Paris Noir: Capital Crime Fiction (21 page)

The girl couldn’t have been older than twenty-five with a jungle of thick dark curls falling to her shoulders and a gawky, slightly unfeminine walk. Her back was bare, pale skin on full display emerging from a thin knitted top, and she wore a white skirt that fell all the way to her ankles, through which one could spy her long legs and a round arse just that little bit bigger than she would no doubt have wished to have, an imperfection that actually made her quite stunning. With deep brown eyes and a gypsy-like, wild demeanour, she reminded Cornelia of a child still to fully mature. She wore dark black shoes with heels, which she visibly didn’t need, as she was almost as tall as Cornelia. A sad sensuality poured out from every inch of her as she followed her companion’s instructions and settled on a high stool at the bar. The man ordered without asking the young girl what she wanted. Her eyes darted across the room, looking at the other patrons of the club, Judging them, weighing them. It was evidently her first time here.

Cornelia adjusted her gaze,

The man squiring the exotic young woman was him, her target. The bad man. Her information had proved correct. As she watched the couple, Cornelia blanked out the music.

Less than an hour later, she had made acquaintance with them and suggested to her new friends they could move on to a more private space. Throughout their conversation, the Italian girl had been mostly silent, leaving her older companion to ask all the questions and flirt quite openly and suggestively with the splendid American blonde seemingly in search of local thrills. At first, the man appeared hesitant, as if the visit to Les Chandelles had been planned differently.

‘I’ve never been with a woman before,’ the Italian girl complained to the man.

‘Would you rather I looked for a negro to fuck you here and now with an audience watching?’ he said to her.

‘No,’ she whispered.

‘So, we all agree,’ he concluded, getting up and gallantly taking Cornelia’s hand. ‘Anyway, you can do most of the watching as I intend to enjoy the company of our new American friend to its fullest extent. You can watch and learn; I do find you somewhat passive and unimaginative, my dear young Italian gypsy. See how a real woman fucks.’

Giuly lowered her eyes and stood up to follow them.

Once they had located an empty room on the next floor, Cornelia briefly excused herself and insisted she had to walk back to the cloakroom to get something from the handbag she had left there as well as picking up some clean towels, which their forthcoming activities would no doubt require.

‘Ah, Americans, always keen on hygiene,’ the bad man said and broadly smiled. ‘We’ll be waiting for you,’ he added, indicating to his young companion to start undressing.

‘I’ll leave my clothes too,’ Cornelia said, turning round. ‘Don’t want to get them crumpled, do we?’

‘Perfect,’ the man said, turning his attention to Giuly’s slight, pale, uncovered breasts and sharply twisting her nipples while she was still in the process of slipping out of her long white skirt. There were red marks on her butt cheeks.

When Cornelia returned a few minutes later, the bad man was stripped from the waist down and the Italian girl was sucking him off while his fingers held her hair tight and her head forcibly and pressed against his groin, even though his thrusts were making her choke. He turned his own head towards Cornelia, a blonde apparition, now naked and holding a bunch of towels under her left arm.

’Beautiful,’ he said, and released his pressure on Giuly’s head. ‘Truly regal,’ he observed, his eyes running up and down Cornelia’s body. ‘I like very much,’ he added. His attention now centred on her groin. ‘A tattoo? There? Pretty! What is it?’ the Cornelia approached the couple. The man withdrew his cock from the Italian girl’s mouth, allowing her to breathe better, and put a proprietary hand on Cornelia’s left breast and then squinted, taking a closer look at her depilated pubic area and the small tattoo she sported there.

‘A gun? Interesting,’ he said.

’Sig Sauer,’ Cornelia said.

There was a brief look of concern on his face, but then he relaxed briefly and nodded towards the American woman, indicating she should replace Giuly and service his still jutting cock. Cornelia quietly asked Giuly to move away from the man so that she might take over her position. The Italian girl stumbled backwards to the bed. Cornelia kneeled. As her mouth approached his groin, she pulled out the gun she had kept hidden under the white towels, placed it upwards against his chin and pressed the trigger.

