Raintree County (16 page)

This was the great festival of the corn in Raintree County, perhaps the County's richest image, bequeathed it by a vanished race.

In these years when Johnny Shawnessy became a man, he spent a great part of his summers working on his father's land and helping with his brothers on neighboring farms. For the big harvests, the ablebodied men in the County travelled about in work gangs. Harvest, of wheat or corn, was a prodigious festival of hard work, huge dinners, rude fun. Day after day, Johnny helped at taking the County's bountiful yield and loading its cribs. In this work, he developed
a body hard and swift, capable of daylong exertion in the hot sun. No one was faster at shucking the corn than he.

He lost himself in this work with pagan identification, came home from it drunk with the good fatigue of a strong young man, his mind full of the tranquil images of harvest—the great mounds of shucked ears, the fodderstacks, the creaking wagons, the loaded harvest tables.

What did it mean, this immense ritual of growth and harvest, this rending of ripe seed from the earth? Perhaps the secret of life reached its climax in the festival moment when armies of harvesters attacked the standing corn.

Properly enough, the season of the harvest in Raintree County was called for the people who had discovered and nurtured the corn. In Indian Summer, the blue bright days flooded the harvest fields with mellow warmth. And at such times Johnny Shawnessy, student of the County's vanished cultures, bethought him of a legended Indian goddess whose bare, bright limbs slipped deeper and deeper into the nodding leaves as the cornknives felled her guardians one by one. Perhaps the low shriek of an ear of corn cleanly husked was the wail of her spirit as it suffered at last the delicious rape. Then he would wonder at the immense achievement of that old race who named the river, and of all primitive humanity as well, which had somehow learned the lesson of the seasons and the seed. And as he saw the swollen ocean of the corn sweeping to the very rim of the river, as he smelled the rank odor of the green corn's milky juices, he knew that the cultivating stick had been greater than the tomahawk.

He would always remember homecoming at evening with his brothers, Zeke, Rob, and Bill. Ellen Shawnessy would have a big hot supper waiting, and while the boys ate, telling the feats and pranks of the day, she hovered over them, the maternal spirit of the feast, loading the table with pork, roasting ears, butter, mashed potatoes, apple pie, milk.

Such was the harvest in Raintree County, that ancient valley threaded by an ancient water.

When he came to the river in summer afternoons from working on the farm, Johnny would strip off his clothes and plunge matted with seed and caked with dust into the water. After a swim, he would lie naked in soft grass reading or writing. His skin felt itchy from the hot air and the touch of the tingling grass. His youth was
in his blood and on his skin and in the burgeoning parts of his body like a low fever.

That summer, he brought only one book to the banks of the Shawmucky, a copy of
The Complete Works of William Shakespeare
in a single volume. Summer light ate fiercely around the finely printed words; the little words in turn ate fiercely into Johnny's being. Like the river itself, this book was a place of life, the columns of the bordered pages were full of streaming, vivid forms, the little words were seeds proceeding from a lifeplace, a magical productive name—William Shakespeare. So on the banks of the Shawmucky the naked American boy, seventeen years old, read in the pages of the greatest poet of all time. He was drunk in the sunlight of Raintree County. He was drunk too with the creative fury of the book, which was for him a book of prophecy revealing himself to himself.

As he read and wrote and mused beside the river in summer afternoons, he thought much of that other gifted child of nature, Willie Shakespeare. Willie Shakespeare, living at Stratford-on-Avon, had been a boy like Johnny Shawnessy, familiar with the course of country waters, growing unheeded like a flower beside a little river whose name was then unknown beyond the speech of those who lived and loved and died along it. Doubtless this Willie Shakespeare had the same stripling form, the adolescent beard and blemishes, the hair long, unshorn, mussed by wind. Doubtless, he felt the fevered, mute desires of youth, had the same inquisitive, beautyseeking mind, made the same shout of sound when he meant mother, father, sun, seed, water, love, and beauty, smiled by the same wrinkling of the face, shook with the same spasmed laughter. Doubtless he yearned after the maids who lived on neighboring farms, lay often tossing on his bed at night, thinking of their saucy breasts, sleek buttocks, velvet-muscled thighs. Doubtless he found, when first he tried to make words in rhythmed sequence, that the world rushed in upon him and peopled his mind with images and filled his ears with rich, strange language. And as he lay beside the sinuous river, Willie Shakespeare must have dreamed how one day he would go to the City and be famous and tup the most exciting woman and make much gold and come back at last to Stratford-on-Avon and buy the finest house in town.

