Sleep of Death (16 page)

Sir Thomas: How so?

Nick: A ghost is everywhere and nowhere on this earth. He materialises and then vanishes, without a by-your-leave. You might
see
him but you cannot
seize
him. And when he speaks, we pay attention because he carries intelligence from some place the rest of us have never been.

Lady Alice: You mean to make your Shakespeare mysterious.

Nick: I hardly know him, as I say. I’m only a humble player. He is the author. But he did me a good turn recently when he rescued me from the attentions of a boatman who had his arm across my windpipe.

Sir Thomas: Then your company author must be a strong man, I wouldn’t choose to wrestle one of the Thames boatmen. I have some respect for him now.

Nick: He overcame him with words.

Lady Alice: Oh, words.

Nick: There was a certain balance in the case, my lady, because the boatman had taken exception to one of
my
words, and was trying to throttle me because of it.

Lady Alice: A rude word?

Nick: Worse, my lady. A would-be witty word. I was stupider than I knew and our author rescued me from it. Tell me, Lady Alice, he has never visited this house, has he?

Lady Alice: Who?

Nick: Master Shakespeare.

Lady Alice: Would I have asked you about him if he had?

Nick: I thought perhaps . . . maybe . . . when your first husband . . . it might have slipped your . . .

Lady Alice: I know there is a fashion now for taking up with theatre people, and in the highest circles of the land too, but Sir William, my first husband, didn’t really hold with them. He was rather set in his ways. I think he still thought of your kind as a – what did you call it? – a bunch of tatterdemallions in an inn-yard. So it’s most unlikely that anybody from your world could ever have crossed our threshold. Not even Master Shakespeare. Why do you ask?

Nick: Oh, no reason, my lady.

Sir Thomas: That means that Master Revill here does have a reason – but doesn’t want to reveal it.

Of course I had a reason. I wanted to know why the initials WS were carved into the tree where, I was pretty certain, a murderer had been crouching. I didn’t want to think that a principal shareholder and occasional player in the Chamberlain’s Men (let alone the leading author of our times) had somehow crept over a garden wall and secreted himself up a pear tree. Even less did I wish to contemplate the idea of this reserved, likeable man dropping down from his leafy perch, creeping across the grass and, in some manner as yet undetermined, putting an end to the sleeping life of Sir William Eliot.

True, Master WS was a proficient in the art of murder – just as he was in those other dark arts of lying, cheating and forswearing, of slander, theft, mutilation and mayhem. To say nothing of treasons, plots, conspiracies and stratagems, as well as the more homely gamut of envy, lust, sloth and avarice. Master WS was quite familiar with all these things because it was his job to sound humanity to its nethermost depths. He is a playwright and daily presents us with our vices and virtues, leaving us to choose whether or not to acknowledge them. Everything human is known to him; nothing, perhaps, repels him.

But knowing is one thing and doing is another. Master WS might show what passed through the mind of cut-throat or cut-purse as he lay waiting for his prey, but that didn’t mean that he was either one of those creatures. All are at liberty to think murder, and some of us may speak it, but few, thank God, do the deed.

There must be other explanations. And now I cudgelled my brains to come up with them. As: suppose that the ‘WS’ I had seen inscribed in the bark stood for Walter Self or Will Savage or Wynne Sourdough. And then I thought that these initials most probably signified Wrong Scent, for I was becoming less and less convinced by my train of reasoning. Perhaps I had imagined those initials in the bark, I had been so eager to discover the mark of a lodger in the tree.

In my notebook and using my Greek lettering I had little to transcribe that night. I’d found out almost nothing from my supper with Sir Thomas and Lady Eliot and William, except that her first husband had disapproved of plays and players. Like many who lived to the north of the river Sir William considered them, considered
us,
a threat to good order. The theatre enticed apprentices away from their masters’ service. The theatre encouraged lewdness and other low thoughts and bad acts. My lady Alice, however, differed from her late husband. She had a taste for the saltier comments of clowns – I recalled Tarlton’s reversed ‘cuff’ remark. I recalled too the low-cut gown that my lady was wearing. And then I shut my little book wearily, and considered going to William on the next day and telling him that my stay in his mother’s house was fruitless, for there was nothing to uncover. In truth, I felt that I should move back to my side of the river, and return to my kind, the players and whores and ruffians, the superannuated soldiers and sailors of Southwark. It was generous of William Eliot to have offered me hospitality, whatever his ulterior motive, but I could not repay him except with titbits of gossip about the Chamberlain’s Men – and even here, there wasn’t that much to tell. It was as my Nell had claimed: they were, with odd exceptions like Robert Mink, the most regular group of men.

