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Authors: Mollie Cox Bryan

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BOOK: Scrappily Ever After
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“Miscommunication,” Vera said, then yawned. It was so late and the stress of the day was getting to her. Her shoulders and back ached from those damned hospital chairs, but the good news was that Donna was awake and quite lucid, smart-mouthing the doctors, which gave them hope.
“Have you checked your cell phone?” he asked.
“Yes, but there's not much point in that. Mama doesn't know my cell number. I programmed it into her cell phone so she can just push one button. She has no idea what the number is.”
“What about the house phone?” he asked, looking around and then resting his eyes on the phone on the wall.
“If there was a message, the light would be blinking,” Vera said, and yawned again.
When Bryant stood up to take a closer look at the phone, the cat leapt from his lap. “Whoa,” he said, holding up a chewed wire. “Maybe she has been trying to reach you.”
Suddenly Vera was wide awake.
“You need to replace the cord—looks like something has chewed this,” he said, looking at the cat.
“Do you think that Junie Bee—”
That damned cat!
He nodded. “No place open right now. Why don't you let me bring you a cord in the morning? If there are no messages from your mom, we'll work on finding her. Okay?”
Vera sank back into her chair and nodded. “I never thought to check the phone.”
“Hey,” he said in a lighthearted voice. “I'm a detective. This is what we do.” He grinned and held up the wire.
She laughed. Come to think of it, the last call she'd gotten was days ago from Evie, before she figured out that Beatrice was home. They must have been on their way home then.
“I'll see myself out,” he said. “Just try to get some sleep. You look tired.”
She nodded. “Yep, I am. Good night.”
When he left, Junie Bee jumped into Vera's lap and sat face-to-face with her, her amber eyes looking into Vera's. Vera thought she detected a smugness to her—
oh, that's crazy. She's just a cat
. “I suppose you want food,” Vera said.
Junie Bee mewed and jumped off her lap.
Vera walked into the kitchen, switched the light on and picked the refrigerator magnets off the floor again. She held them up and said, “Stop doing this!” to the cat and stuck them back on the door. She reached into the cupboard and pulled out a can of cat food. She noticed some papers under the edge of the cans. She pulled them out and set them on the corner of the counter with the other papers she'd been picking up from the cat's kitchen escapades.
She fed Junie Bee, noting to herself that she'd go through those papers in the morning.
She woke up at 3
AM
thinking of Eric, and one thought came clearly to her mind:
I can't marry him—I love him too much.
But what if that meant losing him?
Vera rolled over and pulled her quilt closer around her. The damned cat was draped like a hot water bottle over her feet. She drifted back to sleep, with thoughts of Eric, Donna, and her mother, wondering if she wanted to find the old bat after she had pulled this on her.
The next morning, she had her breakfast and coffee and sat down to go through the papers on the counter. She was interrupted by Detective Bryant at the door.
“Come in,” she said. “Thanks so much for helping me out with this.”
As the detective readied the new phone cord, kneeling on to the floor, Vera sat back down and started to go through the stack of papers that had been knocked off the refrigerator. There were several of pieces of Elizabeth's art, some schedules of activities, and a note from her mother.
What? A note?
Dear Vera,
We are home and will call when we get to Rose's house.
Love,
Mama
“What? When did she leave this?” Vera squealed so loudly that it startled Bryant. He stood so fast that he conked his head on the kitchen table. She held up the note to show him.
“What d'you think?” he said.
“The damned cat!” she hissed. “This note has been under the counter, along with a bunch of other papers the cat had pulled down from the fridge. She just won't leave things alone.”
As if she'd heard the word
cat
, Junie Bee entered the room, strutting around, trying to get the detective's attention. She had quite a little kitty crush on Bryant.
Vera dialed her Aunt Rose's number on her cell phone as the detective chortled and worked on the phone.
“About damned time,” Rose answered by way of greeting.
“What?” Vera said.
“We must have left a dozen messages for you!”