The silencer muffled most of the sound and Giuly’s cry of surprise proved louder than the actual shot which blew the lid of his head off, moving through his mouth and through to his brain in a portion of a second. He fell to the ground, Cornelia cushioning his collapse with her outstretched arm.

‘Jesus,’ Giuly said.

And looked questioningly at Cornelia who now stood with her legs firmly apart, the weapon still in her hand, a naked angel of death.

‘He was a bad man.’ Cornelia said.

‘I know,’ the Italian girl said. ‘But…’

‘It was just a job, nothing personal,’ Cornelia said.

‘So…’

‘Shhhh…’ said Cornelia. ‘Get your clothes.’

The young Italian girl stood there, as if nailed to the floor, every inch of her body revealed. Cornelia couldn’t avoid examining her.

‘You’re very pretty,’ she said.

‘You too,’ the other replied, red-faced.

Cornelia folded the gun back inside the towels. ‘Normally, I would have killed you too,’ she said. ‘As a rule, I must leave no witnesses. But I’m not big on killing women. Just dress, go and forget him. I don’t know how well you knew him – I suspect it wasn’t long. Find a younger man. Live. Be happy. And…’

’What?’

’Forget me, forget what I look like. You don’t know me, you’ve never known me.’

Giuly nodded her agreement as she pulled the knitted top she had worn earlier over her head, disturbing the thousand thick dark curls. The other woman was in no rush to dress, comfortable in her white nudity. Her body was also pale, but a different sort of pallor. Giuly couldn’t quite work out the nature of the difference.

Cornelia watched her hurriedly dress.

’Go back to Rome. This never happened. It’s just Paris, Giuly. Another place.’

Back in the street, Giuly initially felt disorientated. It had all happened so quickly. She was surprised to see that she wasn’t as shocked as she should have been. It was just something that had happened. An adventure. Her first adventure since Peppino. Under her breath, she whispered his real name. The Paris night did not answer.

She checked her bag; she had enough money for a small hotel room for the night. Tomorrow, she would take the train back to Rome.

The Louvre was lit up as she walked towards the Seine, and into a harbour of darkness. At her fourth attempt, Giuly found a cheap hotel on the rue Monsieur le Prince. The room was on the fourth floor and she could barely fit into the lift. Later, she went out and had a crêpe with sugar and Grand Marnier from an all-night kiosk near the junction between the rue de l’Odéon and the boulevard Saint Germain. People were queuing outside the nearby cinemas, people mostly of her own age, no older men here. She walked towards Notre-Dame and wasted time in a bookshop, idly leafing through the new books on display. She would have dearly liked to have a coffee, but no Latin Quarter bookshops also served coffee, unlike her favourite haunt, Feltrinelli’s in Rome, where she had spent much of her teenage years. But she knew that if she walked into a café and took a table alone, someone would eventually try a pickup line and disturb her, and tonight she felt no need for further conversation. So she finally went back to her small room and slept soundly. A night without nightmares or memories.

The man in the Police du Territoire uniform handed her passport back to Cornelia. ‘I hope you enjoyed your stay, Mademoiselle?’

L’Américaine candidly smiled back at him as she made her way into the departure lounge at the airport. ‘Absolutely,’ she said.

For over two years the English bookseller has lived in a former maid’s room on the top floor of an old building on the rue Yves Toudic in the tenth arrondissement of Paris. Day and night he hears through the walls shouting matches of impressive vulgarity and ferocity; the adversaries are a mother and daughter, aged about eighty and fifty respectively. For some months after moving in he was rather afraid of these hideous creatures nesting at the end of the hallway, until the day he realised that they were the same pair of old ladies he’d met a dozen or more times on the stairs. During these encounters the old dears flash him sweet charming smiles and their voices – hoarse and masculine behind closed doors – take on in public a honeyed, almost childish tone. The daughter, slightly handicapped in a manner that remains unclear to him, squints and limps and dresses like a nun. Once they’ve disappeared into their apartment the screaming fits start up again with as much hateful fury as ever, those sweet voices deepened and amplified: ‘Get up you lazy cunt,’ the mother barks, ‘I want my dinner.’

‘Fuck off, ass pirate,’ the daughter answers.