There was a tap at my door, accompanied by a whispered ‘Master Revill? Nick?’

I recognised Lady Alice’s low tones. I picked up my candle and moved to the door, scarcely a stride away. I was a guest but not an important one – a player, for God’s sake – so my accommodation was at the top of the house in a tiny monk-like room. Lady Alice stood outside, dressed as she had been at supper and during the household prayers which followed.

‘May I come in?’

She leaned forward as she spoke so that I caught a whiff of her breath, still scented with the meats of supper, and glimpsed her small teeth, not too discoloured and with only a few gaps, considering her age.

For answer I drew to one side. You cannot refuse the lady of the house. My room was small, as I have said, but even so she brushed past me closer than required as she entered and I felt the soft graze of her breasts. ‘William isn’t here, I’m afraid,’ I said too quickly. Once or twice her son and I had sat up of an evening, discussing the philosophy of playing as well as exchanging gossip.

‘I know. It was you I wanted to see.’

She shivered slightly. There was no fire in the room and the casement was open. I made to shut it. From the window, positioned high up at the back of the house, I could see the river’s black sheen.

‘I thought that all country people disliked the night air.’

I had been brought up to believe that the night air was indeed unwholesome but I felt that the remark was intended somehow to ‘place’ me. I was no true Londoner, but a rustic.

There was a truckle-bed and a trunk in the room. I gestured nervously at the trunk which was covered with a thick cloth and served me as table. She sat down daintily. I perched uneasily on the bed, lower than her, and waited. She picked up my little notebook and glanced at its contents by the flickering candlelight.

‘Why, this is not English,’ she said.

‘It is Greek,’ I said, praying that she could not understand those symbols and not wanting to explain the feeble code I employed whereby each term was simply transposed into the letters of the Greek alphabet.

‘An educated man.’

‘Within my limits, my lady. My father insisted that I learn Latin and Greek from an early age. He undertook my tuition himself.’

‘Did he intend you for a schoolmaster?’

‘Possibly. That or the church.’

‘So you became a player.’

‘I did not set out to contradict his wishes.’

‘Then you must have been a very unusual son.’

‘My father – and my mother – are dead, but I like to think that he would not wholly condemn the place that I now find myself in, I mean with the Chamberlain’s Men.’

‘Ah yes. We heard at supper just how highly you esteem the stage and your company.’

I was slightly embarrassed by this reminder of my effusions at table, brought on in part by drink. I simply nodded in reply. I was aware too that, although I defined myself as a Chamberlain’s man, I was only one for as long as Jack Wilson was away at his dying mother’s. I resolved to be a little more sparing in future in giving the world my opinions on plays and players.

Lady Alice put down my little black book and leaned back on my trunk as if she were quite at ease.

‘I was interested to hear what you had to say about Master Shakespeare. I have been curious about him ever since I read his “Venus and Adonis”. You know that story?’

Is there anyone the length and breadth of this land who can read, and does not know Master WS’s “Venus and Adonis”? That tale of male reluctance and a ripe woman’s urging, whose theme is the chase – the hunting of the beautiful boy whose real wish is to hunt the boar. The book has been out in the world for a good few years now and kept our book-makers and our booksellers busy, for it has yet to slip into those Lethean waters which await all printed matter. How many young men have panted to its verses, as I have, and wished themselves smothered by the attentions of an older woman? How many unrequited lovers, boy and girl, have pored and sighed over its pages, seeing in the indifference of the chase-mad young man to Venus’s overtures an image of their own rejection?

‘I’ll be a park, and thou shalt be my deer;
Feed where thou wilt, on mountain or in dale:
Graze on my lips, and if those hills be dry,
Stray lower where the pleasant fountains lie.’

