Steel Sky (34 page)

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Authors: Andrew C. Murphy

Tags: #Fiction, #General, #Science Fiction

BOOK: Steel Sky
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Extremism in any form is the enemy of rational thought. To seek perfection is to embrace destruction and death, because these are the only absolutes.

Lessons I Learned from Image
,

Georg Canon,
Third Edition

 

INVENTORY

When Edward looks at Astrid again, he sees she is awake, her body tense and motionless beneath the covers. Her eyes are narrow slits behind her dark lashes. The pale blue irises dart back and forth, taking in the alien surroundings.

“Good morning,” he says. “Would you like some tea?”

Discovered, she raises her head and opens her eyes, blinking in the light. She looks around cautiously. The room is much larger than her own, and she can see another room through a narrow doorway. The walls are a cool gray, accented with ochre and russet trim. “Is this where you live?”

“Yes,” he replies, motioning with his arm, inviting her to see. “Two and a half rooms. A bit extravagant for one person, I know. But I’ve come to appreciate it. It used to be my mother’s.”

Astrid sits up in bed, only to grimace in pain and drop onto the pillows again.

“You’re not going to want to move around too much in the next day or two,” Edward says. “It’s a small incision, but it’ll take a little while to heal.”

Gingerly, she pushes down the bedcovers. She is naked, her body white against the dark sheets. A short scar has been neatly stitched a few centimeters below her navel.

“When your agent had your body resculpted, he implanted a small device in your abdomen. It was a sort of deadman’s switch, designed to activate if it stopped receiving a certain electromagnetic signal from a transmitter planted in your room. If you went out of range of the transmitter, the device would activate, sending an electric shock to your viscera — basically harmless, but very painful.”

Astrid puts a cautious hand to her stomach, feeling the small, red scar. “It’s gone now?”

Edward nods. “I borrowed some equipment from work and removed it myself. Would you like to see it?”


See
it?”

“I’m sorry. Of course you wouldn’t.” He sits down on the edge of the bed. He is dressed in his house clothes: a simple blue cassock with white trim. “The important thing is that it’s gone. You’re free. You can go wherever you like.”

He expects her to smile at this news, but she does not. The casual confidence she had in her own room is gone now. “What do you want from me?”

“I don’t want anything from you,” he says, touching her arm. “I just saw you were in trouble, and I thought I could help. You can do anything you want.”

“Could I have something to wear?”

“Of course.” Chastising himself for his thoughtlessness, Edward hurries to bring her a robe and an analgesic. She swallows the drug without question, then climbs out of bed, wincing with pain as the incision stretches. Wrapping the robe around herself, she explores Edward’s domus.

“I hope you’re not disappointed,” he says. “I know I’m not much to look at without the armor. I’m really just an ordinary man, trying to get along.”

Astrid nods without looking at him, marveling at the amount of space he inhabits. She slides her feet across the carpet, enjoying the feel of it. She studies the furniture, the pictures on the walls. She touches one object, then another. “What’s this?”

She is holding the blue crystal vase with intricate silver inlay. It sparkles in the dusty light that filters through the polarized window.

“It’s called a ‘vase’,” Edward says. “I don’t know what it’s for, exactly. But it
is
remarkable, isn’t it?”

“I’ve never seen anything like it.”

“It was my mother’s. An admirer gave it to her. He said that it was very old, that it had been brought inside by one of the Founders.”

“Wow.” Astrid holds the vase up to the light, turning it. Lambent azure shapes appear and disappear within. “She must have been a beautiful woman to be given such a gift.”

“Beautiful?” Edward considers. “Not in the conventional sense. She was brilliant, though. I could never tell a lie around her. She would catch me out just like that.” He snaps his fingers. “She could always tell when I wasn’t being honest. Even when I didn’t know myself. She hated dishonesty more than anything.”

“She’s dead now?”

Edward is momentarily startled by Astrid’s forwardness, but she is not baiting him. She is not even looking at him. It is not boldness on her part, he realizes, but an utter indifference to social mores. “Yes,” he says. “Yes, she’s dead.”

“Do you miss her?”

“Most of the time. She could be difficult to deal with sometimes. She was very . . . precise. Very demanding.”

Astrid is still studying the vase, holding it up above her head, clutching it with unconcealed envy.

“She wouldn’t have liked you,” Edward says.

Astrid makes a small sound, a short intake of breath. She carefully puts the vase back on its pedestal. She walks away from Edward, not looking at him.

“No, no, you don’t understand,” Edward says, hurrying after her. “That’s a
good
thing. It’s hard to explain.” He puts a hand on her shoulder. “Listen . . .” he says, but she steps away. “Listen.” He grips her shoulder tighter.

Her response is immediate: as his hold tightens, her body relaxes. Her breathing becomes slower and deeper. She responds to pressure with passivity.

“I’m sorry; that didn’t come out right,” he says. “It’s a funny subject, my mother. I say the wrong thing sometimes. I’m not very good at talking about my feelings. I haven’t had a lot of practice. You’re the first woman I’ve invited here in a long time. You’re the first woman I’ve
wanted
to have over.”

He puts his arms around her. “There’s something about you. I don’t know what it is, but I like it. I really like it. And I want you to stay with me. Not because you’re frightened. Not because I make you stay. But because you want to. You see?”

She nods. Without turning around, she leans back against him, sinking into his embrace. But it is only reflex, he knows. He has her acquiescence, but her spirit is as far away from him as ever.

“We’ll go out today,” he says. “We’ll buy you a new wardrobe. Something fancy, like you’ve never had before. I’ll get you a temporary ident. We can go wherever you want, buy whatever strikes your fancy. Okay?”

“Okay,” she says quietly.

