Rough Music

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Authors: Patrick Gale

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BOOK: Rough Music
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“HIGHLY INTELLIGENT
AND BEAUTIFULLY CRAFTED …

 

Gale is an English novelist with a particular gift for family dynamics. Cleverly structured and sophisticated in its treatment of time, his latest novel is an alternately sweet, touching, and somber tale.”


Publishers Weekly

“I envy the lucky souls about to read Patrick Gale for the first time. I’ll never forget the exhilaration I felt upon discovering his wryly elegant narratives, so full of compassion and contradiction. And
Rough Music
is Gale’s most graceful and gripping work yet: a sort of omnisexual family mystery that reveals itself over the course of two far-apart seaside summers. I was torn between a reader’s urge to devour it on the spot and a writer’s instinct to dissect and analyze every splendid sentence.”

—A
RMISTEAD
M
AUPIN

“Gale shows abundant skill in differentiating between Julian’s childish and grown-up voices and in maintaining control over his busy, crowded, and ultimately quite poignant narrative.”

—The Baltimore Sun

“The novel tells parallel stories by alternating chapters set in the past and in the present; each is a gripping tale, all the more so because the reader knows that one presupposes the other. Gale’s rich prose captures nervous energy, impatience, and suspense remarkably well.”


Booklist

“An emotionally satisfying novel … Rich characterizations … The effects of the past, the frustrations of family, and the uncertainty of the future are examined in subtle detail….
Rough Music
is a touching examination of modern life. It movingly delineates the daily dangers of living and the absolute necessity of ‘carrying on.’”


The Anniston Star

International acclaim for
Rough Music

 

“Gale’s skill at evoking well-meaning yet complex characters; his faultlessly vivid eye for geography, weather, household detail; and his ability to swing easily between two fractured timescales while making both matter—all of these prove him to be a real craftsman, a master storyteller. Quite simply, you believe every word he tells you.”


The Independent on Sunday

“Finely written … Gale’s tenderness for his characters comes over strongly and he is excellent at the telling detail and description.”


Daily Mail

“An endearingly old-fashioned, generational saga … Gale unravels the details through dialogue as convincing as it is plentiful, while examining containment, fidelity, and identity within a child’s universe and the years beyond.”


The Observer

“A marvelous, page-turning, edge-of-your seat story … Gale’s ability to evoke the emotional onslaught of love, the subtle awakening of sexual passion, and the encroaching terrors of old age and illness are extraordinary—there are no false notes in this book.”


Marie Claire

“[
Rough Music
] belongs to a broad canon of works by English rural moralists. Think Austen, Hardy, or Murdoch. Like Austen, Gale tempers judgment with humour and comprehension. His plots—seemingly effortless, but closely structured—resemble Iris Murdoch’s…. Gripping, elegant, and wise, it is Gale’s best book to date and should not be missed.”

—The Independent

“FULL OF SURPRISES AND REVERSALS …

 

The structure of
Rough Music
is a masterstroke…. Gale is one of the few male novelists I have read who draws with sympathy and intelligence the contradictions and confusions of women in conventional relationships….
Rough Music
is, like all family histories, by turns disturbing and funny.”

—New Statesman

“In all his fiction, and nowhere more triumphantly than in this latest novel, Gale gets under the skins of his characters…. The dignity [Gale] gives individuals’ stories is remarkable and compelling. Also impressive is the mirroring of events, echoing throughout with an almost prophetic resonance.”


Sunday Herald
(Glasgow)

“Secrets lurking close to the surface which culminate in emotional chaos and erotic clandestine trysts make this such a compelling read. Four stars.”

—Eve Magazine

“[Gale] weaves a stunning tapestry on which is portrayed the treasons, deceptions, selfishness, tricks of memory, wounds, and mercies that comprise family life.”

—The Gold Coast Bulletin

“Gale excels at writing about families, and his new book is no exception…. Gale’s treatment of ethical questions and sexual morality is startling in showing how families will absorb even the most treacherous acts.”

—The Age

Also by Patrick Gale
THE AERODYNAMICS OF PORK
KANSAS IN AUGUST
EASE
FACING THE TANK
LITTLE BITS OF BABY
THE CAT SANCTUARY
CAESAR’S WIFE (NOVELLA)
THE FACTS OF LIFE
DANGEROUS PLEASURES (STORIES)
TREE SURGERY FOR BEGINNERS

 

F
OR
A
IDAN
H
ICKS

 

I turn away, yet should I turn back the arbour would be gone and on the frozen ground the birds lie dead.

(from
The Rake’s Progress
,
W. H. AUDEN & CHESTER KALLMAN)

“I often dream about walking down a Cornish lane in the summertime with high hedges on either side full of butterflies.”

(Ronnie Biggs, train robber,
The Daily Telegraph
, July 23, 1999)

“Let us shut it out,” coaxed Elizabeth-Jane, noting that the rigid wildness of Lucetta’s features was growing yet more rigid and wild with the nearing of the noise and laughter. “Let us shut it out!”

(from
The Mayor of Casterbridge
,
THOMAS HARDY)

 
 

She walked across the sand carrying a shoe in either hand, drawn forward as much by the great blue moon up ahead as by the sound of the breaking waves. The moon had a ring around it which promised or threatened something, she forgot what exactly.

