Authors: Sarah Shaber
"I don't know. Before class, for sure," Simon said. Then he remembered that he didn't have a car. He turned back to Judy's desk with a question about car-rental agencies. She was dangling a set of car keys from her hand.
Marcus's Ford Mustang convertible was his pride and joy. His father had given it to him when he was sixteen, and he had maintained it impeccably ever since. The car was Carolina blue, with a white interior and a white vinyl top. It was probably worth a fortune. Simon knew he should be flattered that Marcus had entrusted it to him. He wished he hadn't. The Mustang had two great flaws as far as he was concerned: no airconditioning and an AM mono sound system. He wished he had thought to rent a car yesterday. He could never let Marcus know he wasn't appreciative, though, so he resigned himself to his hot, windblown, tinny fate.
"This is Mr. Clegg's car, ain't it?" the attendant asked. "It's a beaut."
"Yes," Simon said. "He's lent it to me for a while. Do you know what he puts in it?" "I'll fix you right up," the attendant said.
"Thanks."
"You're looking better," he said.
"Excuse me?" said Simon.
"I've had two of 'em leave me. It's hell. They take everything you own and the courts let 'em. My first didn't get much 'cause I didn't have much, but my second got a nice double-wide that sits on my daddy's property, all the furniture, my brand-new truck, and two hundred and fifty bucks a month, just 'cause we had a couple of kids."
Simon made sympathetic noises. In fact, Tessa had taken almost nothing when she left. Everything she considered hers was packed onto and into a very small car. All the years he thought they were sharing a life, she was just camping out.
"Some woman at the police department called me," he said. "Said I should cooperate with you. Said you are some kind of a consultant working with them or something. Said they might be able to get a search warrant if I refused."
"Whoever bought the flowers that were sent from Bessie paid cash," he said. "Blanche Holland paid for hers by check. Her name and address and phone number were on the check. I called her and she said she would be happy to talk to you. The arrangement from Lillie and Sallie was ordered over the telephone and charged to a Lillian Blythe. We had her phone number because we always ask for it—in case the credit card's no good. Mrs. Blythe said she'd talk to you, too."
"THIS IS BLANCHE HOLLAND," SAID THE VOICE ON THE OTHER end of the phone. The voice was elderly but strong and lucid. She had a cultured old Raleigh accent.
"Yes, I know. The historian from the college who is interested in Anne Bloodworth's death. I read about it in the newspaper. She was my very dear friend. I would be happy to talk to you about Anne if you think it could be useful to you."
"That would be fine." She gave Simon directions, and a few minutes later, he pulled into a modern block of condominiums that had been built near a fashionable old section of Raleigh. The condos had been planned for upwardly mobile Yuppies, but instead, many of the aging owners of nearby mansions promptly sold their big homes and moved in. Mrs. Holland's unit was on the ground floor. A well-tended plot of impatiens and hosta bordered the short slate walk that led to the front door.
"I'm glad to meet you," she said, waving Simon into the immaculate living room. "I've been thinking about Anne ever since I read the article in the paper. I've had to take sleeping pills to get any rest at all."
Mrs. Holland was, as they say, old as dirt. Her hair was absolutely white and her skin was deeply wrinkled. Her hands were blotched with age spots and the knuckles were swollen. She wore bifocals. But somehow, she didn't seem that old to Simon. Her hair wasn't done like an old person's; it was cut short in a natural elfin style. Her glasses, which hung from a chain around her neck, were round wire rims. She was wearing, of all things, jeans, a ribbed knit tunic, and black Keds.
"I've got some tea steeping. It's Earl Grey. I hope you can drink it."
"Yes, please," Simon said.
The interior of the condo was bright and uncluttered. The modern pecan furniture looked new, and the sofa and chairs were upholstered in a colorful chintz. Across from the sofa in an entertainment center were a big TV, VCR, and CD player. Miniblinds and ivory lace curtains were at every window, letting in plenty of light. Two porcelain cats lay sleeping under a table. Mrs. Holland brought in a tray with the tea and a plateful of cookies.
"Thank you," she said. "When I moved, I couldn't see bringing the big old heavy pieces of furniture from my house here. I split everything up between my children and grandchildren, including all my silver. Good riddance, too. Let someone else polish it."
"I feel sorry for the young couple who bought it. They don't know what they're getting into. All those twelve-foot ceilings that collect cobwebs and brass fixtures that have to be polished—not to mention the utility bills. There's no domestic help to be had these days, either. Which is a good thing, mind you. When I was a young matron, our maid, houseman, and cook were practically slaves. We expected them to live with us and be at our beck and call. I didn't so much as get a glass of water for myself until the Depression."
