Shelley: The Pursuit (191 page)

1816

‘Hymn to Intellectual Beauty’,
15
,
336
,
338
,
348
,
350
,
352
,
356
,
657

Fragment: ‘Home’,
6

Fragment: ‘Thoughts Come and Go in Solitude’,
336 n.

‘Mont Blanc’,
340–1
,
492
,
494

1817

‘On Fanny Godwin’,
348

‘Death’,
348

‘Marianne’s Dream’,
372

‘To Constantia Singing’,
242 n.
,
371–2
,
733

The Revolt of Islam
(pub. 1818, revised version of
Laon and Cythna, or The Revolution of the Golden City
, pub. 1817),
15
,
20
,
26
,
27
,
32
,
93
,
208 n.
,
361
,
370
,
372
,
375
,
377
,
379
,
384
,
389–91
,
392–405
,
413
,
425
,
444
,
507
,
514
,
530
,
542
,
591
,
616
,
632
,
637
,
638
,
675
,
689
,
698
; dedication to Mary,
15
,
377
; Preface to,
380–3
,
385
,
401
,
586
,
642
; reviews of,
404–5
,
543
,
568

‘Prince Athanase’,
26–7
,
406–7
,
435

Rosalind and Helen
(pub. 1810),
379–80
,
416
,
429
,
529
,
698

‘Ozymandias’,
410–11
,
490

1818

‘Passage of the Apennines’,
422

‘Scene from “Tasso”,
425

‘Song from “Tasso”,
425
,
705

‘Lines Written Among the Euganean Hills’,
447

‘Julian and Maddalo’,
449–57
,
464
,
474
,
492
,
525
,
532
,
539
,
540
,
561
,
568
,
598
,
617
; Preface to,
450–1
,
453
,
454

‘Stanzas Written in Dejection, Near Naples’,
463

‘Invocation to Misery’,
464

‘Marenghi’,
464
,
617

‘My head is wild with weeping’,
464

1819

‘Lines Written During the Castlereagh Administration’,
476–7
,
593

Prometheus Unbound
(pub. 1820),
32
,
35
,
211
,
436
,
444
,
446
,
447
,
457
,
461
,
475
,
485
,
489
,
490–508
,
509
,
516
,
525
,
532
,
539
,
540
,
544
,
568
,
583
,
604
,
608
,
614
,
632
,
635
,
636 n.
,
679
,
680
,
698
,
705
,
718
; Preface to,
299 n.
,
489
,
493–4
,
586
,
642
; publication of,
509–10 n.
,
595
& n.

‘To William Shelley’,
520
,
658

‘To Mary Shelley’,
520

The Cenci
(pub. 1819; 1821),
32
,
372
& n.,
483
,
513
,
514–17
,
521
,
523–5
,
526
,
530
,
539
,
540
,
544
,
545
,
568
,
580
,
600
,
608
,
641
,
649
,
698
; Preface to,
514
,
515
; Dedication to Leigh Hunt,
528
; Livorno edition,
528
; publication and reviews of,
595

The Mask of Anarchy
(pub. 1832),
532–9
,
539–40
,
542
,
551
,
552
,
554
,
561
,
563
,
591
,
593
,
595
,
610
,
658
,
718
,
719

Fragment: ‘Twas the 20th October’,
546
Fragment: ‘. . . And this is my distinction’,
546

‘Ode to the West Wind’,
394
,
547–50
,
551
,
555
,
562
,
568
,
576
,
593
,
595
,
614
,
718

‘Peter Bell the Third’,
275
,
551–6
,
561
,
563
,
556
,
595
,
596
,
621
; Dedication to Tom Moore,
551–2

‘Song to the Men of England’,
593
,
594

‘Similes for 2 Political Characters’,
593

‘What Men Gain Fairly’,
593

‘A New National Anthem’,
593

‘Ballad of the Starving Mother’ (‘Young Parson Richards’),
562–4
,
576
,
593

‘Sonnet: England in 1819’,
569–70
,
593

‘On the Medusa of Leonardo da Vinci’,
260 n.
,
479
,
567

‘Love’s Philosophy’,
568
,
583

‘The Indian Serenade’ (‘Song Written for an Indian Air’),
568

‘To Sophia’,
568

‘Buona Notte’ (?1820),
568

‘I fear thy kisses gentle maiden’ (?1820),
568

‘On a Dead Violet’ (?1818),
579

Fragment: ‘Wake the Serpent Not’,
673

1820

‘The Sensitive Plant’,
582
,
595

‘A Vision of the Sea’,
582
,
595

‘Letter to Maria Gisborne’,
597–8

‘The Cloud’,
ix
,
599–600

‘To a Skylark’,
ix
,
599–600

‘The Witch of Atlas’,
436
,
507
,
517
,
604–7
,
621
,
679

‘Ode to Liberty’,
583
,
593
,
595
,
609
,
683
,
763

Oedipus Tyrannus; or Swellfoot the Tyrant
,
609
,
610–11

‘Ode to Naples’,
609
,
610

‘Hymn of Apollo’,
611
,
612

‘Hymn of Pan’,
611
,
612

‘The Question’,
611

‘The Waning Moon’,
611
,
612

‘To the Moon’,
611–12

‘The Tower of Famine’,
620–1

1821

‘To Emilia Viviani’,
629

Epipsychidion
,
268–9
,
358
,
435
,
436
,
517
,
627
,
631–9
,
641
,
649
,
658
,
659
,
679
,
698
,
718
,
722
; ‘Advertisements’ for,
633–5