Small Memories (2 page)

Many people solemnly state, supporting their words with some authoritative quotation from the classics, that landscape is a state of mind, which, put into ordinary words, must mean that the impression made on us by contemplating any landscape is always dependent on our temperamental ups and downs and on whatever mood, cheerful or irascible, we happen to be in at the precise moment when that landscape lies before us. Now far be it from me to disagree, but this assumes that states of mind are the exclusive property of the mature adult, of grown-ups, of those people who are already capable of using, more or less correctly, the kind of grave concepts necessary to analyze, define and tease out such subtleties, the property of adults, who think they know everything. For example, no one ever asked that adolescent what kind of mood he was in or what intriguing tremors were being recorded on the seismograph of his soul when, one unforgettable morning, while it was still dark, he emerged from the stable, where he had slept among the horses, and his forehead, face and body, and something beyond the body, were touched by the white light of the most brilliant moon that human eyes had ever seen. Nor what he felt when, with the sun already up, while he was herding the pigs across hill and vale on his way back from the market where he had managed to sell most of them, he realized that he was walking across a stretch of rough paving made from apparently ill-fitting slabs of stone, a strange discovery in the middle of an area that seemed to have lain deserted and empty since the beginning of time. Only much later, many years afterward, would he realize that he had been walking along what must have been the remains of a Roman road.

Nevertheless, these marvels, both mine and those of the precocious manipulators of virtual universes, are as nothing compared
with the time when, just as the sun was setting, I left Azinhaga and my grandparents' house (I would have been about fifteen then) to go to a distant village, on the other side of the Tejo, in order to meet a girl with whom I thought I was in love. An old boatman called Gabriel (the villagers called him Graviel) took me across the river; he was red from the sun and from the brandy he drank, a kind of white-haired giant, as sturdily built as St. Christopher. I had sat down to wait for him on this side of the river, on the bare boards of the jetty, which we called the port, while I listened to the rhythmic sound of the oars on the surface of the water as it was touched by the last light of day. He was approaching slowly, and I realized (or was it just my state of mind?) that this was a moment I would never forget. A little way along from the jetty on the other side was an enormous plane tree, beneath which the estate's herd of oxen used to sleep out the siesta hours. I set off to the right, cutting across fallow fields, low walls, ditches, through puddles and past cornfields, like a stealthy hunter on the trail of some rare beast. Night had fallen, and the only sound in the silence of the countryside was that of my footsteps. As to whether the encounter with the girl proved a happy one or not, I will tell you later. There was dancing and fireworks, and I think I left the village close on midnight. A full moon, although less splendid than that earlier one, lit everything around.
Before I reached the point where I would have to leave the road and set off across country, the narrow path I was following seemed suddenly to end and disappear behind a large hedge, and there before me, as if blocking my way, stood a single, tall tree, very dark at first against the transparently clear night sky. Out of nowhere, a breeze got up. It set the tender stems of the grasses shivering, made the green blades of the reeds shudder and sent a ripple across the brown waters of a puddle. Like a wave, it lifted up the spreading branches of the tree and, murmuring, climbed the trunk, and then, suddenly, the leaves turned their undersides to the moon and the whole beech tree (because it was a beech) was covered in white as far as the topmost branch. It was only a moment, no more than that, but the memory of it will last as long as my life lasts. There were no tyrannosauruses, Martians or mechanical dragons, but a meteor did cross the sky (which is not so hard to believe), although, as became clear afterward, mankind was never at risk. After walking for a long time, and with dawn still far off, I found myself in the middle of the countryside, standing outside a roughly built shack. There, to stave off hunger, I ate a piece of moldy cornbread someone else had left behind, and there I slept. When I woke in the first light of morning and emerged, rubbing my eyes, to find a luminous mist obscuring the fields all around, I felt—if I remember rightly, and always assuming I'm not just making it up—that I had finally been born. High time.

Where does my fear of dogs come from? And my fascination with horses?

The fear—which even today, and despite recent happy experiences, I can barely control when face to face with an unfamiliar representative of the canine species—comes, I am sure, from the utter panic I felt as a seven-year-old, when, one night as darkness was falling and the streetlamps were already lit and just as I was about to go into the house on Rua Fernão Lopes, in the Saldanha district of Lisbon, where we lived along with two other families, the street door burst open and through it, like the very fiercest of Malayan or African beasts, came the neighbors' Alsatian dog, which immediately began to pursue me, filling the air with its furious, thunderous barking, while I, poor thing, desperately dodged behind trees to avoid him as best I could, meanwhile calling for help. The aforementioned neighbors—and I use the word only because they lived in the same building as us, not because they were the equals of nobodies like us who lived in the attic room on the sixth floor—took longer to restrain their dog than even the most elementary charity demanded. Meanwhile—if my memory is not deceiving me, and I'm not being misled by my humiliation and my fear—the owners of the dog, young, refined, elegant (they must have been the teenage children of the family, a boy and a girl) were, as people used to say then, laughing fit to burst. Fortunately, I was quick on my feet, and the animal never caught me, still less bit me, or perhaps that wasn't its intention; it had probably been startled to find me standing outside the door. We were both afraid of each other, that's what it was. The intriguing thing about this otherwise banal episode is that I knew, when I was standing outside the front door, that the dog, that particular dog, was waiting there to go for my throat. Don't ask me how, but I knew.

