Phantom (27 page)

Darkness was falling when Harry inferred from the road sign that he was in the right place. He drove slowly between the identical shoe-boxes on either side of the newly paved road. From the houses that were illuminated enough for him to be able to read the numbers he worked out which was Tord Schultz’s. It lay in total darkness.

Harry parked the car. Looked up. Silver came out of the black sky,
a plane, as soundless as a bird of prey. Lights swept across rooftops, and the plane disappeared behind him, carrying the noise after it like a bridal train.

Harry walked up to the front door, placed his face against the glass panel and rang. Waited. Rang again. Waited for a minute.

Then he kicked in the panel.

He passed his hand through, found the latch and opened the door.

Stepping over the shards of glass, he continued into the living room.

The first thing that struck him was the darkness, that it was darker than a room should be, even unlit. He realized that the curtains were drawn. Thick blackout curtains of the kind they used at the military camp in Finnmark to keep out the midnight sun.

The second thing that struck him was the sense that he was not alone. And since Harry’s experience was that such feelings were almost always accompanied by quite tangible sensory impressions, he concentrated on what they could be, and repressed his own natural reaction: a faster pulse rate and the need to go back the same way he had come. He listened, but all he could hear was a clock ticking somewhere, probably in an adjacent room. He sniffed. A pungent, stale smell, but there was something else, distant, but familiar. He closed his eyes. As a rule he could see them before they came. Over the years he had developed coping strategies to ward them off. But now they were on him before he could bolt the door. The ghosts. It smelled of a crime scene.

He opened his eyes and was dazzled. The light. It swept across the living-room floor. Then came the sound of the plane, and in the next second the room was plunged into darkness again. But he had seen. And it was no longer possible to repress the faster pulse and the urge to get out.

It was the beetle.
Zjuk
. It hovered in the air in front of his face.

The face was a mess.

Harry had switched on the living-room light and was looking down at the dead man.

His right ear had been nailed to the parquet floor and his face displayed six black bloody craters. He didn’t need to search for the murder weapon: It hung at head height right in front of him. At the end of a rope suspended from a beam was a brick. From the brick protruded six blood-covered nails.

Harry crouched down and stretched out his hand. The man was cold, and rigor mortis had definitely set in, despite the heat in the room. The same applied to livor mortis; the combination of gravity and the absence of blood pressure had allowed the blood to settle at the body’s lowest points and lent the underside of the arms a slightly reddish color. The man had been dead for more than twelve hours, Harry guessed. The white ironed shirt had bunched up and some of the stomach could be seen. It did not yet have the green hue that showed that bacteria had started to consume him, a feast that generally started after forty-eight hours and spread outward from the stomach.

In addition to the shirt, he was wearing a tie, which had been loosened, black suit trousers and polished shoes. As though he had come straight from a funeral or a job with a dress code, Harry thought.

He took out his phone and wondered whether to call the Ops Room or Crime Squad directly. He tapped in the number for the Ops Room while looking around. He hadn’t noticed any signs of a break-in, and there was no evidence of a struggle in this room. Apart from the brick and the corpse there was no evidence of any kind, and Harry knew that when the SOC people came they would not find a shred. No fingerprints, no shoe prints, no DNA. And the detectives would be none the wiser: no neighbors who had seen anything, no surveillance cameras at nearby gas stations with shots of familiar faces, no revealing telephone conversations to or from Schultz’s line. Nothing. While Harry waited for an answer he went into the kitchen. Instinctively he trod with care
and avoided touching anything. His glance fell on the kitchen table and a plate with a half-eaten piece of bread and sausage. Over the back of the chair was a suit jacket matching the trousers on the corpse. Harry searched the pockets and found four hundred kroner, a visitor’s pass, a train ticket and an airline ID card. Tord Schultz. The professional smile on the face in the picture resembled the remains of the one he had seen in the living room.

“Switchboard.”

“I have a body here. The address is—”

Harry noticed the visitor’s pass.

“Yes?”

There was something familiar about it.

“Hello?”

Harry picked up the pass. At the top was
OSLO POLICE DISTRICT
. Beneath it was
TORD SCHULTZ
and a date. He had visited the Police HQ or a station two days ago. And now he was dead.

“Hello?”

Harry hung up.

Sat down.

Pondered.

He spent ninety minutes searching the house. Afterward he wiped all the places where he might have left prints and removed the plastic bag he had put around his head with an elastic band so as not to drop hairs. It was an established rule that all detectives and other officers who might conceivably enter a crime scene should register their fingerprints and DNA. If he left any clues it would take the police five minutes to find out that Harry Hole had been there. The fruits of his labors were three small packages of cocaine and four bottles of what he assumed was contraband booze. Otherwise there was exactly what he presumed: nothing.

He closed the door, got in the car and drove off.

Oslo Police District.

Shit, shit, shit
.

W
HEN HE GOT
downtown, he parked and sat staring out of the windshield. Then he called Beate’s number.

“Hi, Harry.”

“Two things. I’d like to ask you a favor. And give you an anonymous tip that there is another man dead in this case.”

“I’ve just been told.”

“So you know?” Harry said in surprise. “The method is called
zjuk
. Russian for ‘beetle.’ ”

“What are you talking about?”

“The brick.”

“Which brick?”

Harry breathed in. “What are you talking about?”

“Gojke Tošić.”

“Who’s that?”

“The guy who attacked Oleg.”

“And?”

“He’s been found dead in his cell.”

Harry looked straight into a pair of headlights coming toward him. “How …?”

“They’re checking now. Looks like he hanged himself.”

“Delete
himself
. They killed the pilot as well.”

“What?”

