Then it put the scissors in Thomas.
This light started to fill up Thomas, this light that loved him, and he knew he was going away. He hoped when he was all gone, Julie would know how brave he was right at the end, how he stopped crying and stopped being scared and fought back. And then all of a sudden he remembered he hadn’t TVed a warning to Bobby that the Bad Thing might be coming for them, too, and he started to do that.
—the scissors went in again—
Then he all of a sudden knew something even more important he had to do. He had to let Julie know that the Bad Place was not so bad, after all, there was a light over there that loved you, you could tell. She needed to know about it because deep down she really didn’t believe it. She figured it was all dark and lonely the way Thomas once figured it was, so she counted each clock tick and worried about all she had to do before her time ran out, all she had to learn and see and feel and get, all she had to do for Thomas and for Bobby so they’d be okay if Something Happened To Her.
—and the scissors went in again—
And she was happy with Bobby, but she was never going to be
real
happy until she knew she didn’t have to be so angry about everything ending in a big dark. She was so nice it was hard to figure she was angry inside, but she was. Thomas only figured it out now, as the light was filling him up, figured out how terrible angry Julie was. She was angry that all the hard work and all the hope and all the dreams and all the trying and doing and loving didn’t matter in the end because you were sooner or later made dead forever.
—the scissors—
If she knew about the light, she could stop being angry deep down. So Thomas TVed that, too, along with a warning, and with three last words to her and to Bobby, words of his own, all three things at once, hoping they wouldn’t get mixed up:
The Bad Thing’s coming, look out, the Bad Thing, there’s a light that loves you, the Bad Thing, I love you too, and there’s a light, there’s a light, THE BAD THING’S COMING—
AT 8:15 they were on the Foothill Freeway, rocketing toward the junction with the Ventura Freeway, which they would follow across the San Fernando Valley almost to the ocean before turning north toward Oxnard, Ventura, and eventually Santa Barbara. Julie knew she should slow down, but she couldn’t. Speed relieved her tension a little; if she stayed even close to the fifty-five-mile-an-hour limit, she was pretty sure that she would start to scream before they were past Burbank.
A Benny Goodman tape was on the stereo. The exuberant melodies and syncopated rhythms seemed in time and sympathy with the headlong rush of the car; and if they had been in a movie, Goodman’s sounds would have been perfect background music to the tenebrous panorama of light-speckled night hills through which they passed from city to city, suburb to suburb.
She knew why she was so tense. In a way she could never have anticipated, The Dream was within their grasp—but they could lose everything as they reached for it. Everything. Hope. Each other. Their lives.
Sitting in the seat beside her, Bobby trusted her so implicitly that he could doze at more than eighty miles an hour, even though he knew that she, too, had slept only three hours last night. From time to time she glanced at him, just because it felt good to have him there.
He did not yet understand why they were going north to check out the Pollard family, stretching their obligation to the client beyond reason, but his bafflement sprang from the fact that he was nearly as good a man as he appeared to be. He sometimes bent the rules and broke the laws on behalf of their clients, but he was more scrupulous in his personal life than anyone Julie had ever known. She had been with him once when a newspaper-vending machine gave him a copy of the Sunday
Los Angeles Times,
then malfunctioned and returned three of his four quarters to him, whereupon he had repaid all three into the coin slot, even though that same machine had malfunctioned to his disadvantage on other occasions over the years and was into him for a couple of bucks. “Yeah, well,” he’d said, blushing when she had laughed at his goody-goody deed, “maybe the machine can be crooked and still live with itself, but I can’t.”
Julie could have told him that they were hanging with the Pollard case because they saw a once-in-a-lifetime shot at really big bucks, the Main Chance for which every hustler in the world was looking and which most of them would never find. From the moment Frank had shown them all that cash in the Sight bag and told them about the second cache back at the motel, they were locked in like rats in a maze, drawn forward by the smell of cheese, even though each of them had taken a turn at protesting any interest in the game. When Frank came back to that hospital room from God-knew-where, with another three hundred thousand, neither she nor Bobby even raised the issue of illegality, though it was by that time no longer possible to pretend that Frank was entirely an innocent. By then the smell of cheese was too strong to be resisted at all. They were plunging ahead because they saw the chance to use Frank to cash out of the rat race and buy into The Dream sooner than they had expected. They were willing to use dirty money and questionable means to get to their desired end, more willing than they could admit to each other, though Julie supposed it could be said in their favor that they were not yet so greedy that they could simply steal the money and the diamonds from Frank and abandon him to the mercies of his psychotic brother; or maybe even their sense of duty to their client was a lie now, a virtue they could point to later when they tried to justify, to themselves, their other less-than-noble acts and impulses.
She
could
have told him all that, but she didn’t, because she did not want to argue with him. She had to let him figure it out at his own pace, accept it in his own way. If she tried to tell him before he was able to understand it, he’d deny what she said. Even if he admitted to a fraction of the truth, he’d trot out an argument about the rightness of The Dream, the basic morality of it, and use that to justify the means to the end. But she didn’t think a noble end could remain purely noble if arrived at by immoral means. And though she could not turn away from this Main Chance, she worried that when they achieved The Dream it would be sullied, not what it might have been.
