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Authors: Jane Lovering

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I sat behind the driver, trying not to catch his eye in the

mirror, and stared out of the window as the bus ground its

way out of Exeter towards the countryside, passing places I'd

known so well seventeen years ago. The seedy newsagent's

shop was still there, on the corner by the roundabout, where

I'd first met Alasdair. Over there was the restaurant he'd

taken me to on our first date. He'd walked me back to my

tiny room, tried to kiss me goodnight and I'd got the

impression that my response had somewhat taken him by

surprise. He hadn't left until the next morning. From the

continued apologising, I gathered that nicely brought up,

young Scots boys didn't do what we'd spent the night doing

without some kind of formal agreement signed in triplicate.

I deliberately turned my head away and focussed on the

image of the bus driver's reflection. He had a bead of dried

snot stuck to the edge of one nostril and the disgust which

this engendered in me managed to carry me past most of my

one-time haunts, past all the memories which I so reluctantly

bore. There was only one time I looked. Deliberately I forced

my eyes across the crowded buildings towards the site which,

in my time, had been a rough plot of land, vaguely green with

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nettles and goose grass and strewn with various impermanent

forms of dwelling. These, and the scabby thorny hedging, had

now been replaced by an expanse of tarmac ramping into a

multistorey car park.

I knew I shouldn't have come back. Some memories were

too fragile, too delicate, for return visits. My remembrance of

the last night I'd spent here was gone, crushed beneath a

casually parked black Mercedes.

As we got farther out of town, the memories dried up.

Down lanes which grew narrower and narrower, we chugged,

like that last drop of cholesterol down a clogged artery, until

we pulled up finally in a tiny hamlet. "This is you, love." The

bus driver flicked his head at me and I disembarked, pleased

to note that this civic act had finally dislodged the

excrescence from his nose.

I slumped down on a convenient bank beside the road and

rummaged through my bag, unearthing Theo in the process. I

resisted the urge to clasp him to my sweaty bosom, laying

him down on the grass instead. As I did so I noticed a

protruding edge of card which I'd been using as a bookmark.

It was Isabelle Logan's card, the one she'd handed me back in

Webbe's. I grovelled once more in my bag and found Simon's

mobile, which he'd lent me under protest, and dialled Isabelle

Logan.

"I think you're about a mile and a half from Charlton. If

you walk on into the town, I can pick you up from there.

There's a little tea shop in the marketplace, if you go in I'll

come and find you. Oh, and Mrs. Hunter—"

"Ms.," I said wearily.

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"Thank you
so
much for bringing the book. You could have

posted it."

"Don't mention it." I resolved to hide Simon's HobNobs

when I got back.

"Well, you must come for dinner. I would invite you to stay

overnight but we've a full house at the moment."

"It's okay. I'll stay in town. Don't worry." I hung up and

hauled myself to my feet, feeling unpleasantly clammy.

Charlton Hawsell was surprisingly pleasant. In the

marketplace, the one tea shop was easy to find. I sat down at

a window seat with a cup of coffee and a scone, and

wondered how Florence was getting on. It was the French

exam this afternoon. I hoped she'd revised. Apart from

singing
Frere Jacques
at primary school, I'd never heard

Florrie utter a word of the language.

The street was busy. As I stared aimlessly ahead, a

maroon Land Rover jerked to a halt in front of the tea shop

and a man got out, leaping lightly down onto the cobbles

before dashing across the road into a shop opposite.

I nearly dropped my cup, all thoughts of exams gone.

Surely...

Leaving my scone untouched, I hastily shoved a fiver

under my saucer and fled for the door. I would probably have

been more circumspect if the fiver hadn't been part of my

expenses. Once out on the pavement, I pretended to look in

shop windows, keeping the reflection of the Land Rover in

sight until I saw the man returning, carrying a heavy sack

hoisted up on one shoulder. I watched as he opened the back

of the Land Rover and threw the sack inside.

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I moved in, turning so that I could see him properly as he

got into the driver's seat. His eyes travelled around, checking

the road behind him. Then, with the merest flick of his

indicator, he was gone, leaving me standing breathless, pink

in the face again.

Theo Wood.

No, of
course
it wasn't, not Theo Wood, but someone who

looked very, very much like him. Raggier haired and more

stubbled than Theo, and wearing glasses, but still very,
very

much like him. So much like him that my heart had risen into

my throat. Perhaps this was one of those places where incest

and inbreeding meant that the locals only had three faces to

go around. I hazarded a quick look up and down the street to

check, but there seemed to be the normal mix of dumpy and

dull, hawk nosed and handsome. Then—he must be some

kind of throwback, great-grandson or some such?

I couldn't remember the last time I'd felt so reckless.

Sweeping my rucksack off my back, I galloped across the

road and dived through the dark, narrow doorway he'd

entered without even noticing the kind of merchandise on

display.

"Can I help you, m'dear?" A friendly voice in the gloom,

and a man popped up from behind a counter, carrying what

appeared to be a saddle. In fact, my surroundings indicated

that this was a shop which sold saddles. They festooned the

walls like large fungi, assorted leather straps hung from

brackets and large paper sacks of horse feed were piled high

in all visible corners. The shopkeeper turned and hung his

burden up on another wall-mounting.

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"The man who came in here just now. He bought a big

sack of something."

"Oh ah." Unmoved the man polished idly at some leather

with his sleeve.

"Do you know who he is?"

"Ah."

