I dont have a drink or I'd offer you one.
The uncle raised a palm. No, no, he said. Not for me, thanks.
He lowered one brow at Suttree. I saw your mother, he said.
Suttree didnt answer. The uncle was pulling at his cigarettes. He held out the pack. Cigarette? he said.
No thanks.
He shook the pack. Go ahead.
I dont smoke. You used to.
I quit.
The uncle lit up and blew smoke in a thin blue viper's breath toward the window. It coiled and diffused in the yellow light. He smiled. I'd like to have a dollar for every time I quit, he said. Anyway, they're all fine. Thought I'd let you know.
I didnt think you saw them.
I saw your mother uptown.
You said.
Well. I dont get out there much, of course. I went at Christmas. You know. They left word at the Eagles for me to call one time and I dont know. Come to dinner sometime. You know. I didnt want to go out there.
I dont blame you for that.
The uncle shifted a little in his chair. Well, it's not that I dont get along with them really. I just ...
You just cant stand them nor them you.
A funny little smile crossed the uncle's face. Well, he said. I dont think I'd go so far as to say that. Now of course they've never done me any favors.
Tell me about it, said Suttree dryly.
I guess that's right, the uncle said, nodding his head. He sucked deeply on his cigarette, reflecting. I guess you and me have a little in common there, eh boy?
He thinks so.
You should have known my father. He was a fine man. The uncle was looking down at his hands uncertainly. Yes, he said. A fine man.
I remember him.
He died when you were a baby.
I know.
The uncle took another tack. You ought to come up to the Eagles some night, he said. I could get you in. They have a dance on Saturday night. They have some goodlooking women come up there. You'd be surprised.
I guess I would.
Suttree had leaned back against the raw plank wall. A blue dusk filled the little cabin. He was looking out the window where nighthawks had come forth and swifts shied chittering over the river.
You're a funny fella, Buddy. I cant imagine anyone being more different from your brother.
Which one?
What?
I said which one.
Which what?
Which brother.
The uncle chuckled uneasily. Why, he said, you've just got the one. Carl.
Couldnt they think of a name for the other one?
What other one? What in the hell are you talking about?
The one that was born dead.
Who told you that?
I remembered it.
Who told you?
You did.
I never. When did I?
Years ago. You were drunk.
I never did.
All right. You didnt.
What difference does it make?
I dont know. I just wondered why it was supposed to be a secret. What did he die of?
He was stillborn.
I know that.
I dont know why. He just was. You were both premature. You swear I told you?
It's not important.
You wont say anything will you?
No. I was just wondering about it. What the doctor says for instance. I mean, you have to take them both home, only one you take in a bag or a box. I guess they have people to take care of these things.
Just dont say anything.
Suttree was leaning forward looking down at his cheap and rotting shoes where they lay crossed on the floor. God, John, dont worry about it. I wont.
Okay.
Dont tell them you saw me.
Okay. Fair enough. That's a deal.
Right John. A deal.
I dont see them anyway.
So you said.
The uncle shifted in the chair and pulled at his collar with a long yellow forefinger. He could have helped me, you know. I never asked him for anything. Never did, by God. He could have helped me.
Well, said Suttree, he didnt.
The uncle nodded, watching the floor. You know, he said, you and me are a lot alike.
I dont think so.
In some ways.
No, said Suttree. We're not alike.
Well, I mean ... the uncle waved his hand.
That's his thesis. But I'm not like you.
Well, you know what I mean.
I do know what you mean. But I'm not like you. I'm not like him. I'm not like Carl. I'm like me. Dont tell me who I'm like.
Well now look, Buddy, there's no need ...
I think there is a need. I dont want you down here either. I know they dont like you, he doesnt. I dont blame you. It's not your fault. I cant do anything.
The uncle narrowed his eyes at Suttree. No need to get on your high horse with me, he said. At least I was never in the goddamned penitentiary.
Suttree smiled. The workhouse, John. It's a little different. But I am what I am. I dont go around telling people that I've been in a T B sanitarium.
So? I dont claim to be a teetotaler, if that's what you're getting at.
Are you an alcoholic?
No. What are you smiling at? I'm no goddamned alcoholic.
He always called you a rummy. I guess that's not quite as bad.
I dont give a damn what he says. He can ...
Go ahead.
The uncle looked at him warily. He flipped the tiny stub of his cigarette out the door. Well, he said. He dont know everything.
Look, said Suttree, leaning forward. When a man marries beneath him his children are beneath him. If he thinks that way at all. If you werent a drunk he might see me with different eyes. As it is, my case was always doubtful. I was expected to turn out badly. My grandfather used to say Blood will tell. It was his favorite saying. What are you looking at? Look at me.
I dont know what you're talking about.
Yes you do. I'm saying that my father is contemptuous of me because I'm related to you. Dont you think that's a fair statement?
I dont know why you try and blame me for your troubles. You and your crackpot theories.
Suttree reached across the little space and took his uncle's willowing hands and composed them. I dont blame you, he said. I just want to tell you how some people are.
I know how people are. I should know.
Why should you? You think my father and his kind are a race apart. You can laugh at their pretensions, but you never question their right to the way of life they maintain.
He puts his pants on the same way I do mine.
Bullshit, John. You dont even believe that.
I said it didnt I?
What do you suppose he thinks of his wife?
