our age.”

“But not too near—I've had my fill of earnest young men.” It had been a road-to-Damascus revelation when they'd realized that their cousins—those arrogant, dictatorial males they had for so long fought to be free of—were in fact the embodiment of their ideals. The realization had thrown the shortcomings of the current candidates for their hands into even more dismal relief. “If we're ever to find husbands, we're going to have to
do
something!”

“We need a plan.”

“One different to last year's, or the year before that's!” Amanda glanced at Amelia; her twin's expression was abstracted, eyes fixed on some vision only she could see. “You look as if you have one.”

Amelia glanced her way. “No, not a plan. Not yet. But
there
are
suitable gentlemen, only they aren't on the lookout for a wife. I can think of at least one, and there must be others. I was thinking . . . maybe we should stop waiting and take matters into our own hands.”

“I couldn't agree more, but what are you proposing?”

Amelia's jaw firmed. “I'm sick of waiting—we're
twenty-three!
I want to be married by June. Once the Season starts, I'm going to reassess and make a new list of candidates, regardless of whether they're thinking of marriage or not. Then I intend picking the one that suits
me
best, and taking steps to ensure he accompanies me to the altar.”

That last phrase rang with determination. Amanda studied Amelia's profile. Many thought she was the stubborn one, the stronger, more overtly confident one. Amelia appeared so much quieter, yet in reality, once Amelia set her sights on a goal it was well nigh impossible to turn her from it.

All of which begged the point.

“You sly minx—you've got your eye on someone.”

Amelia wrinkled her nose. “I do, but I'm not sure. He may not be the best choice—if you disregard the caveat that they should be looking for a bride, then there are a lot more to chose from.”

“True.” Amanda flopped onto her back. “But not for me. I've looked.” A moment passed. “Are you going to tell me who he is, or should I guess?”

“Neither.” Amelia glanced at her. “I don't know for certain that he's the one, and you might inadvertently give away my interest if you know.”

Weighing the likelihood, Amanda had to admit it was real; dissembling wasn't her strong suit. “Very well, but how do you intend ensuring he accompanies you to the altar?”

“I don't know, but I'll do whatever is necessary to get him there.”

The grimly determined vow sent a shiver down Amanda's spine. She knew perfectly well what “whatever is necessary” encompassed. It was a risky strategy, yet she had little doubt Amelia, with her core of steel, could follow it to victory.

Amelia glanced at her. “What about you? What of your plan? You needn't bother telling me you don't have one.”

Amanda grinned. That was the best of being twins—they followed each other's thoughts instinctively. “I've already looked through the ton, and not just among those who've deigned to worship at our dainty feet. I've concluded that, as I can't find a gentleman within the ton, then I need to search
outside
it.”

“Where will you find marriageable gentlemen
outside
the ton?”

“Where did our cousins spend most of their evenings before they married?”

“They used to attend some of the balls and parties.”

“Ah, but think back and you'll recall they attended on sufferance, danced twice, then left. They only appeared because our aunts insisted. Not all suitable gentlemen—gentlemen
we
would consider eligible
partis
—have female relatives capable of compelling their attendance within the ton.”

“So . . .” Amelia refocused on Amanda's face. “You'll search for eligible partis in the private clubs and gaming hells—gentlemen we haven't yet met because they don't, or don't often, appear in our circle.”

“Precisely—in the clubs and hells, and at the private parties held in various ladies' salons.”

“Mmm . . . It seems a good plan.”

“I believe it has great potential.” Amanda considered Amelia's face. “Do you want to search with me? There's sure to be more than one eligible
parti
hiding in the shadows.”

Amelia met her gaze, then looked past her; after a moment, her twin shook her head. “No. If I wasn't determined . . . but I am.”

Their gazes locked, thoughts in perfect communion, then Amanda nodded. “It's time to part ways.” She grinned and gestured dramatically. “You to wield your wiles under the light of the chandeliers . . .”

“While you?”

“While I seek my destiny in the shadows.”

 

There were shadows aplenty in the main room of Mellors, the newest, most dangerously fashionable gaming hell; resisting
an urge to peer into them, Amanda paused on the threshold and coolly surveyed the company.

While they, not so coolly, surveyed her.

Four of six round tables were circled by gentlemen, hard-eyed and heavy-lidded, glasses by their elbows, cards in their hands. Their gazes swept insolently over her; Amanda ignored them. A larger table hosted a game of faro; two ladies clung, sirenlike, to two of the players. The banker looked directly at Amanda, froze as if he'd just remembered something, then looked down and turned the next card.

