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Authors: Edna Ferber

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For the first few days following the funeral one or another of the neighbouring farmers drove the DeJong team to market, aided the blundering Jan in the fields. But each had his hands full with his own farm work. On the fifth day Jan Steen had to take the garden truck to Chicago, though not without many misgivings on Selina's part, all of which were realized when he returned late next day with half the load still on his wagon and a sum of money representing exactly zero in profits. The wilted left-over vegetables were dumped behind the barn to be used later as fertilizer.

“I didn't do so good this time,” Jan explained, “on account I didn't get no right place in the market.”

“You started early enough.”

“Well, they kind of crowded me out, like. They see I was a new hand and time I got the animals stabled and come back they had the wagon crowded out, like.”

Selina was standing in the kitchen doorway, Jan in the yard with the team. She turned her face toward the fields. An observant person (Jan Steen was not one of these) would have noted the singularly determined and clear-cut jaw-line of this drably calicoed farm woman.

“I'll go myself Monday.”

Jan stared. “Go? Go where, Monday?”

“To market.”

At this seeming pleasantry Jan Steen smiled uncertainly, shrugged his shoulders, and was off to the barn. She was always saying things that didn't make sense. His horror and unbelief were shared by the rest of High Prairie when on Monday Selina literally took the reins in her own slim work-scarred hands.

“To market!” argued Jan as excitedly as his phlegmatic nature would permit. “A woman she don't go to market. A woman——”

“This woman does.” Selina had risen at three in the morning. Not only that, she had got Jan up, grumbling. Dirk had joined them in the fields at five. Together the three of them had pulled and bunched a wagon load. “Size them,” Selina ordered, as they started to bunch radishes, beets, turnips, carrots. “And don't let them loose like that. Tie them tight at the heads, like this. Twice around with the string, and through. Make bouquets of them, not bunches. And we're going to scrub them.”

High Prairie washed its vegetables desultorily; sometimes not at all. Higgledy piggledy, large and small, they were bunched and sold as vegetables, not objets d'art. Generally there was a tan crust of good earth coating them which the housewife could scrub off at her own kitchen sink. What else had housewives to do!

Selina, scrubbing the carrots vigorously under the pump, thought they emerged from their unaccustomed bath looking like clustered spears of pure gold. She knew better, though, than to say this in Jan's hearing. Jan, by now, was sullen with bewilderment. He refused to believe that she actually intended to carry out her plan. A woman—a High Prairie farmer's wife—driving to market like a man! Alone at night in the market place—or at best in one of the cheap rooming houses! By Sunday somehow, mysteriously, the news had filtered through the district. High Prairie attended the Dutch Reformed church with a question hot on its tongue and Selina did not attend the morning services. A fine state of things, and she a widow of a week! High Prairie called at the DeJong farm on Sunday afternoon and was told that the widow was over in the wet west sixteen, poking about with the boy Dirk at her heels.

The Reverend Dekker appeared late Sunday afternoon on his way to evening service. A dour dominie, the Reverend Dekker, and one whose talents were anachronistic. He would have been invaluable in the days when New York was New Amsterdam. But the second and third generations of High Prairie Dutch were beginning to chafe under his old-world regime. A hard blue eye, had the Reverend Dekker, and a fanatic one.

“What is this talk I hear, Mrs. DeJong, that you are going to the Haymarket with the garden stuff, a woman alone?”

“Dirk goes with me.”

“You don't know what you are doing, Mrs. DeJong. The Haymarket is no place for a decent woman. As for the boy! There is card-playing, drinking—all manner of wickedness—daughters of Jezebel on the street, going among the wagons.”

“Really!” said Selena. It sounded thrilling, after twelve years on the farm.

“You must not go.”

“The vegetables are rotting in the ground. And Dirk and I must live.”

“Remember the two sparrows. ‘One of them shall not fall on the ground without'—Matthew X-29.”

“I don't see,” replied Selina, simply, “what good that does the sparrow, once it's fallen.”

