Pariah (35 page)

Paulson pulls on a happier mask and clears his throat. ‘Yeah. A day or two. I should be back trying to put your ass in jail before you can say Internal Affairs.’

Now it’s Doyle’s turn not to see the funny side. ‘Maybe you won’t have to worry about me.’

‘You planning to deprive me of the one thing keeping me going? What are you talking about?’

Doyle shrugs. ‘I’m not sure the job’s gonna take me back. In case you didn’t hear, I raised a pretty big stink. There are some who think it’ll always follow me
around.’

Paulson stares at him for a while. And then he starts laughing.

‘Ow! Don’t do that to me, Doyle. The doc tells me I can turn myself inside out if I laugh too hard.’

‘What’s so funny?’

‘You. You’re so fucking pessimistic. Try flipping it over, will ya? You’re a hero, goddamnit. You were victimized, driven to the depths of loneliness and despair, but you rose
above it and uncovered the identity of a cop killer. What’s not to admire?’

‘There’s a lot of cops won’t hang those clothes on it.’

‘Well, fuck ’em. They don’t know shit, and they don’t deserve to be cops if that’s how they decide to treat a brother.’

Doyle notices something in Paulson’s tone. Bitterness, maybe. Something that suggests he may not be talking just about the man sitting at his bedside.

‘Besides,’ Paulson adds, ‘I
know
they’re gonna take you back.’

‘Yeah? You read my horoscope in your magazine there?’

‘I been asking around. Just because I’m confined to bed, it don’t make me totally incommunicado. When Mohammed can’t go to the mountain, et cetera.’

‘Paulson, what are you talking about?’

‘You’re not my only visitor, you know. It can get pretty crowded around this bed at times. Admittedly, a lot of them just want to ask about you.’

‘Me?’

‘Don’t act so modest. They want to know why you came to see me. They also want to know why you booked the scene after I got shot.’

‘What’d you say?’

‘On the first count, I told them you were working on the notion that the guy doing the number on you might be a cop, and so you asked me if I had intel that might point to that. On the
second count, I told them that, despite my orders to chase down the perps who shot me, you insisted on staying with me right up until the medics arrived. Only when I was in safe hands did you then
go after them. It’ll all be in my report.’

Doyle finds it hard to believe that the man in the bed is the same guy who, only a year ago, chewed him up and spat him out. It’s like he’s experienced some kind of epiphany.

‘Thanks. You didn’t have to do that.’

‘Can the gratitude. You’re making me start to doubt my vocation. Anyway, while they were asking me questions, I fired a few back at them. Story is they’re about ready to bring
you in from the cold. My guess is they’ll put you on modified duty at first, but if you can put up with being a house mouse for a while, it’ll soon blow over.’

Will it, Doyle wonders, be as straightforward as that? But then maybe Paulson’s right. Maybe that’s my pessimistic streak showing itself again.

He glances at his watch.

‘Listen, I gotta go. More Christmas shopping. We already got a freezer busting at the seams, but who am I to argue, right?’

‘Sure,’ Paulson says, and when Doyle stands up he adds, ‘You mind if I ask you something?’

‘Go ahead,’ says Doyle.

‘Why’d you come here today?’

‘You have to ask? You saved my life.’

Paulson nods, apparently satisfied with the response.

Doyle starts to turn away, then pauses. ‘You mind if I ask
you
something?’

‘What?’

‘Why are you being so nice to me? Why all the help?’

Paulson looks back at him for a long time, as if debating whether to give him the full or the condensed version.

‘You bought me coffee and donuts.’

Doyle narrows his eyes. ‘Is that all?’

‘Sometimes that’s all it takes.’

Doyle thinks this over, then completes his turn and heads for the door. Paulson’s parting shot floats after him.

‘Merry Christmas, Detective Doyle.’

‘Yeah,’ says Doyle. ‘You too, Sarge. You too.’

He goes back to work on the first day of the year. A fresh start and all that. His New Year’s resolution: to take whatever’s coming and make the best of it.

He barely has a foot through the door of the station house before he starts to think that resolutions are the most ridiculous invention known to man.

