Sacred Games (31 page)

Sartaj gunned the engine, and liked the howl it made. Ambition had spread like an inescapable virus in those Harshad Mehta days, and there had been stock-market crashes and burst bubbles since, but the contagion had taken firm hold. Now these outsize aspirations were something like a universal condition. Maybe it was a form of health – after all, it gave you vim, zip, velocity. He had read an editorial in the papers not long ago, which had noted gratefully that the Indian cricket team had finally acquired some killer instinct. Yes, they had acquired cash and killer instinct. Very correct. Sartaj speeded up. It was time to go and hunt eve-teasers.

 

Wasim Zafar Ali Ahmad, of the lengthy name and the long political aspirations, had given Sartaj the names and address of the tapori brothers he wanted disciplined, and so Sartaj and Katekar went visiting. They had no hope of finding the two at home, but their intention was to cause terror and discomfort to the family, and thereby impel the brothers to give themselves up. So they went into the kholi with extravagant amounts of shoving and shouting. Sartaj kicked open the door and roared, ‘Where are those two gaandus? Where are they?'

Katekar gathered up the family from the three cramped rooms. There was a tottering old man, a woman and a girl of eleven or twelve. The girl began to curse Sartaj in a steady monotone, and the woman clapped a hand over her mouth.

‘What have they done?' said the trembling grandfather. ‘What?'

Sartaj spoke to the woman. ‘Are you the mother of Kushal and Sanjeev?'

‘Yes.'

‘Where are they?'

‘I don't know.'

‘You're their mother but you don't know where they are?'

‘No, I don't know.'

She was a sturdy woman, short but big in the shoulders and bigger in the hips. She was wearing a bright red sari, the pallu of which she now wrapped tightly around her shoulders with one hand as she held her daughter with the other.

‘What's your name?' Sartaj said.

‘Kaushalya.'

‘This is your father?'

‘No, his.' Meaning her husband's.

‘And where is he?'

‘At his factory.'

‘What factory?'

‘They make mithai.'

‘Is it near by?'

She jerked her chin towards her left shoulder. ‘Next to the bus depot.'

Sartaj pointed at the girl, who had stopped muttering under her mother's hand. She was looking at him with an unblinking concentration. ‘What's her name?' he said.

‘Sushma.'

‘Sushma, go and get your father.' Kaushalya removed her hand, but her daughter didn't move. Sartaj was used to being disliked by the public, but the little girl's hatred stung him. ‘Go,' he growled.

‘Listen to Saab,' Kaushalya said, and the girl ran out of the door.

Sartaj settled himself on the chair next to the door. He spread his knees wide and planted his feet firmly. Katekar turned to the small kitchen area on the left, and began to search, rattling pots and plates. He picked up a bottle from a shelf and sniffed at it loudly. Kaushalya and her father-in-law retreated to the other room. Sartaj could hear their urgent whispering.

Hunting apradhis should've meant car chases, sprints through crowded streets, motion and movement and pounding background music. That's what Sartaj wanted, but what hunting actually meant was intimidating a woman and an old man in their own home. This was a tried and tested policing technique, to disrupt family life and business until the informant sang, the criminal caved, the innocent confessed. Katekar spread himself over a couch covered with a bright blue sheet, and Sartaj called to Kaushalya and asked for chai and biscuits. She twittered angrily behind the wall, but went outside and asked a neighbour to walk down to the dhaba at the corner. She came back in, her head ducked down low, her jaw working, and stalked past them to her back-room refuge.

