Authors: Muriel Rukeyser
                                Â
cherries the icy olives the inevitable
                                Â
kiss came back riding on a hot
                                Â
gust through the air and the flies
                                Â
circulated over the lemonade
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my tears for you, make everything ha-zy
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where are those skies
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of
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blue
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and the sharp faces the raccoon
                                Â
coats, the lion lip of the dark girl
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the one who died the pale square
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beautiful face of the blonde most
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persistent most invading the
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dim-toned bricks of a college tower
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ivy and furs and a dash more gin
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please because the bankrupt sky
One of the girls sitting at the door shrieked like a locomotive, and rushed into the street, leaving a puddle of chocolate milk. Olive was up and at the entrance.
“It's moving! It's gone! Look!” the French girl yelled, “There's nothing in the station!”
The two girls ran down, stood under the tacked-up palm branch, staring. Peter and Helen had jerked up from their chairs. She sat down again, very dizzy.
He faced her. “Did we tell you about Carcassonne?” he asked gently. He was playing for time. “We've just come from Carcassonne. Legendary. The old town is still there, inhabited, the old stones, preserved. Museum life.”
“Are the towers crenellated?” she asked dully. She had no wit.
“No one shoots from them,” he answered, and his voice snapped. “Do you suppose the train has gone off?âand all I could think of among those rocksâ” He broke off. He ate several olives very quickly, popping them into his mouth and chewing on the tiny stones. “I'll go and seeâ”
He went down the street.
The radio was playing:
      Â
âyou could hurt me,
      Â
when I needed youâoh youâ
      Â
You're driving me cra-zyâ
They all came slowly down the middle of the street. A dog yapped at Peter's fingers. They were talking cheerfully to each other.
Olive and Peter came in and ordered more salad. “Catch the train?” asked Helen, keeping it up.
“At the next station,” said Olive, and her face relaxed. “They shunted it over to the other track. Sanitary measure. The mayor came over to look at the station, and didn't like the conditions under the cars.”
“And the train's not moving?”
“It's done its work for the day.”
The French girl was explaining sadly to her friend, with delicate
little gestures. The café sank back, as the radio let out one final saxophone-wrench, and the record was heard scratching in Barcelona. Somebody lifted the needle, and it stopped.
“Tell Helen stories,” said Olive. “Tell anything. Tell the story about the French cop.”
“Go ahead.” He selected a leaf of endive.
“No, you,” said Olive. “It's his story, Helenâafter the thousandth time, it's his.”
“It has to do with a gendarme who was walking down a street behind a gentleman who was for one or two reasons attracting attention. So the gendarme walks up to him and says, â
Il ne faut pas uriner ici.
' The gentleman apologizes and assures the gendarme that he won't. But the gendarme having nothing better to do, walks on behind him and soon notices him again. â
Mais, monseiur
,' he says, angry this time, â
Il Ne Faut Pas Uriner Ici
.' âAll right,' says the gentleman, outraged, ânobody intends to.' âOh, excuse me, sir,' says the gendarme, with great relief, and he throws his fist up in salute, â
Vive le Sport
!'”
“Provocateur's story,” said Helen.
“Well, not for the committee-meeting.” Olive was enlarging on political humor. A car came speeding down the street, blowing its horn in staccato puffs, bursting the street-air with sound. It carried the big mounted machine gun.
This time Helen got up. “It's no good,” she said. “We can't change the train. The train's done for. Let's do something.” They looked at her. “Let's go for a walk.”
“It won't help,” Peter said thickly. “Let's get tight.”
“All right,” said Helen. “Let's get tight. Let's go for a little walk and then get tight.”
They were speaking with difficulty, as if they had been drinking for a long time. As they paid for the food, little coins rolled and fell, and they slapped their hands on the money drunkenly to keep it still. They were surprised at the shifting darkness in the dim room,
the immense rolling distance from the table to the door, the faces (like weird fish shining deep-seas down) of the girls.
In the street, the elastic waves of sunlight arrived in a flood, shocking them, beating at the temples, insistent.
They looked up toward the church. Butcher's, closed; fruit store, closed; grocer's closed; a block away, though, a crowd had gathered, filling the street corner.
“Probably opening houses,” said Olive.
Helen wanted to go up. She remembered their retreat from the church the night before. All these houses must be opened now, she thought. “They must have started this section, last night,” she reminded Olive. “The boys were ramming in the door.”
They passed the door on their way up. It was broken, half-open, lettered C.N.T., F.A.I. Through one smashed shutter they could see the overturned tables, ransacked shelves, broken crucifixes of the parochial school.
The crowd was standing still. It was not carrying guns. Only two men at the corner, and one who stood in the middle of the crossing, had rifles in their hands.
Across the street, a long robin's-egg-blue bus stood surrounded by people who put their hands on the bullet-scratches, traced the long roads cut in the enamel with their fingers. Two boys with a can of white paint were daubing large letters on the snub hood and on the rear of the bus.
GOBIERNO
.
“That must be the government bus for the Swiss,” said Helen. There was a spick round hole in the windshield. The heavy glass caught sunlight in the hole-rim; bright stripes of light ran outward in a sunburst.
Peter followed her startle, calculating. “That couldn't have missed the driver,” he remarked.
The boys went soberly ahead with their lettering, and the crowd, pressing about the truck, commented, told stories about
the road, crossed and re-crossed, shouting to women leaning from windows.
