Pere Goriot (24 page)

“Then, even now, I owe you a debt of gratitude, monsieur,” said the banker's wife. “We shall be quite old friends in a little while.”

“Although a friendship with you could not be like an ordinary friendship,” said Rastignac; “I should never wish to be your friend.”

Such stereotyped phrases as these, in the mouths of beginners, possess an unfailing charm for women, and are insipid only when read coldly; for a young man's tone, glance, and attitude give a surpassing eloquence to the banal phrases. Mme. de Nucingen thought that Rastignac was adorable. Then, woman-like, being at a loss how to reply to the student's outspoken admiration, she answered a previous remark.

“Yes, it is very wrong of my sister to treat our poor father as she does,” she said; “he has been a Providence to us. It was not until M. de Nucingen positively ordered me only to receive him in the mornings that I yielded the point. But I have been unhappy about it for a long while; I have shed many tears over it. This violence to my feelings, with my husband's brutal treatment, have been the two causes of my unhappy married life. There is certainly no woman in Paris whose lot seems more enviable than mine, and yet, in reality, there is not one so much to be pitied. You will think I must be out of my senses to talk to you like this; but you know my father, and I cannot regard you as a stranger.”

“You will find no one,” said Eugène, “who longs as eagerly as I do to be yours. What do all women seek? Happiness.” (He answered his own question in low, vibrating tones.) “And if happiness for a woman means that she is to be loved and adored, to have a friend to whom she can pour out her wishes, her fancies, her sorrows and joys; to whom she can lay bare her heart and soul, and all her fair defects and her gracious virtues, without fear of a betrayal; believe me, the devotion and the warmth that never fails can only be found in the heart of a young man who, at a bare sign from you, would go to his death, who neither knows nor cares to know anything as yet of the world, because you will be all the world to him. I myself, you see (you will laugh at my simplicity), have just come from a remote country district; I am quite new to this world of Paris; I have only known true and loving hearts; and I made up my mind that here I should find no love. Then I chanced to meet my cousin, and to see my cousin's heart from very near; I have divined the inexhaustible treasures of passion, and, like Cherubino,
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I am the lover of all women, until the day comes when I find the woman to whom I may devote myself. As soon as I saw you, as soon as I came into the theatre this evening, I felt myself borne towards you as if by the current of a stream. I had so often thought of you already, but I had never dreamed that you would be so beautiful! Mme. de Beauséant told me that I must not look so much at you. She does not know the charm of your red lips, your fair face, nor see how soft your eyes are.... I also am beginning to talk nonsense; but let me talk.”

Nothing pleases women better than to listen to such whispered words as these; the most puritanical among them listens even when she ought not to reply to them; and Rastignac, having once begun, continued to pour out his story, dropping his voice, that she might lean and listen; and Mme. de Nucingen, smiling, glanced from time to time at de Marsay, who still sat in the Princesse Galathionne's box.

Rastignac did not leave Mme. de Nucingen till her husband came to take her home.

“Madame,” Eugène said, “I shall have the pleasure of calling upon you before the Duchesse de Carigliano's ball.”

“If Matame infites you to come,” said the Baron, a thick-set Alsatian, with indications of a sinister cunning in his full-moon countenance, “you are quide sure of being well receifed.”

“My affairs seem to be in a promising way,” said Eugène to himself.—“‘Can you love me?' I asked her, and she did not resent it. The bit is in the horse's mouth, and I have only to mount and ride;” and with that he went to pay his respects to Mme. de Beauséant, who was leaving the theatre on d'Ajuda's arm.

The student did not know that the Baroness' thoughts had been wandering; that she was even then expecting a letter from de Marsay, one of those letters that bring about a rupture that rends the soul; so, happy in his delusion, Eugène went with the Vicomtesse to the peristyle, where people were waiting till their carriages were announced.

“That cousin of yours is hardly recognizable for the same man,” said the Portuguese laughingly to the Vicomtesse, when Eugène had taken leave of them. “He will break the bank. He is as supple as an eel; he will go a long way, of that I am sure. Who else could have picked out a woman for him, as you did, just when she needed consolation?”

