The Aquitaine Progression

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Authors: Robert Ludlum

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THE AQUITAINE PROGRESSION

“Nonstop action and end-of-chapter cliff-hangers … Ludlum at his best, and likely to follow
The Parsifal Mosaic
as a runaway bestseller.”


Publishers Weekly

“Ludlum ’s tension is breathless.… Nonstop action with the hero as both hunter and hunted as the fate of the world hangs in the balance.… There have been dozens of thriller writers over the past decade who have attempted to copy the Robert Ludlum formula, but none has the touch of the master. Ludlum can fill the simplest scene with more tension than all the screams in a horror movie.… His plotting is intricate, the timing precise … Ludlum orchestrates a diabolical contest that uses the major cities of Europe like a chessboard. He plays for the highest stakes, and he makes the lover of thrillers come out the winner.”


Richmond Times-Dispatch

“The perennially bestselling author shows that he knows just which literary buttons to push in order to create a satisfying spy thriller.”


Cosmopolitan

“An international thriller fat with intrigue … A story that reads like a nightmare familiar to anyone who has awakened awash in sweat brought on by dreams wherein we try in vain to convince our accusers of our innocence.”


St. Petersburg Times

“Nobody in the thriller trade can come up with a more promising idea than Ludlum.
The Aquitaine Progression
is an arresting example of his gift for tunneling into the American under-mind and dredging out just the kind of paranoid perception that helps explain the harrowing complexities of modern history.”


New York
magazine

This edition contains the complete text of the original hardcover edition
.
NO WORD HAS BEEN OMITTED
.

THE AQUITAINE PROGRESSION
A Bantam Book / published by arrangement with Random House, Inc
.

PUBLISHING HISTORY
Random House edition published March 1984
A Book-of-the-Month Club Main Selection, April 1984
Bantam Export edition / April 1984
Bantam edition / March 1985

Grateful acknowledgment is made to Michael Ludlum for permission to reprint lyrics from “I Need You Darling.” Copyright © 1983 by Michael Ludlum
.

All rights reserved
.
Copyright © 1984 by Robert Ludlum
.
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher
.

eISBN: 978-0-307-81377-0

Bantam Books are published by Bantam Books, a division of Bantam Doubleday Dell Publishing Group, Inc. Its trademark, consisting of the words “Bantam Books” and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, 1540 Broadway. New York. New York 10036
.

v3.1_r1

 

For Jeffrey Michael Ludlum
Welcome, friend
Have a great life

Contents
PART ONE
1

Geneva. City of sunlight and bright reflections. Of billowing white sails on the lake—sturdy, irregular buildings above, their rippling images on the water below. Of myriad flowers surrounding blue-green pools of fountains—duets of exploding colors. Of small quaint bridges arching over the glassy surfaces of man-made ponds to tiny man-made islands, sanctuaries for lovers and friends and quiet negotiators. Reflections.

Geneva, the old and the new. City of high medieval walls and glistening tinted glass, of sacred cathedrals and less holy institutions. Of sidewalk cafés and lakeside concerts, of miniature piers and gaily painted boats that chug around the vast shoreline, the guides extolling the virtues—and the estimated value—of the lakefront estates that surely belong to another time.

Geneva. City of purpose, dedicated to the necessity of dedication, frivolity tolerated only when intrinsic to the agenda or the deal. Laughter is measured, controlled—glances conveying approval of sufficiency or admonishing excess. The canton by the lake knows its soul. Its beauty coexists with industry, the balance not only accepted but jealously guarded.

Geneva. City also of the unexpected, of predictability in conflict with sudden unwanted revelation, the violence of the mind struck by bolts of personal lightning.

Cracks of thunder follow; the skies grow dark and the rains come. A deluge, pounding the angry waters taken by surprise, distorting vision, crashing down on the giant spray, Geneva’s trademark on the lake, the
jet d’eau
, that geyser designed by man to dazzle man. When sudden revelations come, the gigantic fountain dies. All the fountains die and without the sunlight the flowers wither. The bright reflections are gone and the mind is frozen.

Geneva. City of inconstancy.

*  *  *

Joel Converse, attorney-at-law, walked out of the hotel Richemond into the blinding morning sunlight on the Jardin Brunswick. Squinting, he turned left, shifting his attaché case to his right hand, conscious of the value of its contents but thinking primarily about the man he was to meet for coffee and croissants at Le Chat Botté, a sidewalk café across from the waterfront. “Re-meet” was more accurate, thought Converse, if the man had not confused him with someone else.

