That Awful Mess on the via Merulana (14 page)

When Doctor Fumi was on the point of dismissing them, the visit of "a priest" was announced. "Who is it?" Don Lorenzo Corpi asked to be heard, because of an urgent communication he had to make, "regarding the painful case in Via Merulana." He had spoken to the corporal on duty. Fumi, with a gesture, sent the two from the room: Valdarena under guard. He asked Balducci to remain in the station.

Don Corpi was brought in. He removed his hat slowly, a prelate's gesture.

He was a handsome priest, tall and stocky, with rare strands of white amid his raven hair, and with a pair of owl's eyes very close to his nose: which, metaphorically, between such eyes, could be compared only to a beak. Decorously sheathed in his cassock, he bore in his left hand, along with the new hat, a black leather briefcase, the kind priests carry sometimes, when they have to visit their lawyer and let him know who has the right on his side. Black shoes, very shiny, long and sturdy, good for walking on the Aven-tine, as well as the Celian, with double soles. A man of remarkable appearance: and of exceptional robustness, judging from his walk and his movements, from the handclasp that he gave Doctor Fumi, and from the fullness of his cassock, above, and down to the waist, and from the flapping it made below, where it belled out in a skirt of strong cloth that looked like the Banner of Judgment.

After some slightly embarrassed or, at least, very cautious preamble, as the softer glances of Doctor Fumi led him on to speak, he said that: he had been out of Rome, visiting certain friends at Roccafringoli, at the very top of the mountains, at Monte Manno almost, which you reach from Palestrina on donkey-back, and having come back from there a mere twenty hours ago, "as soon as I heard of the terrible event," he had hastened to bring here the holograph will, entrusted to him by the "late lamented" Signora Balducci with her own hands, whom he had also "gone to visit" the evening before at the morgue, "may she rest in peace."

"At first," he stated, still deeply upset and horrified by the "thing," he had had reason to fear . . . that the document had been stolen from him. He had hunted for it all over the place, turning out all his papers, from all the drawers in his study: but he hadn't been able to dig it up. At night, all of sudden, it had come to him: he had deposited it with other envelopes and with certain . .. certain personal mementoes, in the Banco di Santo Spirito. In fact, this morning he had gone there, the moment they opened, just after he said the six o'clock Mass. His heart had been pounding, at times.

From that black calfskin case he took out and handed to Doctor Fumi—who received it with his very white hand —a white, fairly large, square envelope, with five seals of scarlet sealing wax. The envelope and the seals seemed to be in perfect order: "Holograph Will of Liliana Balducci."

The three officials, or rather Doctor Fumi and Ingravallo, decided to open it forthwith: and to read the "last wishes of the poor lady": dictating a report in the presence of Don Corpi and of four witnesses, in addition to Balducci, who had been called in again. Last wishes, which still must date back to a couple of months ago: last, since they had remained unchanged.

First of all, and by telephone, they consulted the royal notary Doctor Gaetano De Marini in Via Milano: 292.784: who, according to Don Lorenzo, "must know about this matter." After some calling and recalling, finally he answered. He was deaf. A Neapolitan secretary assisted him at the receiver. Both of them were dumfounded. Balducci knew De Marini, to whose services both he and Liliana's father had on many occasions had recourse: but he "felt that he could rule out the notion" that, for her personal will, Liliana had gone to that old cockroach, likable and sly, but horribly deaf in the fortress of his competence.

To act as witnesses, two clerks and two policemen were called in. The ceremony was quickly carried out: it was noon, or almost: another morning had drifted by, without their resolving anything.

The will, as Doctor Fumi went on reading it aloud, in vivid accents, with Neapolitan resonances from the four corners of the ceiling, gradually revealed an unforeseeable turn: as if it had been drawn up in a state of particular emotion by a person whose pen was running away with him, a person perhaps not in full control of his faculties. From that soft, warm, suave reading, effectively conducted in the most harmonious Parthenopean tones, the listeners present realized, with mounting interest and with mounting wonder, that the poor Signora Balducci was leaving her husband heir to the lesser part of her substance, with some gold objects and jewels: the strictly legal share, so to speak: almost half. A conspicuous portion, on the other hand, fell to "my beloved Luigia Zanchetti also known as Gina, daughter of the late Pompilio Zanchetti and Irene Zanchetti nee Spinaci, born at Zagarolo on the fifteenth of April, nineteen hundred and fourteen." To her, poor child: "since the inscrutable will of God has not seen fit to grant me the joy of motherhood."

