Shadows At Sunset (2 page)

“And he's not my baby brother. He's only two years younger than I am,” she added inconsequentially.

“Trust me,” Coltrane said, “he's definitely your baby brother.” There was no missing the faintly mocking admiration in his voice, but it only made Jilly angrier. She'd failed, her father was out of reach. As usual.

“I'll talk to my father when he gets back,” she said coolly, reaching for her purse. “Thanks for your help, Mr. Coltrane.”

“Coltrane will do,” he said. “And you haven't finished with my help. You can't get out of here without me.”

“What do you mean?”

“The place has a top-of-the-line security system. No one can get in or out without the code once it's past seven. It's seven-fifteen, and I don't think you have the code, do you?”

“No.”

“And where did you park your car? In the garage in the building, right? There's no other place to park around here. You won't be able to get in there without a different code. If you want to get home tonight you're going to need my help.”

She would have said this was all some evil plan on the part of fate, but she didn't tend to think fate had that much interest in one Jilly Meyer. She stared at Coltrane, her eyes narrowed as she considered her alternatives. She could call Dean, but he often ignored the telephone. Besides, he might be too drunk to answer, and she certainly didn't want him driving to pick her up. God knew where Rachel-Ann was. And it had been so long since Jilly had been to the Meyer building that she no longer knew anyone who worked there who might be able to help her, with the exception of the draconian Mrs. Afton, and even Coltrane was preferable to the gorgon.

“I'd like to leave,” she said in a steady voice. “Now.”

“And you'd like my help? Pretty please?”

“Yes,” she said, hoping there was a special place in hell for men like him.

“My pleasure.” He flicked off the lights, plunging them into unexpected darkness just as she started toward him, and she almost slammed into him in her hurry to get out of there. Some blessed radar stopped her seconds before she did, but she was close enough to brush against his jacket, to feel his body heat in the enclosed area. It was unnerving.

But she had learned years ago not to let her unease show, and she stopped, following him at a more reasonable pace, determined to keep her distance. Trust Jackson to put her at a disadvantage, she thought sourly. Not only did he ignore his daughter, but he sent The Enemy to deal with her. If she hadn't been pissed off before she was pissed off now.

The place was completely deserted, an astonishing circumstance. Jackson Meyer encouraged his employees to work long and hard, and he usually matched them in overtime. But there didn't appear to be a soul left in the building as she followed Coltrane past the ghostly forms of neat desks, empty offices, echoing cubicles.

She had no idea what the people who worked at those desks actually did, any more than she knew how her father made his money. Meyer Enterprises had been her grandfather's company. He'd started out in real estate in the 1940s, buying huge tracts of land, derelict factories and ruined mansions. The place where Jilly lived with her two siblings was one of the old man's last acquisitions before he died in the early 1960s, the only building that hadn't been razed and redeveloped to benefit the endless coffers of Meyer Enterprises.

And it never would be if Jilly had anything to say about it. It was one of the few things temporarily beyond her father's greedy reach. Jackson Dean Meyer and his mother had had a falling out, and while Julia Meyer hadn't been able to deed La Casa de Sombras to her three grandchildren outright, she'd still managed to keep Jackson away from it. It belonged to the three of them, Jilly, Dean and Rachel-Ann, for as long as even one of them wanted to live there. The moment the last one moved out it would revert to Jackson, and he'd have it torn down.

He'd been trying to get them out for years. Threats, bribery, anger had made Dean and Rachel-Ann waver. But Jilly was made of sterner stuff than that, and she'd kept the others firm.

Coltrane punched in a row of numbers on the security keypad by the door, too fast for Jilly to read them, then pushed the door open, holding it for her. She walked past him, too close again, and gave him her cool, dismissive smile. “Thanks for your help, but I can take it from here.”

“The elevator won't come without the security code,” he said. “We're on the thirty-first floor, it's a hell of a long walk down, and when you get to the basement you'll find the door is locked and you'll just have to climb back up again. Besides, there's the little problem of the parking garage.”

“I've got my cell phone—I can call a taxi.”

“You'll still have to come back here for your car sooner or later. Unless you want to just go buy a new one with Daddy's money.”