And the horses? My problem with horses is a more painful one, of the kind that leaves a permanent wound in a person's soul. One of my mother's sisters, Maria Elvira by name, was married to a certain Francisco Dinis, who worked as a keeper on the Mouchão de Baixo estate, part of Mouchão dos Coelhos, the name given to the whole of a particularly large estate on the left bank of the Tejo, more or less in a direct line with a village called Vale de Cavalos, or "Valley of Horses." Anyway, to return to myUncle Francisco. Working as a keeper on such a large and powerful estate meant that he belonged to the aristocracy of the countryside: double-barreled shotgun, green beret, white shirt buttoned up to the neck regardless of whether it was blazing hot or freezing cold, red belt, knee-high leather boots, short jacket and, naturally, a horse. Now, in all those years—and from eight until
fifteen is a lot of years—it never once occurred to my uncle to lift me up into that saddle and I, presumably out of a kind of childish pride of which I couldn't even have been aware, never asked him to do so, however much I wanted him to. I can't remember by what circuitous route (possibly because she knew another of my mother's sisters, Maria da Luz, or one of my father's sisters, Natália, who had worked as a maid for the Formigal family in Lisbon's Estrela district, in Rua dos Ferreiros, a street in which, an eternity later, I, too, would live), but one day, a lady, still fairly young, moved into Casalinho, as my maternal grandparents' house had always been known; she was, as people used to say then, the "lady friend" of a gentleman who owned a shop in Lisbon. She was unwell and in need of rest, which is why she had come to spend a little time in Azinhaga, to breathe in the good country air and, in so doing, improve by her presence and her money the food that we ate. With this same woman, whose name I can't quite remember (perhaps it was Isaura, or perhaps Irene, no, it was Isaura), I enjoyed several enjoyable bouts of hand-to-hand combat and a few arm-wrestling matches, which always ended with me (I must have been about fourteen at the time) throwing her down onto one of the beds in the house, chest to chest, pubis to pubis, while my grandmother Josefa, whether knowingly or innocently I'm not sure, would laugh out loud and say how strong I was. The woman would sit up, excited and flushed,
smoothing her disheveled hair and swearing that if we had been fighting for real, she wouldn't have allowed herself to be beaten. Fool or utter innocent that I was, I could have taken her at her word, but never dared. Her relationship with the shopkeeper was a well-established one, proof of which was their pale, wan seven-year-old daughter, who had come with her mother to enjoy the fresh air. Now, my uncle was a small, very upright man, a bit of a bully at home, but docility personified when it came to dealing with bosses, superiors or city-dwellers. It was no surprise, then, that he should bow and scrape to our visitor, behavior that might have been taken as evidence of the natural politeness of country folk if it hadn't smacked more of servility than simple respect. One day, my uncle, may he rest in peace, obviously wanted to show how fond he was of our two female visitors and so he picked up the little girl, placed her in the saddle and, playing groom to her little princess, paraded her up and down in front of my grandparents' house, while I watched in silent anger and humiliation. Some time after this, on an end-of-term trip with the technical school from which, a year later, I would emerge as a qualified general mechanic, I rode one of the sad old horses you can hire in Sameiro, hoping that by doing so I might perhaps make up in adolescence for the treasure denied me in childhood: the joy of an adventure that had come so close I could have touched it, but that had remained forever out of reach. Too late. The scrawny nag took me wherever it fancied, stopped whenever it cared to and didn't even turn its head to say goodbye when I slid down from the saddle, feeling just as sad as I had on that other occasion. The house where I live now is full of images of horses. Guests visiting for the first time almost always ask if I'm a keen rider, when the truth is that I'm still suffering from the effects of a fall from a horse I never rode. There are no outward signs, but my soul has been limping for the last seventy years.

