Show Time

EARLY MORNING MURDER

My landline was ringing, and the digital alarm read seven o'clock. I closed my eyes and pulled the pillow over my head, hoping the caller would go away, and waited for the voice mail to kick in.

“Dodie? It's Lola.” Her voice cracked as if she'd been crying.

My hand searched for the receiver and I lifted it off the base. “Lola? Are you okay?”

“I'm sorry to call this early. There's been some ... trouble at the theater.”

“What's going on?”

“Oh, Dodie, I don't know how to tell you....”

“Just say it quickly.”

“Jerome is dead.” She started to cry. “I went home at midnight, but Walter stayed to finish casting the play, you know....”

“And so?” I desperately wanted to believe that her story was a nightmare that I would wake from.

“He said he left at one.”

“When did they ... ?”

“It was horrible. The garbage men came to empty the Dumpster on the loading dock this morning ... and found him.”

I could hear her breathing deeply and I felt my eyes tear up. Jerome was only a Windjammer acquaintance, but I felt like I'd gotten to know him.

“What was Jerome doing on the loading dock? Was it a heart attack or something?”

“Dodie, Jerome was murdered....”

Show Time

Suzanne Trauth

LYRICAL UNDERGROUND
Kensington Publishing Corp.
www.kensingtonbooks.com

All copyrighted material within is Attributor Protected.

Table of Contents

ACKNOWLEDGMENTS

Thanks to everyone who generously supported this project from the beginning by reading early sections of the book: Lisa Romeo, the Book Doctors, Judith Lindbergh at The Writers Circle, and Jordan Baker-Kilner. I am particularly indebted to Paul Dinas, whose editing and encouragement have made all the difference, and to Toni's Kitchen, whose staff provided inspiration for the restaurant business. A special thanks to John Scognamiglio and the folks at Kensington Books.

T
here is no such thing as
a
Jersey girl. For example, if you lived below the Driscoll Bridge and were a citizen of the Jersey Shore, as I had been for most of my life, you were not necessarily defined by certain hairstyles and a particular accent. You were more likely to have a six-month tan and a strong penchant for boardwalk fries and fresh oysters. So I was a Jersey
Shore
girl.

Until Hurricane Sandy graced us with her presence. I watched the angry, churning water and crashing waves chew up the boardwalk like a hungry beast. Bigelow's, the restaurant that I managed, sat right on the beach. But then Bigelow's was destroyed, along with every other business in the vicinity. And so was my job. I turned in my keys, took one last look at my beloved ocean, packed my 2000 Chevy Metro, and stepped on the accelerator.

I was headed for Etonville, a quaint little community nestled in the shadow of New York City with a history that dated from Revolutionary War days. Etonville was intended to be a pit stop on my way to New York, somewhere I could live just long enough to save some money and make plans for my future. My former boss had a cousin who owned the Windjammer, a casual, family-style restaurant in Etonville that supposedly needed managing badly. I found an apartment on Craigslist and ended up renting a preWorld War II bungalow in the south end of town, five comfortable rooms all painted the same shade of optimistic yellow.

I settled in to get the Windjammer in shape. I'd been at it eighteen months.

The lunch rush was over. Henry, the owner/chef, and sous chef Enrico were working on prep for dinner, while bartender Benny restocked the bar and part-time server Carmen, Enrico's wife, cleaned tables. Our primary waitress, Gillian, was texting her boyfriend. I usually slipped out for a break at three o'clock.

“Be right back, Benny. Hold down the fort.” I headed out the front door. It was a cool, breezy April day. New Jersey in spring. The weather could swing wildly this time of the year—hot, cold, or somewhere in between. I'd even seen a few late winter blizzards in April.

I zipped up my jacket, closed my eyes, and stopped to inhale. It was a favorite habit of mine down the shore, taking the time to smell the salt air and listen to the wheeling seagulls. This time of the day, the gulls would be coming in for a quick landing to scarf up all the edible debris on the boardwalk—

“I was just coming to see you.”

It was Lola Tripper.

Lola and I had met the first day I started at the Windjammer. I had been a little harried—Gillian had called in sick and Henry had been barking at me to pick up orders. I'd stumbled out the kitchen door, tripped on my own feet, and plopped a chef salad onto Lola's lap. I'd apologized profusely, but she'd just laughed. I'd loved her instantly. She'd been my go-to confidante ever since. Despite our slight age gap—she was forty-four to my thirty-four—we had become fast friends: Broadway shows and the occasional trip to Atlantic City to play the slots.

Lola had become a widow a decade ago. Since her daughter was away at college in Chicago, Lola was left alone. Alone, but wealthy, thanks to a generous insurance policy. Three years ago, she retired early from the science department at Etonville High and made the time to pursue her passions, one of which was the Etonville Little Theatre, a community theater group with an all-volunteer membership.

“Hi, Lola. How's pre-production going?”

The ELT was getting ready to audition for
Romeo and Juliet
.

