Authors: Suzanne Weyn
blacks. It was solidly built with polished wood floors. Amber shades kept out the blistering
sun, giving the place a golden glow. It was interestingly furnished, too, with pieces from
several recent decades and others that had to be antiques.
One glassed-in china cabinet was filled with exquisite pottery: modern pieces like a hand-
blown glass vase in swirling colors and a large plate with a Picasso print at its center; an
ancient-looking Greek urn, and a whiskey flask from the Civil War era; there was even a blue
stone hippo that looked like it was from Egypt.
He spotted a hardcover book on the table:
Their Eyes Were Watching God
by Zora Neale
Hurston. He didn't know the author. Reading the back cover he learned it had been written
by a black woman in 1937. The book was falling apart. Checking inside, he discovered it was
a first edition and signed by the author.
His eyes slowly adjusted to this dark room. Small fans buzzed softly from bookshelves and
whirred from elegant doily-draped tables. It was pleasant there.
On one of the tables was a collection of black-and-white photographs. A woman who was
clearly a much younger version of this woman stood in a wedding dress beside a white man
with slicked-back black hair. He looked like a gangster in the old movies Mike's parents
liked to watch on
The Late Show.
There were lots of other pictures of the
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woman with many different people. Some were signed
to
Del; that must be her name.
But wait ... He checked his clipboard. He had come to register a Mrs. Louisa Raymond to
vote. He looked back at the autograph in
Their Eyes Were Watching God.
It said:
To my pal,
Delilah Jones. Friends always! Zora Neale Hurston.
Delilah Jones? Where had he heard the name Delilah Jones before? It wasn't déjà vu; it had
been recently.
As he went to return the book, a photo fluttered from its pages. He stooped to retrieve it
and froze the moment he turned it over. It showed this woman at about seventeen: radiant,
bold, and lovely in a red satin dress. And at her feet sat a black panther in an emerald-
studded collar -- the black cat he'd seen in his mind's eye out there on the porch!
Louisa Raymond -- or Delilah Jones, or whoever she was -- began to stir on the couch.
"Are you Louisa Raymond ? " he asked. "Yes."
"Who is Delilah Jones?"
"I am ... And you're Bert Brody."
"No. I'm Mike Rogers."
She nodded. "Him, too."
"I've gone back to my given first name, Louisa," she said as she poured him a glass of
lemonade. They sat at her kitchen table, the sunlight through the unshaded
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window making the ice in the pitcher shine. Across the vinyl daisy-print tablecloth, she'd
spread out more of the old photographs.
"I saw your wedding picture," he said. "Is that Mr. Raymond?"
"Lenny, yeah."
"Is your husband still alive?"
She pushed a photo of Lenny toward him. "Just before the war ended, the men who were
his partners back in Chicago had him shot. By then, he was spying for the Allies and they
had Axis Power sympathies. They didn't feel he'd done right by them. The war was horrible
but it was good for Lenny. I think for the first time in his life it was clear to him what was
right and what was wrong. The war saved his soul."
"He found his dharma," Mike murmured.
She didn't know what he meant. "I know about karma," she said. "Everybody's into it these days. The things you do come back to you, right? What's dharma?"
"It's hard to explain, and I'm not certain myself," he replied. "Do you believe in the soul?"
"Mmm," she murmured thoughtfully. "I suppose I would have to believe in it to say what I'm saying to you right now about having lived before. Do you believe in it?"
"I'm not sure."
"Of course you don't know," she said. "Only fools think they have all the answers. The universe and beyond the
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universe -- it's so vast, so mysterious. How could anyone know everything that's going on
out there?"
"I guess that's true," he agreed. "But I can't remember any lifetime other than this one."
"Do you remember being a baby, even a toddler?" she challenged him.
He shook his head. "No."
"But you know you existed."
"Yes," he admitted.
"Exactly," she said, "and besides, there are people who do remember other lives, especially under hypnosis. Back when I was a young woman in Paris, I was under the
care of a Dr. LeFleur. He brought me back to several lifetimes during our hypnotic
regression sessions. In the first hypnotic session I had that day I was talking about, I was a
man, a soldier in the Civil War, a Yankee, and a white person."
Mike nearly sprayed his lemonade out. "You were a man?" he cried, aghast. "Is that
allowed?"
This caused her to laugh uproariously. She never could get over it herself. "Apparently so!
Male and
white!
Wouldn't
that make
them crazy down at the court house? I can just see it:
'Officer, I can too sit at the Whites Only lunch counter. I've already been white, black, and
every shade along the way! I've been white more times than you've been born! I'm past all
that now, so I'll sit where I please!'"
Mike was laughing now, too. "I would love to see that."
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"Anyway," she went on, her laughter quieting, "that first session changed my life."
"How?" he asked.
"The part of that life I remembered most clearly under hypnosis was after the Civil War,
opening up a pottery shop. It seems I always loved pottery, but apparently I was so jumpy
around fire that I was afraid to work the kiln. So I got myself a partner. While I was
hypnotized I could see her face so clearly and hear her talking to me. She was a former
slave. It seems I made good on a promise to a friend by finding her after the war."
"Did it change your life because it proved reincarnation was real?" Mike asked.
"Yes, but there's more. I recognized the partner's face while I was hypnotized. She looked
just like my grandmother, Eva Jones, a former slave. My mother dumped me on her as a
baby and Grandma raised me until she died when I was about four or five. I was young, but I
remember. Plus, I have photos of her."
"Let me get this straight," Mike said. "You're telling me that in one life you were Eva Jones's business partner -- a white man -- and then you died and were reincarnated as Eva Jones's
granddaughter?"
"That's it," she confirmed. "I have read a great deal on reincarnation and it's considered quite normal for people to be reborn near other people they know, often in the same family.
