Perfect Match (21 page)

I raise one eyebrow.

“I'm going to take that as a yes,” Dr. Storrow scribbles on his form. “Do yo u know what the role of the prosecutor is?”

“Oh, I think I have a pretty good idea.”

Do you know what the defense attorney does? Do you understand that the stat e is trying to prove you guilty beyond a reasonable doubt? The questions co me, silly as cream pies thrown at the face of a clown. Fisher and I will us e this ridiculous rubber stamp interview to our advantage. On paper, withou t the inflection of my voice, my answers will not look absurd-they will on ly seem a little evasive, a little strange. And Dr. Storrow is too inexperi enced to communicate on the stand that all along I knew exactly what he was talking about.

“What should you do if something happens in court that you don't understan d?”

I shrug. “I'd have my attorney ask what legal precedent they were following, so that I could look it up.”

“Do you understand that anything you say to your lawyer, he can't repeat?”

“Really?”

Dr. Storrow puts down the form. With a perfectly straight face, he says, “I think we can move on.” He looks at my purse, from which I once pulled a gu n. “Have you ever been diagnosed with a psychiatric illness?”

“No.”

“Have you ever been on any medication for psychiatric problems?”

“No.”

“Do you have a history of emotional breakdown triggered by stress?”

“No.”

“Have you ever owned a gun before?”

I shake my head.

“Have you ever been to counseling of any kind?”

That question gives me pause. “Yes,” I admit, thinking back to the confession al at St. Anne's. “It was the worst mistake of my life.”

“Why?”

“When I found out my son had been sexually abused, I went to confession at my church. I talked to my priest about it. And then I found out that he was the bastard who did it.”

My language makes a blush rise above the collar of his button-down shirt. “ Ms. Frost-Nina-I need to ask you some questions about the day that . . . th at everything happened.”

I start to pull at the sleeves of my turtleneck. Not a lot, just so that fabric c overs my hands. I look into my lap. “I had to do it,” I whisper. I am getting so good at this.

“How were you feeling that day?” Dr. Storrow asks. Doubt ices his voice; ju st moments ago, I was perfectly lucid.

“I had to do it ... you understand. I've seen this happen too many times. I c ouldn't lose him to this.” I close my eyes, thinking of every successful insa nity defense I've ever heard proposed to a court. “I didn't have a choice. I couldn't have stopped myself... it was like I was watching someone else do it , someone else reacting.”

“But you knew what you were doing,” Dr. Storrow replies, and I have to ca tch myself before my head snaps up. “You've prosecuted people who've done horrible things.”

“I didn't do a horrible thing. I saved my son. Isn't that what mothers are sup posed to do?”

“What do you think mothers are supposed to do?” he asks. Stay awake all night when an infant has a cold, as if she might be able to br eathe for him. Learn how to speak Pig Latin, and make a pact to talk that way for an entire day. Bake at least one cake with every ingredient in the pantr y, just to see how it will taste.

Fall in love with your son a little more every day.

“Nina?” Dr. Storrow says. “Are you all right?” I look up and nod through my tears. “I'm sorry.”

“Are you?” He leans forward. “Are you truly sorry?” We are not talking about the same thing anymore. I imagine Father Szyszynsk i, on his way to Hell. I think of all the ways to interpret those words, an d then I meet Dr. Storrow's gaze. “Was he?”

Nina has always tasted better than any other woman, Caleb thinks, as his li ps slip down the slope of one shoulder. Like honey and sun and caramel-from the roof of her mouth to the hollow behind her knee. There are times Caleb believes he could feast on his wife and never feel that he is ge tting enough.

Her hands come up to clutch his shoulder, and in the half dark her head fall s back, making the line of her throat a landscape. Caleb buries his face the re, and tries to navigate by touch. Here, in this bed, she is the woman he f ell in love with a lifetime ago. He knows when she is going to touch him, an d where. He can predict each of her moves.

Her legs fall open to either side of him, and Caleb presses himself against her. He arches his back. He imagines the moment he will be inside her, how t he pressure will build and build and explode like a bullet.

At that moment Nina's hand slips between their bodies to cup him, and just lik e that, Caleb goes soft. He tries grinding against her. Nina's fingers play ov er him like a flutist's, but nothing happens.

Caleb feels her hand come up to his shoulder again, feels the cold air of its absence on his balls. “Well,” Nina says, as he rolls to his back beside her. “ That's never happened before.”

He stares at the ceiling, at anything but this stranger beside him. It's not the only thing, he thinks.

