One (3 page)

Jane shouted out again, shook his head, but either Rae couldn't see him or chose not to. He heard the hiss as bell pressure was increased to ensure a seal that could not be made. He saw the wheel on the hatch begin to turn. Jane spun away, flinching at the sound of their bodies as they unravelled into the hyperbaric chamber. When he was able to look back through the porthole he could see how the hatch in Rae's diving bell had been unable to open beyond three inches. Explosive decompression. Rae and Carver had been turned inside out. Tiny scraps of his friends slid through the red gruel on the window.

Jane staggered back to where he had left Stopper. He positioned a blanket over him, then sat on the bunk. He took up Stanley's letter, folded it carefully and put it in his pocket. He realised he was wiping his hands, though it would have been impossible for any of Rae or Carver's blood to have splashed him.

There was tapping at the hatch. Someone was scooping away the muck from the glass. He staggered over to look through the porthole and saw Gordon McLeish, one of the derrickmen. His face was as red as the coat he was wearing; blood was the filling in a sandwich formed by his lips. Where the bones made angles in his flesh, Jane could not see anything but tight shining skin. He might have been inflated. What looked like spoiling cottage cheese was foaming from his ears and nostrils. There were two bodies behind him, face down. One of them had fallen on his hands, as if he had dropped in the act of fastening his coat buttons. Or if that was what Jane thought it was, piled up bloodily next to him, then maybe he was trying to keep as much as he could from slithering out of whatever rents had appeared in his abdomen.

What was it?
Jane mouthed at McLeish, but the other man was too intent on other tasks to be able to answer. He punched buttons on a back-up console that had been plugged into the mains; the central computer must have failed. He was beginning the decompression process. Jane stopped rapping on the glass and let him do his job; it didn't look as though McLeish was likely to be around much longer. Blood was drizzling from the end of his coat sleeves, welling out of the eyelets of his boots.

Jane heard a wail, a gasp, and turned to check on Stopper, but he was still unconscious. It had been the wind chicaning through the struts of the oil platform, howling like something animal, something crazed. It had to be savage as hell for him to be able to hear it through two inches of steel.

McLeish was taking too long. Jane could see him slowing down. At one point he dropped the console and swayed as if he was about to faint, but he put out a hand to stop himself. The oil platform was shifting alarmingly. Jane could imagine the black grin in the leg of the platform that they had been trying to prevent from widening. What would happen if that leg buckled completely? It didn't bear thinking about. He had to turn away. He went back to Stopper and tried to rouse him. He wiped his forehead, checked his vital signs again. Stopper was stable, but he'd wake up with a swine of a headache. Jane patted his pocket and felt the flat comfort of his son's letter. He must not lose that, no matter what.

Yor not her to kiss at nighttim but I send you one out the window and I love you Daddy. I have nise drems abowt you, Dad.

A green light on the hatch door. Decompression was under way. Through the porthole – rapidly filling again with that gritty dense grain – he could see McLeish on his knees, vomiting blood and tissue onto the deck. McLeish who was comically cinematic whenever he played poker, wearing sunglasses to hide the signs his eyes might be giving, turning over his cards after a studied pause. McLeish who would fart in the middle of a tense scene during a film in the theatre and ask everyone if they wanted seconds. There was nothing Jane could do, but he whispered a thankyou anyway.

It was doubtful he'd see this thirty-six hours through. There was only one thing worth doing in this situation. Bolted to the wall between the bunks was a khaki-green metal box, fastened shut with eight screws. The words IN CASE OF EMERGENCY were stencilled in white on the face. Jane worked the screws free with a knife. The lid popped open, revealing a litre bottle of economy whisky bought from a corner shop for under ten pounds.
It would have to be some emergency for you to get me to sup that shite
, Stopper had once said.
It would have to be a real soupy bowel moment.

Jane cracked the seal and started drinking.

