Sphinx (21 page)

“Did you bring them?”

“No, they are at the hotel. There wasn't time.”

“Yvon, I'm leaving for Luxor. I've made up my mind.”

“Erica, you can go to Luxor whenever you wish. I have a plane. I can fly you there tomorrow.”

Erica looked down at her hands. Despite her anger, despite her misgivings, she could feel her resolve weakening. At the same time, she was tired of being protected, taken care of.

“Thank you for the offer, Yvon, but I think I'll go by train. I'll call you from Luxor.”

There was the sound of a whistle. It was seven-thirty.

“Erica . . .” said Yvon, but the train began to move forward. “All right. Call from Luxor. Perhaps I'll see you there.” He dashed down the aisle and jumped from the train, which was now picking up speed.

“Damn,” said Yvon as he watched the train slide from the station. He turned into the busy waiting room. By the exit he met Khalifa.

“Why aren't you on that train?” snapped Yvon.

Khalifa smiled slyly. “I was told to follow the girl in Cairo. Nothing was said about taking a train to the south.”

“Christ,” said Yvon, walking toward a side door. “Follow me.”

Raoul was waiting in the car. He started the engine when he saw Yvon. Yvon held open a rear door for Khalifa then climbed in after him.

“What happened in the mosque?” asked Yvon as they pulled out into the traffic.

“Trouble,” said Khalifa. “The girl met Stephanos, but Stephanos had posted a guard. In order to protect her, I had to break up the meeting. I had no choice. It was a bad location, almost as bad as the serapeum yesterday. But in deference to your sensibilities, there was no killing. I shouted a few times and fired off a couple of shots and cleared out the whole mosque.” Khalifa laughed contemptuously.

“Thank you for considering my sensibilities. But tell me, did Stephanos threaten or make any move against Erica Baron?”

“I don't know,” said Khalifa.

“But that was what you were supposed to find out,” said Yvon.

“I was supposed to protect the girl, then learn what I could,” said Khalifa. “Under the circumstances, protecting the girl took all my attention.”

Yvon turned his head and watched a bicyclist go by, balancing a large tray of bread on his head and making better time than they were in the car. Yvon felt frustrated. Things were going poorly, and now Erica Baron, his last hope for the Seti statue, had left Cairo. He looked at Khalifa. “I hope you're ready to travel, because you're going to Luxor tonight by air.”

“Whatever you say,” said Khalifa. “This job is getting interesting.”

“Balianeh in one hour,” said the porter through the curtain of her berth.

“Thank you,” said Erica, sitting up and pulling back the drape covering a small window. Outside, it was very early daybreak. The sky was a light purple and she could see low desert mountains in the distance. The train was moving rapidly, with slight to-and-fro movements. The tracks ran right along the edge of the Libyan desert.

Erica washed at her small sink and put on a bit of makeup. The night before, she'd tried to read one of the books on Tutankhamen that she'd purchased at the station, but the train's movements had cradled her instantly asleep. It was some time in the middle of the night that she had awakened long enough to turn off the reading light.

They served an English breakfast in the dining car as the first tentative rays of sunlight cleared the eastern horizon. As she watched, the sky changed from purple to a clear light blue. It was incredibly beautiful.

Sipping her coffee, Erica felt as if a burden had lifted from her shoulders; in its place was a euphoric sense of freedom. She felt as if the train were hurtling her back in time, back to ancient Egypt and the land of the pharaohs.

It was a little after six when she detrained at Balianeh. Very few passengers got off, and the train departed as soon as the last foot touched the platform. With some difficulty Erica checked her suitcase at a baggage window, then walked out of the station into the bright bustle of the small rural town. There was a gaiety in the air. The people seemed much happier than the oppressive crowds of Cairo. But it was hotter. Even this early in the morning Erica could feel the difference.

There were a number of old taxis waiting in the shade of the station. Most of the drivers were asleep, their mouths gaping. But when one spotted Erica, they all got up and began chattering. Finally a slender fellow was pushed forward. He had a large untrimmed mustache and a ragged beard, but he seemed pleased with his luck and made a bow in front of Erica before opening the door to his 1940-ish taxi.

He knew a few words of English, including “cigarette.” Erica gave him a few and he immediately agreed to serve as her driver, promising to return her to the station to catch the five-P.M. connection to Luxor. The cost was five Egyptian pounds.

They headed north out of the town, then turned away from the Nile to the west. With his portable radio lashed to the dash so that its aerial could stick out of the missing window on the right, the driver smiled his contentment. On either side of the road stretched a sea of sugarcane, broken by an occasional oasis of palm trees.

