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Authors: James Bennett

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BOOK: Plunking Reggie Jackson
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“He did what?”

“I said, he assaulted me.”

“I heard what you said, but what's it supposed to mean?” Coley got to his feet. His eyes were adjusted to the dark, so he could see that her shoulders were shaking. She was crying. He went across and folded her up in his arms from behind. Her shoulders were cold. He took off his tux jacket in order to wrap it around her shoulders. Her cheeks were wet with tears.

She sobbed so long and so hard that when she tried to speak, he shushed her. Her sorrow seemed to come from some desperate and wretched private chamber. Observing the intensity of it, Coley couldn't help but think of what his mother had once said, that there must be some real unhappiness in Bree's background. “It's okay,” he told her. “You don't have to talk.”

When she turned around so they were face-to-face, she gathered the jacket tighter around her shoulders. She was still crying, but it was only tears now, no more convulsions. Her face was on his chest. He felt so large and she felt so small. “It was sex,” said Bree. “In family court they call it assault. Sexual assault.”

“Oh, Jesus.”

“It's okay, Coley, I can tell you.”

“What did he do to you?”

“He did everything.”

“Everything? You mean he even …” Coley wanted the right words.

“I mean everything.” Bree took care of the words. “Even penetration.”

“Penetration.”

“That's the word they use for it in family court. Penetration. He raped me.”

“More than once?”

“A lot more than once. Sometimes he even took videos of us doing it.”

“Jesus.”

“Stop saying that, huh?”

“But why did you let him, Bree? Why didn't you stop him?”

“I was only in the seventh and eighth grades. What was I supposed to do?”

“What does he do now?” Coley asked her.

“He doesn't do anything, except go to the racetrack or hang out in bars. He's on some kind of disability.”

“Why did you stay, Bree? Why didn't you leave?”

“I was in junior high, where was I going to go?” The tears were still running down her cheeks in steady streams, but her voice was firm, if flat. “My mom had left to go live with Burns, not that I blame her. My real dad lives in these cheap hotels that you rent by the month.”

“Why isn't he in jail? If you rape your own daughter, you should be in jail, for Christ's sake.”

“The court took me out of his house and gave my mother custody. But he got off with a suspended sentence because of his disability. He had a lawyer who got him off because of some loophole having to do with his medication.”

“Okay, okay, you don't have to talk about it anymore.”

“I'm glad I told you, but you have to tell me you love me. You have to say it, Coley.”

Coley couldn't find a reason not to say it. “Okay, Bree, I love you.”

“And you have to mean it.”

“Okay, I mean it.” He took the clean, starched handkerchief from his pocket and began dabbing gently at the tears on her face. “We don't have to talk about it anymore,” he repeated. He found himself subdued by her desperately shocking, evil story.
She left a father who raped her so she could live with one who slaps her around
. For once he didn't doubt that she was telling the truth, which made it all the more sobering.

Not that it changed anything, he reminded himself with a sigh. She was still pregnant and he didn't know what to do. Elope to Florida? Coley could hear the music from the orchestra across the way. He almost forgot, they were at the prom, right? And there was laughter. The pond carried sound across the still night air like a stereo.

Her tears dried, Bree was using the handkerchief to blow her nose. She was better now, she said. Coley searched for something to tell her but couldn't find the words. He finally said, “Hey, Bree. This is a night to remember, huh?”

“I don't know how you can be sarcastic at a time like this.”

“Sooner or later we have to lighten this up. You wanna dance?”

“Dance?”

“We might as well. It's the
prom
.”

“Okay,” she said, handing over the wadded-up handkerchief. “Let's.”

Chapter Fourteen

Coley pitched a perfect game at Morton on Wednesday. At least, it would have been a perfect game if the rains hadn't come in the fifth inning. Pitching without pain or fear, he struck out twelve of the fifteen batters he faced. He wondered how.

