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So she had beeswax candles to sell again too. Her mother had made beautiful ones, but the Chalice didn’t have time. But she made them, and put a little honey in them too—a little of the honey Chalice’s honey—and sold them. Beeswax candles were even more valuable than honey.

She had always been aware of the influence of the seasons on her bees’ honey, but in the year since she had become Chalice she had begun to realise that the individual hives’ honey had qualities which seemed to remain constant through the different seasons of nectar-producing flowers. She’d always tasted her honeycomb as she divided it up, so the different flavours—and colours and textures—over the year as different plants came into flower were familiar to her, as was the fact that these differences were quite marked enough for marked preferences, so for example the honey she liked best on bread was spring honey, and the honey she wanted with a winter stew was the last rich almost chestnut-coloured honey of the autumn.

It had also seemed to her for some years that different families of bees seemed to specialise in different flowers, and in different flying ranges to look for their preferred flowers, and that this tendency too had grown more pronounced this year. All honey was good for wounds and burns, but there was a lengthy folklore of specific honeys which declared, for example, that oak honey was the most nourishing for invalids and lavender honey was an appropriate gift from a lover to his or her beloved—and the honey from Willowlands’ willows was for wisdom and decision-making. (She used a lot of this in her Chalice mixtures and wondered sardonically how much worse the Circle’s relationship might be if she didn’t.) It was this honey she had put in the Master’s welcome cup. But this year the difference in taste and other qualities of the Chalice’s bees’ honey seemed much more extensive and distinct.

The majority of her honey was still just honey (although to a beekeeper honey is neverjust honey), so that when someone wished to buy some she didn’t concern herself about what else she was selling besides golden sweetness. But she began to taste what came out of her bowls more attentively and discovered that there was the honey that made her feel sleepy and the honey that made her feel full of energy. There was honey that cured headaches—she’d tasted it the first time when she had a headache, which had snapped off like a branch breaking, which inspired her to taste it again the next time she had a headache and it had had the same effect.

ABC Amber LIT Converter http://www.processtext.com/abclit.html ABC Amber LIT Converter http://www.processtext.com/abclit.html But more and more she had somehowfelt what a honey was good for as she bottled and labelled it; and as she grew accustomed to the discipline of—she called itlistening , as she thought oflistening to the earthlines—to the honey, she often heard quite complex things. There was a honey for stomach-aches and a honey for baldness; the stomach-ache honey was also good for bed-wetting and night terrors in children, and the honey for baldness was also good for too-heavy bleeding during a woman’s monthly and for persuading a broody chicken to stop plucking her breast feathers out and get back to laying eggs. (This particular combination made her laugh.) And there was a honey that was particularly good for burns and wounds. There was also a honey to stop a well going dry, to stop a dog barking and to make fruit trees crop more heavily; and one that seemed to be to make the weather hold long enough to get the hay cut, dried and stacked.

She stood looking at the last of these and wondered how it was supposed to be applied: did the farmer eat it, or put it in a bowl by the threshold of his house or his barn, or drop it in the corners of his hayfields, or did the scythesmen rub it on their scythes? The next time a farmer’s wife bought honey from her, should she send her home with the haymaking honey?

And all of them tasted glorious on bread.

Still her mind kept reverting to the fact that her honey, which had never before failed her, had been able to do nothing for the burn the Master’s touch had caused. She tried to tell herself that that had happened before she’d discovered there was a honey that was particularly good for burns. But she found herself doubting that it would have succeeded either. Maybe she had not yet discovered which honey was best to counteract a Fire-priest’s touch? She thought of this when she remembered their conversation: that he himself had said he was no longer human. Was there a honey that could cure that?

She was thinking about the Master again one afternoon when she noticed the hum of her bees changing its note. It was a warm sunny day, so she was outdoors, with her books and papers scattered over the old stone chairs. She’d absorbed without really identifying the information that, since she had become a honey Chalice, the bees’ note changed not only when they were angry or frightened but when they were making some kind of comment…. She resisted thinking that they were telling her something, but perhaps they were telling themselves something. She hadn’t yet figured out (or perhaps let herself figure out) if different notes meant different things.

