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Authors: Ann Granger

Shades of Murder

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SHADES OF MURDER

Also by Ann Granger

Mitchell and Markby Crime Novels
Beneath These Stones
Call the Dead Again
A Word After Dying
A Touch of Mortality
Candle for a Corpse
Flowers for His Funeral
A Fine Place for Death
Where Old Bones Lie
Murder Among Us
Cold in the Earth
A Season for Murder
Say It With Poison

Fran Varady Crime Novels
Running Scared
Keeping Bad Company
Asking for Trouble

SHADES OF MURDER

A Mitchell and Markby Mystery

A
NN
G
RANGER

SHADES OF MURDER
. Copyright © 2000 by Ann Granger. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

www.minotaurbooks.com

ISBN 0-312-28445-4

ISBN 978-0-312-28445-9

First published in Great Britain by
HEADLINE BOOK PUBLISHING

First St. Martin’s Minotaur Edition: October 2001

10  9  8  7  6  5  4  3  2  1

ACKNOWLEDGEMENTS

There are many people I have to thank for their advice, help and encouragement during the writing of this book. So a big Thank-You to Professor Bernard Knight CBE, distinguished pathologist and fellow crimewriter, for his advice on the procedure regarding exhumations. To the Museum of the Royal Pharmaceutical Society for information on laudanum. To fellow crimewriter Dr Stella Shepherd and her husband John Martin, for their knowledge on matters medical generously made available to me on this and other occasions. To the Oxford Coroner’s Office. To the staff of the Centre for Oxfordshire Studies at the Westgate Library, Oxford. To David Dancer of Oxford County Hall who showed me round Oxford’s ‘old’ court and its atmospheric subterranean tunnel. To my agent Carole Blake, my editor Marion Donaldson, my long-suffering family and friends and above all, my husband, John Hulme.

A.G.

List of Characters

The First Shade
, Bamford 1889-90

William Oakley, of Fourways House
Cora, his wife
Mrs Martha Button, housekeeper
Watchett, gardener
Daisy Joss, nursemaid
Inspector Jonathan Wood, Bamford Police
Emily, his daughter
Sergeant Patterson, Bamford Police
Stanley Huxtable, reporter on the
Bamford Gazette
Mr Taylor, prosecuting counsel at the trial of Wm Oakley
Mr Green, defending counsel at the trial

The Second Shade
, Bamford 1999

Damans Oakley

}

grand-daughters of Wm Oakley

Florence Oakley

}

Jan Oakley, great-grandson of Wm Oakley

Ron Gladstone, gardener

Superintendent Alan Markby, Regional Serious Crimes Squad

Inspector Dave Pearce, as above

Meredith Mitchell, Foreign Office employee

Dr Geoffrey Painter, poisons expert

Pamela, his wife

Juliet, his sister

Reverend James Holland, Vicar of Bamford

Superintendent Doug Minchin, Metropolitan Police

Inspector Mickey Hayes, as above

Dolores Forbes, landlady of The Feathers

Kenny Joss, taxi-driver

Dr Fuller, pathologist

Harrington Winsley, Chief Constable

Dudley Newman, builder

PART ONE
The First Shade

Murder most foul, as in the best it is,
But this most foul, strange, and unnatural
.

Shakespeare,
Hamlet
, Act I, scene 5

Chapter One
1889

Cora Oakley leaned against the lace-trimmed pillows. Sweat trickled from her hairline down her forehead, along her nose, across her upper lip and formed a salty pool in the puckered skin at the corner of her mouth. She was hardly aware of it. Tentacles of pain stretched from her throbbing jaw down her neck to her shoulder. The whole right side of her face felt afire. It had been three days since the tooth had been drawn and the dentist had promised the wound would soon settle.

Why must men always lie about everything? thought Cora. She touched the swollen flesh and winced.

The turret room had been hers since she’d come to Fourways. Most of it was in a velvet semi-darkness but she lay on the edge of a pool of light cast by a lamp on the bedside cabinet. The china base of the lamp was painted with violets. Inside the bulbous glass shade the flame, fed by the fuel store inside the base, twisted and jumped angrily like an imprisoned imp wanting to be free to create mischief.

I’m going to change my room, Cora decided. I don’t like this room. I’ve never liked it.

William had said this was to be her room. His room was at the other side of the house. That was hardly the normal arrangement for married couples but William wanted it that way and she knew why.

As if thought of her husband had called him up, the door opened and he came in, carrying a small tray.

‘Here we are,’ he said. He put the tray down on the table, by the lamp. ‘I handed over Perkins’s prescription. Baxter gave me this.’

Cora turned her head so that she could see the familiar little bottle with its handwritten label
Laudanum
, and beneath this, in brackets,
Tincture of Opium
.

‘Baxter tells me there are new things coming along now for pain such as toothache. I told him you preferred to stick with what you knew.’ He
paused as if expecting she would say something. When she didn’t, he went on briskly. ‘Well, there’s a jug of water, a glass and a teaspoon. Do you want to take it now?’ He stretched out his hand to the bottle.

Cora rolled her head from side to side on the pillow in negation. She just wished he’d go away. She knew how to dose herself. The laudanum had been a friend for a long time now, one she could turn to in the depths of the black depression which haunted her. She would sleep undisturbed by the raging inflamed gum around the empty socket where the tooth had been. Yet even the prospect of sleep filled her with a prickle of apprehension. Recently, her sleep had been beset with nightmares. In despair, she asked herself if, awake or asleep, she was never to have peace?