“I mean it. Whatever you want, you can have. What’s mine is yours. Do you want the vase? You can have it.”

She pulls away from him. “Don’t say that.”

“I mean it. It’s yours.”

She scowls, becoming angry for the first time. “You think you mean it, but I know you don’t. Right now I’m entertaining. I’m a curious little poor girl, and I do funny things. But in a few days, maybe a decameron, you’ll be tired of me. You’ll want me out of your life, and you’ll want your vase back. It means too much to you. So don’t insult me by saying it doesn’t.”

“I mean it, Astrid. I want you to have it. And I won’t change my mind.”

Astrid walks away from him, then back. Her face is set hard. Abstractly, Edward notices marks from the resculpting along her scalp line. “All right,” she says. “I’ll take it.”

He smiles. “Good.”

She looks at his face. She seems satisfied in some way, but not happy. Turning, she walks to the window and runs her fingers across the darkened glass. “This is a window, am I right?”

“Yes.”

“Can you see the Sun from here?”

“Yes. I can depolarize the window if you’d like.”

She puts both hands against the glass. She spreads her finger wide. “I can feel it. The glass is warm.” She closes her eyes, resting her cheek against the window. “It must be beautiful.”

“It is. Would you like to see it?”

She sighs, lifting her head away from the glass. “Not today,” she says. “Not yet.”

 

VERDICTS

Cadell and Amarantha are at home when the voice of Image comes over the comm: “The veniremen have rendered a decision.”

A short while later, they walk through the wide brass doors of the Axial Court hand in hand. Second Son is already there, waiting. His eyes follow them silently. Amarantha’s legs are weak with anticipation as they walk across the parquet marble floor. The three of them are alone in the round hall except for a pair of clops who stand on either side of the doorway. There are no benches, no tables, no decoration other than the stone carvings of the six most important Founders that glare down at them from far end of the room. In one corner, almost hidden behind one of the carvings, a tiny black door leads to the Place of Execration.

The subdued voice of Image issues from somewhere beyond the carvings, echoing around them. “The Second Pandectors, who established this court, believed in swift justice without ceremony. Their guiding principle was that justice rendered by the state was a luxury, not a right, to be dispensed only in the most compelling cases.

“This attitude may seem curious today, or even callous, but the Second Pandectors found that universal justice pursued vigorously in all cases consumed inordinate time and resources. And only rarely did the citizens of the Hypogeum ever seem contented by the results of this extraordinary effort. So the Second Pandectors decided to take a different course, one in which only the most serious cases were heard, in which the demands of evidence were high, and punishment was immediate.”

Amarantha glances nervously at the small black door. She knows that when he was younger, Cadell was taken for execration. He does not like to talk about it.

Image’s restrained voice catches her attention again. “Miss Kirton, though the veniremen have been moved by your words, they have been presented with no compelling evidence to substantiate your claim. They therefore find Second Son of the Orcus family not guilty of sexual assault.”

Amarantha feels a wave of nausea wash over her. She hears Second Son snicker somewhere behind them. She bows her head, clutching Cadell’s hand tightly. With his other arm, Cadell pulls her close. “It’s all right,” he says. “It’s all right.”

“Second Son,” the simulated intelligence continues, “the veniremen likewise find no evidence against Miss Kirton in this case. They therefore cannot endorse your claim of defamation. The court renders no penalties in this matter. You are both free to go.”

Second Son snorts disgustedly, but says nothing.

Amarantha leans against Cadell. It seems impossible that it is all over so quickly, with so little to show for it. “I’m sorry,” Cadell whispers to her. “I’m so sorry.”

“Forget it.” She straightens up, trying to reclaim some of her lost dignity. “It’s not important. Let’s go home.”

“It’s over now. At least it’s over. We can get on with our lives.”

They walk back toward the wide brass doors. As they pass Second Son, he smiles and tilts his head at Cadell. “Don’t worry about me.” His tone is light, mocking. “I don’t hold a grudge. I got what I wanted out of this matter.”

“Ignore him,” Amarantha whispers, but Cadell stops and turns toward Second Son. It is very hard to disturb Cadell’s equilibrium, but now his face is red with anger. His hand is gripping her shoulder so tightly it hurts. “What does that mean?” he says, his voice low.

“Never mind,” Second Son says with a smirk. “Say hello to Thraso for me, next time you see him.”

As Second Son turns and walks toward the exit, an expression of almost physical pain crosses Cadell’s face.

“What’s wrong?” Amarantha asks. “What did he mean by that?”

Cadell squeezes his eyes shut tight, then opens them. Amarantha can feel his hands trembling. “He set us up. Him and Thraso, together. My promotion was just a ploy, a means of getting close to you. I should have seen it. I just didn’t want to.”

At the threshold, Second Son pivots on his heel, his surtout swirling out around him. For a moment he looks very much like his father. “I shouldn’t complain if I were you, Cadell. I’d say you got the better part of the exchange. After all, you got a new job,
and
you still got the girl back.”

Before Second Son has finished the sentence, Cadell has crossed the distance between them. His fist catches Second Son solidly in the mouth, knocking him to the floor. The clops by the door react swiftly, but not swiftly enough. Cadell manages to hit Second Son twice more — throwing his whole body behind the punches as though trying to drive Second Son into the floor — before one of the clops pulls him off, his shockstick around Cadell’s throat.

Cadell doesn’t have time to make a sound. His eyes roll back in his head, and his body stiffens as electricity arcs through his body. Without thinking, Amarantha leaps on the clop’s back, but the other clop pulls her away effortlessly. He holds her in the air, with her legs kicking, as the first clop pulls his shockstick tighter and tighter against Cadell’s throat, sparks flying in all directions.

 

TRIUMPH OF THE WILL

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