Beside Amanda, Reggie Carmarthen, childhood friend and exceedingly reluctant escort, surreptitiously tweaked her sleeve. “Nothing here, really. If we leave now, we can make it to the Henrys' before supper's over.”

Completing her survey, Amanda met Reggie's gaze. “How can you tell there's nothing here? We've barely arrived and the corners are dark.”

The owners had decorated the rooms off Duke Street with dark brown flocked wallpaper, matching leather chairs and wooden tables. Lit only by well-spaced wall sconces, the result was a shadowy, distinctly masculine den. Amanda glanced around. A sense of danger swept her, a skittery sensation washing over her skin. She lifted her chin. “Let me do the rounds. If there's truly
nothing
of interest, then we can leave.” Reggie knew what particular
thing
she was searching for, even if he definitely didn't approve. Linking her arm in his, she smiled. “You can't sound the retreat quite so soon.”

“Meaning you won't listen even if I do.”

They were conversing in muted tones in deference to the concentration of those playing. Amanda steered Reggie toward the tables, doing nothing to shatter the assumption anyone seeing them would make—that Reggie was her cavalier and she'd talked him into bringing her here for a dare. She had talked him into it, but her purpose was a great deal more scandalous than a dare.

Being new, the hell had attracted the most dangerous bucks and blades searching for the latest in dissipation. If she'd found any
thing
to her taste in the more established
venues, she would never have considered coming here. But she'd been doing the rounds of the established hells and salons for the past fortnight; her presence here tonight, in a room where the only familiar faces besides Reggie's were ones she would prefer not to acknowledge, was a measure of her desperation.

Parading on Reggie's arm, pretending an innocent, wholly spurious interest in the games, she cast her jaded eye over the players, and rejected every one.

Where, she inwardly wailed, was the gentleman for her?

They reached the last table and paused. The room was deep, stretching double the length they'd already traversed. Unrelieved gloom enveloped the area before them, the glow cast by two wall lamps the only illumination. Large armchairs were grouped here and there, their occupants barely discernible. Small tables stood between the armchairs; Amanda saw a long-fingered white hand languidly toss a card onto one polished top. It was patently clear that this end of the room hosted the truly serious play.

The truly dangerous players.

Before she could decide whether she was game to enter what loomed as a lair, one of the groups they'd passed ended their game. Cards slapped the table, jests mingled with curses; chairs scraped.

With Reggie, Amanda turned—and found herself the object of four pairs of male eyes, all hard, overbright. All fixed, intently, on her.

The nearest of the four men rose. To his full height, a head taller than Reggie. One of his companions joined him on his feet. And smiled.

Wolfishly.

The first gentleman didn't even smile. He took one insolently swaggering step forward—then his gaze went past them and he hesitated.

“Well, well—if it isn't little Miss Cynster. Come to see how the other half enjoys itself, have you?”

Amanda swiveled regally; despite the fact the speaker was taller than she, she looked down her nose at him. When she saw who it was, she lifted her chin higher. “Lord Connor.”
She curtsied—he was an earl, after all—but she made the deference a triviality; her social standing was higher than his.

The earl was a reprobate cut to a pattern for which they'd thankfully lost the card. His reputation painted him as lecherous, steeped in vice, disreputable in the extreme; the liquid gleam in his pale eyes, the lid of one of which, courtesy of some ancient duel, was permanently at half-mast, suggested that in his case rumor understated the fact. Corpulent—indeed, wider than he was tall—Connor had a plodding gait, pallid skin and heavy jowls, making him appear old enough to be her father, except that his hair was a solid dark brown.

“Well? Are you here to gawk, or are you game to play?” Connor's fleshy lips curved in a taunting smile; the lines years of dissipation had etched in his face deepened. “Surely, now you've braved the doors of Mellors, you won't leave without chancing your dainty hand? Without trying your Cynster luck? I hear you've been quite successful in your forays on the town.”

Reggie locked his fingers about her wrist. “Actually, we were just—”

“Looking for the right challenge? Let's see if I can accommodate you. Shall we say a rubber of whist?”

Amanda didn't look at Reggie—she knew what he was thinking, but she'd be damned if she'd turn tail and run just because a man of Connor's ilk approached her. She allowed amused haughtiness to infuse her expression. “I cannot conceive, my lord, that triumphing over a novice such as myself would afford you any great amusement.”

“On the contrary”—Connor's voice hardened—“I'm expecting to be amused come what may.” He smiled, an evil eel fixing on his prey. “I've heard you're a dab hand with the cards—surely you won't pass up this chance to test your skills against mine?”

BOOK: On a Wild Night
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