“But it is not certain that she does not still love the faithless lover,” said Mme. de Beauséant.

The student meanwhile walked back from the Theatre-Italiens to the Rue Neuve-Sainte-Geneviève, making the most delightful plans as he went. He had noticed how closely Mme. de Restaud had scrutinized him when he appeared in the Vicomtesse's box, and again when he sat beside Mme. de Nucingen, and inferred that the Countess' doors would not be closed in future. Four important houses were now open to him—for he meant to stand well with the Marechale; he had four supporters in the inmost circle of society in Paris. Even now it was clear to him that, once involved in this intricate social machinery, he must attach himself to a spoke of the wheel that was to turn and raise his fortunes; he would not examine himself too curiously as to the methods, but he was certain of the end, and conscious of the power to gain and keep his hold.

“If Mme. de Nucingen takes an interest in me, I will teach her how to manage her husband. That husband of hers is a great speculator; he might put me in the way of making a fortune by a single stroke.”

He did not say this bluntly in so many words; as yet, indeed, he was not sufficient of a diplomatist to sum up a situation, to see its possibilities at a glance, and calculate the chances in his favor. These were nothing but hazy ideas that floated over his mental horizon; they were less cynical than Vautrin's notions; but if they had been tried in the crucible of conscience, no very pure result would have issued from the test. It is by a succession of such like transactions that men sink at last to the level of the relaxed morality of this epoch, when there have never been so few of those who square their courses with their theories, so few of those noble characters who do not yield to temptation, for whom the slightest deviation from the line of rectitude is a crime. To these magnificent types of uncompromising Right we owe two masterpieces—the Alceste of Molière, and, in our own day, the characters of Jeanie Deans and her father in Sir Walter Scott's novel.
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Perhaps a work which should chronicle the opposite course, which should trace out all the devious courses through which a man of the world, a man of ambitions, drags his conscience, just steering clear of crime that he may gain his end and yet save appearances, such a chronicle would be no less edifying and no less dramatic.

Rastignac went home. He was fascinated by Mme. de Nucingen ; he seemed to see her before him, slender and graceful as a swallow. He recalled the intoxicating sweetness of her eyes, her fair hair, the delicate silken tissue of the skin, beneath which it almost seemed to him that he could see the blood coursing; the tones of her voice still exerted a spell over him; he had forgotten nothing; his walk perhaps heated his imagination by sending a glow of warmth through his veins. He knocked unceremoniously at Goriot's door.

“I have seen Mme. Delphine, neighbor,” said he.

“Where?”

“At the Italiens.”

“Did she enjoy it? ... Just come inside,” and the old man left his bed, unlocked the door, and promptly returned again.

It was the first time that Eugène had been in Père Goriot's room, and he could not control his feeling of amazement at the contrast between the den in which the father lived and the costume of the daughter whom he had just beheld. The window was curtainless, the walls were damp, in places the varnished wall-paper had come away and gave glimpses of the grimy yellow plaster beneath. The wretched bed on which the old man lay boasted but one thin blanket, and a wadded quilt made out of large pieces of Mme. Vauquer's old dresses. The floor was damp and gritty. Opposite the window stood a chest of drawers made of rosewood, one of the old-fashioned kind with a curving front and brass handles, shaped like rings of twisted vine stems covered with flowers and leaves. On a venerable piece of furniture with a wooden shelf stood a ewer and basin and shaving apparatus. A pair of shoes stood in one corner ; a night-table by the bed had neither a door nor marble slab. There was not a trace of a fire in the empty grate; the square walnut table with the cross-bar against which Père Goriot had crushed and twisted his posset-dish stood near the hearth. The old man's hat was lying on a broken-down bureau. An armchair stuffed with straw and a couple of chairs completed the list of ramshackle furniture. From the tester of the bed, tied to the ceiling by a piece of rag, hung a strip of some cheap material in large red and black checks. No poor drudge in a garret could be worse lodged than Père Goriot in Mme. Vauquer's lodging-house. The mere sight of the room sent a chill through you and a sense of oppression; it was like the worst cell in a prison. Luckily, Goriot could not see the effect that his surroundings produced on Eugène as the latter deposited his candle on the night-table. The old man turned round, keeping the bedclothes huddled up to his chin.