On Friday afternoon, Nathaniel and I go grocery shopping. The P&C is a gas tronomic fest for my son: I move from the deli counter, where Nathaniel ge ts a free slice of cheese; to the cookie aisle, where we pick up the box o f Animal Crackers; to the breads, where Nathaniel works his way through a plain bagel. “What do you think, Nathaniel?” I ask, handing him a few grap es from the bunch I've just put in the cart. “Should I pay $4.99 for a hon eydew?”

I pick up the melon and sniff at the bottom. In truth, I have never been a go od judge of fruit. I know it's all about softness and scent, but in my opinio n some with the sweetest insides have been hard as a rock on the surface. Suddenly, the bagel Nathaniel's been eating falls into my hand. “Peter!” he yells, waving from his harness in the shopping cart. “Peter! Hey, Peter!” I look up to find Peter Eberhardt walking down the produce aisle, holding a bag of chips and a bottle of Chardonnay. Peter, whom I have not s een since the day I had my restraining order against Caleb vacated. There i s so much I want to say to him-to ask him, now that I am not in the office to find out myself-but the judge has specifically prohibited me from speaki ng to my own colleagues as a condition of bail.

Nathaniel, of course, doesn't know that. He just understands that Peter-a m an who keeps Charms lollipops on his desk, who can do the best impression o f a duck sneezing, whom he hasn't seen in weeks-is suddenly standing six fe et away. “Peter,” Nathaniel calls again, and holds out his arms. Peter thinks twice. I can see it in his face. But then again, he adores Natha niel. All the reason in the world cannot stand up to my son's smile. Peter la ys his bag of chips and bottle of wine on top of a display of Red Delicious a pples and gives Nathaniel a bear hug. “Listen to you!” he crows. “That voice is back to a hundred percent working order, isn't it?”

Nathaniel giggles when Peter opens up his mouth to check inside. “Does the volume work too?” he asks, pretending to twist a knob on Nathaniel's belly, so that he laughs louder and louder.

Then Peter turns to me. “He sounds great, Nina.” Four words, but I know what he is really saying: You did the right thing.

“Thanks.”

We look at each other, measuring what can and cannot be said. And because w e are so busy making a commodity of our friendship, I never notice another grocery cart approaching. It pings against the rear of mine gently, just lo ud enough to make me look up, so that I can see Quentin Brown smiling besid e a sea of navel oranges. “Well, well,” he says. “Aren't things ripe here?” He pulls a cell phone out of his breast pocket and dials. “Get a squad car down here now. I'm making an arrest.”

“You don't understand,” I insist, as he puts away his phone.

“What's so difficult to grasp? You're in blatant violation of your bail agreemen t, Ms. Frost. Is this or is this not a colleague from the district attorney's of fice?”

“For Christ's sake, Quentin,” Peter interjects. “I was talking to the kid. He c alled me over.”

Quentin grabs my arm. “I took a chance on you, and you made me look like a fool.”

“Mommy?” Nathaniel's voice rises to me like steam.

“It's okay, sweetie.” I turn to the assistant attorney general and speak thr ough my teeth. “I will come with you,” I say in an undertone. “But please ha ve the decency to do this without traumatizing my child any more.”

“I didn't speak to her,” Peter yells. “You can't do this.” When Quentin turns, his eyes go as dark as plums. “I believe, Mr. Eberhardt , that the exact words you didn't speak were: 'He sounds great, Nina.' Nina . As in the name of the woman you weren't talking to. And frankly, even if you were stupid enough to approach Ms. Frost, it was her responsibility to take her cart and walk away from you.”

“Peter, it's all right.” I talk fast, because I can hear the sirens outside the store already. “Get Nathaniel home to Caleb, will you?” Then two policemen come running into the aisle, their hands on the butts of their guns. Nathaniel's eyes go wide at the show, until he realizes what t hey are doing. “Mommy!” he screams, as Quentin orders me to be handcuffed. I face Nathaniel, smiling so hard my face may break. “It's fine. See? I'm fi ne.” My hair falls out of its clip as my hands are pulled behind me. "Peter?

Take him now."

“Come on, bud,” Peter soothes, pulling Nathaniel out of the cart. His shoes get caught on the metal rungs, and Nathaniel starts fighting in earnest. His arms reach out to me and he starts crying so violently he begins to hiccup.

“Mommeeeee!”

