The problem was, that to be hanged, the condemned had to stand on the scaffold long enough for the trap to be opened – but because of his shattered ankle, Josef Jakobs could not stand at all. Reluctantly, the military court decided Jakobs would face a firing squad; unfortunately, because Brixton prison did not have an active military contingent on duty, there was no way to assemble a firing squad on site. Jakobs would have to be moved elsewhere; and the only place where there were both unused, secure cells and an active military presence was the Tower of London, a contingent of the Scots Guards having been assigned there to guard Rudolf Hess and carry out routine military duties for the duration of the war. Josef Jakobs was duly loaded on to a stretcher, placed in the back of an army lorry and driven from Brixton prison to the Waterloo Block of the Tower. Two days later, on 15 August 1941, he was bundled back on to a stretcher and lifted into the back of an open lorry with two guards. But this time the journey would be much shorter. In his hand was the small Bible which Jakobs had requested from the warden when he first arrived at the Tower.
As the dark green truck wound its way through the early morning maze of alleyways and lanes inside the Tower complex, one of the guards pinned a small patch of black cloth to the front of Jakobs shirt, just beneath his left breast; it had been cut roughly into the shape of a heart. In front of a long, low building of corrugated metal the truck rolled to a stop. Carefully helping Jakobs off the stretcher and resting him on the tailgate of the lorry, the guards could hear men at the far end of the shed grunting and shuffling something heavy.
The long, low shed was the rifle range used by the Scots Guards for routine target practice and the men inside were moving bales of hay into position against the rear wall. It was hard work in the August heat, and it was all the more difficult because the ceiling was barely 5 feet high at the end of the shed where the target normally stood. But the target had been removed. In its place was a simple wooden chair. It was towards this chair that the two guards slowly moved the crippled Corporal Josef Jakobs. The nearer they got to the low end of the building, the slower their progress became. Finally they managed to help Jakobs bend forward and turn round so he could sit in the chair facing the open end of the shed.
Once seated, the officer in charge approached Jakobs and asked him to remove his spectacles. Fumbling with the Bible, his hands shaking, Jakobs complied, handing over his glasses. As the officer gently placed a black hood over Jakobs’ head, eight members of the Scots Guards filed across the open end of the shed. One of the Springfield rifles they carried held a blank cartridge, so there was always the chance that any given man had not fired a fatal shot.
When the officer of the day walked out of the shed, the eight men threw the bolts in their rifles, loading a shell into the chamber, and took aim at the small black patch on Jakobs’ shirt. At 7.12 a.m. on 15 August 1941, Josef Jakobs became the last man to be executed at the Tower of London in a bloody history stretching back more than nine centuries.
After his execution, Jakobs was quietly buried at Kensal Rise Cemetery in north-west London. The bullet-riddled chair on which he had sat during his last moments was placed in storage where it remained, almost forgotten – at least it remained nearly forgotten until the summer of 1991.
As General Chris Tyler led Josef Jakobs’ daughter across the car park near Tower Green, he explained that the old rifle range had been pulled down during the 1960s but he knew approximately where it had been. Leading his charge to the spot, Tyler returned to his office, leaving her to contemplate the fate of a father she had never known. He may have wondered whether he should have told her about the chair.
In 1997 the Royal Armouries collection was preparing to move from its long-time home in the Tower to a new, modern building in Leeds. In the final special exhibit before the move, a glass case appeared among the objects on display. Inside the case was a simple wooden chair, riddled with small, round holes, each surrounded by a dark brown stain. When questioned if it was appropriate to have put Josef Jakobs’ death chair on display, especially since Jakobs still had living relatives, the Tower’s assistant registrar Robert Chester answered: ‘It was a difficult decision, but in the end we decided to go ahead. It is, after all, part of the Tower’s history.’
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