Speaking From Among The Bones (15 page)

An envelope. I slipped it out.

On its front was written in a flowing—and obviously feminine—hand:
Dearest Jocelyn
.

It must have been from an earlier time: something removed from the family papers. But who was Jocelyn, the recipient?

There was no postage stamp, so obviously no date on the envelope. It must have been delivered by hand.

I held it to my nose and gave a sniff and my heart almost froze as my nostrils were filled with the odor of small blue flowers, of mountain meadows, and of ice.

Miratrix!

Harriet’s scent!

I had smelled it often enough in her boudoir. It was as familiar to me as the back of my own hand.

With clumsy fingers I opened the envelope and extracted the single sheet of paper.

Dearest Jocelyn
, it began.

Jocelyn?

And then I saw! Of course! “Jocelyn”—“Joss”—was a variation of “Joyous.”

A nickname. A name that only his family and his closest friends—or perhaps only Harriet—would have called him.

Oddly enough, it was only then that my brain admitted that this was Harriet’s handwriting.

My hands were suddenly shaking like a leaf in winter. My mother had written this note as she was about to set out on her final journey.

I shoved the paper back into its envelope and replaced it in the Bible.

The music slowly floated back into my consciousness: the sawing away of the strings at that mournful melody.

Death and the Maiden
.

Jocelyn was still listening intently, his eyes closed.

How often had Harriet visited him here? I wondered. How had she managed to get in through all those doors—at least two of them locked?

Perhaps, eleven or twelve years ago, things had been different. Perhaps, like Buckshaw, Bogmore Hall had once been a happy home.

But somehow I doubted it. The place was what I imagined an abandoned courtroom would be like: cold and empty and smelling of judgment, the last prisoner dragged away for punishment.

Except Jocelyn, of course. It seemed as if he had been sentenced to life.

I began to think what a horrid existence he must lead when my mind began sending me an urgent message—something about the double doors. What was it?

The locks! If Benson, or whoever Jocelyn’s jailer was,
had
in fact forgotten to lock the outer door, and should happen to return for any reason, I would be locked in, too.

I had to get out of this place at once! Any thoughts I might have had of questioning Jocelyn about his father,
or Harriet, or the saint who must not be wakened would have to be put off until another day.

As long as he stayed inside his instructional musical bubble, I could leave quietly without his noticing.

I plotted my course and began moving slowly toward the door. I was halfway across the room when the music ended.

Jocelyn swiveled his head a little to the right—and then to the left. He got up out of his chair and turned completely round just as my hand touched the doorknob.

His eyes met mine, his face expressionless. It was impossible to tell what he was thinking.

I don’t know what made me do it, but it must have been some primitive memory that caused me, without even thinking, to raise three fingers to my lips and blow him a kiss.

And then I went out the door.

Now I was back in the small chamber, the dusty curtains dragging across my face like the cobweb of some obscene, mammoth spider. I fought free of them and shot back the bolt of the outside door. There
had been
a bolt, after all.

Hold on, though!

Would Benson be lying in wait on the other side? Catching an intruder red-handed would be a real feather in his cap.

Keeping my eye well back from the glass porthole, I moved my head slowly from side to side, viewing the outer room piece by piece, yard by yard.

It was empty.

I eased the door open and was stepping through it
when I heard the sound of footsteps. A moment later, seen through the banisters, a head appeared. An oddly familiar head.

Someone was coming up the stairs! A man.

There was nowhere to hide. It was too late.

Good job I hadn’t yet closed the door behind me. I dodged back into the cubicle and quietly eased the bolt shut.

Had he seen me?

I couldn’t get back into Jocelyn’s room—the inner door had locked behind me. I was stuck in the dark, airless space between the two doors: trapped among the moldering velvet curtains.

A key scratched at the lock.

The dust was eating at my nostrils like black pepper—I could feel it. I was going to sneeze.