The atmosphere reminds him of the night this all began – when they clustered around the body of Joe Parlatti. The stares, the nudges, the winks, the muttered asides. It starts with the
desk sergeant, who looks goggle-eyed at him like he’s an alien invader, then spreads from there in a wave. Even a pair of handcuffed skells seem to sense deep in their coke-addled brains that
something is amiss with the new arrival.

He takes the steps to the second floor, passing a couple of undercovers who stop in their tracks and follow him with their eyes. Along the hallway, clerical workers glance out through the glass
windows of their offices and call to their colleagues to bring their attention to the phenomenon drifting by.

At the entrance to the squadroom he has to pause and draw a deep breath before continuing. Ignore them, he tells himself. Whatever they want to say, whatever bullshit comments they want to make,
don’t react. Just let them get it off their chests.

The room is busier than usual. A
lot
busier. In addition to the regular day-tour detectives, there are the Robbery Apprehension guys, there are cops from Anti-Crime, there is a gaggle of
uniforms who all chose this very moment to drop off some paperwork. All come to see the freak show.

The gang’s all here, thinks Doyle. Let’s get this party started.

He aims for his desk and starts walking like he’s heading for the hangman’s noose. Silence descends on the room. No clacking of keyboards, no wisecracks, no coughing, no cursing.
Eerily, even the phones stop ringing, as though the whole city has been notified to observe a minute’s silence for this event.

Doyle takes a seat on his familiar chair – the one with the splatter of paint on its arm. He casts his gaze over his familiar scarred desk – the one with the left-hand drawer that
doesn’t open. He looks at his stack of Guinness beer mats, the bobble-headed leprechaun.

And then it starts.

One guy at first. Then a few more. Then practically everyone.

They are applauding.

They are clapping loudly and without sarcasm. They are showing their support for one of their own. They are welcoming him home.

Doyle keeps his gaze fixed on his desktop. He is certain there will be one or two cops – Schneider amongst them – who will not be applauding. But right now he doesn’t want to
know who’s for him and who’s against him. He just wants to absorb the overriding sense of acceptance.

They approach him then. Shaking his hand, slapping his back and shoulder, issuing pat phrases that could come straight off greeting cards. To Doyle it’s a blur of faces and a bombardment
of words that all sound different but which all convey essentially the same positive message.

And then they drift away. Back to their desks, their offices, their work. A file cabinet squeaks open. Someone starts bashing at a keyboard. A phone starts ringing. Normality reigns once
more.

Except it isn’t normal. How could it be normal?

All those people dead. The empty desks in the squadroom. The things that Doyle himself did and of which he cannot speak. And, of course, the message from Lucas Bartok. Those whispered words of
his, seared into Doyle’s brain:

‘I got a corpse. The body of a guinea named Sonny Rocca. Still with your bullets in him.’

Which tells Doyle that Bartok hasn’t stepped out forever. He’s coming back. Maybe not tomorrow, or next week, or even next month. But he’ll be back.

Doyle knows his life will never be the same again.

Thanks first and foremost to Will Atkins, Editorial Director at Pan Macmillan, for believing in me and in my novel, for giving me a chance, and for his incredibly astute
editing; to Mary Chamberlain, for spotting me in the slush pile and for her superb copy-editing; to all the staff at Pan Macmillan, for working tirelessly behind the scenes; to the author Margaret
Murphy and the judges and organizers of the Crime Writers’ Association Dagger Awards, for their stamp of approval that means so much; to Mandy and Rob, for their keen interest and enthusiasm;
and to Karolina and Kate, for their invaluable advice. Last, but certainly not least, I want to thank Bethany and Eden, just for being.

First published 2011

by Macmillan This electronic edition published 2011 by Macmillan
an imprint of Pan Macmillan, a division of Macmillan Publishers Limited
Pan Macmillan, 20 New Wharf Road, London N1 9RR
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com

ISBN 978-0-230-75910-7 PDF
ISBN 978-0-230-75909-1 EPUB

Copyright © David Jackson 2011

The right of David Jackson to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital,
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liable to criminal prosecution and civil claims for damages.

A CIP catalogue record for this book is available from the British Library.

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