I am marched past the gaping shoppers, past the slack-jawed stock-boys, past the cashiers who pause in midair with their electronic scanners. The whole way, I can hear my son. His shrieks follow me through the parking lot, to th e squad car. The lights are spinning on its roof. Once, long before all this , Nathaniel pointed to a cruiser in pursuit, and called it a zooming holiday.

“I'm sorry, Nina,” one of the policemen says as he ducks me inside. Throug h the window I can see Quentin Brown, arms crossed. Orange juice, I think. Roast beef and sliced American cheese. Asparagus, Ritz crackers, milk. Va nilla yogurt. This is my litany the whole way back to jail: the contents o f my abandoned shopping cart, slowly going bad, until some kind soul has t he inclination to put them back where they belong.

Caleb opens the door to find his son sobbing in Peter Eberhardt's arms. “W hat happened to Nina?” he immediately asks, and reaches for Nathaniel.

“The guy's an asshole,” Peter says desperately. “He's doing this to leave his mark on the town. He's-”

“Peter, where's my wife?”

The other man winces. “Back in jail. She violated her bail agreement, and the assistant attorney general had her arrested.”

For a moment, Nathaniel feels like a lead weight. Caleb staggers under the r esponsibility of bearing him, then finds his footing. Nathaniel is still cry ing, more quietly now, a river that runs down the back of his shirt. Caleb m akes small circles on the child's spine. “Back up. Tell me what happened.” Caleb picks out select words: grocery, produce, Quentin Brown. But he can b arely hear Peter over the roar in his own head, one single phrase: Nina, wh at have you done now? “Nathaniel called me over,” Peter explains. “I was so psyched to hear him talking again, I couldn't just ignore him.” Caleb shakes his head. “You . . . you were the one who approached her?” Peter is a foot shorter than Caleb and feels every inch of it at that moment . He takes a step backward. “I never would have gotten her in trouble, Caleb , you know that.”

Caleb pictures his son screaming, his wife being sandwiched between policeme n, a barrage of fruit spilled on the floor in this fray. He knows it is not Peter's fault, not entirely. It takes two to have a conversation; Nina shoul d have simply walked away.

But as Nina would tell him, she probably wasn't thinking at the time. Peter places a hand on Nathaniel's calf and rubs gently. It only sets the chil d off again; screams ricochet around the porch and peal off the thick bare bra nches of trees. “Jesus, Caleb, I'm sorry. It's ridiculous. We didn't do anythi ng.”

Caleb turns so that Peter can see Nathaniel's back, heaving with the force o f his fear. He touches the damp cap of his son's hair. “You didn't do anythi ng?” Caleb challenges, and leaves Peter standing outside. I move stiffly as I'm led to the solitary cells again, but I cannot tell what 's made me numb-my arrest, or the simple cold. The furnace at the jail has br oken, and the correctional officers are all wearing heavy coats. Inmates usua lly clad in shorts or underwear have put on sweaters; having none, I sit shiv ering in my cell after the door is locked behind me.

“Honey.”

I close my eyes, turn in to the wall. Tonight, I don't feel like dealing with Adrienne. Tonight I have to find a way to understand that Quentin Brown has screwed me. Getting released on bail the first time was a miracle; good fortu ne rarely strikes twice in the same spot.

I wonder if Nathaniel is all right. I wonder if Fisher has spoken to Caleb. This time, being booked, I chose my attorney as my one phone call. It was th e coward's way out.

Caleb will say this is my fault. That is, if he's still speaking to me.

“Honey, your teeth are chattering so hard you're gonna give yourself a root c anal. Here.” Something swishes near the bars; I turn to see Adrienne tossing me a sweater. “It's angora. Don't be stretching it out.” With jerky movements, I tug on the sweater, which I couldn't stretch in my w ildest imaginings, Adrienne being six inches and two cup sizes larger than m e. I am still shaking, but at least now I know it has nothing to do with the cold.

As the guards call lights out, I try to think of heat. I remember how Maso n, when he was a puppy, would lie on my feet with his soft belly hot again st my bare toes. And the beach in St. Thomas, where Caleb buried me up to my neck in the hot sand on our honeymoon. Pajamas, pulled off Nathaniel's body in the early morning, still warm and smelling of sleep.

Across the corridor Adrienne chews Wintergreen Life Savers. They give off green sparks in the near dark, as if she has learned how to make her own l ightning.

Even in the muffled silence of jail, I can hear Nathaniel screaming for me as I am being handcuffed. Nathaniel, who had been doing so well-edging t oward normal-what will this do to him? Will he wait for me at a window, ev en when I don't come home? Will he sleep next to Caleb, to chase away nigh tmares?