Balducci didn't draw a breath: he made a face, as if he had been the guilty one. Or perhaps, more likely, it was the thought of all that good stuff (and how!) heading for Zagarolo. Until the ward reached her majority, the swag was to be assigned, to be administered, to some caretakers or executors, as it were, one of whom was Balducci himself, "my husband Remo Eleuterio Balducci, father in spirit, if not by blood, of the abandoned Luiggia." The mother of Luigia, according to the will, "was condemned by an incurable illness" (tuberculosis, probably complicated by priapomania): from time to time she went on a drunk in Tivoli with her lover a butcher: and it took plenty of pull to keep the carabinieri from sending her forcibly back to Zagarolo: given her "inability to support herself with her own means" and given the circumstances, too: a public scandal. The butcher, it was never quite clear how, managed to hush things up every time: almost certainly with the argument of the "prime fillet" (top quality): which is to say that, to the poor sick woman, his roast beef was much more salubrious than the all-too-thin air of Zagarolo, with the consequent unsatisfied appetite. At other times he beat her like a rug: she coughed and spat blood, poor thing, if not raspberry gelatin: "What did I do, after all?" She had gathered spring violets at Villa d'Este or some March daisies in Villa Gregoriana, just before you get to the waterfall. A future subject of the Mustached-Beast, armed with his Zeiss, exploring with that perfect binocular the whole slope of Venus Slut, inch by inch, from one blade of grass to the next, Teuton fashion, all of a sudden, happens to see under the blazing sun a kind of spider, inhaling-exhaling: a strange clump in the shadow of a great laurel bush, the most Gregorian, according to his Baedeker, of all the bushes of Tivoli: a kind of back, in a kind of digger's jacket: with four legs and four feet, however; two of them upside down. And that back, so full of
Macht,
seemed gripped by an irrepressible agitation of an alternating nature, metronomic in its cadence. The binoculared seal then thought it his duty to report this to the management—
"Verwaltung, Verwaltung! . . . Wo ist denn die Verwaltung? druben links? Ach so! .
. ."—which he long sought, in the sweat of his brow, and finally found: and where there wasn't a soul, because they were all home eating or enjoying a little after-dinner nap. Padre Domenico, the following Sunday, thundered at nine A.M. from the pulpit of San Francesco: what a pair of lungs! He had it in for certain shameless women, generally speaking, and he guaranteed them hell, the very bottom: a lodging adapted to them—he triptyched here and there with his head, his fist raised, as if one moment he were addressing Marta, then Maddalena, then Pietro, then Paolo. But everyone understood from his opening roar where he was going to end up: with those eyes bulging and that rage that looked as if he wanted to bite somebody, which then, however, calmed down, slowly, and went straight to strike the devil, where he got it all off his chest: and the devil, without a word, down, crouching, at the fear Padre Domenico inspired: then he climbed up gently towards "the beauties of nature so plentifully lavished by God's Providence on this, your Tibur" as well as the "miracles of art and our national generosity so wisely given to this ancient land by the provident hand of the Roman Pontiff Gregory Sixteenth, after the great telluric cataclysm of 1826 and the fearsome flooding of our own Aniene": when it came to the flooded Aniene he could share the local pride, being a native of Filettino, only a short distance from the river's source and 1,062 meters above sea level. "Today, alas contaminated," both miracles and beauties, "by the pestilential and stinking breath of Utter Darkness: which is always lying in wait: wherever he realizes that he can cause the loss of a soul, when he can wrest a soul away from its own salvation": even in the Villa Gregoriana.

Having reached the incurable illness part, Doctor Fumi stumbled, coughed: as if there had been a crumb determined to sidetrack into the trachea. Warming to his reading, at a certain point, he had swallowed some saliva the wrong way. Then, on and on, until that fit of coughing seemed about to unhinge his lungs.

