Saucers of the Illuminati (17 page)

encounter. I think that we are God playing at being human, until we realize the fact and decide to consciously play at something different.

Another clue to the UFO/ET experience is the alien face. It seems to be an interpretation and distillation of information that is too overwhelming to comprehend, and so the perception is simplified into a context that can be understood.

I have the suspicion that at least in some instances the ET

experience is so big, so amorphous, so alien, that it is simplified in its comprehension, into the grey alien face. And why might I think that? Because the prototypical grey alien face is based upon the least information units that you can interpret and still come up with a face. It can be reduced to three dots in an inverted triangular shape, and given that as the basis of a face, the details can logically be filled in to form a tiny chin and a big head. It works aesthetically, in the logic of the mind's eye. The triangular shape, the three dots in an inverted triangle, dictate the bulbous head as visual balance.

I am led to believe that perhaps the image is a distillation of an experience that is very amorphous but real, which offers a dearth of information--or perhaps too much information--to the contactee, and then the details are filled in by the mind. This is one function of the mind, to fill in the details. As a face, the grey alien is the ultimate in simplicity.

This is just conjecture, but is it possible that contactees and abductees in certain instances are confronted by something far more energy than entity, and that this energy field or nexus is channeled through the mind and interpreted based upon the least possible information units into the simplistic alien grey face?

You can see this in various oracular systems like the I Ching and the Tarot and runes and tea leaves and reading animal entrails and the Magic 8-Ball. These are purposeful destructurings of the field of information into random images, rendering the field itself amorphous and virtually meaningless, so that meaning can manifest, ready to deliver messages that are not otherwise available to the conscious mind. Like the William Burroughs Brion Gyson cut-up technique of literature. James Joyce must have seen this when he wrote his randomized
Finnegans Wake
...

John Lennon was pointing this out with his "I Am the Walrus"

which is a randomized song text with recurring imagery of oneness and omniscient control by the Walrus, perhaps a bow to Lewis Carroll. This random fracturing of message is certainly the world of the abstract painter, like Jackson Pollock, and his swirling splatter canvases, which I find irresistible.

Ultimately I believe that there really is no universe, no "field"

as it were, and no past and future. No time. I believe that we create the past to justify the present, and that we can create the past in any form we want. You create your own reality.

Implant technology pioneered by Dr. Jose Delgado.

Dr. Jolly West.

A White House document to Secretary of State James Forrestal on the creation of Majestic Twelve or MJ-12 dated September 24, 1947 and signed by President Harry Truman. Forrestal died mysteriously on August 1, 1950 and was replaced on the Mj-12 commitee by General Walter B. Smith. From the German book
Die Dunkle Seite Des Mondes (The Dark Side of the
Moon)
by Brad Harris (1996, Pandora Books, Germany).

Alleged photo from SS files of a Haunebu II in flight circa 1944. Note the Panzer tank canon mounted underneath the craft. From the German book
Die Dunkle Seite Des Mondes (The
DarkSide of the Moon)
by Brad Harris (1996, Pandora Books, Germany).

Alleged photocopy of SS plans for a Haunebu III being designed in 1945. From the German book
Die Dunkle Seite Des Mondes (The Dark Side of the Moon)
by Brad Harris (1996, Pandora Books, Germany).

Above: Two methods of constructing a large, deep-underground cavity. Both utilize central shafts, a spiralling perimeter tunnel and work areas at the top and bottom of the area to be excavated. Excavation would proceed downward, starting at the top of the designated sphere. From the U.S. Army Corps of Engineers technical manual
Feasibility of Constructing Large Underground Cavities, Vol. III
. Below: An illustration from the U.S. Army Corps of Engineers technical manual
Tunnel Boring Machine Technology
for a Deeply Based Missile System. Vol. I, Part 1
. Thanks to Richard Sauder and his book
Underground
Bases and Tunnels: What Is the Government Trying To Hide?

Examples of underground manufacturing and storage facilities from the U.S. Army Corps of Engineers technical manual
Design of Underground Installations in Rock: Protective Features and Utilities
. Thanks to Richard Sauder and his book
Underground Bases and Tunnels: What Is the Government Trying To
Hide?

Jim Keith, 1949-1999.