The chill of the foam shocked her skin. She stood still and felt the delicious tug beneath her soles as the water sucked sand out from under them. The water was as cold as death.

If I stood here long enough
, she thought,
just stood, the sea would draw out more and more sand from under me and bring more and more back in. Little by little I’d sink, ankles already, knees soon, then waist, then belly.

She imagined standing up to her tingling breasts in sucking, salty sand. When the first, disarmingly little wave struck her in the face, would she panic? Would she, instead, laugh, as they said,
inappropriately
?

She dared herself not to move.

The moon was nearly full. She could see the headland on the far side of the estuary mouth and its stumpy, striped lighthouse. She could see the foam flung and drawn, flung and drawn about her. He was striding across the little beach behind her; she could tell without turning. Would his hands touch her first or would she merely feel the jacket he draped about her? Would he call out from yards away or would she hear his voice soft and sudden when his lips were only inches from her neck?

Her resolution not to turn stiffened her spine. Watching weeds and foam rush away from her for long enough made it feel as though the sea and beach were motionless and it was only she who was gliding back and forth on mysterious salty tracks.

I love you.
She felt the words well up.
I love you more than words can say.
Which was true, of course, because when she felt his steadying hands about her shoulders at last and the brush of his lips on her neck, all that came from her mouth was, “I turn you. Turn my words away?”

BLUE HOUSE
 
 

“Actually I feel a bit of a fraud being here,” Will told her. “I’m basically a happy man. No. There’s no basically about it. I’m happy. I am a happy man.”

“Good,” she said, crossing her legs and caressing an ankle as if to smooth out a crease she found there. “What makes you say that?”

“That I’m happy?”

She nodded.

“Well.” He uncrossed his legs, sat back in the sofa and peered out of her study window. He saw the waters of the Bross glittering at the edge of Boniface Gardens, two walkers pausing, briefly allied by the gamboling of their dogs. “I imagine you usually see people at their wit’s end. People with depression or insoluble problems.”

“Occasionally. Some people come to me merely because they’ve lost their way.”

He detected a certain sacerdotal smugness in her tone and suspected he hated her. “Well I’m here because a friend bought me a handful of sessions for my birthday. She thinks I need them.”

“Do you mind?”

He shrugged, laughed. “Makes a change from socks and book tokens.”

“But you don’t feel you need to be here.”

“I … I know it sounds arrogant but no, I don’t. Not especially. It’s just that it would have been rude not to come, even though she’ll be far too discreet to ask how I get on with you. If I didn’t come, I’d be rejecting her present and I’d hate to do that. I love her.”

“Her being?”

“Harriet. My best friend. She’s like a second sister but I think of her as a friend first and family second.”

“You have more loyalty to friends than family?”

“I didn’t say that. But you know how it is; people move on from family and choose new allies. It’s part of becoming an adult. I feel I’m moving on too. A little late in the day, I suppose.”

“Your best friend’s a woman.”

“Is that unusual?” She said nothing, waiting for him to speak. “I suppose it is,” he went on. “I’m just not a bloke’s bloke. I never have been. I find women more congenial, more evolved. I mean I’m perfectly happy being a man, but I find I have more in common with women.”

“Such as?”

He did hate her. He hated her royally. “The things we laugh at. The things we do with our free time. And, okay, I suppose you’ll want to talk about this—”

“I don’t want to talk about anything you don’t want to talk about.”

“Whatever. We also share sexual interests. I mean we like the same thing.”

“You’re homosexual?”

“I’m gay.” He smiled, determined to charm her, but she was impervious and vouchsafed no more than a wintry smile. “I told you. I’m a happy man.”

“Your sexuality isn’t a problem for you.”

“It never has been. It’s a constant source of delight. Not a day goes by when I don’t thank God. If anything I’m relieved. Especially now my friends are all having children.”

“You never wanted children.”

“Of course. Sometimes. Hats jokes that if she dies I can have hers. But no. The impulse came and went. There are more than enough children in the world and I’m not so obsessed with seeing myself reproduced. Besides, one of my nephews is the spitting image of me, which has taken care of that. I love my own company. I don’t think I’m selfish exactly but I’m self-sufficient.”

“What about settling down? You’re, what, thirty-five?”

“Thank you for that. I turned forty earlier this year. I have settled down. I have a satisfying job, a nice flat. I just happen to have settled down alone.”

“And watching all those girlfriends settled with their partners doesn’t make you want a significant other.”

“Oh. I have one of those. Sort of, I suppose. He’s really why I’m here. I made a promise to him. It was a joke really, but I told Harriet and—”

“Tell me about him.”

He paused. Glanced out at the view again. “Sorry,” he said. “It’s private.”

“Whatever you tell me—”

“—is in strictest confidence. Yes. I know. But we’ve barely met, you’re still a stranger to me and I’d rather not talk about him just now. It’s not a painful situation. He’s a lovely man. He makes me happy. But I didn’t come here to talk about him.”

A slight, attentive raising of her eyebrows asked,
So what did you come to talk about?

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