They get along okay.
They get along okay.
Yeah.
John, she's a housekeeper. He has no real belief even in her goodness. Cant you guess that he sees in her traces of the same sorriness he sees in you? An innocent gesture can call you to mind.
Dont call me sorry, said the uncle.
He probably believes that only his own benevolent guidance kept her out of the whorehouse.
That's my sister you're talking about, boy.
She's my mother, you maudlin sot.
Sudden quiet in the little cabin. The uncle rose shaking, his voice was low. They were right, he said. What they told me. They were right about you. You're a vicious person. A nasty vicious person.
Suttree sat with his forehead in his hands. The uncle moved warily to the door. His shadow fell across Suttree and Suttree raised his head.
Maybe it's like colorblindness, he said. The women are just carriers. You are colorblind, arent you?
At least I'm not crazy.
No, Suttree said. Not crazy.
The uncle's narrowed eyes seemed to soften. God help you, he said. He turned and stepped onto the catwalk and went down the boards. Suttree rose and went to the door. The uncle was crossing the fields in the last of the day's light toward the darkening city.
John, he called.
He looked back. But that old man seemed so glassed away in worlds of his own contrivance that Suttree only raised his hand. The uncle nodded like a man who understood and then went on.
The cabin was almost dark and Suttree walked around on the little deck and kicked up a stool and sat leaning back against the wall of the houseboat with his feet propped on the railing. A breeze was coming off the river bearing a faint odor of oil and fish. Night sounds and laughter drifted from the yellow shacks beyond the railspur and the river spooled past highbacked and hissing in the dark at his feet like the seething of sand in a glass, wind in a desert, the slow voice of ruin. He wedged his knuckles in his eyesockets and rested his head against the boards. They were still warm from the sun, like a faint breath at his nape. Across the river the lights of the lumber company lay foreshort and dismembered in the black water and downriver the strung bridgelamps hung in catenary replica shore to shore and softly guttering under the wind's faint chop. The tower clock in the courthouse tolled the half hour. Lonely bell in the city. A firefly there. And there. He rose and spat into the river and went down the catwalk to the shore and across the field toward the road.
He walked up Front Street breathing in the cool of the evening, the western sky before him still a deep cyanic blue shot through with the shapes of bats crossing blind and spastic like spores on a slide. A rank smell of boiled greens hung in the night and a thread of radio music followed him house by house. He went by yards and cinder gardens rank with the mutes of roosting fowls and by dark grottoes among the shacks where the music flared and died again and past dim windowlights where shadows reeled down cracked and yellowed paper shades. Through reeking clapboard warrens where children cried and craven halfbald watchdogs yapped and slank.
He climbed the hill toward the edge of the city, past the open door of the negro meetinghouse. Softly lit within. A preacher that looked like a storybook blackbird in his suit and goldwire spectacles. Suttree coming up out of this hot and funky netherworld attended by gospel music. Dusky throats tilted and veined like the welted flanks of horses. He has watched them summer nights, a pale pagan sat on the curb without. One rainy night nearby he heard news in his toothfillings, music softly. He was stayed in a peace that drained his mind, for even a false adumbration of the world of the spirit is better than none at all.
Up these steep walkways cannelured for footpurchase, the free passage of roaches. To tap at this latched door leaning. Jimmy Smith's brown rodent teeth just beyond the screen. There is a hole in the rotten fabric which perhaps his breath has made over the years. Down a long hallway lit by a single sulphurcolored lightbulb hung from a cord in the ceiling. Smith's shuffling slippers rasp over the linoleum. He turns at the end of the hall, holding the door there. The slack yellow skin of his shoulders and chest so bloodless and lined that he appears patched up out of odd scraps and remnants of flesh, tacked with lap seams and carefully bound in the insubstantial and foul gray web of his undershirt. In the little kitchen two men are sitting at a table drinking whiskey. A third leans against a stained refrigerator. There is an open door giving onto a porch, a small buckled portico of gray boards that hangs in the dark above the river. The rise and fall of cigarettes tells the occupants. There are sounds of laughter and a bloated whore looks out into the kitchen and goes away again.
What'll you have, Sut.
A beer.
The man leaning against the refrigerator moves slightly to one side. What say Bud, he says.
Hey Junior.
Jimmy Smith has opened a can of beer and holds it toward Suttree. He pays and the owner deals up change out of his loathsome breeks and counts the coins into Suttree's palm and shuffles away.
Who's back in the back?
Bunch of drunks. Brother's back there.
Suttree tipped a swallow of the beer against the back of his throat. It was cold and good. Well, he said. Let me go back there and see him.
He nodded to the two men at the table and went past and down the corridor and entered an enormous old drawing room with high sliding doors long painted fast in their tracks. Five men sat at a card table, none looked up. The room was otherwise barren, a white marble fireplace masked with a sheet of tin, old varnished wainscoting and a high stamped rococo ceiling with parget scrolls and beaded drops of brazing about the gasjet where a lightbulb now burned.
Surrounded as they were in this crazed austerity by the remnants of a former grandeur the poker players seemed themselves like shades of older times or rude imposters on a stage set. They drank and bet and muttered in an air of electric transiency, old men in gaitered sleeves galvanized from some stained sepia, posting time at cards prevenient of their dimly augured doom. Suttree passed on through.