Rescuing Rosalind (Three Original Ladies and Their Gentlemen) (21 page)
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Authors: G.G. Vandagriff
Tags: #regency romance
“You must keep me in check, my love.”
“Gladly. Anytime you look like making your way to the bridge, I will seduce you.”
Buck chuckled and pulled her toward him for a kiss.
“Ummm,” she said. “I want more.”
“Minx.”
* * *
Fanny’s second dearest wish was granted her after all the toasts had been pronounced. She played Gabrielle on the stage the duchess had commissioned. Taking full advantage of the opportunity, she waxed even more dramatic than usual.
After taking her bows on the outdoor stage, Fanny had to walk through the garden to return to the audience. A sheet of paper fluttered from the branch of the apple tree.
Smiling, she took it down and read the epistle:
Sweetest Rosalind:
Take my life,
You already hold my heart.
Your loving Orlando
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Other Books by G.G. Vandagriff
HISTORICAL ROMANCES
Meet the Duke of Ruisdell, the unlikely hero of this traditional Regency Romance, after the manner of Georgette Heyer and Candice Hern.
The duke has just returned wounded from the Napoleonic wars. He is weary, cynical, and very bored. Known as the worst rake in England, he finds he has no interest in upholding that distinction, when his friend, the Marquis of Somerset, proposes a bet: "Five thousand guineas says that seducing Miss Elise Edwards will cure your ennui." Because his friend has just lost a packet to him, he agrees that the bet be posted in White's famous Betting Book.
The following day, while walking in Green Park, he spies a mysterious young woman, veiled, and obviously grieving. A disembodied voice, sounding strangely like that of his late adjutant, informs him, "The jig is up. That is the girl you are going to marry!" He scoffs, but is nevertheless intrigued by something about the slight figure. He even sketches her and asks if he can be of assistance to her. She declines his offer kindly.
At the opera that evening, he is captivated by a beauty across the Opera Hall. He hears the same voice, saying the same thing. The marquis informs him that the woman in question is Miss Elise Edwards. When he meets her, he recognizes her voice as that of the woman in the park. Now she is surrounded by a surfeit of ex-fiance's, one of them dangerously unbalanced. Ruisdell discovers an actual bond between them which renders him honor bound to protect her.
Thus begins a train of unstoppable events--dangerous, humorous, devilish, and amorous--that carry his life along at such a pace that the duke soon knows not whether he is on his head or his heels. And then there is that bet . . .
Enjoy this delicious romance that will carry you back to the Regency period in English history, where manners were dictated by strict rules of fashion. It is the Jane Austen era, populated by gentlemen and ladies of leisure. These books are best enjoyed with a box of chocolates, and are guaranteed to enliven any boredom (ennui) that you may be experiencing!
Lady Kate Derramore and the Marquis of Northbrooke have one thing in common: In order to receive their inheritances, they must marry. Lady Kate, prevented from marrying the man she loves by her father’s will, determines to marry for convenience. With the forthrightness for which she is noted, she sets her sights on Jack—aforesaid Marquis. Jack, meanwhile, has tumbled into love with Kate at their first meeting. All might have gone swimmingly, were it not for his “other life,” the mysterious job that calls him out of town at the most inopportune moments. Unwittingly, he puts Lady Kate’s life in danger, and while attempting to rescue her comes up against her “reins-grabbing” nature. Will he ever be able to master Lady Kate? Will he ever be able to oust another man from her heart? And, despite Kate’s penchant for disaster, will he be able to save her life and his own?
Miss Braithwaite’s Secret is the final novel in the traditional Regency Trilogy: “Three Rogues and Their Ladies.” The Deseret News claims “Vandagriff writes in a style reminiscent of Georgette Heyer. Like Heyer, she centers her novel on witty characters that readers will love.”
In this novel, when Caroline Braithwaite, the Incomparable, leaves her first London Season early, the ton is left wondering why. Home in Wiltshire, she does not confide in her parents or her best friend. However, when the duke of Beverley appears at a house party to which they have both been invited, she is seriously discomposed. So is he. Fresh from a broken engagement, the last thing he wants is to partner a woman he had briefly courted in London – a woman he would have offered for before the fiancée came along. Caro fights her own attraction to the compelling duke. After all, he's already broken her heart once. She is not about to give him a second chance.
As the two slowly learn more about one another, they are surprised to find that first impressions have led them astray. While their feelings are growing progressively more intimate, they are plagued by harrowing circumstances which keep them apart and lead to new misunderstandings. How many times will Caro have to forgive Ned, the Duke of Beverley? And will he, at last, be able to prove his love?
When the very bored and very handsome Viscount Trowbridge agrees to escort Miss Sophie Edwards to her first ball, his life is upended. Because a childhood injury left her unable to dance, Sophie is new to the ton and not terribly interested in it. But our heroine has a secret weapon: she has mastered the violin.
The viscount, aka Gorgeous Frank, is unexpectedly and powerfully smitten the first time he hears Sophie perform. Recognizing in her a person more complex and passionate than any ton beauty, he launches a courtship calculated to win her in ways as original as she is.
Sophie is nearly bowled over, but a native disinclination to trust proves a serious challenge, as does Frank’s former mistress. At times, Frank is his own worst enemy. As he wades through a sea of misunderstandings, will his “angel” have the insight to believe that he is a changed man? Will Sophie avail herself of her sisters’ help, lower the barriers of a lifetime to trust him, and allow herself to fall in love?