Sometimes it seemed that in some occult way Johnny Shawnessy
was Willie Shakespeare, and that the Plays were still waiting to be written and that everyone was somehow Willie Shakespeare and everyone and everything was Johnny Shawnessy, and that life was discovery and not creation—it was permitting oneself to be a great poet and not forcing oneself to be a great poet.

For as he lay on the bank of the Shawmucky, he knew that he too would be a great poet. It seemed to him that he must be a greater poet even than Shakespeare because there was some essence of what he was that Elizabethan England couldn't possibly compose. He, John Wickliff Shawnessy, was perhaps the bearer of the sacred fire of poetic genius that is given from mind to mind like a regenerating torch. It was he, child of the sunlight, the corndense earth, the simple beliefs of Raintree County, who would become the great American poet. Son of his greathearted mother, of his energetic, sanguine father, he was perhaps a chosen seed, brought from far places.

Johnny Shawnessy didn't so much read Shakespeare as he read a vaguely imagined book of himself. In Shakespeare's luxuriant language, strong rhythms, terrific metaphors, Johnny was groping toward a new language of himself, a vocabulary equal to the dramas, characters, ideas, events that only America could produce. In Shakespeare, he discovered not the created but the creating thing. From a source fruitful like the earth, the crowding creatures of the dramas came. Their language was life itself, had life's variety and rhythm, and at times its senselessness, fury, imperfection. The tears, the terrors, the ecstatic loves, the vast, vulgar laughters were of life itself. And under the lavish veil of Shakespeare's words, the secret shape of beauty was more truly shown than anywhere else.

Johnny Shawnessy didn't think he would have to wait long to become the great poet. A whole world of creation seemed waiting. He had only to set pencil to paper in the sunlight of the Shawmucky. And wandlike, the pencil would touch immortal poems into being. Putting a pencil to the coarsegrained paper of a notebook was exciting to him like the touch of a young man's flowering nakedness to the body of a pretty girl. His whole being then was drained into feeling at one quickening point. Through the wand of the pencil he would jet the rivering lines of life.

He had already discovered that he had a gift for verse. Without
effort, he could shape the language of his fancies in any of the English meters. The very resistance of the poetic medium seemed to stir up his word-horde. During that first summer of his great desire to be a poet, he wrote hundreds of verses that seemed to him no less good than Shakespeare's. In the summer of his body's maturity, he had become expressive like a god, and like a god, he would ravish beauty by the mere wishing. He already contemplated a lifetime of immortal words, which would one day be treasured by the world in a single volume entitled
The Complete Works of John Wickliff Shawnessy.

This was a season of gorgeous dreams by day and night. Achieving all at once a man's full vigor of body and mind, Johnny Shawnessy lived in a continual torment of desire—desire to know, to possess, to make. He memorized whole books of poetry, read everything he could find, aspired to have all human knowledge, allowing himself a few years at most to accomplish it all. At night, his dreams, always vivid, were enriched with his bardic obsession. He wandered in a world of old enchantments, peopled a sleeptime Raintree County with the memories of all mankind, enacted dramas that seemed to him more passionate and fanciful than Shakespeare's. What did it signify, this world of sleep? Who was this protean being who borrowed the semblance of a waking self and strove through a self-created world in quest of beauty and high achievement? He didn't know, but to these sleeptime visions he resigned himself with eager yearning, hoping that they would yield him the consummations denied him during the day.

At this time he began to write a column for the
Free Enquirer,
one of Raintree County's two weekly newspapers. He called his articles
Meditations from the Upper Shawmucky,
and in the pen name Will Westward managed to conceal his identity from everyone, including his own family and the editor of the paper, Niles Foster. The column soon awakened great interest in the County. It contained everything from philosophical musings to political disputation, and in it from time to time Johnny imbedded the poems that he had been writing. The most popular feature was a fictitious rustic philosopher, poet, and amateur politician whom Johnny called Seth Twigs. The scholarly author of the articles, Will Westward, talked frequently with this denizen from the banks of the Shawmucky
and reported his sayings in their unvarnished Hoosier dialect. The political bias of Johnny's articles was Republican, like that of the newspaper itself. Eighteen fifty-six was an election year, the rising young Republican Party was making a strong bid for the Presidency behind the candidacy of John C. Fremont, and partisan feeling ran high in Raintree County. Soon in the Democratic paper of the County, the Freehaven
Clarion,
a column similar to Johnny's began to appear, purporting to be written by one Dan Populus and retailing from time to time the wit and wisdom of a backwoods raconteur Rube Shucks. Dan Populus was no mean antagonist for Will Westward, and after a while the rumor went that Dan Populus was none other than the rising young orator Garwood Jones.