The walls were bare white, but on a single shelf there was a row of photographs, the record of Kaushalya's marriage and three children. Sushma laughed happily from a pink heart-shaped frame. Sartaj leaned his head on the wall and shut his eyes. But he was restless, too tense for a doze. He sat up, and Katekar was studying, intently, an old copy of
Filmi Kaliyan
. On the left corner of the cover, Bipasha Basu had her arms folded under the rolling expanses of her chest. Sartaj instantly resented her for the keen cut of desire that came up from his groin. He straightened up, rearranged discreetly and then had to lean forward to hide himself. The hell with you, Bipasha. The last time he had had sex was eight months ago, with a stringer for one of the Marathi afternoon papers. She had first come to him with tough questions about dance bars and bar girls, for a big lead story, and he had been impressed by her big shoulders, her loose green jeans, her cynicism and her rangy competence. They'd met three times, in three different restaurants, and she had each time carefully mentioned her husband, who was also a journalist, for another Marathi daily. But by the third afternoon, by the third cup of tea, she had run out of questions
about bar-balas, and it was obvious that something else had to happen. They'd said goodbye awkwardly, and this time she'd not offered her hand for a hearty from-the-shoulder handshake. She called ten days later, and this time they'd walked on Chowpatty beach, brushing knuckles. He didn't think she was pretty, exactly, but he couldn't pause himself, cease short the impulse to rest his hand on the small of her back, under her loose, full-sleeved white shirt. They'd had weekly sex for four months, always in PSI Kamble's room in Andheri East, in the afternoons. Ghochi karo, boss, Kamble used to say. Had sex, made love, ghochi, whatever it was, it made Sartaj precariously alone, put an insoluble knot in his throat. To feel her skin against his was good, her crises tripped easily through her long body, and she was comfortably undemanding, relaxed and relaxing in her distrust of drama. And yet Sartaj felt no yearning for her, suffered none of the agonized need he had once endured for Megha, and this absence made unbearable those moments when he lay panting on Kamble's flowered sheets. He felt small and lost inside his own body, submerged far under the skin and drowning. Finally he had to stop, had to end it. Now she was hurt, but she hid it under a journalist's shrug:
marad sala aisaich hota hai
.

Yes, men were like that. Before her, there had been other women. A call-girl, Kamble's gift on Sartaj's first post-divorce birthday: ‘Fine high-class item, boss, total actress material.' Sartaj had been unable to perform, and the actress-item had patted his shoulder comfortingly. And there was a married friend of Megha's, who had waited to call until his divorce decree was final, so that it was all above board and incontestably moral. After sex, she loved to hear stories about murder, about gunshots on dark streets, about desperate and violent men, she lay next to Sartaj, plump and golden, a shine like metal hooks in her eyes, eddying little gusts of Obsession. And there had been a firangi even, an Austrian woman who had been pickpocketed on a local train and had come into the station to file a complaint. He had liked her blunt accent, all clangs and sudden stops, and the unreadable blue of her eyes, but she was so beyond his ken that he had no idea what to do, even when she stopped in two days later. He confessed to her that they had made no progress, that progress was unlikely, and then felt ashamed of Indian inefficiency. In Austria the thief would already have been convicted and sentenced. In that pause she asked if he would like to have some coffee. After three days of coffee he asked if she would like to see his house. At the apartment, she made him take off his turban. ‘I want to see your hair open,' she said.
‘You Amitabh Bachchan,' PSI Kamble had chortled when he had heard about this, squeezing Sartaj's hand, ‘you bloody Rajesh Khanna, you're the King of all Sardar Studs.' Sartaj had recognized much of his own heady triumph in Kamble's exuberant thrill, that glad rush he had himself felt from the pornographic paleness of the Austrian's breasts, from the discovery of the light blonde hair under the white of her panties. As he had moved inside her, he was inside a thousand blue movies, and inside him were the impossibly unblemished glossy-paper phantoms of his adolescence, beckoning and very far. After they had finished she was quiet, and he had no idea what her silence meant. And the King of all Studs lay with his mouth open, terrified by the white vacuum of disappointment he was discovering inside his bones.

Sartaj shook his head and got up. Kaushalya's husband liked to be photographed. He sat squarely in the middle of every photograph, surrounded by women and children. Sartaj stood near the wall, his back to Katekar, and investigated the pictures. Here was the father of the two harassers. Did he have mistresses in addition to the wife? Looking at the belligerent thrust of his belly against his shiny white kurta, in the largest of the photographs, Sartaj was sure he did. He was a man, and so he had women. Sartaj had a long reputation as a policeman for the ladies, and he had told nobody that he had given up on sex. Kamble and Katekar and the others at the station crowed about ghochi, there were long stories that rose and fell and rollicked on about chut and khadda and tope and daana and hathiyar and mausambis, yes, she had mausambis so round and sweet you wept to look at them. Mausambis, grenades, dudh-ki-tanki, coconuts. And yes, maal, chabbis, chaavvi. Maybe I'm the only one, Sartaj thought, with stories about silent sex, far sex, aching sex, dull sex, doomy sex, stopped sex, needless sex, painful gloom-ridden bitter lonely sex. Sex. What a word. What a thing.