They crossed a foul-smelling irrigation ditch and passed through the village of El Araba el Mudfuna. It was a sorry collection of mud-brick huts built just beyond the reach of the cultivated fields. There were few people in evidence except for a group of women dressed in black carrying large water jars on their heads. Erica looked at them again. They were wearing veils.

A few hundred yards beyond the village the driver halted and pointed ahead. “Seti,” he said without taking the cigarette from his mouth.

Erica climbed out of the car. So here it was. Abydos. The place Seti I chose to build his magnificent temple.
Just as Erica started to get out her guidebook, she was set upon by a group of youths selling scarabs. She was the first tourist of the day, and only by paying her fifty-piaster entrance fee and advancing into the temple proper could she free herself from their insistent chatter.

With the Baedeker in hand she sat on a limestone block and read the section on Abydos. She was familiar with the site but wanted to be certain which sections had been decorated with hieroglyphics during the reign of Seti I. The temple had been finished by Seti's son and successor, Ramses II.

 

Unaware of Erica's plans to visit Abydos, Khalifa stood on the platform at Luxor waiting for the passengers to disembark. The train had pulled in on time and was greeted by a huge throng who eagerly pressed in on the train. There was a lot of commotion and shouting, particularly by the hawkers selling fruit and cold drinks through the windowless openings of the third-class coaches to the passengers continuing on to Aswan. Those people detraining and those boarding jostled each other in a mounting frenzy because whistles began to blow. Egyptian trains ran on time.

Khalifa lit one cigarette, and then another, allowing the smoke to snake up past his hooked nose. He was standing apart from the chaos at a place where he could view the entire platform as well as the main exit. A few late passengers scurried to catch the train as it began to pull out of the station. There was no sign of Erica. When he finished his cigarette, Khalifa left the building by the main entrance. He headed for the central post office to make a call to Cairo. Something was wrong.

 

Erica walked from one incredible room to the next as she explored the temple of Seti I. At last she could experience all the electrifying mystery of Egypt. The relief work was magnificent. She planned to return to Abydos in several days to do some serious translation work on the wealth of hieroglyphic inscription that covered the walls of the temple complex. For the moment she just scanned the texts to see if the name Tutankhamen ever appeared among Seti's inscriptions. It didn't, except in the room called the Gallery of Kings, where almost all the ancient Egyptian pharaohs were listed in chronological order.

As she walked through the inner chambers, where the roofing slabs were still in place, she used her flashlight to view the hieroglyphics.

Silently Erica repeated an abbreviated translation of the phrase on the Seti I statue: “Eternal rest granted to Seti I, who rules after Tutankhamen.” She admitted the phrase did not make any more sense to her standing in Seti I's temple than it did on the balcony of the room in the Hilton. Rummaging in her bag, Erica pulled out the photo of the hieroglyphic inscription on the statue. She looked about the temple for any similar combination of signs. It was a slow process and ultimately unrewarding. At first she couldn't even find Seti's name written in the same way as it was on the statue, linked to the god Osiris.
In the temple it usually identified him with the god Horus.

Morning melted happily into afternoon, leaving Erica oblivious of the heat and of her appetite. It was after three when she passed through the chapel of Osiris into the god's inner sanctuary. It had once been a splendid hall whose roof had been supported by ten columns. Now sun drenched the room with light, illuminating the magnificent reliefs associated with the cult of Osiris, the god of the dead.

There were no other tourists in the ruined hall, and Erica moved slowly, undisturbed in her appreciation of the craftsmanship of the sculptured murals. At the far end of the empty hall she came to a low doorway. Inside it was dark. Consulting her Baedeker, she found the room beyond was described simply as a chamber with four columns.

Scoffing at her own misgivings, Erica took out her flashlight and ducked under the low door. Slowly she let the beam of light play upon the walls, columns, and ceiling of the deathly silent room. With great care she picked her way over the irregular floor and moved around the heavy columns. Against the far wall were the openings to the three chapels of Isis, Seti I, and Horus. Eagerly Erica entered the chapel of Seti I; its location within the sanctuary of Osiris was encouraging.

No daylight penetrated the small chapel. Erica's flashlight illuminated only a small area. The rest of the room was lost in darkness. She started to run the light around the room, but almost immediately glimpsed amid the hieroglyphics a cartouche of Seti I exactly as it had been written on the statue. It was Seti identified with Osiris.