Wanting to keep his authorship of the articles a secret, Johnny always composed them at his favorite haunt beside the Shawmucky. For the river drew him to itself. All that came from it fascinated him. Whenever he hooked a fish and jerked it wriggling from the water, he had a momentous feeling of discovery. Was it the sacred being of the river, the Shawmucky itself, goggle-eyed, scaly, gilled, panting in the thin, destroying air? But it always turned out to be a familiar variety of fish and seldom larger than a man's hand. And yet people said that in the river a catfish had been seen big as a man.

Or he would watch cranes standing in the shallow water. Now and then, he managed to get very close to one, and it seemed to him that if he could catch in his arms the great kingcrane, rank-feathered, gaunt, bony, and throw him down, it would be as if he caught a colossal birdgod, who belonged only to the river.

Or he would hunt for frogs in swamps and shallows of the river. For a while he sought them with as much passion as a prospector hunting gold in California waters. Sometimes at night, he would hear, sounding all the way across the fields to the Home Place, the deep belch of a frog. It was perhaps the biggest frog of all time, hundreds of years old, as big as a man's head. Whoever caught that frog would have in his hand the rinded, mossy secret of the river. Once Johnny saw a big frog wedged in among rushes near a place where he was swimming. Furiously excited, he grabbed the torpid thing and plucked it from the river. For a moment he felt as though he had the legendary Shawmucky. Held in both hands with legs extended, the frog was shaped grotesquely like a man, had the long
slender legs, the toed feet, the tight rump, the white belly, the wide shoulders, the two arms with spread hands, the head. Part for part, it was a man in a forgotten shape. It was an antique man who had stayed too long in the Shawmucky River and had never suffered the air change.

But the river itself was the most mysterious creature of all. It lay like a coiled body on the land. It had its secret source in distant summer and its sinklike goal in distant summer. Johnny had always had a wish to explore the Upper Shawmucky up and down its length, and in that summer, he nearly had his wish fulfilled.

One day, setting out by himself, he walked northeastward along the river to see if he could find the source. He went for miles, following the river as it grew smaller until it was only a few feet wide. But it kept flowing on strongly between fields and past rockstrewn hills, cutting its deep sharp trace through the County. The sun went steeply up at noon and down its western arc, dying at evening in clouds of purple fire, and still Johnny Shawnessy hadn't reached the source of the Shawmucky River. At dusk, he asked a farmer in a field how far it was to the river's source, and the farmer said he didn't recollect ever hearing anybody say. At this, Johnny cut over to the closest road and started home. It was ten o'clock at night and he was weak all over when he staggered into the yard of the Home Place.

Sometime later, he discovered an old boat, foundered in the river. In secret he repaired it, proposing to row down the river to Paradise Lake, which he had never seen. One day in late June, early in the morning, he started out near his favorite haunt beneath the oak. Rowing strongly, he went up the long northward-flowing stroke of the river to where it bent sharply back upon itself. From there on, he was amazed at the great slow vistas of the Shawmucky. After rowing nearly four miles he crossed under the two bridges at Danwebster, only a mile by crowflight from the place where he had started. When he got beyond the town and was veering northwest toward the lake, it was already afternoon. The air seemed more moist and heavy with the rank scent of the widening river and its flowers. The boat grounded many times on mudbars, and Johnny had to get out and shove it loose. Water and air were dense with life. He had never seen so many birds, fish, turtles, frogs, bugs in all his
life before. The country too was savage, with acres of forest and swampland on every side. The river spread out among islands so that the main current was hard to follow. Bushes, waterweeds, willows, swampoaks were so dense in places that they nearly choked off the river's course. The water seemed to Johnny to be flowing the other way in places, as if the lake were the river's real source.