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Davison, Jane Truslow.
The
Fall
of
a
Doll’s
House
,
Three
Generations
of
American
Women
and
the
Houses
They
Lived
In
. New York: Holt, Rinehart and Winston, 1980.

Dinnerstein, Dorothy.
The
Mermaid
and
the
Minotaur
:
Sexual
Arrangements
and
Human
Malaise
. New York: Harper Colophon, 1976.

DuPlessis, Rachel Blau.
Writing
Beyond
the
Ending
,
Narrative
Strategies
of Twentieth
-
Century
Women
Writers
. Bloomington: Indiana Univ. Press, 1985.

Ehrenreich, Barbara and Deirdre English.
For
Her
Own
Good
,
150
Years
of
the Experts’
Advice
to
Women
. Garden City, N.Y.: Doubleday, 1979.

Gelpi, Barbara Chatsworth. “A Common Language: The American Woman Poet” in
Shakespeare’s
Sisters
,
Feminist
Essays
on
Women
Poets
, ed. Sandra Gilbert and Susan Gubar. Bloomington: Indiana Univ. Press, 1979, 269-79.

Gilbert, Lynn and Gaylen Moore.
Particular
Passions
,
Talks
with
Women
Who
Have
Shaped
Our
Times
. New York: Clarkson N. Potter, 1981 (see interviews with Gloria Steinem, Shirley Hufstedler, and Elisabeth Kiibler-Ross).

Gilbert, Sandra. “A Fine, White Flying Myth: The Life/Work of Sylvia Plath,”
Shakespeare’s
Sisters
, 245-60. See also Gilbert and Susan Gubar’s introduction, “Gender, Creativity, and the Woman Poet” in that collection.

…. “ ‘My Name Is Darkness’: The Poetry of Self-Definition,”
Contemporary
Literature
, 18 (1977), 443-57.

…. and Susan Gubar. “Ceremonies of the Alphabet: Female Grandmatologies and the Female Autograph,”
The
Female
Autograph
, ed. Domna C. Stanton and Jeanine Parisier Plottle. New York: New York Literary Forum, 1984, 23-54.

….
The
Madwoman
in
the
Attic
:
The
Woman
Writer
and
the
Nineteenth
-
Century
Literary
Imagination
. New Haven, Conn.: Yale Univ. Press, 1979.

Gilligan, Carol.
In
a
Different
Voice
,
Psychological
Theory
and
Women’s
Development
. Cambridge, Mass.: Harvard Univ. Press, 1982.

Graves, Robert.
The
White
Goddess
. New York: Farrar, Straus, 1948.

Hankoff, L. “Poetry, Adolescence, and Suicide,”
The
Pharos
(publication of Alpha Omega Alpha), Spring 1984, 7-12.

Hawthorn, Jeremy.
Multiple
Personality
and
the
Disintegration
of
Literary
Character
,
From
Oliver
Goldsmith
to
Sylvia
Plath
. New York: St. Martin’s Press, 1983

Heller, Shirley H.
20th
Century
American
Women
Authors
,
A
Feminist
Approach
. New York: Simon & Schuster, Monarch Notes, 1975.

Homberger, Eric.
The
Art
of
the
Real
,
Poetry
in
England
and
America
Since
1939
. Totowa, N.J.: Rowman and Littlefield, 1977.

Huf, Linda.
A
Portrait
of
the
Artist
As
a
Young
Woman
:
The
Writer
As
Heroine
in
American
Literature
. New York: Ungar, 1983.

Juhasz, Suzanne.
Naked
and
Fiery
Forms
,
Modern
American
Poetry
by
Women
:
A
New
Tradition
. New York: Harper Colophon, 1976.

Kaladin, Eugenia.
Mothers
and
More
,
American
Women
in
the
1950s
. Boston: Twayne, 1984.

Karl, Frederick R.
American
Fictions
,
1940
-
1980
, A
Comprehensive
History
and
Critical
Evaluation
. New York: Harper & Row, 1983.

Krasne, Betty. “Conformity and Diversity: The Paradox of the Fifties,”
Mount
Holyoke
Alumnae
Quarterly
(Spring 1985), 25-27.

Kroll, Judith.
Chapters
in
a
Mythology
,
The
Poetry
of
Sylvia
Plath
. New York: Harper & Row, 1976.

Ladies’
Home
Journal
, 1949-55.

Leonard, Linda Schierse.
The
Wounded
Woman
:
Healing
the
Father
-
Daughter
Relationship
. London: Shambhala, 1983.

