Sophie's World: A Novel About the History of Philosophy (28 page)

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Authors: Jostein Gaarder

Tags: #Fiction, #Literary

BOOK: Sophie's World: A Novel About the History of Philosophy
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"I don't think I understand."

"Remember Galileo's inclined plane. What happened when I rolled the marble across it?"

"Are there two different forces working on the moon?"

"Exactly. Once upon a time when the solar system began, the moon was hurled outward--outward from the earth, that is--with tremendous force. This force will remain in effect forever because it moves in a vacuum without resistance..."

"But it is also attracted to the earth because of earth's gravitational force, isn't it?"

"Exactly. Both forces are constant, and both work simultaneously. Therefore the moon will continue to orbit the earth."

"Is it really as simple as that?"

"As simple as that, and this very same simplicity was Newton's whole point. He demonstrated that a few natural laws apply to the whole universe. In calculating the planetary orbits he had merely applied two natural laws which Galileo had already proposed. One was the law of inertia, which Newton expressed thus: 'A body remains in its state of rest or rectilinear motion until it is compelled to change that state by a force impressed on it.' The other law had been demonstrated by Galileo on an inclined plane: When two forces work on a body simultaneously, the body will move on an elliptical path."

"And that's how Newton could explain why all the planets go round the sun."

"Yes. All the planets travel in elliptical orbits round the sun as the result of two unequal movements: first, the rectilinear movement they had when the solar system was formed, and second, the movement toward the sun due to gravitation." "Very clever."

"Very. Newton demonstrated that the same laws of moving bodies apply everywhere in the entire universe. He thus did away with the medieval belief that there is one set of laws for heaven and another here on earth. The heliocentric world view had found its final confirmation and its final explanation."

Alberto got up and put the inclined plane away again. He picked up the marble and placed it on the table between them.

Sophie thought it was amazing how much they had gotten out of a bit of slanting wood and a marble. As she looked at the green marble, which was still smudged with ink, she couldn't help thinking of the earth's globe. She said, "And people just had to accept that they were living on a random planet somewhere in space?"

"Yes--the new world view was in many ways a great burden. The situation was comparable to what happened later on when Darwin proved that mankind had developed from animals. In both cases mankind lost some of its special status in creation. And in both cases the Church put up a massive resistance."

"I can well understand that. Because where was God in all this new stuff? It was simpler when the earth was the center and God and the planets were upstairs."

"But that was not the greatest challenge. When Newton had proved that the same natural laws applied everywhere in the universe, one might think that he thereby undermined people's faith in God's omnipotence. But Newton's own faith was never shaken. He regarded the natural laws as proof of the existence of the great and almighty God. It's possible that man's picture of himself fared worse."

"How do you mean?"

"Since the Renaissance, people have had to get used to living their life on a random planet in the vast galaxy. I am not sure we have wholly accepted it even now. But there were those even in the Renaissance who said that every single one of us now had a more central position than before."

"I don't quite understand." "Formerly, the earth was the center of the world. But since astronomers now said that there was no absolute center to the universe, it came to be thought that there were just as many centers as there were people. Each person could be the center of a universe."

"Ah, I think I see."

"The Renaissance resulted in a new religiosity. As philosophy and science gradually broke away from theology, a new Christian piety developed. Then the Renaissance arrived with its new view of man. This had its effect on religious life. The individual's personal relationship to God was now more important than his relationship to the church as an organization."

"Like saying one's prayers at night, for instance?"

"Yes, that too. In the medieval Catholic Church, the church's liturgy in Latin and the church's ritual prayers had been the backbone of the religious service. Only priests and monks read the Bible because it only existed in Latin. But during the Renaissance, the Bible was translated from Hebrew and Greek into national languages. It was central to what we call the Reformation."

"Martin Luther..."

"Yes, Martin Luther was important, but he was not the only reformer. There were also ecclesiastical reformers who chose to remain within the Roman Catholic church. One of them was Erasmus of Rotterdam."

