âSam would hate there to be any sort of publicity about meeting you before a deal's done. So if you could keep quiet about all this, to everyone?'
âOf course.'
âBetter not even tell your friend the hairdresser. You know how quickly these stories get about.'
âAll right, I won't tell her. I'm going back to London tonight anyway.'
âSo why not drive straight to my house tomorrow evening? You can park round the back. Not a word to anybody.'
Not unnaturally, Stoker was surprised at the complexity of these arrangements. âWhy are you doing all this for me?'
âBecause I think, from what I've heard and read about you,' the Major told him, âyou're a decent lad that's doing his best to go straight, and I want to encourage you.'
Stoker put it down to being so used to obeying orders and having everything arranged for him in prison that he obeyed the Major's curious instructions. He drove down the next evening, straight from his flat in Hackney. He got to the Major's house at ten-twenty-five, parked behind it and walked round to ring at the front door.
Before he could touch the bell the door was opened by the smiling Major, who showed him into the study, a book-lined room. On the desk, carefully laid out on the blotter between the paperweight and a letter-opener, lay an old service revolver.
âUsed to be mine in my army days. I brought it home when I was demobbed. I know you're interested in guns.'
âI never went tooled up,' Stoker said he assured the Major.
âJust feel it. Perfect balance, hasn't it? For an outdated weapon.'
Again obedient, Stoker picked up the pistol, felt its weight as directed and put it down as quickly as possible. âI know Sam will want guns in his picture,' the Major said. âBy the way he's just gone upstairs for something. I'll go and hurry him up.'
The Major left then, but returned almost immediately. What happened next was, according to Stoker, quite inexplicable. As he turned to face the door, his host lifted a shotgun and fired. Stoker remembered a blow like a kick from a horse, a sudden and terrible pain, and then darkness â until he came to, bumping in the back of an ambulance in such agony that he wished he'd never woken up.
One other fact emerged from the mass of papers he'd handed me. Sam, the famous film director, was nowhere near England on the date of the shooting and, when asked, denied all knowledge of Badgershide or Major Dunkerton. All this proved was that either David Stoker or the Major was lying prodigiously. That was no help to either of them.
Â
âLong time, Rumpole, such a very long time no see.'
When I first put on the whitest of white wigs, having joined the Chambers of C. H. Wystan, my wife Hilda's âDaddy', there was, if I recollect, a rather chubby, smiling-for-no-reason young barrister, reduced to inarticulate jelly by appearing in Court for something really taxing, like fixing a date for a hearing. His career in the law had been short and unimpressive, but Chappy Bowers, as he rather liked to be known, had, as the climax of an apparently harmless and uneventful life, âbumped into' Hilda after ringing her up because he'd heard of my collapse in Court. Unexpected and uninvited, he turned up and sat himself down in my visitor's chair just when my mind was full of strange and far more interesting business at Badgershide Wood. He still managed to look boyish in his grey-haired age. His face was round and chubby, his eyes blue and anxious to please and he had, over the years, become no more articulate.
âWhen we were, er ... in Chambers together, I â well, what I mean is we â were both of us, what's the word? Umm ... smitten by Hilda Wystan.'
âI suppose we were.' I didn't want to tell him that, from my point of view, I sometimes felt that the smiting had gone on for a lifetime.
âWhat I really came to, well ... I mean, umm, what I came to ... well, really, and in all honest truth, Rumpole, to say was that if anything should happen to you. And it's a big “if ”.'
âNo, it's not.' I couldn't help correcting him. âIt's not a big “if” at all. I collapsed in Court with a dicky ticker. I'm confined in the hospital block and have no idea when I'll get out of it. Any day, to be honest with you, I might lose my grasp of the twig.'
âWell, if that ... Well if ... Which umm â we profoundly ... Well, not profoundly. What's the word?'
âSincerely?'
âThat's it, Rumpole! Trust you, old fellow. You always knew the right word. Sincerely.'
âThat's the word you use when you don't mean what you're saying.'
âNo? Not really? No! I do mean this. Of ... umm. Of course I do. If, again I say if, you should drop off the ... What was it, Rumpole?'
âTwig?' I suggested.
âYes, if you should drop off the twig, Hilda knows she'd always have someone to look after her.'
âYou mean her friend Dodo Mackintosh?'
âNo, Rumpole.' Now the words came out in a rush. âI honestly mean me.'
âYou'd look after Hilda, if I turned up my toes?'
âIt would be an honour and a privilege.'
âThen all I can say, Chappy, old darling, for the sake of your health and sanity, is I'd better make an astonishing recovery.'
Conversation dried up then, until Chappy leant towards me and said in a penetrating whisper, âThat fellow in the next bed â looks, well ... umm, chained up.'
âThat's because he is chained up,' I explained. âIt's what they do to you nowadays if you get shot.'
When Chappy had gone back to his golf club, apparently unshaken in his desire to take care of She Who Must Be Obeyed, I asked Ted, the screw, to put the headphones on again for another dose of Petula Clark and asked the wounded suspect just a few more questions.
âYou parked your car round the back of the house. Did you notice a kitchen window open?'
âIt was quite dark.'
âA window broken?'
âI didn't notice.'
âDid
you
break a window?'
âI told you, I came in by the front door.'
âYou say the Major was there waiting. He opened it for you.'
âHe must have seen my car arrive.'
âYou told me that.'
After that I gave my full attention to the evidence of the Scene of Crime Officer, with particular relation to fingerprints.
Â
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âHenry.' I was on the ward telephone to my clerk.