As she repeated these words from Venus’s attempted seduction of Adonis, Lady Alice leaned towards where I sat opposite and a little below her. Either of us could have touched the other one without quite straightening our arms.

‘If I remember it correctly,’ she said.

Again I caught the layered sweetness of her breath, but with a hint of something gross and yet stirring below. In the uncertain light of the candle her white front swelled out like a soft siege-machine, designed to tear away at the firmest bulwark. My eyes swam and I felt as if the earth had grown suddenly unsteady beneath the bed I sat on.

‘ “I know not love,” quoth he, “nor will not know it,
Unless it be a boar, and then I chase it . . .” ’

Quoth I – but my voice was not altogether steady as I drew the lines up from the well of memory. But she was able to give as good as she got.

‘At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.’

I only just prevented myself from reaching up to feel for the dimples (which I do not have). The smile, disdainful or not, was already fastened on my face. It occurred to me that this was the second time in twenty-four hours that I had listened to someone reciting verses of unrequited passion. The difference between Master Mink and Lady Alice, however, was as great as the difference between the latter’s poetry and Master WS’s. Rather than continuing with the exchange of lines from Master WS’s V & A, I said, ‘You should have been a player.’

‘Boys make better women than we do. It is easier to believe they are what they pretend to be. A woman on stage would be a distraction.’

I was surprised at the earnest reply. It was as if she had actually given thought to the preposterous idea that a woman could play a woman’s part.

‘One day perhaps . . .’ She allowed her voice to trail away. ‘Now tell me, Master Revill, or Adonis, for you have something fresh-faced about you, something countrified, and besides a woman who is old enough to be your mother can be so familiar – tell me what is the boar that you’re hunting here?’

‘I’m not sure I understand, my lady.’

‘You do, but I will say it more plainly. Your presence in this house. Were you sent for? Is it of your own free will?’

‘Lady Alice . . . your son heard that I was embarrassed for lodgings and kindly offered to put me up here . . . for a short while. In fact I was considering just now that I ought to return.’

‘Return?’

‘To Southwark. When I have to leave the Chamberlain’s Men I am more likely to find further employment south of the river than on this side of it. There are more playhouses there.’

‘Why do you have to leave the Chamberlain’s?’

I felt myself reddening. Fortunately, the room was dim. Her face, with its firm, decided features, was suffused with colour too.

‘Because I am standing in the shoes of a player who is absent for a week or two only.’

‘I see. I thought from the way you were talking at supper that you were one of the pillars of the company.’

I blushed more furiously. To cover myself, I gabbled, ‘Jack Wilson’s mother is sick. She is dying, I believe. In Norfolk. In Norwich.’

‘Perhaps he will not come back.’

This was, of course, the hope that had passed through my mind, and more than once.

‘No, no,’ I said.

‘Yes, yes, you mean.’

‘Am I so transparent, my lady?’

‘Not transparent enough, Master Revill, I think.’

‘I do not understand you.’

‘Have you found what you’re looking for?’

‘I don’t know what I am looking for,’ I said, truthfully.

‘That is as good as admitting that you are looking for something. Remember what happened to Adonis in the chase after the boar,’ she said. She reached across – we were still less than an arm’s-length from one another – and cupped her hand above my crotch.

‘And nuzzling in his flank, the loving swine
Sheathed unaware the tusk in his soft groin.’

I was too surprised to respond for myself, although my member began to show a mind of its own under her near-touch. Lady Alice seemed pleased and also amused.

‘What Adonis would not do for the woman who wanted him was, alas, done to him. Thus was Adonis slain.’

She removed her hand, and so I was half relieved, half regretful.

‘Not a word, Master Revill.’

I wasn’t certain whether this was an injunction or a question. Before I might have asked Lady Alice what she meant she had slipped away from my room.

This wasn’t my last visitor of the evening, however. Moments later there came another tap, and my heart stirred for I thought it might be my lady returning to continue our discourse of “Venus and Adonis”. Yet the tap was less confident. I went to the door, candle in hand, and saw the creased features of Francis, the wiry little servant who had been the first to discover the body of Sir William Eliot in the garden. He looked troubled and began to gesture before he started to speak.