"Luther broke with the Catholic Church because he wouldn't buy indulgences, didn't he?"

"Yes, that was one of the reasons. But there was a more important reason. According to Luther, people did not need the intercession of the church or its priests in order to receive God's forgiveness. Neither was God's forgiveness dependent on the buying of 'indulgences' from the church. Trading in these so-called letters of indulgence was forbidden by the Catholic Church from the middle of the sixteenth century." "God was probably glad of that." "In general, Luther distanced himself from many of the religious customs and dogmas that had become rooted in ecclesiastical history during the Middle Ages. He wanted to return to early Christianity as it was in the New Testament. The Scripture alone,' he said. With this slogan Luther wished to return to the 'source' of Christianity, just as the Renaissance humanists had wanted to turn to the ancient sources of art and culture. Luther translated the Bible into German, thereby founding the German written language. He believed every man should be able to read the Bible and thus in a sense become his own priest."

"His own priest? Wasn't that taking it a bit far?" "What he meant was that priests had no preferential position in relation to God. The Lutheran congregations employed priests for practical reasons, such as conducting services and attending to the daily clerical tasks, but Luther did not believe that anyone received God's for-giveness and redemption from sin through church rituals. Man received 'free' redemption through faith alone, he said. This was a belief he arrived at by reading the Bible."

"So Luther was also a typical Renaissance man?" "Yes and no. A characteristic Renaissance feature was his emphasis on the individual and the individual's personal relationship to God. So he taught himself Greek at the age of thirty-five and began the laborious job of translating the Bible from the ancient Greek version into German. Allowing the language of the people to take precedence over Latin was also a characteristic Renaissance feature. But Luther was not a humanist like Ficino or Leonardo da Vinci. He was also opposed by humanists such as Erasmus of Rotterdam because they thought his view of man was far too negative; Luther had proclaimed that mankind was totally depraved after the Fall from Grace. Only through the grace of God could mankind be 'justified,' he believed. For the wages of sin is death."

"That sounds very gloomy."

Alberto Knox rose. He picked up the little green and black marble and put it in his top pocket.

"It's after four!" Sophie exclaimed in horror.

"And the next great epoch in the history of mankind is the Baroque. But we shall have to keep that for another day, my dear Hilde."

"What did you say?" Sophie shot up from the chair she had been sitting in. "You called me Hilde!"

"That was a serious slip of the tongue." "But a slip of the tongue is never wholly accidental."

"You may be right. You'll notice that Hilde's father has begun to put words in our mouths. I think he is exploiting the fact that we are getting weary and are not defending ourselves very well."

"You said once that you are not Hilde's father. Is that really true?"

Alberto nodded.

"But am I Hilde?"

"I'm tired now, Sophie. You have to understand that. We have been sitting here for over two hours, and I have been doing most of the talking. Don't you have to go home to eat?"

Sophie felt almost as if he was trying to throw her out. As she went into the little hall, she thought intensely about why he had made that slip. Alberto came out after her.

Hermes was lying asleep under a small row of pegs on which hung several strange-looking garments that could have been theatrical costumes. Alberto nodded toward the dog and said, "He will come and fetch you."

"Thank you for my lesson," said Sophie.

She gave Alberto an impulsive hug. "You're the best and kindest philosophy teacher I've ever had," she said.

With that she opened the door to the staircase. As the door closed, Alberto said, "It won't be long before we meet again, Hilde."

Sophie was left with those words.

Another slip of the tongue, the villain! Sophie had a strong desire to turn around and hammer on the door but something held her back.

On reaching the street she remembered that she had no money on her. She would have to walk all the long way home. How annoying! Her mother would be both angry and worried if she didn't get back by six, that was for sure.

She had not gone more than a few yards when she suddenly noticed a coin on the sidewalk. It was ten crowns, exactly the price of a bus ticket.

Sophie found her way to the bus stop and waited for a bus to the Main Square. From there she could take a bus on the same ticket and ride almost to her door.

