Sleuths (19 page)

Contact with the Frenchman was not to be made through Achmed, as Carmody would have preferred, but through a woman Tobiere had known in the Sudan named Nicole Moreau, now a resident of Algiers. Apparently Nicole was the one providing Tobiere with his hidey-hole here. He hadn't told Achmed where that was; he was too frightened to trust anyone with that knowledge, he'd said, except Carmody himself.

The meeting with Nicole had been arranged for four o'clock, but there was still no sign of the woman. Carmody would give her until five o'clock. If she hadn't showed by then, the deal was off. He didn't need $25,000 that badly. It was the work that energized him anyway, not the money he got from it.

It didn't come down to a call-off; Nicole Moreau beat the deadline by ten minutes. She was in her late twenties, tall, broad-hipped, with thick blue-black hair cropped short. Dark brooding eyes appraised him coolly as he let her into the room.

He said, "What's the idea of keeping me waiting so long?"

"I apologize,
m'sieu.
I was detained."

"Detained how?"

"With my profession."

"What profession is that?"

"I am a dancer at the Café Bulbul."

"Yes? Why didn't you call?"

"There was not time to use the telephone."

"What's more important, your dancing or Tobiere's life?"

She made a pouting face. "You are not very pleasant,
m 'sieu."

"I'm not paid to be pleasant. Where's Tobiere?"

"A house on the Rue Kaddour Bourkika."

"Where's that?"

"The Casbah."

"That figures," Carmody said. "He have the gems with him?"

"Did he tell you where they are?"

"No. He will tell only you."

Carmody went to the wardrobe, strapped on his Beretta in its belt half-holster. The woman watched him without expression. He donned a lightweight cotton jacket; with the bottom button fastened, the gun didn't show at all.

He said, "You drive here or come in a taxi?"

"A taxi," Nicole answered.

"Then we'll use my car."

It was in the hotel garage, a small Fiat he'd rented at the Dar-el-Beida Airport. He knew the steep, twisting streets of Algiers only slightly, so he let Nicole direct him through the congested midday traffic. They climbed one of the hills on which the city had been built, toward the basilica of
Notre Dame d'Afrique
on Mt. Bouzarea high above. Two-thirds of the way up Nicole veered them to the left and into the fringes of the Casbah.

It had a romantic image, the Casbah, thanks to the Pepé LeMoko nonsense, but the reality of it was anything but romantic. It was a vast, squalid slum in which eighty thousand Arabs were packed like cattle into ancient buildings sprawled along a labyrinth of narrow streets and blind alleys. It teemed with flies, heat, garbage, and vermin both animal and human. Europeans and Americans were safe enough there in the daytime, as long as they didn't venture too deep into the maze of back alleys. At night, not even Carmody would have gone there alone.

The Arabs had a saying:
Thwakkul' al' Allah.
Rely on God. If you lived in the Casbah, Carmody thought, and you weren't a thief or a cutthroat, you'd have to rely on God; you wouldn't have another choice.

The woman directed him into a bare cement plaza crowded with dark-skinned children, veiled women, old men in burnooses and striped
jalabiyas.
It was the nearest place where a car could be parked, she said. They went on foot down the Street of Many Steps, into the bowels of the district. On the way a rag-clad beggar accosted them, asking
baksheesh;
Nicole brushed by him roughly but Carmody gave him a dinar. He reserved his cruelty for those who deserved it.

Half a dozen turns brought them into Rue Kaddour Bourkika. It was no more than three feet wide, the rough stucco walls on either side chalked and crayoned in Arabic and English, in one place marred with old bullet scars–mementoes of the French-Algerian War. They passed beneath balconies supported by wooden poles cemented in stone in the old Turkish manner–some of the buildings in the Casbah dated back to the Second Century–and went down more littered steps and finally stopped before an archway.

"Through here," Nicole said.

Carmody followed her through a tunnel-like passageway adorned with mosaic tile, walking hunched over to keep from cracking his head on the low stone roof. The passage opened into a small courtyard with a waterless fountain and a half-dead pomegranate tree in its middle. Doorways opened off the courtyard, off an encircling balcony above. The air here was filled with tinny Arab music, the cries of children; the hot, sweet-sour stink, sharp in this enclosed space, made Carmody's head ache.

Nicole rapped on one of the doors beneath the balcony three times, a five-second wait, and another three times. The man who opened up was in his late thirties, muscled, dry-faced in spite of the heat. He had long blond hair and pale features, the eyes of glacial blue. His white suit was rumpled but not unclean.

He said in English, "What took you so long?"

"Ask your friend here," Carmody said. "Are you Tobiere?"

"I am."

Carmody prodded the woman ahead of him, inside. A weak ceiling light let him see old square-cut furnishings covered with hand woven blankets. A window was open but there was no breeze and the air in there was stifling.

He said, "Let's have a look at the gems."

"I don't have them here," Tobiere said.

"No? Where are they?"

"In a safe place. Outside the city."

"How soon can you get them?"

"Tonight."

"What's wrong with right now?"

"Tonight," Nicole said. "Late tonight."

Carmody turned to her. "Are you his partner?"

"Not exactly that,
m'sieu
. . ."

"Then let him talk for himself."

"She's going with us to France," Tobiere said.

"Oh, she is?"

"Yes. She won't be ready to leave until later."

"The arrangement was for you alone."

"I know, but my plans have changed. Nicole will go with me."

"She will if you pay me another ten thousand."

"Another ten thousand–!"

"Two people are twice as much trouble as one," Carmody said. "Plus I'll have to make arrangements for a second set of papers. I should charge you double, fifty thousand."

Tobiere started to argue, but Nicole put a hand on his arm to silence him. She said, "He will pay what you ask. Thirty-five thousand American dollars."