“I'm sorry, Aunt Rose. The house phone is broken—”
“Broken?”
“The cat chewed through the cord or something. Is Mama okay? Is she there?”
“She's busy getting ready.”
“Getting ready for what?”
“Your mama is getting married today,” Rose said.
Vera's heart felt like it landed in her mouth. “What did you say?” Vera barely managed to say. Where was her breath?
“Yep, she's getting married at noon today, so if you want to be involved you better get your hind end in gear. She's getting marred over at Lover's Arch. They had to get married quickly because of Jon's visa. We had a lot to take care of.”
Hot tears began to run down Vera's face, leaving a befuddled Detective Bryant wondering what to do with himself.
“I almost missed my mother's wedding,” she barely said through her tears.
“Well,” he said, placing the phone back on the table with a thud. “We can't have that.”
 
 
They arrived at the wedding with police escorts. Because Bryant had pulled some strings to arrange for the escorts, he had also invited himself to the wedding. As they disembarked from three cars, they saw the homemade sign that said W
EDDING
with an arrow painted up the hillside, around the bank from Rose's home.
Vera clutched one of Elizabeth's hands and Eric took the other as they hurried up the hillside path. She wished Sheila was by her side, but she felt she couldn't leave Donna.
“Of course there's a hill,” DeeAnn complained, surveying the hilly and rocky landscape.
“Stop your bitching and get a move on,” Paige said, playfully pushing her along.
When Vera, Annie, Detective Bryant, DeeAnn, Paige, and Eric finally found Beatrice and Jon, they were standing near a rock arch decorated with flowers and ribbons. A small crowd was gathered.
“Mama!” Vera yelled out.
Beatrice turned around. She wore an antique blue wedding dress and looked younger and more beautiful than she had in a long time. “It's about time,” Beatrice said. A titter came from the crowd. She motioned for Eric and Vera to join them at their mountainside makeshift altar.
Vera was profoundly happy that she'd found the note and tracked her mother down in the nick of time. She might have missed this. God knew Beatrice was going to get married right then and there, with or without Vera.
It was a beautiful spring day with a perfect mix of sunshine and cool mountain breeze. The scent of lilacs filled the air and wild daisies bobbed in the breeze.
Jon beamed in his tuxedo. Oddly enough, a French man in a tuxedo seemed quite appropriate at this outdoor mountain function. He looked at Beatrice—in fact, his eyes never left her. Eric squeezed Vera's hand as Elizabeth went to her grandmother and stood beside her.
Vera's Aunt Rose, Beatrice's first cousin, officiated the ceremony.
“We are gathered here today to celebrate love. The love between Beatrice Matthews and Jon Chevalier. I had the honor of being at Beatrice's first wedding as her maid of honor. Today I'm here in another role. Some women, like my dear cousin here, don't come into relationships easy. But when they love, they love long and hard, and, friends, be assured that this man is worthy.
“Here's one of Beatrice favorite poems that she wanted to share with us today.” Rose read over the “Song of the Open Road” by Walt Whitman. The last few lines made even the most stubborn eyes tear:
I give you my love more precious than money
I give you myself before preaching or law:
Will you give me yourself?
Will you come travel with me?
Shall we stick by each other as long as we
live?
Eric and Vera's eyes met. She felt tears beginning that couldn't be denied. For the second time that day, she cried. Eric pulled out his handkerchief and handed it to her.
“And now,” continued Rose, “I understand that you have each written your own vows. Beatrice?”
Beatrice cleared her throat. Vera thought she saw tears forming in her mother's eyes as she spoke.
After the vows were made and rings exchanged, Rose gave a final blessing for Beatrice's and Jon's marriage.
“May the glory, which rests upon all who love you, bless you and keep you, fill you with happiness and a gracious spirit. Despite all changes of fortune and time, may that which is noble and lovely and true remain abundantly in your hearts, giving you strength for all that lies ahead.”