I pinched my nose between thumb and forefinger and tried to breathe through my mouth as I huddled into the corner behind the door, shrinking back, trying to make myself as small as possible.

The door opened, jamming me against the wall, crushing the air out of my lungs.

There was a pause—and then the sound of a key in the second lock.

I couldn’t breathe. I was going to suffocate.

Then suddenly the pressure eased as the outer door was closed.

I was now locked into the cubicle with the man. He was so close I could smell his breath. Tobacco and kippers.

There was a shuffling, and the curtains billowed.

“Open the door, will you?” he called out loudly, almost in my ear. “I’ve got a tray.”

There was a banging, as if he were kicking at the inner door with his toe.

After an eternity, a bolt clicked back.

“Benson?” Jocelyn’s voice called through the door.

“Who else did you think it was,” the man growled.

“The king of Siam?”

And then he was gone and I was alone in the stuffy cubicle.

I counted to three and slid open the bolt of the outer door, which I left ajar behind me as I made for the top of the stairs.

Fourteen, fifteen, sixteen:
Down the stone steps I flew as if the hounds of Hades were barking at my backside. I counted the treads as they flew by beneath my feet. Now I was at the landing.
Twenty-two, twenty-three, twenty-four—
two at a time—
twenty-six
. Across the foyer and out the front door, and only then, I think, did I begin to breathe.

Gladys was where I had left her, leaning against the crumbling stone railing. Esmeralda was pecking at the bottom of the crate, absorbed in her own thoughts.

As I pedaled away, I risked a glance back over my shoulder at the upper windows. They were empty.

No face at the window. No Jocelyn, and thankfully, no Benson.

I knew that I had seen him somewhere before as soon as I saw him coming up the stairs.

The problem was this—I could not for the life of me remember where.

T
HE SUN WAS ALREADY
far down in the west as I pedaled home to Buckshaw.

Father, I knew, would be furious. He demanded that all of us, with no exceptions, no excuses, be seated, properly dressed, and on time for the evening meal. Now, because of my tardiness (“tardiness” is one of those ten-shillings-sixpence words that Daffy loves to fling at me), Mrs. Mullet would have been kept late, and Father, who had been trying desperately to slash expenses by reducing her working hours, would be on the hook for additional overtime.

Even before I reached the Mulford Gates I knew that something was wrong. A knot of people had gathered in the road at the turn-in.

Had there been an accident?

I put on such a burst of speed that I was forced to jam
on both hand brakes and come skidding to an undignified sideways stop to avoid hitting them.

Still astride Gladys, but with both feet on the ground, I came waddling over toward the group. I could scarcely believe my eyes.

Father, Feely, Daffy, Dogger, and Mrs. Mullet stood in a ragged semicircle. Not one of them even looked at me.

The center of their attention was a man in an undersized vest with a tight celluloid collar and watery, protruding eyes who was pounding a sign into the ground with a sledgehammer.

FOR SALE
, it said, in awful black letters.

DOOM! DOOM! DOOM!
the hammer went, and every blow was a stake through my heart.

Buckshaw for sale! I couldn’t believe it!

There had been threats, of course, and Father in the past had warned us that he was losing his long battle with the government department he once referred to in a lighter moment as “His Majesty’s Leeches.” But somehow we had always muddled through; something had always turned up.

Just a few months ago, for instance, a First Quarto of Shakespeare’s
Romeo and Juliet
had come to light in our library, but because his own initials and Harriet’s had been entwined in ink in the front of the book—a memorial to their courtship—Father had refused to part with it.

The actor Desmond Duncan had besieged him with one outrageous offer after another, but Father had brushed them aside. The British Museum had then been enlisted to make a combined proposal that would probably have
bought the whole town of Stratford-upon-Avon right down to the last swan.

But Father wouldn’t budge.

And now it had come to this.

There were times when I wanted to shake Father: wanted to pick him up by his lapels and shake him until the feathers flew out.

“You stubborn fool!” I wanted to shout into his face.