“Doing Shakespeare is more complicated than we thought. It's our biggest show yet. We need a broader casting pool. Are you interested?”

My theater experience was limited to a grammar school production, in which I had been an apple in an orchard of dying trees, and one semester of acting, taken as a lark with my college roommate, that had required us to work on productions. I'd painted backdrops and built a few props, and when a spear carrier caught the flu during the run of the show, I'd stepped in because the costume fit. But I had no greasepaint in my blood.

“Sorry. Acting's not for me. I thought most of the regulars would be cast.”

“They probably will.” Lola frowned. “It's just that most of them have never spoken blank verse before.”

I wasn't sure the ELT was ready for the challenge of Shakespeare. I'd seen all of their productions, and they did a good job with musicals and comedies. They'd even gone to a couple of community theater conferences and won prizes. But iambic pentameter?

“Walter thinks we are up to the challenge,” she said as if she could read my mind.

Walter was Walter Zeitzman, the general factotum of the theater part-time, real estate agent full-time. He'd been running the ELT for fifteen years after a middling career as an off-off Broadway director in New York. His primary responsibility was getting the shows up on schedule. For the last year, he'd had to pay more attention to the competition in neighboring Creston, where an upstart theater had just opened. He'd even toyed with the notion of bringing in professional guest artists from the city.
Romeo and Juliet
was his attempt to solidify the ELT's reputation as the premier theatrical entertainment venue in the area.

“If you want to do Shakespeare, why not start with a comedy? People love to laugh. How about
Midsummer Night's Dream
? You could get kids from the high school to play the fairies and frankly, I might have a better shot at our dinner theater package. Summer, picnics. . . we could do a barbecue outside,” I said.

There were exactly three eating establishments in Etonville: Coffee Heaven, an old-fashioned, great-for-breakfast Jersey diner; the Windjammer; and recently opened upscale bistro La Famiglia. Henry's regulars were beginning to sample the new Italian cuisine. Desperate to maintain his position as Etonville's gastronomic king, he was willing to let me think outside the box—which I've always been good at. I had a brainstorm. With the ELT conveniently situated next door, I suggested we begin a dinner-then-theater package, coordinating the menu with theme specials and offering discounts. Of course, the whole thing had taken some finessing. The artistic director had been resistant, and the ELT season had consisted of only four plays, a couple of music events, and a night of Irish step dancing in March. Still, it was a start.

But now I was stumped. The obvious choice was Italian, but with La Famiglia dishing up fettuccine alfredo and shrimp fra diavolo, we needed another theme and I needed inspiration.

“Walter thinks we need a show with ‘gravitas,'” Lola said. “Something that will really knock the socks off Etonville.”

“
Romeo and Juliet
certainly has gravitas.”

“Walter has ideas about the Jets and the Sharks.”

“That was
West Side Story
.”

Lola flipped her blond hair off her shoulders. “Of course. But Walter wants to create contemporary resonance. So the audience will relate to the story of two lovers separated by gangs.”

“But we don't have gangs in Etonville.” Unless you counted the senior citizens center and the pickle ball club. They squared off once a year for a bocce ball tournament.

“Everyone loves a good romance,” said Lola.

“True,” I said. Which made me think about the state of my own romantic life. But that's another story.

“Walter's going to play Lord Capulet, and I'm pretty sure I'm playing Lady Capulet.” She smiled serenely and assumed a regal pose.

I knew she'd been spending more time than usual at board meetings. Good for her. Walter was fiftyish, a good-looking guy with brown hair, dark eyes, and a full beard. He'd recently become single as a result of a rather messy divorce that had been discussed ad nauseam at the Snippets Salon.

“It's all so overwhelming for him. Directing and playing a lead role. Could you help out with auditions next Tuesday?”

“I'm not sure what Henry—”

“Dodie, we need your managerial skills! Penny will be stage managing, of course, but, well, you know Penny.”

Enough said. Penny Ossining meant well, but if there was a complicated way to do things, she'd find it. Walter was loyal to her since she had been one of the first volunteers at the ELT when the doors opened twenty-five years ago.

“I'll have to check the work schedule.” Monday was my day off so Tuesday was spent catching up. But Benny and I shared closing duties so some nights I took off after the dinner rush.

“Thanks, Dodie. And do you think Henry would mind putting these near the cash register?” Lola held up a stack of full-color flyers advertising auditions for
Romeo and Juliet
. “We already put an ad in the
Etonville Standard
.”

I took the flyers. “Sure. You guys are going all out this time.”

“Well, it's a big deal.” She checked her watch. “Oops. I've got an appointment with Carol in fifteen minutes.” Carol was the owner of Snippets, the local salon.

I lifted my auburn hair off my neck and pulled it into a ponytail. “I think I need a trim, too. I'll meet you there. I need some ideas on theme food for
R and J
. And Carol is such a great cook.”

“I'll start thinking.” Lola waved good-bye and hurried down the street to her car.

I had about an hour and a half before I was back on duty for dinner. I headed in the opposite direction and climbed into my red Metro.