‘Very well, then,’ William said. He stooped and planted a passionless kiss on her damp forehead. ‘Goodnight.’

As he walked to the door, she found her voice and called, ‘William!’

He turned, his hand on the doorknob, his dark eyebrows raised. Even in her present distress, she thought how handsome he was. She understood bitterly how a feather-headed seventeen-year-old such as she had been when they’d met, could have fallen in love with him. Fallen so completely for a man who was completely rotten, through and through.

She said, as clearly as she could through the swelling and pain, ‘I intend to dismiss Daisy in the morning.’

‘Doesn’t she care for the boy properly?’ His voice was cold.

‘I don’t like her attitude.’

‘In what way?’ Even though he stood in the shadows, she could see the contempt on his face, hear it in his voice.

He must think I’m stupid, she thought. But she was in too much pain to argue. Instead, she said, ‘You have made me an object of pity and ridicule in the eyes of everyone who knows us.’

‘You’re talking nonsense,’ he said briefly. He opened the door.

‘It’s too much,’ Cora said, her tongue moving with difficulty in her mouth. ‘Not again, William. I won’t stand for it again.’

He didn’t answer and as he moved through the open door she called, ‘There must be an end to it, William!’

She had dared to use the word he couldn’t abide. He swung back. ‘Must?’

Driven by her pain and despair, she retorted, ‘I shall seek a separation.’

She saw the corner of his mouth twitch, as if he was going to smile. But all he said was, ‘Perhaps in the morning you’ll make more sense.’ And then he was gone.

* * *

‘Goodnight, then, Mr Watchett,’ said Martha Button.

She closed the kitchen door on the gardener and locked it. For good measure she then shot the bolts top and bottom and having done this, checked the window. Having satisfied herself that none but the most determined intruder could get into the kitchen, she cast a look of satisfaction around the room.

The kitchen range needed a good going over with blacklead but Lucy could do that in the morning. Keep the girl occupied. Mrs Button’s eagle eye fell on the two glasses on the table and the sherry bottle. She put the bottle away in the cupboard and rinsed the sherry glasses, dried them and put them away, too. After a moment’s hesitation, she gathered up the small plate on the table and rinsed that. All these things could also have been left for Lucy to do but there were some things, unlike the tiresome and messy job of blackleading the range, to which it was better not to draw a housemaid’s attention. Not that Mrs Button and Mr Watchett weren’t entitled to a glass of sherry and a gossip of an evening, but it was always important to keep the respect of one’s underlings and not give them any cause to laugh at you behind your back.

It was getting late. Watchett had stayed longer than usual. Mrs Button went out into the main hall. A single gasmantle still glimmered there, hissing softly, though the other downstairs rooms were in darkness. The atmosphere was heavy with unseen presences as a house is at night. The grandfather clock marked the time as almost eleven. She went to check that the bolts on the front door were in place. Of course, Mr Oakley checked the door last thing, but tonight her employer had seemed absent in his manner. He’d retired early, before ten. She’d heard him go upstairs. Well, as she’d said to Watchett, it wasn’t surprising he’d got things on his mind.

‘I could see it coming, Mr Watchett. As soon as that girl Daisy Joss set foot in this house. Far too pretty for her own good.’

‘Ah,’ said Watchett. ‘Never no good came from hiring any Joss.’

‘And poor Mrs Oakley in the state she’s in from her tooth. Having it pulled out, I mean. I really don’t know why she didn’t go up to London to a dentist used to dealing with gentlefolk. As it is, she’s been in a terrible state ever since that local fellow yanked it out.’

‘Doorknob and a piece of string,’ said Watchett. ‘Best way to get a tooth out.’

‘It couldn’t have done more harm!’ sniffed Mrs Button.

The front door was bolted. She nodded and went to turn off the gasjet.
In doing so, she caught sight of herself in the mirror and paused to pat her hair which was a curious mahogany colour. Then she made her way back to the kitchen and stepped through into the adjacent lobby from which the backstairs ran up to the upper floors. All alone as she was down here, she could’ve gone up the main staircase, but habit died hard. Backstairs were for servants, and though she was definitely an upper servant of the very best kind, she took herself to her bed by this route, through the darkened house, candlestick in hand.

Around her the house creaked and groaned in the falling temperature. On the first floor, the backstairs came out at the end of the corridor, right by the door to the turret room where Mrs Oakley slept. As Mrs Button turned to go up the next flight to the rooms under the eaves where she had both her own sleeping quarters and a little room designated her sitting room, she heard a sudden crash.

It was followed immediately by a cry. A cry so strange, so unearthly, she couldn’t believe it was human. If it came from anything in this world at all, it seemed a tortured squeal issued by some animal in agony. Her heart leapt painfully and with her free hand she sketched the sign of the cross. She was a cradle Catholic, though her observance of any religion had been noticeable by its absence for many years. Now, sensing she was to be tested in some way in which she couldn’t cope without divine help, she sought the comforting token of her childhood faith.

There was no doubt both sounds had come from behind Mrs Oakley’s door. Fearfully, the housekeeper approached and after a moment’s hesitation, tapped. ‘Mrs Oakley, ma’am?’

BOOK: Shades of Murder
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