A. Preston Halliday was Joel’s American adversary in the current negotiations, the finalizing of last-minute details for a Swiss-American merger that had brought both men to Geneva. Although the remaining work was minimal—formalities, really, research having established that the agreements were in accord with the laws of both countries and acceptable to the International Court in The Hague—Halliday was an odd choice. He had not been part of the American legal team fielded by the Swiss to keep tabs on Joel’s firm. That in itself would not have excluded him—fresh observation was frequently an asset—but to elevate him to the position of point, or chief spokesman, was, to say the least, unorthodox. It was also unsettling.

Halliday’s reputation—what little Converse knew of it—was as a troubleshooter, a legal mechanic from San Francisco who could spot a loose wire, rip it out and short an engine. Negotiations covering months and costing hundreds of thousands had been aborted by his presence, that much Converse recalled about A. Preston Halliday. But that was all he recalled. Yet Halliday said they knew each other.

“It’s Press Halliday,” the voice had announced over the hotel phone. “I’m pointing for Rosen in the Comm Tech-Bern merger.”

“What happened?” Joel had asked, a muted electric razor in his left hand, his mind trying to locate the name; it had come to him by the time Halliday replied.

“The poor bastard had a stroke, so his partners called me in.” The lawyer had paused. “You must have been mean, counselor.”

“We rarely argued, counselor. Christ, I’m sorry, I like Aaron. How is he?”

“He’ll make it. They’ve got him in bed and on a dozen versions of chicken soup. He told me to tell you he’s going to check your finals for invisible ink.”

“Which means
you’re
going to check because I don’t have any and neither did Aaron. This marriage is based on pure greed, and if you’ve studied the papers you know that as well as I do.”

“The larceny of investment write-offs,” agreed Halliday, “combined with a large chunk of a technological market. No invisible ink. But since I’m the new boy on the block, I’ve got a couple of questions. Let’s have breakfast.”

“I was about to order room service.”

“It’s a nice morning, why not get some air? I’m at the President, so let’s split the distance. Do you know the Chat Botté?”

“American coffee and croissants. Quai du Mont Blanc.”

“You know it. How about twenty minutes?”

“Make it a half hour, okay?”

“Sure.” Halliday had paused again. “It’ll be good to see you again, Joel.”

“Oh? Again?”

“You may not remember. A lot’s happened since those days … more to you than to me, I’m afraid.”

“I’m not following you.”

“Well, there was Vietnam and you were a prisoner for a pretty long time.”

“That’s not what I meant, and it was years ago. How do we know each other? What case?”

“No case, no business. We were classmates.”

“Duke? It’s a large law school.”

“Further back. Maybe you’ll remember when we see each other. If you don’t, I’ll remind you.”

“You must like games.… Half an hour. Chat Botté.”

As Converse walked toward the Quai du Mont Blanc, the vibrant boulevard fronting the lake, he tried to fit Halliday’s name into a time frame, the years to a school, a forgotten face to match an unremembered classmate. None came, and Halliday was not a common name, the short form “Press” even less so … unique, actually. If he had known someone named Press Halliday, he could not imagine forgetting it. Yet the tone of voice had implied familiarity, even closeness.

It’ll be good to see you again, Joel
. He had spoken the words warmly, as he had the gratuitous reference to Joel’s POW status. But then, those words were always spoken softly to imply sympathy if not to express it overtly. Too, Converse understood why under the circumstances Halliday felt he had
to bring up the subject of Vietnam, even fleetingly. The uninitiated assumed that all men imprisoned in the North Vietnamese camps for any length of time had been mentally damaged, per se, that a part of their minds had been altered by the experience, their recollections muddled. To a degree, some of these assumptions were undeniable, but not with respect to memory. Memories were sharpened because they were searched compulsively, often mercilessly. The accumulated years, the layers of experience … faces with eyes and voices, bodies of all sizes and shapes; scenes flashing across the inner screen, the sights and sounds, images and smells—touching and the desire to touch … nothing of the past was too inconsequential to peel away and explore. Frequently it was all they had, especially at night—
always
at night, with the cold, penetrating dampness stiffening the body and the infinitely colder fear paralyzing the mind—memories were everything. They helped mute the sharp reports of small-arms fire, which were gratuitously explained in the mornings as necessary executions of the uncooperative and unrepentant. Or they blocked out the distant screams in the dark, of even more unfortunate prisoners forced to play games, too obscene to describe, demanded by their captors in search of amusement.

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