One cherry brings another cherry, and just as a horse brought an uncle, an uncle will bring with him a rural version of the final scene of Verdi's
Otello.
As was the case with most of the older houses in Azinhaga (and I am, of course, speaking of those inhabited by the lesser folk), my aunt and uncle's house in Mouchào dos Coelhos—built, it should be said, on a stone base at least six feet high, with an external staircase, to keep the house safe from the winter floods—consisted of two rooms, one usually facing onto the road (or in this case onto fields), which we called the
casa-de-fora,
or "outside room," the other being the kitchen, with a door leading out into the yard at the back, again via a staircase, made of wood this time and plainer than the front stairs. My cousin José Dinis and I used to sleep in the kitchen, in the same bed. He was three or four years younger than me, but even though the difference in age and strength was entirely in my favor, this didn't stop him getting into fights with me whenever it seemed to him that I, his older cousin, was trying to outdo him in gaining the favor, whether explicit or implicit, of the local girls. I will never forget the torment of jealousy the poor boy went through over a girl from Alpiarça called Alice, a pretty, delicate creature who went on to marry a young tailor and, many years later, came to live in Azinhaga with her husband, who continued to work in the trade. When I was in the village on holiday once and learned that she was living there, I passed by her door unseen and, for the briefest of moments, barely long enough to glance in, all those past years rose up before me. She was sitting with her head bent over her sewing and didn't see me, and so I never found out whether or not she would have recognized me. I should also say that even though José Dinis and I fought like cat and dog, I had often known him to hurl himself to the floor and weep desperate tears when the holidays were over and I was saying goodbye to the family in order to return to Lisbon. He wouldn't even look at me, and if I tried to approach, he would repel me with kicks and punches. My Aunt Maria Elvira was quite right when she said of her son: "He's a bad boy, but he has a good heart."

José Dinis had solved the problem of squaring the circle without once seeking advice on tackling that most difficult of operations. He was a bad boy, but he had a good heart.

***

Jealousy was evidently a disease that ran in the Dinis family. During harvest time, but also when the melons were beginning to ripen and the kernels of corn were hardening on the cobs, Uncle Francisco rarely spent a whole night at home. On horseback, his shotgun across his saddle, he would patrol the vast estate, on the lookout for felons, major or minor. I imagine that if he did feel the need for a woman, whether under the lyrical influence of the moon or due to the friction of saddle on crotch, he would trot home, quickly relieve that particular itch, rest a little from the effort, then return to his night patrol. One unforgettable day, in the early hours, my cousin and I were fast asleep, exhausted from the day's various fights and forays, when Uncle Francisco erupted like a fury into the kitchen, brandishing his shotgun and yelling: "Who's been in here?" At first, barely conscious after being so violently wrenched from sleep, I could just make out through the open door the double bed and my aunt sitting up in her white nightdress, clutching her head and moaning: "The man's mad! The man's mad!" He was not perhaps mad, but he was certainly in the grip of jealousy, which comes pretty much to the same thing. He was saying that he would kill us all if we didn't tell him the truth about what had happened, and he kept urging his son to answer, come on, come on, but José Dinis' courage, amply proven in everyday life, failed him completely when confronted by his father armed with a shotgun and almost foaming at the
mouth. I told my uncle that no one had come into the house, that we had, as usual, gone to bed immediately after supper. "But what about later, can you swear to me that no one else was here?" bawled the Othello of Mouchão de Baixo. I began to grasp what was going on, my poor Aunt Maria Elvira was begging me: "Tell him, Zezito, tell him, because he won't believe me." I think that was the first time in my life that I gave my word of honor. It was comical really, a boy of fourteen giving his word that his aunt had not taken another man into her bed, as if I, who slept like a log, would have noticed (no, I mustn't be so cynical, Aunt Maria Elvira was a thoroughly decent woman), but the fact is that the very solemnity of that word of honor had the desired effect, I suppose because it was so novel, and also because when country people spoke, oaths and curses apart, they meant what they said and didn't waste their breath on flowery rhetoric. My uncle finally calmed down, leaned his shotgun against the wall, and it became clear what had happened. They slept in one of those brass bedsteads with brass rails at the head and the foot, the ends of which were held in place by spherical brass knobs that screwed into the side bars. Clearly, those internal screws had become worn with use and lost their grip. When my uncle came in and turned up the wick on the oil lamp, he had seen what he thought was proof of his dishonor: the rail at the head of the bed had worked loose and hung like an accusing finger over the sleeping woman's head. Aunt Maria Elvira must have raised her arm as she turned over in bed and dislodged the brass rail. I could not at the time imagine what shameful, shocking orgies Francisco Dinis must have imagined, what writhing bodies convulsed by every conceivable erotic extravagance, but the fact that the poor man lacked the intelligence to know which way the wind was blowing, or if indeed there was any wind, shows to what extent jealousy can blind someone to the obvious. Had I been of the cowardly race of Iagos (I know nothing, I saw nothing, I was asleep), then perhaps the night silence in Mouchão de Baixo would have been shattered by two gunshots, and an innocent woman would have lain dead between sheets that had never known any other masculine smells or fluids than those of the wife-murderer himself.