Erica scanned the hieroglyphics in the neighborhood of the cartouche, guessing the text ran vertically from left to right. Without translating word for word, she quickly understood that the small chapel had been completed after Seti's death and had been used in the Osiris ritual. Then she came to something strange. It appeared to be a proper name. Incredible. Proper names did not appear
on pharaonic monuments. Erica pieced together the sounds. Ne-neph-ta.

Erica moved the beam of light to the floor, preparing to put her bag down. She wanted a photo of the curious name. She started to bend over, but then froze. Within the circle of light was a cobra, its head raised and body arched, its forked tongue lashing out like a miniature whip, its yellow eyes with black slitlike pupils staring at her with deadly concentration. Erica was paralyzed with fear. It wasn't until the snake moved by lowering its head and sliding off its perch that Erica was able to look behind her toward the low door of the chapel. After another glance at the retiring snake, she fled out into the sunlight and returned to the ticket booth on shaky legs.

The guard thanked Erica for the information and told her that they'd been trying to kill that cobra for many years. The sanctuary of Osiris was then closed temporarily.

Despite the episode with the snake, it was with reluctance that she left the site for the drive back to Balianeh. It had been a wonderful day. Her only disappointment was that she'd have to wait for a photograph of the name Nenephta. Erica intended to cross-reference that name and wondered if it was one of Seti I's viziers.

The train for Luxor departed only five minutes late. Erica settled into her seat with the Tutankhamen books, but her attention was drawn to the scenery outside. The Nile valley began to narrow so that in places it was easy to see from one side of the area of cultivated fields to the other. As the sun neared the western horizon, Erica began to notice the people returning to their homes. Children riding on water buffalo. Men leading donkeys straining beneath their burdens. Erica could see into courtyards and wondered if the people in their mud-brick houses felt security and love like in the pastoral myths—or were they continuously aware of their precarious hold on life? In a sense, their lives were timeless, a borrowed moment of time.

At Nag Hammadi the train crossed the Nile from the West Bank to the East Bank and entered a long stretch
of sugarcane that blocked any view of the countryside. Erica returned to her books, picking up
The Discovery of the Tomb of Tutankhamen,
by Howard Carter and A. C. Mace. She began reading, and despite her familiarity with the book, was immediately entranced. It was a recurrent surprise that the dry and meticulous Carter wrote with a genuine flair. The excitement of the discovery was communicated from every page, and Erica found herself reading faster and faster, as if it were a thriller.

As they occurred in the book, Erica studied the superb collection of photos taken by Harry Burton. She found the plate showing two life-size bituminized statues of Tutankhamen that guarded the sealed entrance to the burial chamber particularly interesting. Comparing them to the Seti statue, she comprehended for the first time that she was one of the few people who knew the Seti statues were a matched pair. That was very significant, because the probability of finding two such statues was very small, while the chance of other artifacts now being unearthed in the same location was very great. Suddenly Erica recognized that the site where the Seti statues had been found could be as important archaeologically as the statues themselves. Perhaps locating the site was a more reasonable goal than finding the statue. Erica looked out the window at the blur of the sugarcane, thinking.

Probably the best way of learning where the statues had been discovered was for her to pose as a serious antiquities buyer for the Museum of Fine Arts. If she could convince people she was willing to pay top dollar, she might be shown some valuable pieces. If more Seti material appeared, perhaps she could learn the source. There were a lot of ifs. But it was a plan, particularly if Abdul Hamdi's son could not provide further information.

The conductor came through the train announcing Luxor. Erica felt a thrill of anticipation. She knew that Luxor is to Egypt what Florence is to Italy: the jewel. Outside the station, there was another surprise. The only taxis left were horsedrawn carriages. Smiling with pleasure, Erica already loved Luxor.

When she arrived at the Winter Palace Hotel she discovered why it had been so easy to get a reservation despite the number of tourists. The hotel was being renovated, and to get to her room she had to walk down a carpetless hall on the second floor covered with piles of building blocks, sand, and plaster. Only a few of the rooms were being used. But the renovation did not dampen her spirits. She loved the hotel. It had an elegant Victorian charm. Across the formal garden was the New Winter Palace Hotel. In contrast to the building she was in, it was a modern high-rise structure with little character. She was pleased to be where she was. Instead of air conditioning, Erica's room had an extraordinarily high ceiling complete with a slow-moving large-bladed fan. A pair of French doors opened onto a graceful wrought-iron balcony that looked over the Nile.

There was no shower; the tiled bathroom was dominated by a huge porcelain bathtub that Erica immediately filled to the top. She had just managed to step into the refreshing water when the antique phone jangled in the other room. For a moment she debated not answering it. Then curiosity overcame inconvenience, and grabbing a towel from the rack, she walked into the bedroom and picked up the receiver.