In this case she looked up and saw the Master coming toward her.

She stared at him blankly for a moment, believing he must be a mirage of her thoughts; perhaps her bees’ next trick was creating three-dimensional pictures. She blinked, but he remained the Master and did not dissolve into nothingness, or into a cloud of bees. She did not think even her bees could create the blackness of him.

She jerked to her feet, for you cannot remain seated in the presence of a standing Master, even in your own front garden, and even when he arrives unexpectedly. She didn’t think the Master was supposed to come to the Chalice; he was supposed to call her to come to him. But then she should be living in the House with him, where a message sent and answered involved no more ABC Amber LIT Converter http://www.processtext.com/abclit.html ABC Amber LIT Converter http://www.processtext.com/abclit.html than a few corridors and a flight of stairs or two.

She looked behind for the cart and driver which must have brought him, for she knew he could not walk so far, and saw a face she knew: old grey Ponty, who might have retired years ago, except he went on being sound and healthy and happy to see his tack appear—and as steady a pony as had ever carried a rider. He gave dogcart rides on feast-days to children who were fascinated by a smaller, quicker, more graceful version of the big farm horses most of them knew best. He looked fat and sleek and untroubled as he browsed the edge of her little clearing for savoury grasses. As she looked at him he raised his head and took a step forward into the sunlight as if appreciating the warmth, or as if to say to her: “All is well.” She couldn’t see his eyes through his thick forelock, but his ears, themselves barely visible, were pointed straight at her.

“Ponty,” she said stupidly.

“Most horses prefer to avoid me,” said the Master. “Ponty came straight up to me and asked for apples, which I have been careful to provide since then. He is also the image of his mother, who taught me to ride.”

A memory she had no idea she had rose in her mind’s eye: she was a very little girl going to the House with her mother—possibly for the first time, which was why it came to her so clearly. Her mother was carrying the pack Mirasol still used for transporting honey; when it was full of jars, you walked slowly enough for even quite a little girl to keep up with you, if she was a good walker, and Mirasol was, because her father often took her with him when he tended his trees. As they reached the drive from the forest track two older boys on horseback came trotting round the far side of the House and turned toward them.

Mirasol and her mother had already turned toward the back of the House but Mirasol had wanted to stop and watch; she liked horses, and knew the names of the work-horses and occasional riding pony whom she saw when she was out with her father. These two were from the House stables, and the one in the lead was very beautiful, although it threw its forelegs out in a nervous way. The boy on it suddenly gave it its head, and it shot forward, the boy easy and graceful in the saddle. It galloped past them, and Mirasol noticed that the boy was beautiful too.

They made a splendid picture; but there was something in the way he ignored them that, young as she was, she did not like. It was not arrogance, but a kind of deliberate performance: he knew the effect they made and gloried in it. She turned her attention to the other boy. He was younger, and the horse he rode was only a pony. He followed the first boy, but remained trotting, and as he passed them he smiled and nodded, neatly but unshowily balancing the gesture against the motion of the trotting horse. He was ordinary-looking but he also looked—nice, Mirasol thought, a little wistfully; she missed having other children to play with. He was older than she, and he was from the House, but for a moment she had felt they might have been friends.

Her mother had stopped and was staring after the two boys. “That’s the Master’s two sons in a nutshell,” she murmured.

“Mama?” said Mirasol, but Mirasol’s mother shook her head and went on toward the House.

ABC Amber LIT Converter http://www.processtext.com/abclit.html ABC Amber LIT Converter http://www.processtext.com/abclit.html It was that ordinary boy who stood before her now. Half in the old memory and half in the shock of the moment she stumbled into speech: “You—you might have sent for me—or—or—

Someone—anyone—would have been honoured to have been asked to bring you—anywhere—”

“Honoured?” he said. The sunlight fell upon his black cloak and disappeared in its folds. A small breeze stirred, although the cloak moved oddly in response, and as the fabric brushed against the body it concealed she was again reminded of her sense that even the shape of his body was no longer quite human.

