Poirot's Early Cases (11 page)

‘And you yourself were sitting—where?’

‘Facing the window. I was playing with my mother and had gone one no trump. Suddenly, without any warning, the window burst open, and Miss Saintclair staggered into the room.’

‘You recognized her?’

‘I had a vague idea her face was familiar.’

‘She is still here, is she not?’

‘Yes, but she refuses to see anyone. She is still quite prostrated.’

‘I think she will see me. Will you tell her that I am here at the express request of Prince Paul of Maurania?’

I fancied that the mention of a royal prince rather shook Miss Oglander’s imperturbable calm. But she left the room on her errand without any further remark, and returned almost immediately to say that Mademoiselle Saintclair would see us in her room.

We followed her upstairs, and into a fair-sized light bedroom. On a couch by the window a woman was lying who turned her head as we entered. The contrast between the two women struck me at once, the more so as in actual features and colouring they were not unalike—but oh, the difference! Not a look, not a gesture of Valerie Saintclair’s but expressed drama. She seemed to exhale an atmosphere of romance. A scarlet flannel dressing-gown covered her feet—a homely garment in all conscience; but the charm of her personality
invested it with an exotic flavour, and it seemed an Eastern robe of glowing colour.

Her large dark eyes fastened themselves on Poirot.

‘You come from Paul?’ Her voice matched her appearance—it was full and languid.

‘Yes, mademoiselle. I am here to serve him—and you.’

‘What do you want to know?’

‘Everything that happened last night.
But everything
!’

She smiled rather wearily.

‘Do you think I should lie? I am not stupid. I see well enough that there can be no concealment. He held a secret of mine, that man who is dead. He threatened me with it. For Paul’s sake, I endeavoured to make terms with him. I could not risk losing Paul…Now that he is dead, I am safe. But for all that, I did not kill him.’

Poirot shook his head with a smile. ‘It is not necessary to tell me that, mademoiselle. Now recount to me what happened last night.’

‘I offered him money. He appeared to be willing to treat with me. He appointed last night at nine o’clock. I was to go to Mon Désir. I knew the place; I had been there before. I was to go round to the side door into the library, so that the servants should not see me.

‘Excuse me, mademoiselle, but were you not afraid to trust yourself alone there at night?’

Was it my fancy, or was there a momentary pause before she answered?

‘Perhaps I was. But you see, there was no one I could ask to go with me. And I was desperate. Reedburn admitted me to the library. Oh, that man! I am glad he is dead! He played with me, as a cat does with a mouse. He taunted me. I begged and implored him on my knees. I offered him every jewel I have. All in vain! Then he named his own terms. Perhaps you can guess what they were. I refused. I told him what I thought of him. I raved at him. He remained calmly smiling. And then, as I fell to silence at last, there was a sound—from behind the curtain in the window…He heard it too. He strode to the curtains and flung them wide apart. There was a man there, hiding—a dreadful-looking man, a sort of tramp. He struck at Mr Reedburn—then he struck again, and he went down. The tramp clutched at me with his bloodstained hand. I tore myself free, slipped through the window, and ran for my life. Then I perceived the lights in this house, and made for them. The blinds were up, and I saw some people playing bridge. I almost fell into the room. I just managed to gasp out “Murder!” and then everything went black—’

‘Thank you, Mademoiselle. It must have been a great
shock to your nervous system. As to this tramp, could you describe him? Do you remember what he was wearing?’

‘No—it was all so quick. But I should know the man anywhere. His face is burnt in on my brain.’

‘Just one more question, mademoiselle. The curtains of the
other
window, the one giving on the drive, were they drawn?’

For the first time a puzzled expression crept over the dancer’s face. She seemed to be trying to remember.

‘
Eh bien, mademoiselle
?’

‘I think—I am almost sure—yes, quite sure! They were
not
drawn.’

‘That is curious, since the other ones were. No matter. It is, I dare say, of no great importance. You are remaining here long, mademoiselle?’

‘The doctor thinks I shall be fit to return to town tomorrow.’ She looked round the room. Miss Oglander had gone out. ‘These people, they are very kind—but they are not of my world. I shock them! And to me—well, I am not fond of the
bourgeoisie
!’

A faint note of bitterness underlay her words.