His easygoing contempt startled her, and she glared at him. “I'm surprised you don't know that I don't live off my daddy's money, as you so sweetly put it. Maybe you're not as involved in his affairs as Dean thought.”

Coltrane simply smiled. “It's your choice, Jilly. You want to spend the night wandering up and down thirty-one flights of stairs, or do you want my help?”

Being trapped in a stairwell seemed vastly superior to being stuck with Coltrane in one of the bronze, art deco elevators Jackson had brought to the Meyer Building, but she wasn't about to say so.

“Call the elevator,” she said, resigned. She was back in the tumbrel again, heading toward Madame La Guillotine.

He punched another rapid set of numbers on the keypad, and the doors opened immediately. She had no idea why the elevator would already be on their floor, but she wasn't about to ask. It was going to be hard enough to step into that bronze cage with her brother's nemesis.

She didn't like heights, she didn't like enclosed spaces, and she certainly didn't like men like Coltrane. Tall, gorgeous, self-assured men who knew just how intimidating they could be. It was a subtle, sexual intimidation, the worst sort, and Jilly was usually invulnerable to that sort of thing. But for some reason she still didn't want to get in the enclosed cage with him.

She had no choice. He waited, watching her, and she could no longer see the expression in his eyes. She walked into the elevator, hearing the jeering crowds of the angry peasants. He followed her in, and the doors slid shut with a subtle hiss, as Jilly steeled herself to ride to her doom.

J
ackson Meyer's daughter was scared shitless of him. It was a fascinating realization, and Coltrane wished he knew a way to slow the rapid descent of the elevator, to stall it completely, anything to keep her with him for just a little bit longer.

He'd watched her while she slept, absolutely astonished at how far off the mark he'd been about her. He'd let his opinion of Dean influence his expectations about Meyer's other children; that, and stories he'd heard about Rachel-Ann's voracious appetite for drugs and sex. He'd assumed Jilly Meyer would be cut from the same self-indulgent, self-destructive cloth. He hadn't met Rachel-Ann yet but Jilly was as different from Dean Meyer as he could have possibly imagined.

In a land of California blondes she was dark, with an unfashionable mane of thick brown hair, a big, strong body and endless legs. She was no delicate flower—she had a physical presence that was both aggressive and arousing, even as she tried to make herself disappear into the corner of the elevator. He wondered if she was scared of heights or of him.

He wouldn't have thought she'd have the sense to be frightened of him. He'd done his absolute best to present himself as a laid-back and easygoing, slightly unscrupulous Southern Californian. No one had the faintest idea how dangerous he really could be.

Except for Jilly Meyer, who looked like she wanted the floor of the elevator to swallow her up. Her linen was rumpled, her hair was tangled, and she looked sleepy, wary and hostile. It really was an irresistible combination.

He allowed himself the brief, graphic fantasy of slamming his hand against the emergency stop button, shoving her against the elevator wall and pulling up that too short skirt of hers. Those long, strong legs would wrap around his hips quite nicely, he could brace her against the wall while he fucked her, and she'd stop looking at him like she wondered whether he was a scorpion who'd wandered in from the desert. By then she'd know that was exactly what he was.

The doors slid open on the basement level with an audible sigh, and Coltrane's fantasy vanished, unfulfilled. He punched in the garage code and the door buzzed. He pushed it open, and she walked through, brushing past him, and he wondered if she was going to take off in a run. He might enjoy stopping her.

But she was too well-bred for that. She held out her slim, strong hand to him. Silver rings, he noticed. Elegant and plain. And he took it, touching her for the first time.

His hand swallowed hers, and he used just enough pressure so that she couldn't keep ignoring him. She glanced up at him through her thick lashes. “I'm not biologically equipped for a pissing contest, Mr. Coltrane,” she murmured.

He released her hand. “Where are we going for dinner?”

“I have no idea where you're going. I'm going home.”

“Can you cook?”

“Not for you.”

He was baiting her deliberately, to annoy her. He still wasn't quite sure why he wanted to—she was easy to get to. Far easier to get on her nerves than to seduce her.

Or maybe not. He intended to find out.

There was only a handful of cars in the deserted garage. He wondered whether she owned the red BMW convertible or the Mercedes. And then he saw the classic Corvette—1966, he guessed, lovingly restored, a piece of art as close to an antique as Los Angeles could boast.