"Sounds like you don't think much of the good old days," Simon said. "These are the good old days," she said. "But you came here to talk about Anne. What a shocking thing. After all these years of wondering about her, to find out she was murdered and buried in her own backyard! Mind you, I was pretty sure she was dead."
"We—our crowd, that is—thought she had run away to avoid marrying Adam Bloodworth. We expected to hear from her after she turned twenty-one, or after old Mr. Bloodworth died. When we never did, we were afraid that she was dead. But murder was something that didn't cross our minds. In our day, young people died of influenza, not gunshot wounds."
"There was something different about Anne. Oh, we all considered ourselves to be modern young women. We danced the Charleston and bobbed our hair and thought Charlie Chaplin was the bee's knees. And we read F. Scott Fitzgerald and Sinclair Lewis and Theodore Dreiser. But we also wanted to go to parties and meet eligible young men. Anne didn't really care about her social life. She did all the right things—joined the Cotillion and made her debut—but she was just going through the motions. She was more interested in her college classes. And she was very active in the League of Women Voters, even though she wasn't old enough to vote yet."
"She had no intention of marrying Adam Bloodworth. That was an arrangement made by her father. He had this massive business empire and was determined to keep it in the family. Women weren't supposed to run businesses back then—at least not railroads— so he brought Adam in and decided Anne should marry him. Anne went along with the engagement because she had to live under the same roof with the two of them, but she kept putting off the wedding. Her plan was to keep putting it off until she was twenty-one and could break it off officially. She was due to get a little something from her mother's estate, so it wouldn't matter if her father cut her off. Oh, there was nothing really wrong with Adam—he was quite attentive, in fact. He always sent flowers and gave nice gifts. But he and Anne had nothing in common."
"Anne had another sweetheart. She wouldn't tell anyone who he was. We called him Mr. X. She showed us some of his love letters. He was very literary and romantic. Somehow, I suspect he wasn't in our crowd; otherwise, we could have figured out his
"Her father must have been very difficult."
"Not really. She was his daughter—he was just trying to take care of her, make her future secure. She was supposed to do what he said. He wasn't much different from my own father. It was Anne who was different."
Simon told her about the empty carpetbag that had been found at the excavation. "Something terrible must have happened to her that night," she said.
"Do you think Adam Bloodworth could have killed her?"
"Please eat these up," she said. "I made them myself."
"I've already had three," Simon said. "They're wonderful."
"He couldn't count on that. And if Anne ran away with another man, I think Charles Bloodworth would have relied on Adam even more. And I don't believe he loved her, except as a sister. I just don't know. In those days, only poor white trash killed one another. Besides, I seem to recall that Adam could prove his whereabouts."
"I have wondered so many times in my life what happened to Anne. We grew up down the street from each other; we saw each other almost every day. We were what one used to call 'bosom friends.' At my wedding, I found myself looking for her. She was going to be my maid of honor. It's like when my baby sister died. No matter how many years go by, there's always a face missing at the dinner table."
A horn sounded outside.
"Oh Lord," Mrs. Holland said. "That's my taxi! I have to leave for my bridge date." She opened the door and called out to the driver.
"Five minutes, Joe!"
"Lillie Blythe would be a good person for you to interview. Like lots of old people, her memory of the past is excellent. Her present existence is pitiful. I haven't seen her in years. Sallie was her sister. She's dead. Bessie—let's see. Oh! I know! She was Anne's maid. They were around the same age. Bessie's mother was the Bloodworth cook. Their last name was White, I believe. Bessie got married later, and I can't remember her married name. After old Mr. Bloodworth died, Bessie and her mother opened a restaurant on Hargett Street. They were wonderful cooks. Bessie's mother made a banana cake with caramel icing that was to die for. I pined for a piece many times after they left. And all I had to do was to go to their restaurant. I never did it because it was in the colored part of town. Isn't that stupid?"
Simon walked outside with her and opened the door to Joe's taxi. Joe looked nearly as old as Mrs. Holland, but his black face wasn't as wrinkled. His eyes were enormous behind lenses that were thick as the bottom of a Coke bottle.
"She married Ben Watling's boy Freddie; they farmed out near Apex when it was still country. I used to see her sometimes at the city market on a Saturday. Freddie died during the war and she married somebody else and moved back to Raleigh. They ran her momma's restaurant for a while after she died. I can't remember Bessie's second married name, though. His people were Methodist, and mine have always been Baptist, so we didn't run together."