Jon and Beatrice kissed under the rock arch with ribbons and flowers dancing in the breeze. A fiddler began to play.
Where did he come from?
Vera wondered. She hadn't noticed him before. She felt Eric's eyes on her and she turned to face him.
“Eric, I love you madly. But I can't marry you yet,” she said in a rush. “Listen, before you walk away, I have a proposal for you.” She reached for his arm to hold him in place.
“A proposal?” he said. “I'm not sure I like the sound of that, coming from a woman who just said no to mine.”
“Let's move in together,” she said. “I think that's a good way for us to be together to sort of try things out.”
His chin came up a bit and his face reddened. “Vera, I want to give you everything. The whole package.”
“I know and I want that too. But I need more time. Please. Won't you shack up with me?” she said and grinned.
“I'd do anything for you. When can you move in?” he asked with more than a gleam in his eyes.
“Tomorrow,” Beatrice said. Vera hadn't realized that her mom and Jon had been standing there listening. “She can move in tomorrow. And for the record you have my blessing. After all, look what shacking up got me,” Beatrice said, and she poked at a grinning, beaming Jon.
Acknowledgements
Very special thanks to Amber Benson for her beta read over the holidays. As always, I'd like to thank my editor, Martin Biro, and my agent, Sharon Bowers, both steadfast believers in my writing and fabulous founts of advice and knowledge. To my readers: thanks so much with all my heart. More to come!
Much Love,
Mollie
Keep reading for a special sneak peek of
Mollie Cox Bryan's
SCRAPBOOK OF THE DEAD
A Kensington mass-market paperback
and e-book on sale October 2015!
C
hapter 1
She hadn't shown up for work a few days in a row. Had she been in the sub-zero room that whole time, slowly freezing to death?
“With these immigrants, you just never know,” Pamela said. “They are hard workers, but sometimes things go wrong.” She wrung her hands, which were white with the tension.
“What do you mean by that?” The sheriff placed his hands on his hips, as camera flashes went off. The crime scene technicians buzzed around the room.
Annie stood with her arm wrapped around Randy, who was trembling—but her recorder pointed toward the sheriff and Pamela, owner of Pamela's Pie Palace, where the body of a young woman had just been found.
“I mean sometimes they just take off, disappear. Who knows where they go or why? Just last week, one of them disappeared, never showed up for work, and I couldn't reach her,” Pamela said, her voice quivering.
Randy had discovered the frozen body early this morning. He'd called the police, then Pamela, then Annie. After that, he'd begun to fall apart. When Annie first walked in, she had barely recognized him because he was so pale.
“Maybe they go back home? Maybe they find another job?” Pamela flung her arms out.
Annie wished she could make an educated guess—but she didn't know many of the local foreign population. Foreign to Cumberland Creek, anyway. In fact, she was surprised to hear there even
was
an immigrant population in the small town.
“She was legal, right?” the sheriff asked, leaning in toward Pamela, but Annie heard every word. A big man, Sheriff Ted Bixby sported a twisty mustache that looked like it belonged on a Spanish conquistador, not a sheriff from a small county in Virginia.
“Absolutely,” Pamela replied, her jaw stiff.
Nobody should look that good at 5
AM
, not even Pamela, Queen of Pie, wife of the wealthy Evan Kraft. Pamela always looked as if she'd stepped right out of the pages of a 1940s pinup calendar. Curvy did not begin to describe her figure. And she was not afraid to show it off.
“I need to see the victim's papers,” Sheriff Bixby said, more to his deputy than to Pamela. “In fact, I need to see all of them. All of the papers for every damned one of them.”
Annie didn't like his tone when he said the word “them.” But she'd gotten used to the “white men of a certain age” attitude about some things—like foreigners. In this part of Virginia, they seemed to be ignored, treated with suspicion, or made fun of. She had bit her tongue so many times, she counted herself lucky that it didn't have a huge gash.
The sheriff faced Annie and Randy, who'd already answered a barrage of questions.