Yet she drove on. Fast. Because speed relieved some of her fear and tension. It numbed caution too. And without caution she was less likely to retreat from the dangerous confrontation with the Pollard family that seemed inevitable if they were to seize the opportunity to obtain immense and liberating wealth.
They were in a clearing in traffic, with nothing close behind them and trailing the nearest forward car by about a quarter of a mile, when Bobby cried out and sat up in his seat as if warning her of an imminent collision. He jerked forward, pulling the shoulder harness taut, and put his hands on his head, as though stricken by a sudden migraine.
Frightened, she let up on the accelerator, lightly tapped the brake pedal, and said, “Bobby, what is it?”
In a voice coarsened by fear and sharpened by urgency, speaking above the music of Benny Goodman, he said, “Bad Thing, the Bad Thing, look out, there’s a light, there’s a light that loves you—”
CANDY LOOKED down at the bloody body at his feet and knew that he should not have killed Thomas. Instead, he should have taken him away to a private place and tortured the answers out of him even if it took hours for the dummy to remember everything Candy needed to know. It could even have been fun.
But he was in a rage greater than any he had ever known, and he was less in control of himself than at any time in his life since the day he had found his mother’s dead body. He wanted vengeance not only for his mother but for himself and for everyone in the world who ever deserved revenge and never got it. God had made him an instrument of revenge, and now Candy longed desperately to fulfill his purpose as he had never fulfilled it before. He yearned not merely to tear open the throat and drink the blood of one sinner, but of a great multitude of sinners. If ever his rage was to be dissipated, he needed not only to drink blood but to become drunk on it, bathe in it, wade through rivers of it, stand on land saturated with it. He wanted his mother to free him from all the rules that had restricted his rage before, wanted God to turn him
loose.
He heard sirens in the distance, and knew that he must go soon.
Hot pain throbbed in his shoulder, where the scissors had parted muscle and scraped bone, but he would deal with that when he traveled. In reconstituting himself, he could easily remake his flesh whole and healthy.
Stalking through the debris that littered the floor, he looked for something that might give him a clue to the whereabouts of either the Julie or the Bobby of whom Thomas had spoken. They might know who Thomas had been and why he had possessed a gift that not even Candy’s blessed mother had been able to impart.
He touched various objects and pieces of furniture, but all he could extract from them were images of Thomas and Derek and some of the aides and nurses who took care of them. Then he saw a scrapbook lying open on the floor, beside the table on which he had butchered Derek. The open pages were full of all kinds of pictures that had been pasted in lines and peculiar patterns. He picked the book up and leafed through it, wondering what it was, and when he tried to see the face of the last person who had handled it, he was rewarded with someone other than a dummy or a nurse.
A hard-looking man. Not as tall as Candy but almost as solid.
The sirens were less than a mile away now, louder by the second.
Candy let his right hand glide over the cover of the scrapbook, seeking ... seeking ...
Sometimes he could sense only a little, sometimes a lot. This time he
had
to be successful, or this room was going to be a dead end in his search for the meaning of the dummy’s power.
Seeking ...
He received a name. Clint.
Clint had sat in Derek’s chair sometime during the afternoon, paging through this odd collection of pictures.
When he tried to see where Clint had gone, after leaving this room, he saw a Chevy that Clint was driving on the freeway, then a place called Dakota & Dakota. Then the Chevy again, on a freeway at night, and then a small house in a place called Placentia.
The approaching sirens were very close now, probably coming up the driveway into the Cielo Vista parking lot.
Candy threw the book down. He was ready to go.
He had only one more thing to do before he teleported. When he had discovered that Thomas was a dummy, and when he had realized that Cielo Vista was a place full of them, he had been angered and offended by the home’s existence.
He held his hands two feet apart, palm facing palm. Sky-blue light glowed between them.
He remembered how neighbors and other people had talked about his sisters—and also about him when, as a boy, he had been kept out of school because of his problems. Violet and Verbina looked and acted mentally deficient, and they probably did not care if people called them retards. Ignorant people labeled him retarded, too, because they thought he was excused from school for being as learning disabled and strange as his sisters. (Only Frank attended classes like a normal child.)
The light began to coalesce into a ball. As more power poured out of his hands and into the ball, it acquired a deeper shade of blue and seemed to take on substance, as if it were a solid object floating in the air.
Candy had been bright, with no learning disabilities at all. His mother taught him to read, write, and do math; so he got angry when he overheard people say he was a deadhead. He had been excused from school for other reasons, of course, mainly because of the sex thing. When he got older and bigger, nobody called him retarded or made jokes about him, at least not within his hearing.
The sapphire-blue sphere looked almost as solid as a genuine sapphire, but as big as a basketball. It was nearly ready.