By Monday afternoon the parlour curtains of every High Prairie farmhouse that faced the Halsted road were agitated as though by a brisk wind between the hours of three and five, when the market wagons were to be seen moving toward Chicago. Klaas Pool at dinner that noon had spoken of Selina's contemplated trip with a mingling of pity and disapproval.

“It ain't decent a woman should drive to market.”

Mrs. Klaas Pool (they still spoke of her as the Widow Paarlenberg) smiled her slippery crooked smile. “What could you expect! Look how she's always acted.”

Klaas did not follow this. He was busy with his own train of thought. “It don't seem hardly possible. Time she come here school teacher I drove her out and she was like a little robin or what, set up on the seat. She says, I remember like yesterday, cabbages was beautiful. I bet she learned different by this time.”

But she hadn't. So little had Selina learned in these past eleven years that now, having loaded the wagon in the yard she surveyed it with more sparkle in her eye than High Prairie would have approved in a widow of little more than a week. They had picked and bunched only the best of the late crop—the firmest reddest radishes, the roundest juiciest beets; the carrots that tapered a good seven inches from base to tip; kraut cabbages of the drumhead variety that were flawless green balls; firm juicy spears of cucumber; cauliflower (of her own planting; Pervus had opposed it) that looked like a bride's bouquet. Selina stepped back now and regarded this riot of crimson and green, of white and gold and purple.

“Aren't they beautiful! Dirk, aren't they beautiful!”

Dirk, capering in his excitement at the prospect of the trip before him, shook his head impatiently. “What? I don't see anything beautiful. What's beautiful?”

Selina flung out her arms. “The—the whole wagon load. The cabbages.”

“I don't know what you mean,” said Dirk. “Let's go, Mother. Aren't we going now? You said as soon as the load was on.”

“Oh, Sobig, you're just exactly like your——” She stopped.

“Like my what?”

“We'll go now, son. There's cold meat for your supper, Jan, and potatoes all sliced for frying and half an apple pie left from noon. Wash your dishes—don't leave them cluttering around the kitchen. You ought to get in the rest of the squash and pumpkins by evening. Maybe I can sell the lot instead of taking them in by the load. I'll see a commission man. Take less, if I have to.”

She had dressed the boy in his home-made suit cut down from one of his father's. He wore a wide-brimmed straw hat which he hated. Selina had made him an overcoat of stout bean-sacking and this she tucked under the wagon seat, together with an old black fascinator, for though the September afternoon was white-hot she knew that the evenings were likely to be chilly, once the sun, a great crimson Chinese balloon, had burned itself out in a blaze of flame across the prairie horizon. Selina herself, in a full-skirted black-stuff dress, mounted the wagon agilely, took up the reins, looked down at the boy seated beside her, clucked to the horses. Jan Steen gave vent to a final outraged bellow.

“Never in my life did I hear of such a thing!”

Selina turned the horses' heads toward the city. “You'd be surprised, Jan, to know of all the things you're going to hear of some day that you've never heard of before.” Still, when twenty years had passed and the Ford, the phonograph, the radio, and the rural mail delivery had dumped the world at Jan's plodding feet he liked to tell of that momentous day when Selina DeJong had driven off to market like a man with a wagon load of hand-scrubbed garden truck and the boy Dirk perched beside her on the seat.

If, then, you had been travelling the Halsted road, you would have seen a decrepit wagon, vegetable-laden, driven by a too-thin woman, sallow, bright-eyed, in a shapeless black dress, a battered black felt hat that looked like a man's old “fedora” and probably was. Her hair was unbecomingly strained away from the face with its high cheek bones, so that unless you were really observant you failed to notice the exquisite little nose or the really fine eyes so unnaturally large now in the anxious face. On the seat beside her you would have seen a farm boy of nine or thereabouts—a brown freckle-faced lad in a comically home-made suit of clothes and a straw hat with a broken and flopping brim which he was forever jerking off only to have it set firmly on again by the woman who seemed to fear the effects of the hot afternoon sun on his close-cropped head. But in the brief intervals when the hat was off you must have noted how the boy's eyes were shining.