He didn't make the mistake of touching her again, he simply starting walking toward the car, knowing she was going in that direction. “Nice Corvette,” he said.

She cast a wary glance up at him. “What makes you think it's mine?”

“It suits you. Are you going to let me drive it?”

He might just as well have suggested they act out his elevator fantasy. “Absolutely not!”

“She'd be safe with me. I know how to drive—I've had a lot of experience. I'm good with a stick shift. I'd take it slow, I wouldn't strip her gears.”

Her expression was priceless. “Mr. Coltrane, if you drove her with the same deftness that you're using in coming on to me then she'd stall out before you could even put her into gear,” she said. “You're not driving my car or me. Is that clear?”

“Crystal,” he drawled. A week, he figured. A week before she'd lie down for him, two weeks for the car. “I don't suppose you'd give me a ride home.”

“Where's your car?”

“In the shop. I was supposed to take one of the company cars but I got distracted up there and forgot to get the keys.”

“You can go back up and get them.”

He shook his head. “The door has a time lock. Once the last person leaves no one can get in until morning.”

“What the hell does my father keep up there, the Fort Knox gold?” she said irritably.

“Just private files. Your father's involved in some highly complex, sensitive business arrangements. It wouldn't do for just anyone to walk in and have access to them.”

“Just anyone like his daughter? Who's obviously far too simpleminded to understand the great big complexity of his sensitive business affairs,” she mocked him.

He ignored that. “I live near Brentwood. It's not that far out of your way.”

“How do you know where I'm going?”

“You said you were going home. You live in that old mausoleum on Sunset with your brother and sister. I'm right on your way.”

“Call a taxi.”

“My cell phone's dead.”

“Use mine.” She was rummaging in her purse now, obviously determined to get rid of him. A moment later she pulled out a phone, holding it out to him.

“Why do I make you so uncomfortable?” he said, making no effort to take it.

“You don't,” she said. “I have a date.”

Two lies, he thought, and she wasn't very good at lying. Unlike the rest of her family. Dean Meyer seemed almost oblivious to the truth, whereas his father used it as he saw fit, mostly to manipulate people.

But Jilly Meyer couldn't lie with a straight face, and that was oddly, stupidly endearing. Coltrane wasn't about to let that weaken his resolve.

“Then you'll probably want to go home and change before your big night out, and my apartment's on your way,” he said in his most reasonable voice.

“Get in the damned car.” She shoved her phone back into her purse and headed around toward the driver's side. He wondered whether she'd chicken out, try to drive off without unlocking the passenger door to let him in. She wouldn't get far—the garage doors wouldn't open without the right code.

But she slid behind the wheel, leaned over and unlocked the door, pulling back when he climbed in beside her. The Corvette was beautifully restored, perfectly maintained, and he had a sudden moment of sheer acquisitiveness. He wanted this car.

He didn't want a car exactly like this. He could afford to buy what he wanted on the exorbitant salary Jackson Meyer was currently paying him, and in L.A. you could find anything for a price. He didn't want a 1966 Corvette. He wanted the one that belonged to Jilly Meyer.

She was strapping the metal-buckled seat belt across her lap, and she threw him a pointed look, but he made no effort to find his. “I like to live dangerously,” he said. Her short skirt had hiked up even higher in the low-slung cockpit of the car, but he'd decided the time for ogling was past. She'd gotten the initial message, he could back off now. At least for the time being.

He didn't even waste a glance at his Range Rover. Sooner or later she'd see it, but he didn't know whether she'd figure out it was his. Probably not—he was doing far too good a job at rattling her. She wouldn't notice any details.

She drove like a bat out of hell, another surprise, though he expected the squealing tires and tight corners were a protest against his unwanted presence. The moment the garage doors opened she was off like Mario Andretti, racing into the busy streets of L.A. with a complete disregard for life and limb. He gripped the soft leather seat beneath him surreptitiously, keeping a bland expression on his face.

She knew how to drive the 'Vette, he had to grant her that. She wove in and out of traffic, zip-ping around corners, accelerating when he least expected it, avoiding fender benders and pedestrians and cops with equal élan. It was all he could do to keep himself from reaching for the steering wheel, from voicing a feeble protest. She was out to scare him with her driving, and she was doing a good job of it.

