Authors: Maggie Ritchie
Tags: #paris kiss, #maggie ritchie, #paris, #france, #art, #romance, #historical fiction
Chapter 17
Camille and I waited until we could hear the others spill out onto the street below. Now we were alone, I didn't know what to say to her. The image of her and Rodin returned and I couldn't get it out of my head. A crush on our tutor was one thing, but a full-blown and sordid affair was quite another. It made me sick to think of them together. But at least it all made sense now: her fury when she saw Rodin in the Bois, her sadness when she talked about being able to be with the one you loved. I couldn't understand why, how, she could allow Rodin to make love to her. I'd heard all the stories, of course, about women throwing themselves at him, his affairs with models and society women who posed for him, but I couldn't see the attraction. I was only in my early twenties then and he seemed so old to me, with his long grey beard and stained suits.
I couldn't look at Camille, so I moved towards the little stove. âTea?'
She nodded and pulled the silver case from her skirt pocket. âCigarette?'
Once we were settled around the table, our cigarette smoke blueing the air, Camille began to talk.
âI suppose you're shocked. I would be if I were you.
Enfin
, he is our
maître
.'
âWhat age is he â fifty?'
She picked a strand of tobacco from the tip of her tongue. âForty-nine. As if that matters â he is a genius. It is the artist I love, the man, his passion, age means nothing to me.'
I wondered if that ever worked the other way round, if Rodin would make love to a woman more than twenty years older than him; somehow I doubted it. That's what my worldly-wise mother would say, anyway. I shook my head â that kind of comment would only enrage Camille. But I had to make her realise she was playing with fire.
I took her hands in mine. âCamille, think about the risks you are taking. If it got out, your family would disown you and you'd be ruined.'
âJessie, please, I need you to understand, I need your help and I need you not to judge me, judge us. I can't lose you now I've found you. I couldn't bear it if we quarrelled. You mean everything to me.'
She kissed my hands; there were tears on her cheeks. I knelt beside her and wiped her face with my thumbs.
âWill you help me, Jessie, will you help us, Rodin and me?'
âYou know I would do anything for you, but what can I do?'
âYou could make it possible for us to meet somewhere safe. Not like this. You could take letters between us, arrange meetings, and keep guard so we are not discovered. With you as chaperone no one would suspect, and we would be safe â I would be safe.'
There was a piece of dried clay in her hair. I crumbled it between my fingers. âAre you in love with him?'
I came to sit beside her and waited while she stubbed out her cigarette and struck a match to light another. She leaned her head on my shoulder and I held her while she told me about her affair with Rodin.
âIt began last year. Rodin says he fell in love with me the first time he saw me.
C'était un
coup
de
foudre.
It's a good expression and for me it was exactly like being struck by a bolt of lightning.'
So it was for me, the day I met Camille.
She told me Rodin had arrived at the
atelier
one day to replace her previous
maître
, Bouchon. Camille was eighteen and newly arrived in Paris.
âI was working on a bust of our old servant, Hélène. He stood in the shadow of the doorway over there for a while before I noticed him. Short, square, powerful as the Minotaur.
Je suis Rodin
. It's all he said. He walked up to the sculpture I was working on, the clay was still wet and it smeared his hands. Rodin looked at me with such intensity, as if I were one of his own works, and put his hands on my face, like this.' She reached up and touched my face, tracing the contours, and I wanted to catch her fingers and kiss them, one by one.
Camille sighed and resumed her story. âLater, another day, he did the same, but this time he traced my neck, my breasts, stroked my arms and ran his hands over my hips. It didn't occur to me to move. He unbuttoned my bodice. I knew his intention but I didn't care. I felt the power in his touch â he moulded me like a piece of clay. He did such things to me that afternoon, I was enslaved. But so was he. It's perfect, we have a perfect love.' She looked at me again, as if waking from a dream. âDon't you see, Jessie, it's what I've always wanted. Rodin is my lover. The great Rodin! Can you imagine?'
I saw limbs entwined: two nudes. But the lovers I conjured were not Rodin and Camille, but Camille and I.
She lit another cigarette and a spiral of smoke wound its way from her lips and hung in the still air between us. âAfterwards I lay on a dustsheet spread on the floor, as unabashed by my nakedness as a child. He sculpted me then, and it seemed more intimate than what we had just done. Does that make sense?'
Camille's dark curls fell into her navy blue eyes as she looked up at me.