On the bus ride home his soaked teammates were jubilant and raucous. All the talk was about the play-offs and a shot at the state championship. Coley longed to share their euphoria, but the Bree factor created a gulf between him and the others.

“We're totally grooved now,” said Jamie Quintero. “No reason we can't go all the way.”

“There's always luck involved,” said Coley. “Any time you're in a single-elimination tournament, you've always got the luck factor.”

“Nah. We're grooved. We're in the zone. In a play-off schedule we can have you on the mound practically every time out.”

Rico was tweaking him. He pulled Coley's cap down to cover his eyes. “Too bad you don't get credit for a perfect game.”

Coley couldn't help laughing. “Who cares?” he asked into the dark.

Rico spanked the bill of the cap. “No perfect game unless you go the full seven. You'll always have the asterik on this one.”

“That's
asterisk
to you, dim,” Coley replied. He pulled himself free from the binding cap.

The next morning he used his free period to browse the newspapers in the library. On page 3 of the sports section the
Journal-Star
had a three-column action photo of Coley at the instant of his release point. He looked at the picture for several moments.
What do people see
? he wondered.
Other people
?

The caption beneath the picture said, A MAN AMONG BOYS. Coley didn't know whether to laugh or cry. The only time he felt like a man was when he was with Bree, but it never lasted.

He sensed her before he saw her. Mrs. Alvarez was reading over his shoulder.

“What's it like?” she asked him.

“What's what like?”

“What's it like to be a sports hero?” She took the chair beside him.

“That's what I keep tryin' to figure out,” said Coley honestly. “What're you doin' here?”

“I work here,” Mrs. Alvarez replied quietly. “I'm allowed to visit the library.”

“Funny.” It didn't allay his sense of alarm. “But you want to see me, don't you?”

“Yes. I need to talk to you. But I want you to come to my office. The library isn't very private.”

After Coley put the newspaper back, he followed Mrs. Alvarez down the hall, but with a sense of doom.

She didn't beat around the bush. As soon as they both got seated, she said, “There's not an easy way for me to say this, Coley. Mrs. Grissom has turned in another progress report on you.”

“Not another one. It would mean I'm not eligible.”

“I'm afraid that's true. There's not an easy way to say that, either.”

“But I turned in an extra book report.”

“I wouldn't know about that,” said Mrs. Alvarez, “but here's the statement.” She pushed the green form across her desk so Coley could examine it. The “Unsatisfactory Progress” box was checked with a bold X, and at the bottom was Mrs. Grissom's signature.

He pushed the form back to her before he murmured, “Oh, Jesus. She's just nailing me because I don't get all the symbolism she sees.”

Mrs. Alvarez said, “I'm really sorry. I know how much the play-offs mean to you.”

He slumped in his chair and closed his eyes. “Mrs. Alvarez, why were you asking me about being a sports star?”

“You mean in the library?”

“That's what I mean. It seems like a cruel joke, but that wouldn't be like you.”

“No, Coley, I would never make a cruel joke with you. It was an honest question. I wonder what big success is like. The kind that gets a person lots of exposure.”

“But why? Why are you askin' me a thing like that? At a time like this?”

“Because I think you're afraid of it. Success, I mean.”

Coley thought,
What's that supposed to mean
?

“Success can be scary,” she went on. “Sometimes it can be scarier than failure.”

“Are you talking about baseball?”

“Baseball, relationships, academic success. All of it. I think succeeding is scary to you.”

“Next thing, you'll be sounding like my old man: Looking for excuses to fail. Becoming a coward.”

“What if your
father
is right in some respects?”

“In some respects?” Coley felt the anger rising along his neck. “In
what
respects?!”

She paused before she answered. “Please don't raise your voice. You don't need to. I know how hard it must be for you to talk about these issues, particularly at this moment. But maybe this is the best moment. Or the only one.”

Coley bit his tongue. “In what respects,” he said, tersely but quietly.