At their feet was the dog Pom, a mongrel whose tail bore no relation to his head, whose ill-assorted legs appeared wholly at variance with his sturdy barrel of a body. He dozed now, for it had been his duty to watch the wagon load at night, while Pervus slept.

A shabby enough little outfit, but magnificent, too. Here was Selina DeJong driving up the Halsted road toward the city instead of sitting, black-robed, in the farm parlour while High Prairie came to condole. In Selina, as they jogged along the hot dusty way, there welled up a feeling very like elation. Conscious of this, the New England strain in her took her to task. “Selina Peake, aren't you ashamed of yourself! You're a wicked woman! Feeling almost gay when you ought to be sad. . . . Poor Pervus . . . the farm . . . Dirk . . . and you can feel almost gay! You ought to be ashamed of yourself!”

But she wasn't, and knew it. For even as she thought this the little wave of elation came flooding over her again. More than ten years ago she had driven with Klaas Pool up that same road for the first time, and in spite of the recent tragedy of her father's death, her youth, her loneliness, the terrifying thought of the new home to which she was going, a stranger among strangers, she had been conscious of a warm little thrill of elation, of excitement—of adventure! That was it. “The whole thing's just a grand adventure,” her father, Simeon Peake, had said. And now the sensations of that day were repeating themselves. Now, as then, she was doing what was considered a revolutionary and daring thing; a thing that High Prairie regarded with horror. And now, as then, she took stock. Youth was gone, but she had health, courage; a boy of nine; twenty-five acres of wornout farm land; dwelling and out-houses in a bad state of repair; and a gay adventuresome spirit that was never to die, though it led her into curious places and she often found, at the end, only a trackless waste from which she had to retrace her steps painfully. But always, to her, red and green cabbages were to be jade and burgundy, chrysoprase and porphyry. Life has no weapons against a woman like that.

And the wine-red cashmere. She laughed aloud.

“What are you laughing at, Mom?”

That sobered her. “Oh, nothing, Sobig. I don't know I was laughing. I was just thinking about a red dress I had when I first came to High Prairie a girl. I've got it yet.”

“What's that to laugh at?” He was following a yellow-hammer with his eyes.

“Nothing. Mother said it was nothing.”

“Wisht I'd brought my sling-shot.” The yellow-hammer was perched on the fence by the roadside not ten feet away.

“Sobig, you promised me you wouldn't throw at any more birds, ever.”

“Oh, I wouldn't hit it. I would just like to aim at it.”

Down the hot dusty country road. She was serious enough now. The cost of the funeral to be paid. The doctor's bills. Jan's wage. All the expenses, large and small, of the poor little farm holding. Nothing to laugh at, certainly. The boy was wiser than she.

“There's Mrs. Pool on her porch, Mom. Rocking.”

There, indeed, was the erstwhile Widow Paarlenberg on her porch, rocking. A pleasant place to be in mid-afternoon of a hot September day. She stared at the creaking farm wagon, vegetable laden; at the boy perched on the high seat; at the sallow shabby woman who was charioteer for the whole crazy outfit. Mrs. Klaas Pool's pink face creased in a smile. She sat forward in her chair and ceased to rock.

“Where you going this hot day, Mis' DeJong?”

Selina sat up very straight. “To Bagdad, Mrs. Pool.”

“To—Where's that? What for?”

“To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.”

Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag—How do you get there?”

Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!' and there you are.”

Bewilderment shadowed Mrs. Pool's placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious.

The boy, round eyed, was looking up at his mother. “That's out of
Arabian Nights,
what you said. Why did you say that?” Suddenly excitement tinged his voice. “That's out of the book. Isn't it? Isn't it! We're not really——”

She was a little contrite, but not very. “Well, not really, perhaps. But ‘most any place is Bagdad if you don't know what will happen in it. And this is an adventure, isn't it, that we're going on? How can you tell! All kind of things can happen. All kinds of people. People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.”

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