âPerfect sense,' I said. Camille had found her grand passion, and love trumped everything. What a bore I must seem, droning on about her reputation, when all that mattered was Love, the kind of love I'd never had. Of course, I loved William, and I was excited by Georges, but this was different, and I envied her.
âWill you help me?' Camille said. âHelp us,
ma
petite anglaise
?'
I took her hands in mine and kissed the tips of each finger. âCamille, you know I would do anything for you.'
I was rewarded with a fierce embrace. She unstopped the brandy bottle, tipped the liquor into our cups and raised hers. âTo Art and Love.'
âLove and Art.'
Camille drank until the cup was empty; she traced the familiar Willow pattern of lovers fleeing across the bridge, two doves flying above them.
âI'm meeting Rodin at the Louvre tomorrow morning, early, before it opens,' she said. âWill you come with me? He wants to speak with you.'
I stiffened. âSo you were planning to ask me anyway, if I hadn't caught you here?'
âYes. Are you angry?'
âNo, it makes me feel better,' I said with a sigh. âNow I know your hand hasn't been forced.'
She smiled. âI'm glad there are no secrets between us any more.'
âNo secrets.' I drank the rest of my brandy and wondered why I had agreed to help them. At least this way I would be close to Camille and I would be part of one of the world's greatest love stories; I would not be left out.
Chapter 18
We made our way through the eerily empty halls of the Louvre, our footsteps echoing on the stone floors. In the sculpture room the morning sun pooled around Michelangelo's
Dying Slave
and
Rebellious Slave
. We took out our notebooks.
âLook how he has exaggerated the size of the hands and feet â it breaks all the rules I was taught,' I said.
âAnd he's left the torso of the rebellious slave rough,' Camille said, âwhile the skin of the dying slave is highly polished. Do you suppose it means he has reached some kind of divine state as he nears death?'
âMore likely the money for the commission ran out before he got around to a final polish.' Rodin's voice gave me a start. He came to stand in front of me and planted the walking stick in front of him. He cocked his head to one side and smiled. âWell, Mademoiselle Lipscomb, are you with us?'
â
Oui, mon maître
.'
Rodin held out his arms and I stepped into them. He pressed me against his chest. His coat smelled of clay and the cigars he smoked.
âI knew we could rely on you,
ma chère élève
.' He released me and became business-like. âWe must make practical arrangements.' He beckoned Camille over so we stood together like a trio of conspirators. âThere is a room at the studio that locks from the inside where we can meet in private. Jessie can stand guard and if someone comes, you can warn us,
d'accord
?'
He spoke to me as if he were giving orders to the men at his
atelier
. It rankled that he assumed I would do his bidding unquestioningly, like a good little woman.
âNot so fast,' I said. âYou must allow me to speak.' Rodin looked surprised, but he nodded. I gripped my sketchpad against my chest and took a breath. âHave you thought about the consequences? What will happen to Camille if your affair is discovered? You're a man, your reputation will recover but Camille would be ruined.' It took a lot for me to stand up to Rodin, and he was not used to being challenged. He glared at me but I refused to drop my eyes. Camille was too important to me. She may not be able to think clearly, but my mind was not clouded with passion.
Camille broke the tense silence with a laugh. âOh Jessie, you use such bourgeois words â ruined! You know Papa would forgive me anything. And as for my so-called reputation, I couldn't care that for it.' She snapped her fingers.
Rodin chewed his lip, as if considering the situation, then smiled at me. âCamille, this is important, and Jessie is right to be worried about you. My personal affairs are complicated at present but you, both of you, must trust me when I say they will be resolved. I would never abandon Camille.'
I dropped my shoulders. It was clear they were set on a path and nothing I could say would change it. I had no choice but to fold up my reservations and tuck them away. Camille needed me, and if, God forbid, it all did go wrong, she would need me even more.
I nodded and lowered my eyes. Rodin put his arms around both our shoulders. â
Très bien.
You will not regret your decision
,
you have my word
. Alors
, let us see what Michelangelo can teach us about breaking the rules of proportion.'
I moved away from his embrace and put my notebook in my satchel. âExcuse me,
Maître
, but I have to meet William. Perhaps we may come here another day to resume the class.'
âCertainly we shall â for my two favourite and most gifted pupils there will be many opportunities to look at Michelangelo together. The doors of the Parisian art world have just opened wide for you, Jessie. But I must not keep you from your young man. Be gentle with him â his head may be a little sore after last night.' Rodin's laughter was good-natured.
