Second Honeymoon (36 page)

‘Empty it—’

‘Yes’.

Edie said tolerantly, ‘You’ve watched too many television makeover programmes’.

He looked at her. He was almost glaring.

‘It’s not me,’ he said, ‘it’s
them’.

And so, because of them, because of all those unknown, feared but longed-for people who would tramp round
the house as if it belonged to no one but possibly to their futures, Edie was in Ben’s bedroom on a Saturday afternoon, with a roll of black bags and a bucket of water in which floated a new green pot scourer. If she looked out of the window – which she did a great deal as if trying to imprint the view from it on her mind as a kind of talisman – she could see the piles of peculiar objects that were growing at the end of the garden as Russell emptied the shed. Sometimes he stopped and gazed at the house and, if she was looking out of the window, he waved at her. She waved back, but she didn’t smile. This was, she felt, no moment, no time in their lives, for smiling.

She had expected to be taken over by emotion. She had relied upon the fact that every great event in her life so far had swept her up on a huge wave of blazing feeling, feeling so strong in essence and operatic in effect that she didn’t have to decide how to behave, she just surrendered and was swept away. But, for some reason she couldn’t fathom, this event, this business of moving house and thereby moving everything in their lives – except, Russell had pointed out, hopefully each other – wasn’t knocking her out, bowling her over. It was instead presenting her with a whole range of reactions, some of which were painful in a way she had anticipated, and some of which were extremely surprising. She could feel something close to anguish at the thought of, perhaps, not going up and down those stairs in six months’ time, but she could also feel that not having to go up and down the stairs might simultaneously spring her from years of habit which had, over time, quietly and insidiously become a prison.

‘Not an
actual
prison,’ she said to Russell. ‘Of course not. Just a prison of me going on and on being me’.

If she thought about people coming round the house and staring speculatively at the pale blotches on the walls that she was making by scrubbing the adhesive gum off so hard, she felt a dislike of them that almost amounted to loathing. But if, on the other hand, she turned that idea around and thought of nobody coming, nobody even wanting the house, she felt worse. She felt, she supposed, close to something Vivien had said, crying down the telephone one night after Edie had returned from her last but one night in
Ghosts
.

‘When I think,’ Vivien had said between sniffs, ‘when I think of Max deceiving me again, leaving me again, I feel awful. But when I think of him coming back, what it would be like if I had to have him back, I feel really,
really
terrible’.

Edie moved Ben’s bed away from the wall in order to attack the gum marks left by his Kate Moss poster. There were several socks nesting furrily against the skirting board and a gold-coloured earring like a flower and a sticky teaspoon. She picked them up gingerly and flung them across the bed on to the carpet. Ben was buying new socks now, new socks and bedlinen and a screwdriver for this little flat he’d found in Walthamstow, two streets away from the flat Naomi shared with her mother. It wasn’t much of a place, he said, but it had a sitting room and a bedroom and he was going to paint it with the help of another photographer’s assistant and then he was going to lay siege to Naomi.

‘What do you mean, lay siege?’

‘I’m going to make it really nice and then I’m going to wait’.

‘Wait? For what?’

He’d been filling his rucksack with possessions from behind the sofa. ‘Wait for her to see’.

‘Will she?’

Ben spread out a faded black T-shirt with a skull printed on the front and then he tossed it on the floor. ‘Oh yes,’ he said.

‘D’you mean,’ Edie said, ‘that you’ll cook supper and light candles and buy
flowers?’

Ben inspected another black T-shirt.

‘Might do’.

‘And if it doesn’t work?’

‘Then,’ Ben said, chucking the second T-shirt after the first, ‘I’ll still end up with my own gaff and I’ll think again’.

Edie began on the next batch of gum patches with her scourer. Ben wouldn’t let her see this flat of his any more than Rosa and Lazlo would let her see the one they’d found in Barons Court.

‘Barons Court!’ Edie had said. ‘But that’s the other side of London!’

‘It’s a very nice flat,’ Lazlo said seriously. He looked at Rosa. ‘Piccadilly Line’. Rosa looked at Edie. ‘Good for work’.