She'd grown up in L.A., learned to drive on the freeways and the boulevards; she knew what she was doing. She was getting back at him for intimidating her.

She didn't even waste her time glancing at him during her wild ride through the city streets. She didn't need to. She was focused, concentrating on her driving with an almost gleeful energy, and he simply gripped the seat tighter and said nothing, wishing to hell he'd put on the seat belt.

She pulled up in front of his apartment building with a screech of tires, going from fifty to zero in a matter of seconds, and he had no choice but to put his hand on the dashboard to stop his certain journey through the windshield. She turned and gave him a demure smile, all sweet innocence, the triumph gleaming in her brown eyes. “You're home.”

He kept his expression bland. “If that was supposed to scare me you've made your first mistake. I like living dangerously.”

“Hardly my first mistake,” she muttered. “You're home,” she said again, pointedly. “Goodbye.”

“And what about your brother?”

“What about him?” she said warily.

“Don't you want to know what your father has planned for him? Isn't that why you came to see him?”

“What does my father have planned for him?”

“Tomorrow night. Dinner. I'll pick you up at seven.”

“I'm busy.”

“Cancel it. You know perfectly well your brother comes first. You have that codependent look to you.” He was pushing just a little too far, but he sensed she could take it. He needed to keep her angry, interested, willing to fight.

“I'll meet you.”

“And miss my chance to see the legendary La Casa de Sombras? I'll pick you up.”

“If you're interested in famous Hollywood houses you can always take one of those bus tours. La Casa de Sombras used to be on most of them.”

“Including the one that takes you to all the famous scandal sites? I think I'd rather see it with a guided tour from its owner.”

“Dean's one of the owners. Treat him well and maybe he'll invite you over.”

“I'm not exactly Dean's type,” he said.

“You're not mine, either.”

“And what is your type? I wouldn't have thought Alan Dunbar would have been the kind of man you'd marry.”

She'd obviously forgotten he'd have access to all of Meyer's legal affairs, including her divorce settlement. “I think I've had enough of you for now,” she said in a deceptively even tone.

“For now,” he agreed, opening the door and sliding his long legs out. “I'll be there at seven.”

She gunned the motor, speeding away into the oncoming traffic without looking, the passenger door slamming shut of its own volition. He stood beneath the towering palm tree, watching her go.

Unable to decide whether it was the car or the woman he wanted more. And which one he intended to keep.

He shrugged. Probably neither. After almost a year things were finally moving into high gear, and he was more than ready. Breaking Jilly Meyer's stubborn, defensive attitude would simply be the icing on the cake.

He'd been planning on working through Rachel-Ann, seducing her first while he worked on bringing down the rest of the Meyer family. She was the most notoriously vulnerable, but in the time he'd been in L.A. she'd been noticeably absent, honeymooning with husband number three, going through a quickie divorce, disappearing on retreats and binges and detox outings. He'd never even seen her from a distance. At thirty-three she was still beautiful, they told him, and she'd be easy prey.

But maybe he wanted the challenge of Jilly. The indefinable treat of Jilly Meyer, the family outcast. Or maybe she'd just be a delicious side dish on the banquet table of truth and revenge.

But first he needed to get close to them. To Meyer's three disparate children. He glanced up at the expensive, upscale apartment building where he'd lived for the past year, surrounded by upscale wheelers and dealers as soulless as he was.

Maybe it was time for a touch of arson.

 

It was all Jilly could do to make it through the five-minute drive to La Casa. She sped up the long, overgrown driveway, gravel spurting beneath her tires, and slammed to a stop inside one of the bays of the seven-car garage. Her hands were shaking when she turned off the motor, and she sat there, seat belt still fastened, her eyes closed as she tried to will the tension from her body.

She'd screwed things up royally. It was all fine and good to arm herself for a confrontation with the old man, but she'd let the gorgon slough her off, then reenacted some damned fairy tale by falling asleep, letting her father escape scot-free. She should have known—she'd been awake half the night before, worrying about Dean and how she'd deal with her father. She never did well without enough sleep.