Poirot nodded. ‘I understand. I hope I have not fatigued you unduly with my questions?’

‘Not at all, monsieur. I am only too anxious Paul should know all as soon as possible.’

‘Then I will wish you good day, mademoiselle.’

As Poirot was leaving the room, he paused, and pounced on a pair of patent-leather slippers. ‘Yours, mademoiselle?’

‘Yes, monsieur. They have just been cleaned and brought up.’

‘Ah!’ said Poirot, as we descended the stairs. ‘It seems that the domestics are not too excited to clean shoes, though they forget a grate. Well,
mon ami
, at first there appeared to be one or two points of interest, but I fear, I very much fear, that we must regard the case as finished. It all seems straightforward enough.’

‘And the murderer?’

‘Hercule Poirot does not hunt down tramps,’ replied my friend grandiloquently.

Miss Oglander met us in the hall. ‘If you will wait in the drawing-room a minute, Mamma would like to speak to you.’

The room was still untouched, and Poirot idly gathered up the cards, shuffling them with his tiny, fastidiously groomed hands.

‘Do you know what I think, my friend?’

‘No?’ I said eagerly.

‘I think that Miss Oglander made a mistake in going one no trump. She should have gone three spades.’

‘Poirot! You are the limit.’

‘
Mon Dieu
, I cannot always be talking blood and thunder!’

Suddenly he stiffened: ‘Hastings—
Hastings
. See! The king of clubs is missing from the pack!’

‘Zara!’ I cried.

‘Eh?’ he did not seem to understand my allusion. Mechanically he stacked the cards and put them away in their cases. His face was very grave.

‘Hastings,’ he said at last, ‘I, Hercule Poirot, have come near to making a big mistake—a very big mistake.’

I gazed at him, impressed, but utterly uncomprehending.

‘We must begin again, Hastings. Yes, we must begin again. But this time we shall not err.’

He was interrupted by the entrance of a handsome middle-aged lady. She carried some household books in her hand. Poirot bowed to her.

‘Do I understand, sir, that you are a friend of—er—Miss Saintclair’s?’

‘I come from a friend of hers, madame.’

‘Oh, I see. I thought perhaps—’

Poirot suddenly waved brusquely at the window.

‘Your blinds were not pulled down last night?’

‘No—I suppose that is why Miss Saintclair saw the light so plainly.’

‘There was moonlight last night. I wonder that you did not see Mademoiselle Saintclair from your seat here facing the windows?’

‘I suppose we were engrossed with our game. Nothing like this has ever happened before to us.’

‘I can quite believe that, madame. And I will put your mind at rest. Mademoiselle Saintclair is leaving tomorrow.’

‘Oh!’ The good lady’s face cleared.

‘And I will wish you good morning, madame.’

A servant was cleaning the steps as we went out of the front door. Poirot addressed her.

‘Was it you who cleaned the shoes of the young lady upstairs?’

The maid shook her head. ‘No, sir. I don’t think they’ve been cleaned.’

‘Who cleaned them, then?’ I inquired of Poirot, as we walked down the road.

‘Nobody. They did not need cleaning.’

‘I grant that walking on the road or path on a fine night would not soil them. But surely after going through the long grass of the garden, they would have been soiled and stained.’

‘Yes,’ said Poirot with a curious smile. ‘In that case, I agree, they would have been stained.’

‘But—’

‘Have patience a little half-hour, my friend. We are going back to Mon Désir.’

The butler looked surprised at our reappearance, but offered no objection to our returning to the library.

‘Hi, that’s the wrong window, Poirot,’ I cried as he made for the one overlooking the carriage-drive.

‘I think not, my friend. See here.’ He pointed to the marble lion’s head. On it was a faint discoloured smear. He shifted his finger and pointed to a similar stain on the polished floor.

‘Someone struck Reedburn a blow with his clenched fist betwen the eyes. He fell backward on this projecting bit of marble, then slipped to the floor. Afterwards, he was dragged across the floor to the other window, and laid there instead, but not quite at the same angle, as the Doctor’s evidence told us.’

‘But why? It seems utterly unnecessary.’

‘On the contrary, it was essential. Also, it is the key to the murderer’s identity—though, by the way, he had no intention of killing Reedburn, and so it is hardly permissible to call him a murderer. He must be a very strong man!’