There was a brief silence, and she realised, too late again, that this was not how a Chalice, or anyone else, greeted a Master. Was it herself, her own worries and preoccupations—her own inability to fit into the skin of the role she now played—that kept making her behave so, or was it the strangeness of him? Or was it the unexpected memory of him as a boy she would have liked to have had as a friend?

Breathlessly she said, “Iam honoured by your presence here. You are most welcome….”

He’d come halfway across the meadow and had stopped, waiting, as it seemed, gravely.

“Welcome,” she said again, still feeling dizzy and confused, but realising she meant it. Hewas welcome. “May I offer you—” She stopped. She had no idea what a Chalice was supposed to offer a Master who visited her at her home. There must be a tradition, a right thing, even perhaps a rule. But it was not an eventuality it had occurred to her she needed to prepare for. And perhaps there was no rule after all, because the Chalice should have lived at the House, at the House with the Master.

“Honey,” he said. “Will you offer me honey?”

“Of course,” she said, still wit-scattered. “Anything—anything I can offer you.”

“Honey, please,” he said politely, as if he were anyone—as if he were one of her customers.

She looked at him bemusedly. Which honey? Not the sleepy. The energetic? One of the ache-soothers? Which one? One of the ones she hadn’t figured out yet (maybe they were just to make dull bread or porridge taste wonderful)?

“Of course,” she said, and went indoors, as much to hide her confusion from him—but what did he see with his uncanny eyes?—as to fetch the honey. She went to the shelf where she kept the jars in use, and put her hand out blindly, choosing by not choosing: and so her hand reached itself, and took down a jar.

It was one of the mysterious ones: she knew neither what it was for nor what it was made of. It was an early-summer honey, and she could taste the yellow singers and the wild cherry, but there was something else in it as well. Perhaps it’s a confusion-tamer, she thought, and the choice is really for me.

ABC Amber LIT Converter http://www.processtext.com/abclit.html ABC Amber LIT Converter http://www.processtext.com/abclit.html She took two spoons, which is what she would normally do for a friend—or had done when she had had friends. But it was only as she picked up the second spoon that it occurred to her that this honey was also her secret favourite, and that she liked not knowing what was in it, and had silly fantasies about what it might be for, besides making dull bread or porridge taste wonderful.

Would a Master eat honey straight out of the jar? She dithered a moment longer, and then made up a tray, with a half loaf of bread and a knife, and two cups, and a pitcher of water drawn that morning from the cottage well—whose water now had the faintest sweet taste, as if a little honey were leaking into its source.

He was sitting in one of the stone chairs when she came back outside again. She had noticed before that he rarely stood for long; she wondered if the Hardbutt family furniture was to him any improvement on standing, but he looked, she thought, almost relaxed. More relaxed, anyway, than he had ever been during all the gatherings she had stood Chalice to.

She paused in her doorway to look at him a moment longer. Even when there was not the slightest breeze the hem of his cloak stirred faintly, as if in response to some intangible air. Or flame. As she watched he raised his hands and put his hood back, tipping his face up to the sun and closing his disturbing red eyes. She’d never seen him bare-headed before and in the strong sunlight she had confirmed what she had suspected since the first time she saw him at the front door of the House, when she had given him the cup of welcome: there was a peculiar, somehow indefinite quality to his features that was not only to do with blackness seen in shadow. The lines of his face seemed strangely mutable, as if they flickered, almost like flames.

But she also saw that he had hair: black and straight, pulled back from his face, and tied at the nape of his neck with something she could not see, lost in the folds of the hood. The boy who had smiled at her and her mother as he trotted past on his pony had had curly brown hair. But many straight-haired people had curly hair as children.

She had to kneel to move some books out of the way before she set the tray down on the wide low stone that served as an outdoor table. He opened his eyes again and looked at her. She risked looking at him for longer than a glance. She could not discern pupil from iris—if perhaps a third-level priest of Fire still has ordinary irises and pupils—which were as lightlessly black as his skin. What should have been the whites of his eyes were red—red as fire—red as the embers that will set flaming anything that touches them. Reddened eyes in ordinary humans look sore and sick; his looked uncanny and fathomlessly deep. What might he see with such eyes?

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