Libby, Anthony.
Mythologies
of
Nothing
,
Mystical
Death
in
American
Poetry
,
1940
-
70
. Chicago: Univ. of Chicago Press, 1984.

Lord, Mae Masket and Carole Stone. “Fathers and Daughters: A Study of Three Poems,”
Contemporary
Psychoanalysis
, 9 (August 1973), 526-39.
Mademoiselle
37, No. 4 (August 1953).

Malmsheimer, Lonna M. “Sylvia Plath,”
American
Writers
, ed. Leonard Unger. Supp. I, Pt. 2. New York: Charles Scribner’s Sons, 1979, 526-49.

Martin, Elaine. “Mothers, Madness and the Middle Class in
The
Bell
Jar
and
Les
Mots
pour
le
Dire
,”
French
-
American
Review
, 5 (Spring 1981), 24-47.

Miller, Alice.
The
Drama
of
the
Gifted
Child
(
Prisoners
of
Childhood
). New York: Harper & Row, 1981. Trans. Ruth Ward.

….
For
Your
Own
Good
:
Hidden
Cruelty
in
Childrearing
and
the
Roots
of
Violence
. New York: Farrar, Straus and Giroux, 1983.

Moers, Ellen.
Literary
Women
. Garden City, N.Y.: Doubleday, 1976.

Mossberg, Barbara. “Back, Back, Back: Sylvia Plath’s Baby Book,”
Coming
to Light
:
Women
Poets
in
the
Twentieth
Century
, ed. Diane Middlebrook and Marilyn Yalom. Ann Arbor: Univ. of Michigan Press, 1986.

…. “A Rose in Context: The Daughter Construct,”
Historical
Studies
and
Literary
Criticism
, ed. Jerome J. McGann. Madison: Univ. of Wisconsin Press, 1985, 199-225.

Oberg, Arthur.
Modern
American
Lyric

Lowell
,
Berryman
,
Creeley
,
and
Plath
. New Brunswick, N.J.: Rutgers Univ. Press, 1978.

Orgel, Shelley. “Sylvia Plath: Fusion with the Victim and Suicide,”
Psychoanalytic
Quarterly
, 43 (1973), 262-87.

Ostriker, Alicia. “The Thieves of Language: Women Poets and Revisionist Mythmaking,”
Signs
:
A
Journal
of
Women
,
Culture
and
Society
, 8 (Autumn 1982), 68-90.

Pearson, Carol and Katherine Pope.
The
Female
Hero
in
American
and
British
Literature
. New York: R. R. Bowker, 1981.

Perloff, Marjorie. “The Two Ariels: The (Re)Making of the Sylvia Plath Canon,”
American
Poetry
Review
, 13 (Nov. —Dec. 1984), 10-18.

Plath, Otto Emil.
Bumblebees
and
Their
Ways
. New York: Macmillan, 1934.

Pope, Deborah.
A
Separate
Vision
. Baton Rouge: Louisiana State Univ. Press, 1984.

Pratt, Annis.
Archetypal
Patterns
in
Women’s
Fiction
. Brighton, Sussex: Harvester, 1982.

Ratner, Rochelle. “Sylvia Plath: Beyond the Biographical,”
American
Writing
Today
, ed. Richard Kostelanetz. New York: America/Forum Editions, 1982.

Rich, Adrienne. “Blood, Bread and Poetry: The Location of the Poet,”
Massachusetts
Review
, 24 (Autumn 1983), 521-40.

…. “Issues of Feminine Survival,”
Radcliffe
Quarterly
(March 1979, 69-71.

….
Of
Woman
Born
,
Motherhood
as
Experience
and
Institution
. New York: W. W. Norton, 1976.

Ries, Lawrence R.
Wolf
Masks
,
Violence
in
Contemporary
Poetry
. Port Washington, N.Y.: Kennikat, 1979.

Rosenblatt, Jon.
Sylvia
Plath
:
The
Poetry
of
Initiation
. Chapel Hill: Univ. of North Carolina, 1979.

Rosenthal, M. L. and Sally Gall. “ ‘Pure? What Does It Mean?’ Notes on Sylvia Plath’s Poetic Art,”
American
Poetry
Review
, 7 (1978), 37-40.
The
Modern
Poetic
Sequence
:
The
Genius
of
Modern
Poetry
(New York: Oxford Univ. Press, 1983) contains parts of that essay.

Sanazaro, Leonard.
Sylvia
Plath
:
The
Dark
Repose
(radio play), University of Nevada, 1984.

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