“Get some rest, son,” said Sheriff Bixby. He looked at him with warmth and sympathy. Here was a man who knew that happening upon the frozen body of a coworker in a freezer was a jolt to the system.
Ted Bixby, a man with deep family roots in this part of Virginia, seemed to have been sheriff forever. Annie knew that her associate Detective Adam Bryant, of Cumberland Creek's police force, did not care for the man. She remembered a conversation she and Bryant had about Bixby during one of the other cases she had covered as a freelance reporter. But this crime had taken place outside of Bryant's jurisdiction, so he hadn't been called in. Annie thanked the universe for it. On this, her last story, she didn't want to deal with his attitude.
“Coming through,” yelled someone from inside the freezer. The body of the small, dark-haired woman came through the doorway on a gurney. There was one thin line of red around her neck, where her throat had been neatly slit, and a big gash glistened over the artery where she had probably bled out. A craft knife was still lodged there. Pink and white polka-dotted tape covered her mouth, left in place for the autopsy.
So neatly done. Where is all the blood?
Annie knew it was all in the freezer, waiting to be cleaned only after all the photos had been taken and evidence sealed.
Annie had taken a good look at the scene earlier, but the light shone brighter here outside of the metallic and dimly lit walk-in freezer. Now she could see the young woman in detail.
“How old did you say she was?” Annie asked Pamela.
“Her papers say she's twenty-three,” Pamela replied with a tone that suggested Pamela didn't believe it either. The young Filipino woman looked as if she was sixteen, at most. Why would Pamela hire her if she was suspicious about her age? Annie felt the ping of intuition pulling at her. Something about this was off. Way off. She needed to talk with Randy, after he calmed down, then Pamela, and the rest of the restaurant staff. This might be an even bigger story than a murder at the local, much beloved Pamela's Pie Palace.
An older, dark-haired woman sobbed and a young, wet-eyed man slipped his arms around her. Friends? They looked foreign, too. Annie made a mental note to speak with them.
One of the technicians held a baggie with some colored paper and a photo inside it.
“What's that?” Annie asked.
The young woman smiled politely. “Evidence.” She held it up higher.
“Really?” Randy said. “A scrapbook page?” He flung his hands up in the air. “I'm going back to the B and B. I need a drink and bed.” Never mind that it was only 5
AM
.
Since moving back to Cumberland Creek, Randy had taken a room at the new bed-and-breakfast in town, until he found a house to purchase.
A loud commotion erupted from around the corner.
“Randy!” Paige and Earl, Randy's parents, rushed in. “Oh, thank God you're okay. Your daddy heard about an incident on the scanner. We were so worried.”
“What happened?” Earl said.
Randy opened his mouth, but no words came out. His face grew even paler.
“Listen, Paige, why don't you take Randy home? I don't think he should be driving,” Annie said.
“That's right,” the sheriff chimed in. “At least someone around here has a good head on their shoulders.” He gave Annie an approving glance.
“Sheriff,” Earl said and nodded, the appropriately manly greeting in this region. Not “hello.” Not “hi there.” Just a name and a nod. “My boy in trouble?”
“”Oh no, no,” Bixby said. “I'll let him do the explaining on the way home.” He started to walk away.
“Now, Sheriff,” Pamela called to him. “I can't let you leave without a couple of pies. You said we'll have to close today and I have all this pie that needs to go. Please grab one or two.”
The sheriff looked liked he knew his way around pie.
“Why, thank you,” he said. Pamela had several already boxed up. A young man with dark skin and sullen, almost black eyes, stood next to her, helping box the pies. He was the same man Annie had spotted a few moments ago holding the older woman. Where was the sobbing woman? Annie's eyes searched the room to no avail. She was gone.
“That coconut cream?” Bixby said, mulling over the boxes.
“It's actually pumpkin cream. A fall special,” Pamela said.
Annie surveyed the scene. The sheriff and a few others gathered around the counter, where Pamela doled out her treats.