‘Oh yes,’ Lazlo said, ‘very good for work’.

‘But why can’t I see it?’

‘You can,’ Rosa said, ‘in time. When we’ve – done something about the bathroom’.

She looked at Lazlo. They both giggled. He said, ‘And the kitchen’. They giggled again.

Edie said, ‘I really don’t see why you have to be so secretive’.

‘Not secretive, Mum. Just private’.

‘They’re paying two hundred pounds a week,’ Edie said to Russell, ‘and Ben’s paying a hundred and twenty-five. How will they
manage?’

‘We don’t ask them,’ Russell said, ‘and we don’t worry. Certainly not until this fails to sell’. He put a hand on the nearest wall. ‘Which it won’t because I am going to paint the front door’.

‘I really think,’ Matthew had said, surveying the house from the street, ‘that you should at least paint the front door’.

‘It’s always been that colour’.

‘It isn’t the colour,’ Matthew said patiently, ‘it’s the chips’.

‘But—’

‘Do it, Dad,’ Matthew said. ‘Just bite the bullet and do it. Like the damp in the downstairs loo’.

Matthew, Edie thought, aiming her scouring pad towards the bucket, and missing, was different. He was, in one way, back to the Matthew he had been when he first met Ruth, the Matthew who had kindly, if patronisingly, told his parents how much better their lives might
be if only they followed his advice. But there were new elements now, as well, elements that were softer and more sympathetic, elements induced, it seemed, by his knowledge that he was going to be a father. He had, for example, gone, almost at once, to live with Ruth in the flat that had been such a bone of contention between them, in order, he said, to look after her.

‘But she isn’t ill,’ Edie said. ‘Pregnancy isn’t an illness. It’s a – well, it’s a very natural state of being but she isn’t an invalid’.

Matthew was standing by the kitchen table, dressed for work and drinking orange juice.

‘I want to look after her. I want to make sure she eats the right things and gets enough rest. I’m going to the doctor with her’.

‘Are you?’

Matthew drained his glass.

‘I’m going for every ultrasound. I’m going whenever I need to know what Ruth knows’.

He had left his room as if he had never been in it. In fact, he had left it so completely that in order to visualise him in it at all Edie had to remember all the way back to the serious-minded boy in gumboots who had so feared the leak in the roof that going up and down the staircase had been a real test of courage for him. That was the boy who was now proposing not only to devote himself to his girlfriend’s pregnancy but also to put his own career on hold when Ruth’s maternity leave was over in order to care for their child. He said it was his choice to do that, he said it was what he wanted.

‘Is it – is it what Ruth wants?’ ‘Of course’.

‘But I thought you couldn’t bear the flat—’

‘What I couldn’t bear,’ Matthew said, ‘was the situation. And then I could hardly bear what followed it. But now it’s changed. Everything’s changed. Everything’.

Edie looked at him.

‘Yes,’ she said faintly.

She sat down now, on the edge of Ben’s bed, and then she lay back and contemplated the ceiling. When she and Vivien were growing up, she had always prided herself on being like their father, a restless man who found any kind of routine not so much anathema as impossible. Vivien, of course, was like their mother, the kind of person who sees change as some malevolent plot deliberately devised to distress her. But look at Vivien now, staring into the wreckage of the fragile edifice she’d spent so much of her life patching and mending, and not, repeat
not
, falling to pieces. It was Vivien who, in between looking for flats in Fulham for herself -’Why shouldn’t I live further in? Who’s to stop me living exactly where I want?’ – was urging Edie to think of where she and Russell might live after the house was sold. ‘Why don’t you think about Clerkenwell? Or Little Venice? Why don’t you have an adventure?’ It was Vivien who had said to Edie, ‘Going on is hard, but going back would be a whole lot worse’.

