Serafina and the Twisted Staff (The Serafina Series)

BOOK: Serafina and the Twisted Staff (The Serafina Series)
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First published in the USA in 2016 by Disney•Hyperion,
an imprint of Disney Book Group
First published in Great Britain 2016
by Egmont UK Limited
The Yellow Building, 1 Nicholas Road, London W11 4AN

Copyright © 2016 Robert Beatty

The moral rights of the author and illustrators have been asserted

First e-book edition 2016

ISBN 978 1 4052 8415 8
eISBN 978 1 7803 1755 7

www.egmont.co.uk

A CIP catalogue record for this title is available from the British Library

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system,
without the prior written permission of the publisher.

Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third
parties.

Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when
using the internet.

This book is dedicated to you, the readers who helped spread the word about
Serafina and the Black Cloak
, and in so doing, made this second book possible.

And to Jennifer, Camille, Genevieve, and Elizabeth:
My co-conspirators, co-creators, and the loves of my life.

Contents

Cover

Title Page

Copyright

Dedication

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

An Invitation to Biltmore

Acknowledgements

Back series promotional page

Biltmore Estate
Asheville, North Carolina
1899

Three weeks after defeating
the Man in the Black Cloak

S
erafina stalked through the underbrush of the moonlit forest, slinking low to the ground, her eyes fixed on her prey. Just a few feet in front of
her, a large wood rat gnawed on a beetle he’d dug up. Her heart beat strong and steady in her chest, marking her slow and quiet creep towards the rat. Her muscles buzzed, ready to pounce. But
she did not rush. Swivelling her shoulders back and forth to fine-tune the angle of her attack, she waited for just the right moment. When the rat bent down to pick up another beetle, she
leapt.

The rat caught a glimpse of her out of the corner of his eye just as she sprang. It was beyond her ken why so many animals of the forest froze in terror when she pounced. If death by tooth and
claw came leaping at
her
out of the darkness, she’d fight. Or she’d run. She’d do
something
. Little woodland creatures like rats and rabbits and chipmunks
weren’t known for their boldness of heart, but what was freezing in sheer terror going to do?

As she dropped onto the rat, she snatched him up quicker than a whiskerblink, and clutched him in her hand. And now that it was well past too late, he started squirming, biting and scratching,
his furry little body becoming a wriggling snake, his tiny heart racing at a terrific pace.

There it is
, she thought, feeling the
thumpty-thumpty
of his heartbeat in her bare hand.
There’s the fight.
It quickened her pulse and stirred her senses. Suddenly,
she could detect everything in the forest around her – the sound of a tree frog moving on a branch thirty feet behind her, the reedy buzz of a lonely timberdoodle in the distance, and the
glimpse of a bat swishing through the starlit sky above the broken canopy of the trees.

It was all for practice, of course, the prowling and the pouncing, the stalking of prey and the snatching hold. She didn’t kill the wild things she hunted, didn’t need to, but they
didn’t know that, darn it! She was terror! She was death! So why at the last moment of her attack did they freeze? Why didn’t they flee?

Serafina sat down on the forest floor with her back against an old, gnarled, lichen-covered oak tree and held the rat in a clenched fist on her lap.

Then she slowly opened her hand.

The rat darted away as fast as he could, but she snatched him up and brought him back to her lap again.

She held him tight for several seconds and then opened her hand once more.

This time, the rat did not run. He sat on her hand, trembling and panting, too confused and exhausted to move.

She lifted the terrified rodent a little closer, tilted her head and studied him. The wood rat didn’t look like the nasty grey sewer varmints she was used to catching in the basement of
Biltmore Estate. This particular rat had a scarred tear in his left ear. He’d encountered some trouble before. And with his dark little eyes and the tremulous whiskers of his long, pointy
nose, he seemed more like a cute, chubby brown mouse than the proper vermin on which she had earned her title. She could almost imagine a little hat on his head and a buttoned vest. She felt a pang
of guilt that she’d caught him, but she also knew that if he tried to run again her hand would snatch him up before she even thought about it. It wasn’t a decision. It was a reflex.

As the little rat tried to catch his breath, his eyes darted to and fro for a way out. But he didn’t dare. He knew that as soon as he tried to run, she’d grab him again; that it was
the nature of her kind: to play with him, to paw him, to claw him, until he was finally dead.

But she looked at the rat and then set him on the forest floor. ‘Sorry, little fellow – just practising my skills.’

The rat gazed up at her in confusion.

‘Go ahead,’ she said gently.

The rat glanced towards the thistle thicket.

‘There ain’t no trick in it,’ she said.

The rat didn’t seem to believe her.

‘You go on home, now,’ she told him. ‘Just move slowly away at first, not too fast – that’s the way of it. And keep your eyes and ears open next time, even if you
got a beetle to chew on, you hear? There are far meaner things in these woods than me.’

Astonished, the torn-eared wood rat rubbed his little paws over his face repeatedly and bobbed his head, almost as if he were bowing. She snorted a little laugh through her nose, which finally
startled the rat into action. He quickly got his wits about him and scampered into the thicket.

‘Have a good evenin’, now,’ she said. She reckoned he’d bolster his memory of his courage the further he got away from her and have a good story to tell his wife and
little ones by the time he got home for supper. She smiled as she imagined him telling a great and twisty tale with his family gathered around – how he was in the forest just minding his own
business, gnawing on a beetle, when a vicious predator pounced upon him and he’d had to fight for his every breath. She wondered if she’d be a beast of ferocious power in the story. Or
just a girl.

At that moment, she heard a sound from above like an autumn breeze flowing through the tops of the trees. But there wasn’t a breeze. The midnight air was chilled and quiet and perfectly
still, like God was holding his breath.

She heard a delicate, almost gossamer, whisper-like murmur. She looked up, but all she could see were the branches of the trees. Rising to her feet, she brushed off the simple green work dress
that Mrs Vanderbilt had given her the day before and walked through the forest, listening for the sound. She tried to determine the direction it was coming from. She tilted her head left and then
right, but the sound seemed to have no position. She made her way over to a rocky outcropping, where the ground fell steeply away into a forested valley. From here she could see a great distance,
miles yonder across the mist to the silhouettes of the Blue Ridge Mountains on the other side. A thin layer of silvery-white clouds glowing with light passed slowly in front of the moon. The
brightness of the moon cast a wide-arcing halo in the feathery clouds, shone through them, and threw a long, jagged shadow onto the ground behind her.

She stood on the rocky ledge and scanned the valley in front of her. In the distance, the pointed towers and slate-covered rooftops of the grand Biltmore Estate rose from the darkness of the
surrounding forest. The pale grey limestone walls were adorned with gargoyles of mythical beasts and fine sculptures of the warriors of old. The stars reflected in the slanting windowpanes, and the
mansion’s gold-and copper-trimmed roofline glinted in the moonlight. There in the great house, Mr and Mrs Vanderbilt slept on the second floor, along with their nephew, her friend, Braeden
Vanderbilt. The Vanderbilts’ guests – family members from out of town, businessmen, dignitaries, famous artists – slept on the third floor, each in their own luxuriously appointed
room.

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