Camille put her arm through mine. âI'll come with you, Jessie. I'll wait in the cab while you say goodbye.'
The platform was crowded and it took me a while to find William. When he turned to greet me, his face was tinged with green.
âWilliam, your eyes look as if they've been poached.'
âNo need to shout, Jess. Feeling a bit delicate, that's all, must have eaten a bad oyster.'
âOyster, my foot. Do you think I don't know what a hangover looks like?' I was still furious with him for rushing off to Montmartre at the first sniff of adventure; too annoyed to admit I would have done exactly the same in his place. âWhat on earth were you drinking, anyway? I've never seen you look so ill.'
He put his hand over his eyes. âUm, this green stuff, like perfumed syrup, bloody awful. What did Georges call it? A green pixy, I think.'
I rolled my eyes. â
La Fée Verte
? Don't tell me you've been drinking absinthe. It's supposed to send people mad.' I suppressed a smile. William looked about the same colour as the Green Fairy, a rather winsome name for this most evil of drinks.
âAbsinthe, that's the chap.' He clutched his forehead, turning even greener. He groaned. âI think that damned pixy is doing the cancan inside my head.' He brightened for a second. âI say, those French dancing girls can kick their own height; you should take it up, Jess, better than calisthenics any day.'
âShut up, you idiot.' But he was making me laugh, teasing me out of my bad mood, the way he used to when we were little and he left a spider under my water glass at dinner, a trick he was still fond of playing.
He took me in his arms. âThat's better, Jess. I love to hear you laugh.' He tried to kiss me and I pushed him away.
âUrgh, you smell like rubbing alcohol. Are you still drunk?'
âAs a lord,' he sighed. âBut, I do have perfect recall, and I can report that I behaved like a perfect gentleman, despite the many and varied temptations on offer. Do you know, there was one girl who could put her leg behind herâ¦'
I put my hand over his lips and he tried to bite my fingers. âPlease remember, I'm not one of your chaps. Keep your saucy tales for the men at your club.' I said.
âAnd tales are all they are.' He grew serious. âYou do know that you have nothing to worry about on that count, Jess? Nothing could tempt me away from you, my darling.' He moved his face close to mine and I let him kiss me a little before pushing him away again.
The whistle went and we began to walk towards the train.
âI wonder how Georges is feeling this morning,' William said. âNow, there's one with an eye for the ladies.'
I gripped his arm tighter. I wasn't really worried about William: he was too decent to give into the temptations Montmartre offered. But Georges was different. I'd seen the way the models nudged each other and made excuses to get undressed in front of him, and the way he joked with a couple of them in a manner that made it clear they had been together. I wanted to ask William what he meant, what Georges had done, but he had moved onto Rosa.
âWhat a seducer! She was bowling them over with these elaborate compliments, treating the dancers like duchesses. One of them was quite smitten with her and they headed off together into the night. Bet the poor thing got a fright when Rosa's jodhpurs came off.'
I tried to smile but I was too distracted by the thought of Georges, and what he had been doing. William didn't seem to notice and he was still laughing when we stopped at the First Class carriage door. He clapped his hand to his head. âI nearly forgot to give you this.' He fished in his pocket and pulled out a scrap of paper. âWe met this funny little chap, Henri I think his name was, an artist. He gave me one of his sketches and I kept it for you.' He handed me a crumpled piece of paper.
The signature
Toulouse-Lautrec
was scrawled under a few pen lines. I'd never heard of him before but the drawing was powerful: a dancer, so alive she seemed to move across the page. I folded it carefully and put it in my purse. A guard blew the whistle again and the train doors began to slam shut. William put his arms around me. Suddenly, I desperately didn't want him to leave.
âCan't you stay a little longer?' I said. âI've hardly seen you.'
âI know Jess, I'm sorry. I shouldn't have dashed off to Montmartre like that, but you do see how one couldn't resist? You know that I do love you, don't you? Enjoy Paris, but remember always come back to me, because no one could love you more than I.' He stroked my face. âWe may be two different metals, but together we make a perfect compound.'
The guard blew the final whistle. William kissed me hard on the mouth and jumped onto the train just as it started to move off.
I wiped my eyes and walked to the cab, my heavy heart lifting with every step that took me nearer to Camille.