Before moving in here he’d never heard a woman called an ass pirate before; now it’s his daily lot. Normally it’s the daughter who calls her mother this; the older woman prefers the term ‘whore’.

Tonight he thinks he heard the curt sound of a fist against flesh, which bothers him; not knowing which woman is the aggressor this time, he decides to go out. In any case he would have had to leave for dinner, since as usual he has nothing to eat in his room. He almost never slept in it in the days when he had a girlfriend; since she showed him the door six weeks ago – six weeks! – he feels the need to get out in the evenings in order not to submit to depression. He grabs a book at random before opening the door, then double-bolts it behind him.

In the corridor he runs into a young man leaving the toilet, so wasted he has to lean on the wall to remain upright. He wonders if this isn’t the owner of the burnt, twisted spoon he found on the sink the other day.

‘Evening.’

The young man gives him a benevolent smile, shrugs, manages to burble an incoherent response before heading in a leisurely way down the stairs, leaning heavily on the rail. The English bookseller waits until the other has had the time to get to the ground floor before descending himself.

The café on the street corner, as most of its business comes from students in the morning and at noon, is closed evenings; and without thinking about it he chooses its rival across the street where he takes a bar stool, orders a beer and starts reading.

After a second beer and a ham-and-cheese sandwich he shudders at the unpleasant sensation of a hand on his shoulder. Looking over his shoulder he finds at his back a neighbour from the fifth floor, a retired pharmacist whose name he can’t recall.

‘Buy you a round, young man?’

‘Sure,’ says the Englishman, wishing to remain alone but unwilling to hurt his neighbour’s feelings.

The pharmacist, still standing, orders two draughts and grabs the book without asking his permission. ‘It’s in English? What’s it about?’

‘The death of John F. Kennedy, it’s sort of a rehash of all the theories about who was behind the assassination.’

‘Oh? And who was that, do you think?’

‘The author of the book thinks it was probably the New Orleans mafia.’

‘Wrong,’ says the pharmacist with a dry smile, shaking his head.

‘Oh, well,’ says the Englishman, with no desire to pursue it further.

‘Who profited from it?’

‘I don’t know… Khruschev, Castro…?’

The pharmacist closes his eyes, as if patiently addressing a small child. ‘The Jews, naturally.’

‘Oh,’ says the younger man, whose stomach has just started hurting. He has no desire to despise his neighbour, who, pain in the ass though he may be, is alone in the world; he has let it drop that neither his ex-wife nor his daughter nor his grandchildren have any contact with him any more. ‘Is that so?’

‘You don’t believe me? John Kennedy was going to give the Arabs back the land they got stolen away from them in ‘47. The Jews didn’t have any choice. It was the Mossad that did it.’

The bookseller swallows the rest of his beer in a swig, stands up looking at his watch and feigning surprise. ‘Shit, I’m meeting someone at the Bastille in fifteen minutes, I’ve got to get going. Thanks for the beer, the next round’s on me.’

‘I’ve got my car outside, I’m free at the moment, you want me to drop you?’

Holy fucking God no. ‘That’s nice of you, I think the Métro’s quicker this time of day.’

Aware of the pharmacist’s eyes on his back, he leaves, crosses the street and walks to the place de la République, where he stops in front of the Métro entrance. Having nothing planned for the evening, and anxious to avoid the nauseating prospect of an evening listening to the neighbours, he decides to see a movie at the Bastille after all.

The film is a piece of shit, an English love-and-war story; he stays seated until the end anyway, reading the credits along with a few other disillusioned, compulsive film buffs. When the lights go back up he sneaks into the screening room next door where another film is fifteen minutes under way. That’s all right, it’s the third time he’s seen it and he knows the opening by heart.

In fact the first time he saw it, six weeks ago, he was with the girlfriend, a fact that occurs to him towards the end of the film. It’s an American comedy, just the kind of thing she hated, and though it would be wrong to attribute the breakup to his insistence on seeing the movie, it was nonetheless the day after that she gave him the sad news that she was leaving him. At the time he’d felt no sadness, just a vague sense of humiliation – obviously he would have preferred to be the one doing the leaving – and irritation, since replacing her would not be easy.