HISTORICAL FICTION
It is December of 1913 in Vienna and Amalia Faulhaber is surrounded by the whirlwind that is the life of a nineteen-year-old socialite. She is comfortable and confident in her wealth, her heritage, and most of all, in her engagement to the Prussian baron, Eberhard von Waldburg. All this comes crashing to a halt the day that her fiance informs her that their engagement is off since he is returning to Prussia to fight in what he is sure will be a glorious war.
Thus begins the tale of a heroine of extraordinary background and resource who develops into a woman who would be extraordinary in any age.
The men in her life--a German officer in World War I, a patriotic Polish doctor, and an Austrian Baron, all shape her, but more remarkably she shapes them. Her utopian socialist uncle has raised her with ideas outside those of the upper classes, imparting to her a more complete picture of the day than possessed by the other men in her life. This quality causes her to champion the Austrian Democratic Experiment and to especially mourn its demise.
The Last Waltz is full of little known history of a land that was, in 1913, the apex of the worlds of science, medicine, art, and music. The speed with which the five-hundred year old empire fell, and the reasons behind that failure carry many warnings for the world we live in today.
WOMEN’S FICTION
What causes picture-perfect suburban Oakwood residents, MacKenzie, Roxie, Sara, and Georgia to desert their therapist and fly off to Florence? Answer: A romantic Italian movie that prompts Roxie to ask: “If Italy is so healing and therapeutic what are we doing in Ohio?”
Even Sara, the most duty-bound of the group, finally joins the pact they dub “The Crazy Ladies of Oakwood,” and only a week later, they find themselves in Florence. Embraced by the entire province of Tuscany, each woman becomes entangled in experiences she could never have foretold. Not only do they find the fascinating Italian men that Georgia promised, but new sides to themselves and each other.
Against the glittering background of Florence, their dramas play out:
MacKenzie returns to her student days as an art historian, discarding her identity as the controlling Oakwood charity patron and society hostess. Renewing her acquaintance with the David, she vows to let herself be sculpted rather than trying to sculpt others. MacKenzie finds not only a new talent, but a new man who appreciates it, just as her husband decides to re-enter her life.
Roxie, who has always approached life as a circus, is drawn unwillingly into a passionate romance with a gorgeous Italian professor, Stefano. Her physical response to Stefano taps into lost memories, causing her to literally run from him. Roxie, a quirky and colorful Cubana, senses danger in visions and smells that resurface of a rotting summerhouse behind her Florida home. With his nurturing and passionate love, Stefano helps her to face the “broken piece” inside her.
Sara unveils part of her that no one but her instructors know. She is an extraordinarily talented concert violinist. Normally trapped in the demanding life of an ob-gyn (scripted for her by her Vietnamese immigrant parents), she is temporarily freed. She performs for others for the first time, and experiences unprecedented joy. However, the coping mechanism she used to handle the pressure of her job threatens to destroy her new life.
Georgia, a grieving widow, processes her life without Ben and without her violin career that ended early because of arthritis. Looking for a new passion in life, she finds that satisfaction comes to her in “giving back” to those around her the lessons and knowledge she has learned through her successes and mistakes in La Dolce Vita. Just as her perspective is changing, she reunites with her first love, Arturo, and must make a decision about the direction of her future life.
Though ages have passed since the rebirth called the Renaissance, Florence still inspires change by breathing out its creative mix of energy, beauty, and courage. Where Michelangelo “set free” the David by sculpting a block of marble, each “crazy lady” finds her exterior “Oakwood” self burnished away by new experiences, revealing a new self. This burnishing is not a gentle process, but exuberant Italians help them through it with their all-embracing agape, or unconditional love. Though they do not know it, each of them hungers for agape’s healing power. They discover in it a balm that binds them together and puts them on the road to recovery, the road that is “The Only Way to Paradise.”
Annalisse and Dennis seem to be living the American dream until Annalisse's secret past and the effects of post-traumatic stress syndrome threaten to destroy her family.
This skillfully crafted novel explores the long-term effects of personal tragedy in haunting flashbacks of Annalisse's former life — flashbacks that are interwoven with a passionate romance and reveal a person entirely different from the woman Dennis thought he married.
But as each revelation increases the emotional gulf between them, Dennis's investigation of a toxic waster incident ignites the wrath of a former political ally and an industrial firm that will go to any lengths to cover up a shocking crime.
Can Annalisse reconcile her past and present before it's too late? And can Dennis find a way to save his family and the town they've called home?
GENEALOGICAL MYSTERIES
Couple a a spunky young widow with an even spunkier, rifle-toting grandmother and you have RootSearch, Inc., a genealogy business that frequently turns up murder! Alexandra Campbell (spunky widow) thinks that as they do genealogy for a living, it is high time she finds out her family secret. Something went wrong in her family during her adolescence, changing her mother from a Chicago North Shore matron into an alcoholic and a doting father into a workaholic. The moment she graduated from High School, she was sent to the Sorbonne in Paris with a generous bank account and instructions not to return.
It is now fifteen years since she has seen her parents, and she intends to lay the ghost that has separated her family for good. However, as usual in Alex's unpredictable life, things do not go as planned. After an acrimonious fight with her once beloved father, she leaves with only a wallet-sized photograph of a woman she knows nothing about.
That night, Alex's father is killed. Bewildered and grieved that her family can never be whole again, she soon finds out that she is the chief suspect in the murder. With the unflappable Briggie (rifle toting grandmother, Johannah Brigamina Poulson) at her side, she uses all her new genealogical skills, and (with the help of Briggie's deer rifle) discovers a secret so bizarre that she finally understands why her parents wanted her far away and safe.