The chai and the father arrived together. Kaushalya's husband came in hard on the heels of the barefoot little boy who swung in with the cups of chai, which he carried in a special wire basket. The boy cocked an eyebrow at Sartaj, and getting the nod, he handed over the chai, very wristy and professional. ‘Biskoot?' he said, and held up a pack of Parle Glucose. Sartaj paid, and fumbled in giving him a five-rupee coin. The boy picked it up from the floor with his toes, with his right foot, and then moved the coin to his left hand with a smooth dance move that lifted his shin parallel to the floor. For that Sartaj gave him a five-rupee tip, and the boy grinned and was gone.

Kaushalya had emerged, followed by the old man. Sartaj moved between her and her husband, took a sip of chai and said, ‘What's your name?'

‘Birendra Prasad.'

‘You make mithai?'

‘Yes, saab. Cham-cham, burfi and pedas. We supply to restaurants and shops.'

‘You own the factory?'

‘Yes, saab.'

‘And your sons work with you?'

‘Sometimes, saab. They are studying still.'

‘That is good.'

‘Yes, saab. I want them to move ahead. In today's world, you can't get anywhere without education.'

Birendra Prasad had seen the world, no doubt of it. Today he wasn't wearing a silvery kurta, he had on a green shirt and black pants, and his stockiness made him a good match for his wife. He was sturdy and determined and didn't like having policemen in his home, but he was making an effort to be calm and polite. His daughter was holding on to the back of his shirt and glowering at Sartaj. There were a lot of people now in a small room, and Sartaj could see the sweat pooling down Birendra Prasad's neck. Sartaj grinned, showing his teeth, and took a sip of chai.

‘Saab,' Birendra Prasad said.

Katekar was moving around Prasad, to his left and behind him. Sartaj saw that it made the mithai-man very uneasy, his eyes twitched left and back and left again. ‘Have you been in jail, Birendra Prasad?' he said.

‘Yes, a long time ago.'

‘What was the charge?'

‘Nothing, saab. It was a misunderstanding…'

‘You went to jail for nothing?'

Katekar moved in close. ‘Saab asked you something,' he said, very softly.

The girl was crying now.

‘It was for one year,' her father said. ‘For theft.'

Sartaj put his glass down on the chair, and stepped close to Birendra Prasad. ‘Your sons are going to jail also.'

‘No, saab. For what?'

‘You know what they are doing around here? You know how they behave with women?'

‘Saab, that is not true.'

Katekar shoved the man gently, just a hand on a shoulder and a short push. ‘Are you saying Saab is not telling the truth?'

‘People spread all these rumours, and they are just boys. But…'

‘You send your boys to see me tomorrow at the station,' Sartaj said. ‘At four o'clock. Or I'll come and visit your family here again, and you at your factory. And I'll put your sons in jail.'

‘Saab, I know who is doing this.'

Sartaj leaned in close and whispered in his ear, ‘Don't argue with me, gaandu. You want me to take your izzat in front of your family? In front of your daughter?'

To this Birendra Prasad had no reply.

Katekar nudged at his shoulder, and he moved aside. Sartaj stepped around Sushma and over the sill. He and Katekar walked through the sunny lane, scattering a group of boys coming in the opposite direction.

‘That Wasim Zafar is a deep one, saab,' Katekar said. ‘The move is against the father as much as against the boys.'

‘Yes,' Sartaj said. ‘This Birendra Prasad must be a problem for him. He should have told us, the bastard.' Because it was quite possible that Birendra Prasad had his own connections. But Sartaj wasn't overly worried. Every man or woman you arrested or even touched was part of some web, and you couldn't spend your professional life worrying about who knew whom. You were a little careful, and if some problem came up, you dealt with it. Still, Wasim Zafar Ali Ahmad should have told them. ‘Here,' he said, and gave Katekar the biscuits. He dialled on his mobile phone, and Wasim Zafar picked up on the second ring.

‘Hello, who is it?' he said, very fast.

‘Your baap,' Sartaj said.

‘Saab? What is wrong?'