“Welcome to Luxor, Miss Baron.” It was Ahmed Khazzan.

For a moment his voice brought back all her fears. Even though she had decided to pursue the statue of Seti, she felt she had left the violence and dangers behind in Cairo. Now the authorities seemed to have already tracked her down. Still, his tone was friendly.

“I hope you enjoy your stay,” he said.

“I'm sure I will,” answered Erica. “I did notify your office.”

“Yes, I got the message. That's why I'm calling. I asked the hotel to tell me when you arrived so that I could welcome you. You see, Miss Baron, I have a home in Luxor. I come here as frequently as possible.”

“I see,” said Erica, wondering where the conversation was leading.

Ahmed cleared his throat. “Well, Miss Baron, I was wondering if you would care to have dinner with me tonight.”

“Is this an official or social invitation, Mr. Khazzan?”

“Purely social. I can have a carriage pick you up at seven thirty.”

Erica debated rapidly. It seemed quite innocuous. “All right. I'd be delighted.”

“Wonderful,” said Ahmed, obviously pleased. “Tell me, Miss Baron, do you like to ride?”

Erica shrugged. In truth she hadn't ridden a horse for a number of years. But as a child she had loved it, and the idea of seeing the ancient city on horseback appealed to her. “Yes,” she said tentatively.

“Even better,” said Ahmed. “Wear something you can ride in and I'll show you a little of Luxor.”

 

Holding on for her life, Erica let the black stallion have his head as they reached the edge of the desert. The animal responded with a surge of speed and thundered up the small sand hill, galloping along the crest of the ridge for almost a mile. Finally Erica reined him in to wait for Ahmed. The sun had just set, but it was light and Erica could look down onto the ruins of the Temple of Karnak. Across the river the mountains of Thebes rose sharply beyond the irrigated fields. She could even make out some of the entranceways to the tombs of the nobles.

Erica was hypnotized by the scene, and the heaving animal between her legs made her feel as if she had been transported into the past. Ahmed rode up beside her but did not speak. He sensed her thoughts and did not want to interrupt. Erica stole a quick glance at his sharp profile in the soft light. He was dressed in loose-fitting white cotton, with the shirt open to mid-chest and the sleeves rolled to the elbows. His black, shining hair was tousled by the wind, and tiny drops of perspiration lined his forehead.

Erica was still surprised by his invitation and unable to forget his official capacity. He had been cordial since
her arrival, but not communicative. She wondered if his intent still lay with Yvon de Margeau.

“Beautiful here, isn't it?” he said at last.

“Gorgeous,” said Erica. She struggled with the stallion, now eager to move on.

“I love Luxor.” He turned to Erica, his face serious yet puzzled.

Erica was certain he was going to say something more, but he just looked at her for several minutes and then turned back to the vista over the Nile. As they watched in silence, the shadows within the ruins deepened, heralding the coming night.

“I'm sorry,” he said finally. “You must be starved. Let's have our dinner.”

They rode back toward Ahmed's rustic house, skirting the Temple of Karnak and riding along the Nile. They passed a felucca landing, where the men were singing softly while furling their sails for the night. When they arrived at Ahmed's house, Erica helped with the horses. Then they both washed their hands in a wooden tub in the courtyard before going inside.

Ahmed's housekeeper had prepared a feast and served it in the living room. Erica's favorite was ful, a dip made of beans, lentils, and eggplant. It was covered with sesame oil and subtly seasoned with garlic, peanuts, and caraway. Ahmed was surprised she'd not had it before. The main course was fowl, which Erica thought was cornish hen. Ahmed explained it was hamama, or pigeon. It had been grilled over charcoal.

Within his home Ahmed relaxed and conversation became easy. He asked Erica hundreds of questions about growing up in Ohio. She felt a little self-conscious when she described her Jewish background, and was surprised that it made no difference to Ahmed. He explained that in Egypt the confrontation was a political issue and involved Israel, not Jews. People did not think of them as synonymous.

Ahmed was particularly interested in Erica's apartment in Cambridge, and he had her describe all sorts of trivial details. Only when she had finished did he tell her
he had gone to Harvard. As the meal progressed, she found him reserved but not secretive. He was willing to talk about himself if asked. He had a wonderful way of speaking, with a slight English accent from his days at Oxford, where he had gotten his doctorate. He was a sensitive man, and after Erica asked if he had dated any American girls, he told her about Pamela, with such feeling that Erica felt tears welling in her eyes. Then he shocked her with the ending. He had left Boston for England and just cut off the relationship.