"Well, could you tell me?" Strain made my voice a little

shrill. The man looked at me suspiciously.

"Ah. That's Mr. Forrester. Charlton Hawsell stud."

Well, I knew he was good looking but— "
Is
he?"

"No, m'dear. He
owns
Charlton Hawsell Stud. Got the best

Welsh stallions this side of the Brecon Beacons, so they say."

Horses. I might have known there would be horses

involved somewhere. Ever since Florrie had learned to ride

aged seven, my life had been blighted by the damn things.

Then Alasdair had bought her a pony of her own, a terrifying

orange thing which hurtled around seemingly uncontrollably.

Happily, since she'd outgrown Dylan and sold him to a friend's

younger sister, she had discovered the delights of

manipulating boys instead. My weekends had been a lot more

peaceful as a result. Or at least, differently worrying.

"Ms. Hunter! Alys!" It was Isabelle Logan, waving at me

from the driver's seat of a Volvo Estate.

[Back to Table of Contents]

52

Slightly Foxed

by Jane Lovering

Chapter Eight

Beercroft Farmhouse proved rather disappointing. No

whitewashed cob walls, no roses around doors overlooking a

yard full of cackling hens, just a concrete cube at the end of a

muddy lane. It looked like a council house on an exchange

visit. The kitchen in which we sat contained not much more

than a balding carpet, an enormous Aga which made curious

bubbling sounds, and a bench table and chairs which seemed

to have been appropriated from a local picnic spot.

"Would you like some tea?"

"No thanks. To tell you the truth, Mrs. Logan, I could have

handed you the book and gone, you really didn't have to give

me dinner." To tell even more of the truth, I would rather

have stayed in Charlton Hawsell and tried to catch another

glimpse of the Stallion Man.

"No, I wouldn't hear of it! You've come all this way, the

least I can do is feed you. I'll run you back to your hotel later.

Have you booked in anywhere yet?"

"No. Didn't have time."

"Well. The Star should have a room. I'll give them a ring in

a bit, if you like."

The door opened and two men came in, identical except

for years. Both square, sandy and freckled, both similarly

booted and both smelling like pickled manure. They stumped

across the kitchen without acknowledging either Isabelle or

me and vanished through the opposite door, muttering darkly

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about "the AI man". It was like living through an episode of

League of Gentlemen
.

"My husband and son," Isabelle explained.

I refrained from saying, "Who's the other man?" because I

was afraid she wouldn't see the joke. "Here. Before I forget."

I held Theo out. "It must be awful to find you've inherited

something and then found it's been sold by mistake."

"Inherited?" she said. Simultaneously the door opened

again, and the man I'd seen that afternoon walked into the

kitchen. He muttered, "Little buggers jumped out," and

walked through, taking the same path as the other two men.

I stared after him, mouth open.

"Ah," said Isabelle Logan, the woman with the corridor

house. "Um."

"That's—" I started, still staring at the far door. "It is, isn't

it? He's considerably less dead than he should be."

"Oh dear." She dropped her head into her hands. "Oh God.

Come into the study." Isabelle opened another door and led

me into a tiny book-lined room. "I don't want him to overhear

us. He gets very sensitive about things." Sensitive? Looking

like that
and
sensitive? Bloody hell. She poured two glasses of

whisky and handed me one. "That man—Theo Wood. His

name is really Leo. He's my brother. Are you sure you want to

hear this?"

It was a little like being told that Johnny Depp was moving

in next door and was notorious for running out of sugar. My

dream man was no longer a dream but a real, striding-about-

in-my-vicinity human being. "Yes please." I took a mouthful

of alcohol against it being a story I wasn't going to like.

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"It was Leo's thirty-fifth. He'd had a rough year, what with

his wife..." She tailed off.

Of course there'd have to be a bloody wife in there

somewhere.

"...and he's just so
frustrating
. Always scribble scribble at

those damn poems, never letting anyone see or read them.

Always like it, even as a child. He's got books full of them at

home you know. So, I sort of
crept
into his attic and chose a

selection, and got them privately published at a little place in

Exeter. Of course, knowing how shy Leo is, I thought if I

made up this dead poet and pretended that
he'd
written the

poems only his family would know who he really was, you

see."

Leo Forrester. Theo Wood. Dear God, did this woman have

no imagination?

"I gave one copy to our parents, and one to our uncle who

lived over in Topsham, then one copy to Leo for his birthday.

Well, he—"

I had a brief, scary flash into the mind of a shy, poetic

type forced to face the realities of his words becoming public

property. "He wasn't very happy?"

"Er. No. He didn't mind
too
much about the copies I'd

given away, but he made me give him the other hundred. I

was going to give them to the bookshop in Charlton, but Leo

didn't want—anyway. Our uncle died six months ago. I just

didn't think, got a house-clearance firm in to get rid of

everything, but Leo asked me what had happened to the

book. He made such a fuss, I
had
to get it back."

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"Okay." I slowly drained my glass. "So I guess it's

probably best if I don't mention that I've read it."

Isabelle's eyes widened. "Hell, I'd never thought of that.

Look, if he asks, well, not that he's likely to but, you know.

Can we say you're an old schoolfriend who's popped in on her

way past?"

Past? From where to where? On a tour of obscure

backwaters which haven't featured anywhere since the

Domesday Book writers rode through and thought,
Oh, go on

then, might as well use up this ink?

"How are you going to explain the return of the book?"

She'd got up and was heading back into the kitchen. I

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