His face barely flushed, but his veins swollen on the forehead: the whole machinery distended by a deflagration of inner charges, which however did not succeed in shattering it. He recovered himself: the others had slapped him on the back. Little by little he started up again, with his voice, after all, cleared. Now he seemed, as you listened to him, a defense lawyer, plunging into the grim tones of the peroration, with apparent calm, but portending the worst: waiting to explode at the demoniac motion: "of the abandoned Luig-gia." A tidy sum, forty-eight thousand, to her cousin Doctor Giuliano Valdarena, son of Romolo Valdarena and Matilde nee Rabitti, born et cetera. Item: the diamond ring "left to me by my grandfather, Cavaliere Ufficiale Rutilio Valdarena, as a sacred legacy: and the gold watch chain with the semi-precious fob"
(sic: nec aliter)
"which belonged to the same." Item: "tortoise-shell snuffbox with gold trim" and finally, some onyx acorns or balls of lapis lazuli, also of agnactic origins: "so that he may remember me, like a sister, who from Heaven will pray constantly for him, and may follow the luminous example of his Valdarena grandparents and the unforgettable Uncle Peppe" (Uncle Peppe, in fact, forced donator to the Fascio of Via Nomentana, was still taking snuff from the tortoise as late as 1925, in Viale della Regina 326) "and may he always follow the paths of goodness, the only paths that can win us, in life and in death, the forgiveness and mercy of God." She hadn't forgotten the old ex-domestic Rosa Taddei, either, a paralytic in the hospice of San Camillo: nor Assunta Crocchiapaini (in reality Crocchiapani: it may have been an error of reading caused by the handwriting, or perhaps merely an oversight on the part of Doctor Fumi), the Alban maiden without any paralysis, crowned by her lofty silence and with dazzling eyes: "for whose flourishing young womanhood I desire and pray for, now and always, the supreme happiness of Christian offspring." She also left Assunta, among other things, six sheets, double-bed size, and eighteen pillowcases: and twelve towels, with fringe, specifying which ones. Various bequests followed, anything but negligible, for several women's charities and institutions: such as the bequest to the nuns of Saint Ursula, to some female acquaintances, to some friends, and to various little girls and babies, "today tender flowers of innocence, tomorrow, with the Lord's protection, blissful and holy mothers for our beloved Italy."

And at last a little purse of twenty thousand lire to the same, listening (without seeming to) Don Corpi, along with an ivory crucifix on an ebony cross, "that he may assist me with his good prayers through the pain of Purgatory to the hope of Heaven, as in this Vale of Tears he has supported me with his paternal counsel and with the doctrine of Holy Mother Church."

"Here's a woman whose like you don't find often!" cried Doctor Fumi, striking two knuckles of his right hand on those poor papers, where the gentle hand of the murdered woman had moved (he was holding them in the meanwhile with his left).

All were silent. Balducci, in spite of those donations, seemed the first to have tears in his eyes. In reality, without going that far, he was showing that he, too, was convinced. The warm, the deductive sonority of the voice, of the phrasing, had persuaded them all: some to accept, some to surrender: as if gathering the aghast souls under the mantle of God's will. A handsome, male Neapolitan voice, when it surfaces from the limpid depths of deduction, like the candid nakedness of a siren from the marine milkiness in the Gajola
^{21}
moonlight, is free completely and, in every clause, of that angrily assertive manner of certain northern beasts, and their married-scorched
Führer:
(in a bonfire of gasoline). It is pleasing, pleasing to our ears to abandon ourselves to such happy argumentation, like a cork conquered by the gentle current of a stream towards the valley, towards the call of the depths. The sonorous flow is but the symbol of the flow of logic: the source of Eleatic statement has been transformed into a moving course: boiling up in the disjunctions or dichotomies of the spirit or in the blind alternations of probabilities, it is perpetuated in a dramatically Heraclitean deflux πάνγα δε πόλεμος filled with urgencies, with curiosities, with desires, expectations, doubts, anguish, dialectic hopes. The listener becomes able to form opinions in any direction. The objection of the other side is pulverized in that musical voluptuousness, coagulates with a new nose, like the herm of Janus, when you stare it in the face, and then, immediately afterwards, from behind. All were silent.