“I'd just have to throw it away,” she said. “You all may as well take some.”
Annie turned and looked out the window at the dead body of the young woman being slid into the back of the ambulance. She glanced back at Pamela handing out boxes of pie and the sad-looking young man next to her. This had to be the oddest crime scene she'd ever witnessed.
“Annie?” Pamela said. “Do you want some pie? I have the cherry that you like so much. I also have some of my special mincemeat.”
Annie knew the special mincemeat was only available for two weeks during the fall. It was one of Annie's favorites—a delicious mix of hard-to-find local seasonal ingredients, the kind that was barely legal. Pamela always remembered everyone's favorites.
Annie's stomach tightened. “Thanks but not today. I just couldn't.”
“Well now, young lady, are you a little queasy?” the sheriff said with a patronizing tone.
Why, yes, I think I am. I just saw a frozen person with her throat slit being carried out of here on a gurney.
But on second thought, Annie took a deep breath. “Never mind,” she said, ignoring the sheriff and speaking just to Pamela. “I'll take whatever you've got there.”
The sheriff turned with his boxes of pie and started to walk out of the Pie Palace.
“Sheriff,” Annie called out as she followed him. “Might I have a word?”
He turned to look at her just as he started to open the front door to the restaurant. His tan uniform stood out against the black and white tile floors and red booths. Annie found the place kitschy and cute, but for some reason, this morning all of the cuteness looked menacing. Murder amid the kitschiness. She didn't like it.
“What can I help you with, Ms. Chamovitz?” he asked, smiling.
Oh this was different. Very different indeed. A smiling law official. No Adam Bryant with his sideways, smirking grins.
“What do you think happened here?” Annie said.
“I don't speculate,” he said. “Call my office later today. We might know something then. But it being Saturday, you never know.”
“A freezer is an odd place for murder,” Annie said, watching him tense.
“Well, now, who said anything about murder? It could have been an accident or suicide,” he said. “As I say, Ms. Chamovitz, I don't speculate. I deal with facts.”
An accidental throat slashing? Let him think I'm that gullible.
“I'll call you later, then,” she said, noticing that the medical examiner was getting ready to leave. Annie wanted to catch her before she left. She extended her hand to the sheriff. “Later, Sheriff Bixby.”
He could not take her hand—his arms were full of pie boxes. But he nodded back at her, turned, and left the building.
“Ms. Jones?” Annie said as she walked over to the ME.
Ruth Jones looked up at her. She was an older, studious woman who had run into Annie frequently around town.
“Yeah?” Ruth dug her car keys out of jacket pocket.
“What can you tell me about the body? About the death?”
“Not much at this point,” Ruth said. “It looks like she bled to death. But I need to run some tests, of course, to be certain.”
“How would someone get trapped in a freezer long enough to bleed or freeze to death?” Annie asked.
Ruth walked out of the Pie Palace holding a big bulky bag and a pie box, and Annie followed her outside into the fall morning. The sun was just beginning to rise, giving the sky a slate-blue tinge. The waning moon was still visible.
“Why didn't she just open the door?” Annie said. “If she was in there struggling with someone who slit her throat?”
“No, she wasn't inside with someone. I don't think so, anyway. Not like what you're suggesting. There was about five hundred pounds of sugar blocking the door. “She couldn't have possibly moved it. I'm sure she's less than a hundred pounds.”
“But that means someone else placed the sugar in front of the door while she was in there.”
“She was probably already dead when they did. But restaurants get deliveries all times of the day and night. Check with Pamela on that,” Ruth said, opening her car door. “Call me later. I may have some answers for you then.”
“Okay,” Annie said and stepped back from the car.
She had enough to file her first story on the case. But she'd need more for the complete story. A lot more.
Annie mentally sorted through the evidence and possibilities. She didn't know which was worse—the idea that the young woman could have met her death in the freezer, crawling inside to get away from someone, or that someone could have killed her and then stored her dead body inside.
BOOK: Scrappily Ever After
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