Not until she was standing at the Main Square waiting for the second bus did she begin to wonder why she had been lucky enough to find the coin just when she needed it.

Could Hilde's father have left it there? He was a master at leaving things in the most convenient places.

How could he, if he was in Lebanon?

And why had Alberto made that slip? Not once but twice!

Sophie shivered. She felt a chill run down her spine.

The Baroque

...such stuff as dreams are made on...

Sophie heard nothing more from Alberto for several days, but she glanced frequently into the garden hoping to catch sight of Hermes. She told her mother that the dog had found its own way home and that she had been invited in by its owner, a former physics teacher. He had told Sophie about the solar system and the new science that developed in the sixteenth century.

She told Joanna more. She told her all about her visit to Alberto, the postcard in the mailbox, and the ten-crown piece she had found on the way home. She kept the dream about Hilde and the gold crucifix to herself.

On Tuesday, May 29, Sophie was standing in the kitchen doing the dishes. Her mother had gone into the living room to watch the TV news. When the opening theme faded out she heard from the kitchen that a major in the Norwegian UN Battalion had been killed by a shell.

Sophie threw the dish towel on the table and rushed into the living room. She was just in time to catch a glimpse of the UN officer's face for a few seconds before they switched to the next item.

"Oh no!" she cried.

Her mother turned to her.

"Yes, war is a terrible thing!"

Sophie burst into tears.

"But Sophie, it's not that bad!"

"Did they say his name?"

"Yes, but I don't remember it. He was from Grimstad, I think."

"Isn't that the same as Lillesand?"

"No, you're being silly."

"But if you come from Grimstad, you might go to school in Lillesand."

She had stopped crying, but now it was her mother's turn to react. She got out of her chair and switched off the TV.

"What's going on, Sophie?"

"Nothing."

"Yes, there is. You have a boyfriend, and I'm beginning to think he's much older than you. Answer me now: Do you know a man in Lebanon?"

"No, not exactly..." "Have you met the son of someone in Lebanon?"

"No, I haven't. I haven't even met his daughter."

"Whose daughter?"

"It's none of your business."

"I think it is."

"Maybe I should start asking some questions instead. Why is Dad never home? Is it because you haven't got the guts to get a divorce? Maybe you've got a boyfriend you don't want Dad and me to know about and so on and so on. I've got plenty of questions of my own."

"I think we need to talk."

"That may be. But right now I'm so worn out I'm going to bed. And I'm getting my period."

Sophie ran up to her room; she felt like crying.

As soon as she was through in the bathroom and had curled up under the covers, her mother came into the bedroom.

Sophie pretended to be asleep even though she knew her mother wouldn't believe it. She knew her mother knew that Sophie knew her mother wouldn't believe it either. Nevertheless her mother pretended to believe that Sophie was asleep. She sat on the edge of Sophie's bed and stroked her hair.

Sophie was thinking how complicated it was to live two lives at the same time. She began to look forward to the end of the philosophy course. Maybe it would be over by her birthday--or at least by Midsummer Eve, when Hilde's father would be home from Lebanon ...

"I want to have a birthday party," she said suddenly.

"That sounds great. Who will you invite?" "Lots of people ... Can I?"

"Of course. We have a big garden. Hopefully the good weather will continue."

"Most of all I'd like to have it on Midsummer Eve."

"All right, that's what we'll do."

"It's a very important day," Sophie said, thinking not only of her birthday.

"It is, indeed."

"I feel I've grown up a lot lately."

"That's good, isn't it?"

"I don't know."

Sophie had been talking with her head almost buried in her pillow. Now her mother said, "Sophie--you must tell me why you seem so out of balance at the moment."

"Weren't you like this when you were fifteen?"

"Probably. But you know what I am talking about."

Sophie suddenly turned to face her mother. "The dog's name is Hermes," she said.

"It is?"

"It belongs to a man called Alberto."

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