Helen looked at her hand. On it was printed, in a violent afterimage, the bullet hole and glassy light.
But the crowd was backing up to clear the street. A car cruised down and guns stood out from every window.
The man in the road raised his clenched fist.
He wore a red band around his arm.
The driver's fist was already held out of the window, his elbow resting on the windowframe. And all the other men, in the car and on the streetcorner, raised clenched fists.
In a wonder, as if the car had come to save them, as if this were her dream that she was dreaming now, Helen raised her arm and shut her fist.
“The first we've seen!” said Olive. The tears rose to Helen's eyes, sprung; and stopped.
“Long live Soviet Spain,” Peter answered, completing her thought, all his wish clear in the words.
Order, like a steady finger, covered the street. The crowd looped back, remaining on the sidewalk. The second car came, lettered P.C.â
Partit Comunista
âand the shouts and fists up as it passed. The long black car was full of men, and the driver and a woman sat in front, smiling and holding their tight hands to the people.
Helen turned to Peter. “How beautiful it is now!” she said. She looked as if she had just slept. She found the same safety in his face.
“Now it's all right,” he answered, and took her arm and Olive's. They walked to the edge of the crowd, and cars kept passing like shouts, with lifted fists. Another man stood on the curb, stopping the cars for passwords. The last one started in second, clashing its gear, hurrying down the road. He stepped back and smiled at the Americans. His eyes were the absolute of black, night tunnels of distance. They smiled.
Peter stopped. “
Comunistas hoy
?” he asked.
The man's eyes slid smiling. “
SÃ, compañero
,” his proud singing voice rose. “Today and Tomorrow.”
“It's later than we think,” Peter quoted.
Helen's face flared. “I want to go back,” she insisted. “I want to tell Hans.”
“Yes,” said Peter. “This is all right.”
“Now I'd like to get to Barcelona,” Helen pushed out. “This is what it meant. I'd like to see a city like that.”
“It's not like France, is it, Peter? You know,” said Olive, abruptly, “It's the first time this has seemed at all real to me. It's the only thing I've felt, reallyâexcept for that moment when they shut the door this morning.”
The hurrah of gunfire started in the hills, and ran for a minute.
One of the bitches, the sickly one, ran up the station street wagging her hand in the other direction.
“Down there,” she panted, wagging. “The Swiss are leavingâ”
They started to run down the street. Peter was alongside the bitch, he could see the sad, bruised eyes were swollen, the wrinkles were almost erased.
“Upset?” Peter ran alongside.
“Well,” she said, and the fret and suffering obscured her voice, “it's the Swissâthey're getting out of this hellhole.”
Helen slowed down with them. The words fell icy on her, she had moved so far from that state. Now, with a shock, she saw the sick, pathetic woman plain, and behind her a whole intelligible world she melted into, like a weak animal protectively colored. And with a counter-shock, Helen remembered her own impatience, a tourist spasm, when the train had for the first time stood interminably long in the way stations. The words had wiped that frantic itch for comfort away. But she was, in mood at least, prepared for General Strike, and it could change her effectively at
once. The bad leg was all that stood of the past now. There was no time for it. It was later than that. Nothing but the knot of Swiss, waiting on the corner, their battered suitcases and knapsacks heaped ready.
The bitch was being scolded.
Townswomen came to the corner, drawn down from the other end of the street, where the guard blocked the road. They stood near the Swiss, marveling at the little Alpine hats, the stiff tiny feather that dissolved in tufts, the crisped handsome leader.
The sallow secretary and Mme. Porcelan walked up from the tracks. Hans was with them.
As Helen crossed to meet him, she could hear
hysteria
,
political
,
unnecessary
.
He put his hand out to Helen. “You were right not to go back to the train.” The large, tight hands moved impatiently. “They've all gone wild, down there. I came up as they got their committee together, and I guess I've been looking for you since then.”
She told him about the road.
“Yes,” he said, “in a flash, the level's changed. But it was like that. In the morning, while they opened the houses. While you were playing word-games,” he added. She felt the blood move at her eyes. “I went into the street. A committee did that. They have truly a Workers' War Committee.”
He moved his arm, and stood with her in it. The Swiss were afraid that the bus would not come through. The young runner came over. He patted his pocket.
“I've got your card. If we get through, he'll get it.” He cocked his head, his gay voice shifting. “âand if anything comes through to take us in, we're going in stat.”
He was tapped on the shoulder. “I'm afraid we have our obligations to the town,” he said, formally, and wheeled around.
Windows opened, children ran out, the sun-filled cars stopped to look at the circle. Six of them stood in a ring, their heads together
over it, and just outside the leader waited. He shook his head, and all the little waves glittered like water.
The deep music started, a bass beating the pulseâand then the yodeler, standing apart, threw back his admired head, the tune rang loudly, cracking into treble, and the icy outland sound climbed and changed and broke back into tenor, rising high, fine again against the rub-a-dub bass, splitting, outclimbing birds, and with a final slide, a clean ski-track, closing.
Bursts of applause. Sensation.
The black-and-coffee women flashed in the sun, the hot ice-cream colored houses opened blinds and sprouted children, the town turned out big eyed as if a glacier had slid halfway through their street.
The horns went One-Two-Three in rapture, the notes went blinding high, a white delirium caught the town, the children hugged themselves, the gods were quieted.
Nobody seemed to turn in time to see the French delegate run unsteadily toward the corner, crying, “Come! But fast! The autos!”