“Tord Schultz is lying on the living-room floor of his house by Gardermoen.”

Two seconds passed before Beate answered. “I’ll inform the Ops Room.”

“OK.”

“What was the second thing?”

“What?”

“You said you wanted to ask me for a favor?”

“Oh, yes.” Harry pulled the visitor’s pass from his pocket. “I wonder whether you could check the visitors’ register in reception at Police HQ. See who Tord Schultz visited two days ago.”

Silence again.

“Beate?”

“Are you sure this is something I’ll want to be mixed up in, Harry?”

“I’m sure this is something you won’t want to be mixed up in.”

“Fuck you.”

Harry hung up.

H
ARRY LEFT HIS
vehicle in the parking garage at the bottom of Kvadraturen and headed for Hotel Leon. He passed a bar, and the music floating through the open door reminded him of the evening he’d arrived: Nirvana’s inviting “Come as You Are.” He was not aware
that he had entered the bar until he was standing in front of the counter in the winding intestine of a room.

Three customers sat hunched over on their bar stools. It looked like a month-old wake no one had broken up. There was a smell of corpses and creaking flesh. The barman sent Harry an order-now-or-go-to-hell look while slowly removing a cork from a bottle opener. He had three large Gothic letters tattooed across a broad neck:
EAT
.

“What’ll it be?” he shouted, managing to drown out Kurt Cobain, who was asking Harry to come as a friend.

Harry moistened his lips, which had suddenly gone dry. Looked at the barman’s hands twisting. It was a corkscrew of the simplest kind, one that requires a firm, trained hand, but only a couple of turns to penetrate, followed by a quick pull. The cork was pierced right through. This, however, was not a wine bar. So what else did they serve? He saw the distorted image of himself in the mirror behind the barman. The disfigured face. But it was not only his face; all of their faces, all the ghosts, were there. And Tord Schultz was the latest to join them. His gaze scanned the bottles on the mirrored shelf and, like a heat-seeking missile, found its target. The old enemy. Jim Beam.

Kurt Cobain didn’t have a gun.

Harry coughed. Just one.

No gun.

He gave his order.

“Eh?” shouted the bartender, leaning forward.

“Jim Beam.”

There is no gun.

“Gin what?”

Harry swallowed. Cobain repeated the word “memoria.” Harry had heard the song a hundred times before, but he realized he had always thought Cobain sang, “The more,” followed by something else.

In memoriam. Where had he seen it? On a gravestone?

He saw a movement in the mirror. At that moment the phone in his pocket began to vibrate.

“Gin what?” shouted the barman, placing the corkscrew on the counter.

Harry pulled out his cell. Looked at the display.
R
. He took the call.

“Hi, Rakel.”

“Harry?”

Another movement behind him.

“All I can hear is noise, Harry. Where are you?”

Harry turned and walked with hurried strides to the exit. Inhaled the exhaust-polluted yet fresher air outside.

“What are you doing?” Rakel asked.

“Wondering whether to turn left or right,” Harry said. “And you?”

“I’m going to bed. Are you sober?”

“What?”

“You heard me. And I can hear you. I notice when you’re stressed. And that sounds like a bar.”

Harry took out a pack of Camels. Tapped out a cigarette. Saw his hand was shaking. “It’s good you called, Rakel.”

“Harry?”

He lit his cigarette. “Yeah?”

“Hans Christian’s arranged for Oleg to be held in custody at a secret location. It’s in Østland, but no one knows where.”

“Not bad.”

“He’s a good man, Harry.”

“Don’t doubt it.”

“Harry?”

“I’m here.”

“If we could plant some evidence, if I took the rap for the murder, would you help me?”

Harry inhaled. “No.”

“Why not?”

The door opened behind Harry. But he didn’t hear any footsteps walking away.

“I’ll call you from the hotel. OK?”

Harry hung up and strode down the street without a backward glance.

S
ERGEY WATCHED THE
man jog across the street.

Watched him go into Hotel Leon.

He had been so close. So close. First of all in the bar and now here on the street.

Sergey’s hand was still pressed against the deer-horn handle of the knife in his pocket. The blade was out and cutting the lining. Twice he had been on the point of stepping forward, grabbing his hair with his left hand, knife in, carving a crescent. True, the policeman was taller than he had imagined, but it wouldn’t be a problem.

Nothing would be a problem. And as his pulse slowed he could
feel his calm return. The calm he had lost, the calm his terror had repressed. And again he could feel himself looking forward, looking forward to the completion of his task, to becoming at one with the story that was already told.

For this was the place, the place for the ambush. Sergey had seen the eyes of the policeman when he was staring at the bottles. It was the same look his father had when he returned home from prison. Sergey was the crocodile in the billabong, the crocodile that knew the man would take the same path to get something to drink, that knew it was only a question of waiting.

H
ARRY LAY ON
the bed in Room 301, blowing smoke at the ceiling and listening to her voice on the phone.

“I know you’ve done worse things than planting evidence,” she said. “So, why not? Why not for a person you love?”

“You’re drinking white wine,” he said.

“How do you know it’s not red wine?”

“I can hear.”

“So, explain why you won’t help me.”

“May I?”

“Yes, Harry.”

Harry stubbed out the cigarette in the empty coffee cup on the bedside table. “I, lawbreaker and discharged police officer, consider that the law means something. Does that sound weird?”

“Go on.”

“Law is the fence we’ve erected at the edge of the precipice. Whenever someone breaks the law he breaks the fence. So we have to repair it. The guilty party has to atone.”

“No,
someone
has to atone. Someone has to take the punishment to show society that murder is unacceptable. Any scapegoat can rebuild the fence.”