And then, as reason seeped back into my overheated brain, I would realize how much alike we were: that my father angered me the most when he was most like me.

It didn’t make the slightest bit of sense, but there it was.

And now here we were, all of us standing round in the road like yokels at the fair, watching a stranger pound a signboard into our ancestral earth.

It was only then, as I realized that my family, every last one of them, had been drawn out of doors and had walked the considerable distance along the avenue of chestnuts from the house to the Mulford Gates to watch a bailiff seize our property, that the gravity of the situation hit home.

It was the first time I could remember us ever being truly together.

And there we stood: we de Luces all grim as death, Dogger looking on, his jaw muscles tense, and Mrs. Mullet in tears.

“ ’Tisn’t right,” she muttered, shaking her head. “ ’Tisn’t right at all.”

She was the only one to speak.

After a time, Father moved slowly off toward the house, followed by Feely and Daffy, then Dogger.

The bailiff, his work finished, dusted his hands and threw his sledgehammer into the boot of a muddy Anglia that was parked at the roadside. Moments later, he was gone.

Mrs. Mullet and I stood there silently together in the darkening world.

“Your supper’s in the warming oven, dear,” she said, then turned and walked away, ever so slowly, in the direction of Bishop’s Lacey.

Later, in my bedroom, I was sitting hunched up among the pillows picking at my plate, tossing the occasional tinned pea to Esmeralda on the floor, when there came a light tapping at the door.

It was Dogger.

“I’ve brought some bread and water for your friend,” he said, putting down one of the two bowls he was carrying onto the floor.

“Her name is Esmeralda,” I said. “They were going to kill her.”

With Dogger, there was no need for long, detailed explanations. He understood things as quickly and as easily as if he absorbed them through his skin.

“A very fine example of a Buff Orpington,” he said, tossing her a bread crumb. “Are you not, Esmeralda?”

Esmeralda pounced upon the crumb and it vanished. Dogger threw her another.

“She wouldn’t eat,” I said. “I tried her with some of my corn.”

“She may be broody,” Dogger said. “Certain varieties are more inclined than others to go broody in the spring.”

“What’s broody?” I asked. I’d never heard the word.

“It means being short-tempered and with a strong inclination to sit on one’s nest,” Dogger said.

“Like Father,” I blurted. I couldn’t help myself.

Dogger threw another fat crumb to Esmeralda. “A very strong breed, the Buff Orpington,” he said. “Very British. The Queen is said to be very fond of them. She keeps a flock at Windsor Castle, I believe.”

“Perhaps we could go in for chickens at Buckshaw!” I said with sudden inspiration. “We could knock together some cages in the coach house and sell eggs at the market in Malden Fenwick. It would be jolly good fun.”

“I’m afraid it will take more than chickens,” Dogger said, with a long sigh, and then, after what seemed like an eternal pause he added, “No, I’m afraid that chickens are not enough.”

“But what’s to be done?” I asked.

“We must pray, Miss Flavia. That’s all that’s left.”

“Good idea,” I said. “I’ll pray before I go to sleep tonight that nobody sees the ‘For Sale’ sign. Then, first thing in the morning, I shall go out and chop it into kindling wood.”

“That would do no good,” Dogger said. “The notice will appear in all the papers.”

“Perhaps if we prayed to Saint Tancred …” I said, my
mind bubbling with ideas. “After all, he
is
our patron saint. Do you think it will hurt that we’re not Anglicans?”

“No,” Dogger said. “In Tancred’s day there was no Church of England. He was as Roman Catholic as ever you could wish for.”

“Are you sure?” I asked.

“
Quite
sure.”

“Then it’s settled. I shall be there when they open his tomb and pray for Buckshaw before anyone else has a chance to stick in a request.”

Which brought me, with something of a jar, back to the church’s crypt and the dead Mr. Collicutt.

Last night, I had slept through my opportunity to revisit the churchyard and to explore the tunnel which connected the church with the tomb of Cassandra Cottlestone.