"Is that right, Tobiere?"

"Yes. As you wish."

"What time will you be ready?" Carmody asked Nicole.

"Midnight, perhaps a little sooner."

"All right. We don't leave from here, though. I'm not coming back here after dark. Pick another place."

"Your hotel?" Nicole said.

"Too public. This place where you dance–the Café Bulbul. How about there?"

"Yes, good. I live nearby."

"What's the address?"

"Rue de Marbruk. Number Eleven."

"I'll find it," Carmody said. He shifted his gaze back to Tobiere. "You'd better have the gems with you. We don't go anywhere until I get a look at them."

"I will have them," Tobiere promised.

Carmody went to the door. "You coming with me or staying here?" he asked the woman.

"I will stay."

"Suit yourself."

He left them, returned to the Rue Kaddour Bourkika. But instead of turning upward toward the plaza, he hurried down several more steps to the Street of the Slipper Makers. There were several open-air markets here, swarming with activity, and doorless shops of all types set into tiny niches no larger than coat closets; there was also a small open-front native bar, its tables occupied by Arabs drinking glasses of mint tea. Carmody took a chair at one of the tables, positioning himself so he could look up along Rue Kaddour Bourkika; he had a clear angled view of the entrance to the courtyard. He ordered a glass of mint tea, closed his ears to the din around him, and waited.

He didn't have to wait long.

Inside of ten minutes Tobiere and Nicole Moreau came out through the passage, began to climb upward. Carmody dropped a couple of dinars on the table and glided after them. When they reached the upper plaza they crossed to where a dark green Citröen was parked at some distance from Carmody's Fiat. Carmody stayed hidden inside the Street of Many Steps until Nicole, who was driving the Citröen, circled past him; then he ran for the Fiat. There was only one street out of the plaza, so he had no trouble locating them and then following at a measured distance.

No trouble keeping the Citröen in sight, either, as they descended toward the harbor. The heavy traffic made speed impossible. The way Nicole drove told him she had no idea they were being tailed.

They proceeded past the
Place des Martyrs
to the harbor, turned west, and followed the shoreline crescent out of the city. Traffic thinned considerably then, and Nicole began driving at a hurry-up pace. Carmody dropped farther back, adjusting his speed to match hers.

The Citröen stayed on the coastal road for some thirty-five kilometers, until the village of Bou-Ismail took shape in the distance. Then the woman swung right toward the Mediterranean on a badly paved secondary road that slanted in among fields of vegetables. Carmody slowed, made the turn, fell back even farther. After another three kilometers, the Citröen swung off again and disappeared. Narrow sandy lane, Carmody saw when he reached the place, leading to an ancient farmhouse set at the foot of high, reddish dunes; the sea shimmered in the hot glow of the setting sun just beyond. The Citröen was drawn up near the farmhouse porch, Nicole and the man just emerging from it.

Carmody continued past the intersection by a hundred yards, to where a line of scruffy palms blocked out his vision of the farmhouse. Then he parked, got out into the humid, early-evening stillness.

There were no other cars in sight, no signs of life. He trotted across the road, climbed a fence into one of the fields, made his way toward the farmhouse. The vegetables were laid out in squared patches, separated by woven straw fences that acted as windbreaks. By moving in a low crouch, he was able to make good time without worrying about being spotted.

When he could see the farmhouse through chinks in the woven straw he stopped and gave it a long scan. Nothing moved over there, at least nothing outside. He worked his way in a wide loop, coming in from the rear, until a small barnlike outbuilding again cut off his view of the house Then he ran across to a sagging wooden fence that enclosed the yard, climbed it, went to the wall of the barn and peered around the corner. Still no activity at the house.

He was sweating; he dried his face and cleared his eyes with the sleeve of his jacket. He drew the Beretta, ran in a low weave to the house's side wall, flattened back against it. Again he waited, listening. Quiet, except for the murmur of the sea beyond.

Carmody eased ahead to a closed window of dirt-streaked glass. As he leaned up close to it he could hear voices, but what they were saying to each other was unclear. A drawn shade kept him from seeing inside.

He went to the front corner, looked around it at the porch. Empty, the house door shut. He leaned back against the wall, the Beretta held down along his right leg, trying to make up his mind whether or not to break in on them. He didn't like the idea of that because he didn't know what the situation was in there. But he didn't like the idea of waiting around out here, either.

As it turned out, he didn't have to make a decision either way. The door opened abruptly and the blond man stepped out onto the porch. Carmody tensed. From inside he heard Nicole's sultry voice call out in French, "Hurry,
cherie.
It's getting late."

"We have plenty of time," the blond man answered. He turned to shut the door.

Carmody stepped around the corner, caught the porch rail, vaulted it. He landed running. The blond man spun toward him, confused, his hand fumbling at the pocket of his jacket. Carmody hit him in the face with the Beretta, a blow that sent him reeling, then veered to his left, kicked the door wide open, and went in low and fast with his gaze and the Beretta sweeping the room.

Nicole cried out,
"Zut alors merde!"
and a heavy gun crashed. She wasn't much of a shot; the bullet came nowhere near Carmody. He might have had to shoot her if she'd kept on potting at him but she didn't; she tried to run away through a rear doorway. There was a straight-backed chair on his immediate left, and he caught it up and threw it at her in one motion. She shrieked as it smacked into her backside, knocked her sideways against the door jamb; she went down hard to her knees. She still had the gun in her hand, a big Luger, but only for another couple of seconds. He was on her by then and he yanked it out of her hand before she could bring it to bear.

The fat sun-darkened man who had been sitting in one of the other chairs, and who had thrown himself to the floor when the shooting started, now yelled at Carmody from behind an ancient daybed, "Look out! The front door!"