“Well,” he said, “and which do you like the best, Mme. de Restaud or Mme. de Nucingen?”

“I like Mme. Delphine the best,” said the law student, “because she loves you the best.”

At the words so heartily spoken the old man's hand slipped out from under the bedclothes and grasped Eugène's.

“Thank you, thank you,” he said, gratefully. “Then what did she say about me?”

The student repeated the Baroness' remarks with some embellishments of his own, the old man listening the while as though he heard a voice from Heaven.

“Dear child!” he said. “Yes, yes, she is very fond of me. But you must not believe all that she tells you about Anastasie. The two sisters are jealous of each other, you see, another proof of their affection. Mme. de Restaud is very fond of me too. I know she is. A father sees his children as God sees all of us; he looks into the very depths of their hearts; he knows their intentions; and both of them are so loving. Oh! if I only had good sons-in-law, I should be too happy, and I dare say there is no perfect happiness here below. If I might live with them—simply hear their voices, know that they are there, see them go and come as I used to do at home when they were still with me; why my heart bounds at the thought.... Were they nicely dressed?”

“Yes,” said Eugène. “But, M. Goriot, how is it that your daughters have such fine houses, while you live in such a den as this?”

“Dear me, why should I want anything better?” he replied, with seeming carelessness. “I can't quite explain to you how it is; I am not used to stringing words together properly, but it all lies there——” he said, tapping his heart. “My real life is in my two girls, you see; and so long as they are happy, and smartly dressed, and have soft carpets under their feet, what does it matter what clothes I wear or where I lie down of a night? I shall never feel cold so long as they are warm; I shall never feel dull if they are laughing. I have no troubles but theirs. When you, too, are a father, and you hear your children's little voices, you will say to yourself, ‘That has all come from me.' You will feel that those little ones are akin to every drop in your veins, that they are the very flower of your life (and what else are they?); you will cleave so closely to them that you seem to feel every movement that they make. Everywhere I hear their voices sounding in my ears. If they are sad, the look in their eyes freezes my blood. Some day you will find out that there is far more happiness in another's happiness than in your own. It is something that I cannot explain, something within that sends a glow of warmth all through you. In short, I live my life three times over. Shall I tell you something funny? Well, then, since I have been a father, I have come to understand God. He is everywhere in the world, because the whole world comes from Him. And it is just the same with my children, monsieur. Only, I love my daughters better than God loves the world, for the world is not so beautiful as God Himself is, but my children are more beautiful than I am. Their lives are so bound up with mine that I felt somehow that you would see them this evening. Great Heaven! If any man would make my little Delphine as happy as a wife is when she is loved, I would black his boots and run on his errands. That miserable M. de Marsay is a cur; I know all about him from her maid. A longing to wring his neck comes over me now and then. He does not love her! does not love a pearl of a woman, with a voice like a nightingale and shaped like a model. Where can her eyes have been when she married that great lump of an Alsatian? They ought both of them to have married young men, good-looking and goodtempered—but, after all, they had their own way.”

Père Goriot was sublime. Eugène had never yet seen his face light up as it did now with the passionate fervor of a father's love. It is worthy of remark that strong feeling has a very subtle and pervasive power; the roughest nature, in the endeavor to express a deep and sincere affection, communicates to others the influence that has put resonance into the voice, and eloquence into every gesture, wrought a change in the very features of the speaker; for under the inspiration of passion the stupidest human being attains to the highest eloquence of ideas, if not of language, and seems to move in some sphere of light. In the old man's tones and gesture there was something just then of the same spell that a great actor exerts over his audience. But does not the poet in us find expression in our affections ?