âMr Rumpole! We heard you were taken really bad, Sir. It's good to hear you're still with us, as you might say.'
âAs you might say, Henry, if you were in a particularly tactless mood. Never mind. It's wonderful to hear your voice. Just like old times.'
âIt's not about work, is it, Sir? Mrs Rumpole rang to say we weren't to worry you about work. She said you'd be resting from now on. It made me feel envious. Not much rest round Equity Court. Not for a clerk, there isn't.'
âIt's not about my work. Actually, it's about someone else's work. Mr Erskine-Brown's got an attempted robbery case called Stoker.'
âThe Badgershide Wood job? I'm afraid it's going to clash with a civil he's got. Personal Injury with real money to it. Claude's leading Mizz Probert in the crime.'
âHenry.'
âYes, Sir?'
âRemind me to order the drinks in Pommeroy's if you let them clash. And go for the civil.'
âThat's what I had in mind. But why exactly?'
âWho knows? I might be leading Mizz Liz in the Badgershide shooting business. Stranger things have happened.'
âYou think Mrs Rumpole would allow it, Sir ... ?'
âWe'll wait and see if we've got any sort of defence. Oh, and get Bonny Bernard to give me a ring here, will you? The Princess Margaret ward. You have to sell your soul here to make an outside call.'
Â
Â
The system was that a telephone was wheeled to the side of your bed as though it was a cardiogram machine or materials for a blanket bath. If there was a call for you, it came after a short interval. If you wanted to make a call you had to wait a considerable time for the instrument, and also provide money to cover its cost. I had to pay out to call Henry, so I was relieved when Bonny Bernard's voice was wheeled towards me, with a selection of pills as an after-breakfast treat.
âYou had a brief in a sensational shoot-out in an old-age pensioner's home and you sent it to Erskine-Brown?' I accused the man.
âI was planning it for you. But then we heard you'd left the Bar.'
âThe Bar? I never left it. Left life perhaps, but the Bar? Never! Now listen, my old darling. It's very possible that Claude Queer Customer may not be able to do this case owing to the pressures of civil work in the Personal Injuries Department.'
âSo we'll have to look elsewhere, then.'
âYou may not have to look very far. The future depends, to a certain extent, on the evidence of the heart. All I ask is that you don't rush into any decisions. And there's one thing you can do.' I gave Bonny Bernard certain instructions and then I asked him if he'd like to speak to his client. âHe happens to be here beside me.'
âMr Rumpole,' Bernard's question came in a horrified whisper, âyou're not in the nick, are you?'
âDon't worry, old darling. He's in hospital.'
I covered the mouthpiece and called to my neighbour, âWould you like to speak to your solicitor?'
âNo point, is there? He came to see me before you got here. Then he sent me all these papers. I could see it in his face. He didn't believe a word I said.'
âWe'll talk to you later,' I told Bernard, âwhen we've decided if there's a possible defence.'
âCan't you remember, Mr Rumpole, you're meant to rest ...' My old friend started some form of protest and I put the phone down gently.
It happened a few mornings later when Stoker needed some minor surgery. He was wheeled away chained to his trolley and accompanied by his shadow, Ted, the ever-present screw. I saw another visitor enter the ward, a thin, hawk-like figure in a crumpled mackintosh carrying, like an angel in a painting, a stiff, upright bunch of white lilies as though to deck the top of a coffin. He sat in my visitor's chair, removed his hat, and Esmeralda, the cheerful Jamaican nurse we were always glad to see, relieved him of his flowers, promising to put them in water.
âWould you rather have had grapes, Mr Rumpole?'
âGrapes, lilies, it's all the same to me,' I told him. âIt's you I wanted to see, Fig. You're going to provide the key to my present problem.'
âYour heart?'
Did Ferdinand Ian Gilmour (known to us as Fig) Newton believe that I credited him with medical skills?
âOf course not. My heart can look after itself. It would, however, be greatly encouraged by a solution to the mystery of the Badgershide Wood shooting.'
âIs it a mystery, Mr Rumpole? In my paper it's just a decent citizen defending himself and his property.'
âPerhaps your paper doesn't know the half of it.'
âNo? You may be right, Mr Rumpole. What's the other half, then?'
âThat's exactly what I want you to find out. Hang around Badgershide Wood with your ears open. Find out all you can about the eccentric Major. Oh and there's a girl called Dawn something who works at Snippers the hairdressers.'
âYou want her kept under twenty-four-hour observation? I'm afraid we're in for some inclement weather.' Fig sniffed gloomily, as though in anticipation of the cold he was likely to catch.
âDon't just observe her. Meet her. Taker her off to the Thai restaurant. Make her like you. Say that if she tells us all she knows, it just might help her wounded lover escape a lengthy sentence. Mention my name if you have to. Say that Rumpole is relying on her. No, better still, tell her that a hospital patient in chains thinks of her constantly.'
Â
âI brought you a few grapes, Rumpole.'
âThat was very thoughtful of you, Hilda.'
âDon't eat them all at once. They looked nice in the shop.' She Who Must pulled off a couple and chewed them thoughtfully. âNot bad at all. Nice and juicy. Well now, Rumpole.' She looked at me with an eye born to command. âI want you to make a complete recovery.'
âAnything you say, Hilda.' I had no intention of arguing with her. âYour fancy man was here.'
âMy what?'
âYour fellow. Your little bit on the side,' I might have said. Instead I stuck to âYour friend Chappy Bowers. The one who took you out to a candlelit dinner. I hope you enjoyed it.'