2. PRESSURE

He lay on the floor with Stopper. The ceaseless swaying of the chamber was bearable in that position. He could close his eyes and the freak weather's battering of the oil platform became manageable squalls of sound, like remembered arguments or old plumbing, and he didn't have to look at Stopper's pale skin or congealing wounds. It was just him, his whisky and the incremental dispersal of nitrogen from his blood and tissue.

Jane wondered for a moment what effect alcohol had on the decompression process but as soon as the thought was in him it was gone, replaced by others, seeping through him like gas in the blood. Stanley remained a constant throughout. He was a watermark on pages, indelible; not that Jane wanted him out of his thoughts, but some of the others were inappropriate. He didn't want his boy to share headspace when Saskia Sharkey from his sixth-form days – with her large breasts and talented tongue – flitted through his mind. Stanley oughtn't to be there when Gormley, his first boss, was tearing into him about timekeeping and Jane told him to ram his job. And all those girls he had brought tears to over the years. All those regrets, all that sorry. Maybe this shitstorm of blood and wind was down to him: payback time for being a career bastard.

Trimming the fat from his thoughts, bringing them back to the here and now, served only to alert Jane to the headache thickening behind his eyes. Alcohol for a man under as many kinds of pressure as you cared to mention couldn't be doing him any good. But what it did do, while he was decompressing, was compress his perception of time. That was one of the rare beauties of booze. It provided you with a beer Tardis to flip you forward to a point where you could have a coherent say in matters again.

He was slithering around in a puddle of vomit and couldn't work out who it had come from. It reminded him of Stanley, when he'd been three, just before the end of things. He had been violently sick in his sleep, had woken himself up with it, and had cried out, distressed, panicky. Jane and Cherry had bulldozed into the room to find him sitting up in bed staring in dismay at Walter, his toy lion.

'Walter sicked all over me,' he said. 'Walter sicked all over me.'

It must have been Jane, not Stopper, that had vomited. Both of them were wearing it; it didn't matter. Jane pulled himself upright. The stubble on his chin told him what the clock could not. Was he still drunk, or was the platform still lurching? Had the storm not blown itself out by now? The windows were packed with filth. He tried the radio again out of habit, but already he was ignoring its silence, thinking ahead, wondering when, wondering if. Already he was thinking what might happen if there was nobody left to come and let them out. There was water in a five-pint container. There was no food; the food was always served to them through the airlock at mealtimes. He felt a bite of claustrophobia, a fear he had never, until now, experienced or understood. If the weather should persist, if the platform should fail, back to the seabed he and Stopper would go, with little hope of rescue before they suffocated. Maybe it would be for the best if Stopper did not regain consciousness. He was taking up air that Jane could use. Jane could . . . Jane could . . .

Could what?

He rubbed his lips and called out.
Hello?
His voice, no longer etiolated by heliox, was scratchy and tired. Scared. Keep your mind away from that. Do not touch. Turn away. The clock wasn't working, so why should the mechanism release? Did fail-safe mean that, if
everything
broke down?

'Stopper?' he said. The bristles on Stopper's face seemed too dark for his alabaster skin; he wished his buddy were blond. 'Stopper?'

Let him sleep. Let him just fade away.

No. Not a great option. '
Stopper!
' Jane knelt beside him and lifted an eyelid. The pupil contracted. OK. Good. He pinched the skin on Stopper's clavicle; Stopper flinched. Better. Jane leaned close. 'Wake up. You lazy fucker.'

Movement. A grey edge of tongue. Jane poured water onto a discarded shirt, pressed it against his friend's forehead. He pressed it against his lips and his mouth worked at it.

'Come on,' Jane said. 'Sit up. Have a drink.'

He managed to get Stopper to lift himself up from the floor. He wore an expression of someone angry without understanding why. Confusion, hunger, muddied things. He was trying to speak but only a fudge of sound fell from his lips.

'Something in the water,' Jane heard eventually. 'My God. Something in the water.'

