Stirring It Up with Molly Ivins

BOOK: Stirring It Up with Molly Ivins
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Copyright © 2011 by Ellen Sweets
Foreword copyright © 2011 by Lou Dubose
All rights reserved
Printed in the United States of America
First edition, 2011
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LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Sweets, Ellen, 1941–
Stirring it up with Molly Ivins : a memoir with recipes / Ellen Sweets;
foreword by Lou Dubose. — 1st ed.
p. cm.
Includes indexes.
ISBN
978-0-292-72265-1 (cloth : alk. paper)
ISBN
978-0-292-73874-4 (e-book)
1. Ivins, Molly. 2. Women journalists—United States—Biography. 3. Cooking. 4. Cooking, American. 5. Sweets, Ellen, 1941–I. Dubose, Lou. II. Title.
PN
4874.
I
92
S
84 2011
070.92—dc22
[
B
]
2011016693
FRONTISPIECE
People-watching and community chats were in order at the 2005 Sesquicentennial celebration in Martindale, Texas. From left, David Butts and Mercedes Peña engage one another in conversation while I watch the world go by and Molly holds her own tête-à-tête with an unidentified woman.
Photo courtesy of Joe Pinelli.

Stirring It Up with Molly Ivins

This book was supported in part with
a gift from Lowell Lebermann, Jr.

Dedicated to
Hannah,
the
Texas Observer,
and
ACLU families
everywhere

Cooking is like love.
It should be entered into with
abandon or not at all.

HARRIET VAN HORNE

Vogue
, October 15, 1956
Contents

Cover

Copyright

Foreword by Lou Dubose

Acknowledgments

1. Meeting Molly

2. Dining In, Dining Out

3. Who, Me? No Way!

4. Meeting Multiple Mollies

5. The Molly Too Few Knew

6. Are You Feeling Chili?

7. Julia Child Meets Chicken-Fried Steak

8.
Mise en Place

9. Food in the 'Hood

10.
Vive la France!

11. Gumbo Daze

12. We Get By with a Little Help from Our Friends

13. Wine, Women, and Song

14. Steel Magnolias, Texas Style

15. Dinner—A Family Affair

16. Managing Molly

17. Everything Is Relative(s)

18. Westward Ho, Ho, Ho

19.
Le Petit Dejeuner

20. Home Cookin'

21. Food Stamps and Fun on the Dole

22.
Laissez les Bon Temps Rouler
, Y'all

23. The Minnesota Dead Guy

24. You Gonna Eat That?

25. Thank God It's Friday

26. The Great Leonard Pitts–less Dinner

27. Plans? We Don't Need No Stinkin' Plans

28. . . . and a Partridge in a Bean Stew

29. Bienvenidos a Tejas, Comrades

30.
Oeufs à la Neige

31. Table That Emotion

32. The
Observer
's Observant Observer

33. Salmon on the Fly

34. Burnt Offerings

35. Dinner and the Dancing Tampon

36. Biscuits, Anyone?

37. Without Hope, All Is Lost

38. Let's Diversify This Popsicle Stand

39. Talking Turkey

40. Bacon Has Calories?

41. Colorado Adopts Molly

42.
Où Est Mon Sein?

43. The Beginning of the End

44. Adieu and Adios

Epilogue: Gentle Chicken Soup

Photo Album

Index of Recipes

General Index

Foreword
Lou Dubose

SOME YEARS BACK, MOLLY WAS HOLDING
forth at the head of a long table at McCormick & Schmick's on Congress Avenue when I noticed that Adam Clymer's menu was on fire. Adam was midway down a table of twenty-one diners, just close enough to Molly to follow one of her long riffs on Texas politics and too close to a candle on the table.

Adam is the quintessential
Times
man—former editor of the
Harvard Crimson
, arid sense of humor on good days, hard facts, reasoned analysis, and all that. He's the
New York Times
reporter Dick Cheney called a “world-class asshole.”

Molly adored him. Adam, that is.

Just in from Washington and travel-weary, Adam was the final arrival at a dinner party that had grown exponentially as waiters added tables—all on Molly's tab. (Molly would part ways with McCormick & Schmick after I told her its owners had tried to eliminate the minimum wage for waiters in Oregon and bankrolled Republican campaigns.) On this Friday night in December, however, she turned the restaurant's large dining room into her salon. Anyone lucky enough to be there—including Molly's “Chief of Stuff,” Betsy Moon; Liz Carpenter, Lady Bird Johnson's former press secretary; omnivorous state representative Elliott Naishtat;
Texas Observer
publisher Charlotte McCann; Jane's Due Process founder Susan Hays; Fox newsgirl Ellen Fleysher—was, well, lucky to be there.

I tried to get Adam's attention, but he was not to be distracted. So I removed the menu from his hand and smothered the flames with a clean dinner plate. It was no surprise that Adam missed his own fire. Molly was a marvelous
performer. She performed on paper, eight hundred words, three times a week for four hundred newspapers, until breast cancer ended it.

She also performed in the kitchen, where she could whip up a remarkable lobster bisque or a perfect steak au poivre. She performed at the table, where conversations were fueled by good wine and good food, or beer, burgers, and barbecue. She loved cuisine, haute and not-so-haute, served up with conversation, high- or lowbrow.

Regarding the not-so-haute, Molly and I once planned a magazine piece that would describe a white-linen dinner built exclusively on the recipes we found in
The Ron Paul Family Cookbooks
. That's Ron Paul, the Libertarian obstetrician Republican congressman adored by gold bugs, Ayn Randers, and conspiracy theorists (anyone who believes right-wing nuttiness isn't congenital might read up on the Kentucky Senate campaign of Dr. Paul's son Rand).

The cookbook has been filed away in my attic archives. But I recall ambrosia, a Spam recipe, Jell-O dishes, and green beans in cream of mushroom soup; it also had a Dream Whip dessert that I think required the crushing of Oreos. They embodied the congealed sixties-in-suburbia offerings that Johnny Depp's alien character found so utterly alien in the film
Edward Scissorhands.

“We'll cook it. Alan Pogue will photograph it. Sweets will review it. And someone else will eat it,” Molly said. Sometimes journalism requires sacrifices too great to bear.

I admit that I had misgivings about a book about cooking with Molly Ivins. It seemed that it was neither fish nor fowl, neither a cookbook nor a memoir. Yet the more I thought about it, the more the idea of a culinary memoir appealed to me.

Here's why: because she was a performer (she described herself as a professional Texan), Molly Ivins was a difficult person to know. Too often, even among large groups of friends, she was “in character” or “in voice.” Molly's métier was that remarkable voice, appropriated from the gargoyles who pass for elected officials in Texas and from the decent elected officials who still speak in a genuine Texas idiom.

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