‘Because of having dragged the body across the floor?’

‘Not altogether. It has been an interesting case. I nearly made an imbecile of myself, though.’

‘Do you mean to say it is over, that you know everything?’

‘Yes.’

A remembrance smote me. ‘No,’ I cried. ‘There is one thing you do
not
know!’

‘And that?’

‘You do not know where the missing king of clubs is!’

‘Eh? Oh, that is droll! That is very droll, my friend.’

‘Why?’

‘
Because it is in my pocket
!’ He drew it forth with a flourish.

‘Oh!’ I said, rather crestfallen. ‘Where did you find it? Here?’

‘There was nothing sensational about it. It had simply not been taken out with the other cards. It was in the box.’

‘H’m! All the same, it gave you an idea, didn’t it?’

‘Yes, my friend. I present my respects to His Majesty.’

‘And to Madame Zara!’

‘Ah, yes—to the lady also.’

‘Well, what are we going to do now?’

‘We are going to return to town. But I must have a few words with a certain lady at Daisymead first.’

The same little maid opened the door to us.

‘They’re all at lunch now, sir—unless it’s Miss Saintclair you want to see, and she’s resting.’

‘It will do if I can see Mrs Oglander for a few minutes. Will you tell her?’

We were led into the drawing-room to wait. I had a glimpse of the family in the dining-room as we passed, now reinforced by the presence of two heavy, solid-looking men, one with a moustache, the other with a beard also.

In a few minutes Mrs Oglander came into the room, looking inquiringly at Poirot, who bowed.

‘Madame, we, in our country, have a great tenderness, a great respect for the mother. The
mère de famille
, she is everything!’

Mrs Oglander looked rather astonished at this opening.

‘It is for that reason that I have come—to allay a mother’s anxiety. The murderer of Mr Reedburn will not be discovered. Have no fear. I, Hercule Poirot, tell you so. I am right, am I not? Or is it a wife that I must reassure?’

There was a moment’s pause. Mrs Oglander seemed searching Poirot with her eyes. At last she said quietly: ‘I don’t know how you know—but yes, you are right.’

Poirot nodded gravely. ‘That is all, madame. But do not be uneasy. Your English policemen have not the eyes of Hercule Poirot.’ He tapped the family portrait on the wall with his fingernail.

‘You had another daughter once. She is dead, madame?’

Again there was a pause, as she searched him with her eyes. Then she answered: ‘Yes, she is dead.’

‘Ah!’ said Poirot briskly. ‘Well, we must return to town. You permit that I return the king of clubs to the pack? It was your only slip. You understand, to have played bridge for an hour or so, with only fifty-one cards—well, no one who knows anything of the game would credit it for a minute!
Bonjour
!’

‘And now, my friend,’ said Poirot as we stepped towards the station, ‘you see it all!’

‘I see nothing! Who killed Reedburn?’

‘John Oglander, Junior. I was not quite sure if it was the father or the son, but I fixed on the son as being the stronger and younger of the two. It had to be one of them, because of the window.’

‘Why?’

‘There were four exits from the library—two doors, two windows; but evidently only one would do. Three exits gave on the front, directly or indirectly. The tragedy had to occur in the back window in order to make it appear that Valerie Saintclair came to Daisymead
by chance. Really, of course, she fainted, and John Oglander carried her across over his shoulders. That is why I said he must be a strong man.’

‘Did they go there together, then?’

‘Yes. You remember Valerie’s hesitation when I asked her if she was not afraid to go alone? John Oglander went with her—which didn’t improve Reedburn’s temper, I fancy. They quarrelled, and it was probably some insult levelled at Valerie that made Oglander hit him. The rest, you know.’

‘But why the bridge?’

‘Bridge presupposes four players. A simple thing like that carries a lot of conviction. Who would have supposed that there had been only three people in that room all the evening?’

I was still puzzled.

‘There’s one thing I don’t understand. What have the Oglanders to do with the dancer Valerie Saintclair?’

‘Ah, that I wonder you did not see. And yet you looked long enough at that picture on the wall—longer than I did. Mrs Oglander’s other daughter may be dead to her family, but the world knows her as Valerie Saintclair!’

‘
What?
’