Over the next few hours Jane coaxed his friend back. Stopper was shaking quite badly – they both were – but Stopper's mouth was shuddering like that of a baby plucked too swiftly into the air. 'I need a drink,' Stopper said, but waved away the water that Jane offered him. 'I need a fucking drink,' he growled. There were a couple of fingers of the economy gut-rot left and, even though Stopper eyed it suspiciously, he necked the lot.

'Can you stand up?' Jane asked. 'We have to try to get out.'

'What about Carver? Rae?' Stopper was smacking his lips as though he'd just been quaffing Châteauneuf-du-Pape.

Jane shook his head. 'Let's concentrate on us for a while. Give or take, we should be clean. If we go fizzy after this long, it'll only be like taking a swig from a bottle of piss-warm Coke. But take it from me, there's nobody left. Nobody came to check on us.'

He could see Stopper beginning to get twitchy, as he had done in the bell before his fall, and he laid a hand on the bigger man's shoulder. 'We have to get out of here. I'm not sure how long the platform is going to remain upright. There's a wind been blowing for the last day and a half that'd tear your face off if you looked at it the wrong way. It doesn't sound as though it's going to let up.'

'You don't just slip the lock in these bastards, Rich,' Stopper said. 'You don't just kick the fucking door off its hinges.'

'The windows, then,' Jane said. 'There's got to be something we can do.'

Stopper was shaking his head, but he stood up and tested the bunk bolted to the wall. 'Fetch me one of them spanners,' he said.

Between them they managed to unscrew the bolts and wrench the bunk clear. Jane tossed the bedding to one side.

'Here,' Stopper said, 'turn that round so we can use that nasty-looking corner. See if we can't ram that into the glass.'

They spent ten minutes trying to crack the porthole, but the glass wasn't even scratching. There was no swearing; they had both known what the result would be. Stopper tossed the bed into the corner of the chamber; the echo of its collision rang dully. Panic unstitched itself once more in Jane's gut. He wanted to breathe fresh air. He didn't want the stink of cheap whisky fumes and stomach acid to be the last odours to sit in his lungs. And though Stopper was suddenly the only thing between him and being alone, he wished him a thousand miles away. He didn't know what was going to happen once the goodwill and the fire from the whisky were all gone and it became just the two of them and the panic stripping them away, layer by layer, to a point where violence was waiting.

They were painstakingly checking the seals at the hatch on the far side of the chamber, in the hope that the explosive decompression Carver and Rae had suffered might have somehow weakened it, when there was a deep sound they both recognised: the chunk of the hatch tumblers sliding free. They stumbled over each other in their desire to be first out of the door, and Stopper's fist was balled, ready to fight Jane for it, when Jane put out a hand to hold him back.

'Wait,' he said, and held up his other hand in a placatory gesture. 'Stopper, let's just take it slow. We don't know what it was did for the guys out there. If it was a gas leak, maybe.'

'There's nothing on the platform that could take out a whole shift.'

'But something did, right? Something did.'

Stopper sighed and let the tension fall out of him; he seemed to dwindle. 'OK. I just . . . if that's the fail-safe, I just don't want it to unfail-safe itself. You hear me?'

'I hear you. But let's at least get some masks on. The suits too. You didn't see . . . their skin, Stop, their skin was sliding off them.'

They shrugged on their wetsuits and masks, gloves and boots. They checked each other's oxygen tanks and gave each other the OK signal. At the hatch, Jane pulled out his regulator and said, 'Stop, try not to look at what's out there too much. Let's head for the OIM's office and see what's what. Quick as we can.'

He didn't hang around to see if Stopper was following, but took off quickly and almost paid the price for his impatience. The wind on deck was gusting so violently that it swept his feet from under him and took him fully twenty feet towards the guard rails. Part of them had been sheared off either directly by the wind or some piece of hardware driven by it. The rubber suit bit at the deck and brought him to a stop six feet away from his death. He was almost too busy looking at the sky, at the chicanery of violet and green and orange, to notice.
Northern Lights
, he supposed.
This far south?
He thought it more likely that it was the breakdown of cells in his own brain as he lay dying. But he wasn't dying. Not yet.