“What if your father wants to do the right thing, but for the wrong reason?”

“This is about Patrick, isn't it?”

“It
is
about Patrick. Your academic slide coincided with his death. We talked about this once before—about the guilt associated with the death of young people. Your mother deals with it, your father deals with it, and you deal with it. Even when you don't realize it.”

“And that's why I'm afraid to succeed, even in baseball.”

“Please don't oversimplify. The things that go on in your family are linked to the tragic death of your older brother, in my opinion. I have to keep stressing that—it's only my opinion.”

“The next thing, you'll be suggesting that all three of us go somewhere for family counseling.”

“I can think of worse ideas,” the counselor replied quietly. “But for right now I'd just like you to think about it. Not today, not tomorrow, when you're so terribly disappointed. But sometime.”

Coley didn't reply. He felt numb. “I can't talk about this now.”

“I know.”

For several moments he simply stared at the green form on the desk. “There's no way I can make this up, is there?” It wasn't really a question, though.

“Not this semester.”

“This semester? Mrs. Alvarez, this semester is all there is. I'm a senior.” The sense of desperation that was sinking in was overwhelming.
God, wait till the old man hears about this
.

“I wish there were something I could do,” the counselor said, her sincerity plain. Then she repeated herself by saying, “I really am sorry.”

He dragged himself to his locker, for no reason other than to avoid people who might want to talk. On the shelf at the top was his copy of
The Old Man and the Sea
, in plain view.
The Old Man and Me
would be more like it. He slammed the door shut so hard he rattled all the lockers in the vicinity.
Wait till the old man hears about this
.

He sat by himself in his car at lunchtime and munched on a few Fritos; he didn't have much appetite. If he went to the cafeteria, he would see Rico and his other teammates. What could he say to
them
?

He walked like a zombie from class to class after lunch, choosing passing routes in the hallways that would allow him to avoid any friends or teammates. And he sure as hell didn't want to make any contact with Bree.

After school he went quickly to his car. He could see his teammates on the baseball field beyond the parking lot, warming up and goofing off. He stood staring. He didn't—couldn't—move. There was no reason to join them now, not if he wasn't eligible. He wondered if he should tell the coach. But not now, no way.

He wouldn't be part of the fun. He wouldn't be part of the push to the play-offs. It humbled him to think how he was letting them all down.

Still dazed, he got behind the wheel. Snippets of his conversation with Mrs. Alvarez echoed in his head. Grissom's progress report was the last straw, but only the last one. He felt like he didn't know himself at all anymore. But he also felt like he wanted to.

On some level he was choosing. Ankle injuries, back spasms, a pregnant girlfriend, academic failure, confrontations at home, and whatever. He wanted to see himself as a victim, but it was getting harder all the time.

Could it be so simple as his father's claim that he lacked a killer instinct, which amounted to the same thing as needing a reason to fail? Was he opting for means to fail because he was afraid that success would be a dishonor to his dead brother? Were these notions as preposterous as they seemed?

He stared into the low sun for perhaps a full minute or more, still numb, until the players on the field were just silhouettes and his head ached.

He wondered where Bree was. Now he wanted to see her. She usually waited for him near the practice field or by his car. Not today. He went back inside the school, but she wasn't in the library or the cafeteria. He decided to cruise the streets that might track her direction home, in case she might be walking.

He drove along Jefferson Street and then Eleventh without seeing her, but on Monroe he spotted her walking by herself while hugging some books to her chest. She was moving so slowly it was more of a stroll than actual walking. He rolled down the passenger's window to call to her. “Get in the car, I'll give you a ride.”

“Not now, Coley, I need to be alone.”

“Will you get in the car, Bree?”

“Why aren't you at practice?” she wanted to know. But when she spoke, she didn't look in his direction.

“That's a story. If you get in, I'll tell you about it.”

“Didn't you hear me? I said I need to be alone.”

BOOK: Plunking Reggie Jackson
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