Going back. Edie stretched her eyes wide and focused on a long, wavering crack in the plaster above her head. To think now how she had longed to go back,
how fiercely she had told herself that all she wanted, all she was truly able to do, lay in what she had already done, in the way she had lived her life since they had moved into the house. But if she was completely truthful with herself and somebody, some fairy godmother, materialised out of the battered walls of Ben’s bedroom and offered her the chance to go back, she would have to make sure of where she was going back to. Not, now, to maternal supremacy, not, now, to that beguiling power of sustenance and control, that luxurious simplicity of society-approved choice: children first, everything else second. What she would have to say, slightly embarrassedly, to the fairy godmother, was that she would indeed like to go back, but not very far back, back in fact only as far as the first night of the production of
Ghosts
, when she had known that she had done something exceptionally well, and been applauded for it.

‘How odd,’ she’d say to the fairy godmother, ‘to have one hunger almost replaced by one so very different’.

‘Not replaced,’ the fairy godmother would reply, adjusting her gauzy skirts, ‘merely augmented by, added to. Nothing, you see, stands still’.

Russell had said that. He’d been shuffling through some property brochures that Vivien had zealously sent and he said, ‘I never thought we’d leave this house, I never thought I could, but now I wonder if I could stay. Nothing stands still, does it, and I suppose, if it did, we’d stop breathing. It’s not change that’s so painful, it’s just getting used to it’.

Edie sat up slowly. It actually wasn’t getting used to change that hurt, it was getting used to the truth, or whatever that element was that wasn’t the illusions you’d clung to and comforted yourself with for more years than you’d care to remember. And once you’d started doing without the illusions, you got braver, you could breathe the thinner air, take longer strides, allow yourself to make claims. And the claim I want to make, Edie thought, getting to her feet and moving towards the window again, is to work. I want to act again, I want to be on a stage or in front of a camera, and I mind very much indeed that nobody has asked me, since
Ghosts
.

She looked down the garden. Russell was standing outside the shed holding Rosa’s old fairy cycle. Russell had said she must keep the faith, that there would be other parts, that he would help her to change agents if she thought that would make a difference. She leaned her forehead against the glass of the window and stared at him. He had put the bike down now and was pulling out of the shed yards and yards of crumpled green plastic netting that they had once used in an attempt to stop the boys’ footballs flying over the fence into neighbouring gardens. He looked purposeful and determined and, at the same time, as if this task was far from easy. He looked like someone who was doing something he didn’t want to do in order to be able to move on to something better. He looked like the kind of person Edie was going to have to be when she ate all the hard words and thoughts she had uttered and believed in the past about his agency, and asked him
for work to tide her over until – until something better came up.

‘I’ll do anything,’ she planned to say to him, ‘and I’ll do it properly,’ and he would give her a long look back and say with emphasis, ‘Yes, you will’.

She took her face away from the window and bent to pick up the bucket. She would go downstairs now, and make a mug of tea and carry the tea down the garden to Russell, and she would ask him, there and then –
humbly
and there and then – if he could help her. She looked back from the doorway, at Ben’s room. It was his bedroom but it was also the past and there was, suddenly, excitingly, frighteningly, no time like the present. Not, that is, if you wanted a future. Edie closed the door behind her, and trod carefully down the stairs.

‘“Perhaps,”‘ Lazlo constantly said to her as Osvald Alving, ‘“Perhaps there’ll be lots of things for me to be glad about – and to live for …”‘

Arsie was waiting at the foot of the stairs. He looked up as Edie passed him and made a small, interrogative remark.

Edie paused and bent to touch the top of his head with her free hand.

‘“Yes,”‘ she said, as Mrs Alving had always said. ‘“Yes, I’m sure there will.”‘

Joanna Trollope
has been writing for over thirty years. Her enormously successful contemporary works of fiction, several of which have been televised, include;
The Choir; A Village Affair; A Passionate Man
and
The Rector’s Wife
, which was her first #1 bestseller, and made her into a household name. Since then she has written
The Men and the Girls; A Spanish Lover; The Best of Friends; Next of Kin; Other People’s Children; Marrying the Mistress; Girl from the South; Brother and Sister
and
Second Honeymoon
. Her latest novel is
Friday Nights
. Trollope has also written
Britannia’s Daughters
, a non-fiction study of women in the British Empire, as well as a number of historical novels now published under the name Caroline Harvey. Joanna was awarded the Order of the British Empire in 1996 for services to literature.

Visit her website at:
www.joannatrollope.com