As the white man, John Mays, I must have felt quite
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fondly toward Eva, so I came back as her granddaughter in order to continue to be near her.
It makes perfect sense if you think about it."
"It does make sense when you put it that way," Mike admitted.
"And then, as a young woman, I met you -- when you were Bert Brody -- and you told me
how your grandfather had been the founder of Mays' Dishware and he had been afraid of
fire and had a partner and such. Did some research and discovered that the company had
originally, from 18 70 to 1910, been called Mays and Jones Pottery -- John Mays and Eva
Jones."
"Your grandmother was a partner in Mays' Dishware?" Mike asked.
"You got it. John Mays died in 1910 and Eva Jones sold her half of the business to his
nephew -- who was his heir -- because she was getting too old to work. She was nearly
eighty when she died, leaving no will. No one knew she had any heirs. But, apparently I had
a big inheritance coming. By then the government had taken most of her unclaimed money.
When I came forward as her granddaughter I was able to claim this house and, hidden in a
closet, I found a pile of Mays Dishware stock that was worth a bundle of money."
Mike put his hands on his head and squeezed.
"Is it too confusing?" Louisa asked.
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"So you inherited stock money from the company that you yourself had helped found in an
earlier incarnation?"
She shook her head at the sheer incredibility of the story. "Yes! Isn't that wild? It killed my singing career, unfortunately. Since I no longer
needed
to work -- I didn't! It's been a fun life, though -- at least once World War Two ended -- I've been traveling and whooping it up."
"How did you end up back here?"
"This was Grandma's house. I couldn't sell it, and as I got older, it seemed a good place to
settle down."
"Do you have any regrets?" Mike asked her.
"One. I recorded an album of songs. It's not available anymore. I'd like to hear it again."
"You said I was Bert Brody."
"I believe you are, yes."
"Why do you think so?"
"I feel it. I had a few hypnotic sessions that went into the future, like premonitions. I may have seen you then."
"Who was he?"
"A songwriter I knew. The songs on the album are written by him."
"I write songs now."
"Well, there you go."
Mike jumped up, knocking the ice from his glass. "That's where I heard the name Delilah
Jones before!" he cried. "I listened to your record last night!"
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"Where?"
"It was sitting on an old record player. I thought it was so great that I wanted to tape it for myself. It's in the trunk of my car. I'll be right back!"
Mike's head was spinning as he returned to the sweltering, sun-drenched outside world.
Inside, in Louisa's darkened, cool house, it was easy to believe her. Out here in the hard light
of reality he began to doubt. Her story was so fantastic.
He
was this Bert Brody?
She
had inherited money from her own past-life self ?
He hurried down the steps to his car, his mind working out the various connections. Was
everyone's past so entangled, so connected to a previous lifetime?
He stopped and shook his head. She was just putting him on -- having some fun with the
naive, dumb white college kid.
That was it.
It had to be.
She'd probably loaned this record to a friend and knew it was on the turntable at the place
they were staying.
Ha-ha! Very funny. Have a big laugh at the do-gooder dope from up North.
He was astounded at his own stupidity.
The woman had really had him going, though. What an
idiot
he was! What a good actress
she was.
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His face grew hot from within and he knew he was blushing. Mortified and embarrassed, he
got into his car and sped away.
Louisa stood at her window and watched Mike drive off. She'd scared him. It wasn't his fault.
It had taken her more than twenty years to come to terms with the revelations she'd come
upon under hypnosis with Dr. LeFleur.
"Humph." A laugh burbled up inside her. "Imagine, me -- a nun. If that doesn't beat everything." At first that lifetime had been the hardest for her to believe, but she'd finally come to understand it. Her devotion as a nun to Mary the Virgin Mother of Jesus was totally
fitting when she lined it up with the other lives she'd uncovered.
She took a holy card showing a Black Madonna and child from her dress pocket. The image
was known as Our Lady of Czestochowa from Poland, and it dated from the thirteenth or
fourteenth century. Turning it over in her hand, she gazed at the dark-skinned figures. She
loved this picture and sometimes wondered if she had loved it when she was Mother
Abbess Maria Regina. To her it was Mary and all the other goddesses she had ever revered
rolled into one. At any rate, she found it comforting and liked to look at it often.
Someone rapped at the front door. Not waiting for an answer, a woman stuck her head in
the door. "Louisa?"
"Right here, Birdy. Come in."
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The slim young woman in a nurse's uniform stepped into the room. She was of obviously
mixed race with a wide spray of freckles across her dark olive skin. Her tight
red curls were bundled neatly to the back of her head, though stray strands coiled prettily
around her cheeks and greenish, amber-flecked eyes. She wore a yellow cardigan over her
uniform. "How are you doing today, Miss Louisa?" she asked.
"Not bad," Louisa replied. "I just had a visit from one of those young voter registration people."
"I give them credit," Birdy said, putting down her purse. "The whites down here are giving them a terrible time. It's like the Civil War is still being fought. There's a bunch of them living down the road here in Arthur Adams's grandma's old place, the one that was empty for so
long."
"I know the place."
"How's the ankle today?"
"It hurts."
"Sit down, let's unwrap that Ace bandage and have a look at it."
Birdy was a practical nurse working in the Colored Only clinic. One day when Louisa was
there consulting with the doctor about her cancer, she'd struck up a conversation with Birdy
while waiting. When Birdy asked why Louisa used a cane, she'd told her how her right ankle
had never been right. Birdy had said, "I pass your house on my way home. I should stop by
and check up on you to make
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sure you haven't fallen. Now, with your other problems, you could be too weak to get up."
"You don't have to do that," Louisa had replied.
"I'd like to," Birdy had insisted. "It would give me some experience. If I can ever save the money, I'd like to go to nursing school for my RN degree and become a full nurse. Maybe I