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Authors: Patricia A. McKillip

BOOK: The Bards of Bone Plain
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Phelan shrugged. “Something easy. I just want to get out of here.”
“What's easy?” the young man pleaded. “Tell me.”
“The standing stones.”
“The stones of Caerau?” someone interjected. “That's been done. Once a decade at least for the last five hundred years. What's left to say about them?”
“Who knows? Who cares? Anyway, not Caerau. I'm researching the standing stones of Bone Plain.”
A dour young woman who taught beginners to write their notes groaned. “Twice a decade for five hundred years.”
Phelan smiled. “You sound like my father; he said exactly that after he asked me what I would write. It's simple: all the hard work has been done, and I won't have to think when I write.”
“You haven't started yet?” she guessed shrewdly. Phelan shook his head. She gazed at him silently a moment, asked abruptly, “How can you possess such astonishing gifts and so little ambition?”
He hefted papers and books in one arm, closed the cupboard, and gave her his wry, charming smile, then turned away without bothering to explain that his entire life up to that point was his father's idea.
Phelan had long given up trying to understand him. Enough that Jonah had had his thumb on Phelan's destiny since he was five, when he was ruthlessly ensconced in the school on the hill with a promise of freedom and wealth if he stayed to the end of the long course of studies. The end, after all those years, was a step or two away: one last boring class to teach, the final paper. A hundred times he had nearly walked away from the school; a hundred times he had chosen to stay. The most compelling reason—far more compelling than his father's promises—was that somehow he could, by doing as Jonah insisted, unravel Jonah's convoluted mind and finally understand him.
He had, sometime before, bitterly admitted defeat. Now he only wanted to walk one final time from the school on the hill down to the streets of Caerau and never look back.
The class he taught was held, by tradition, or on days it didn't rain, in the oak grove on the crown of the hill. By the school steward's estimation, the grove was on its fifth generation of oak. Across the lawn, Phelan could see his seven students already sitting under them. The immense, golden boughs that could catch lightning, that created thunder when they broke, flung shadows like webs; the students sitting on the ground seemed obliviously tangled in them. A couple of the hoariest trees had already dropped a bough, huge, moldering bones that the gardeners, with an eye for the picturesque, had let lie.
The students, ranging in age from twelve to fifteen, were midway through their rigorous studies. They blinked sleepily at Phelan, who was beginning to feel the lack of his breakfast. No one, not even the teacher, opened a book or used paper or pen in this class: it was an archaic and exacting exercise in memory.
“Right,” Phelan said, dropping down into their circle on the lush grass. “Good morning. Who remembers what we're trying to remember?”
“‘The Riddle of Cornith and Corneath,' ” the round-faced twelve-year-old, Joss Quinn, answered earnestly.
“Which is about?”
“Two bards having a contest to see who becomes Royal Bard of King Brete.” Joss stuck, his mouth still open, Sabrina Penton, a neat, confident girl whose father was the king's steward, picked up the thread.
“They try to guess each other's secret names by asking questions.”
“How many questions?”
“A hundred,” the irrepressible eldest, Frazer Verge, breathed. “A thousand. How could anyone ever have performed this without everyone falling asleep facedown in their plates?”
“It was a game,” Phelan said, pausing to swallow a yawn. “And a history lesson as well. Remember the order of the first letter of each line. There is the pattern, your aid to memory. Around the circle, one line apiece.” He looked for the eyes that avoided him; the slight, fair Valerian seemed most uncertain. “You first, Valerian.”
The boy gave his line without mishap. The lines began to ratchet like clockwork around the circle. Phelan's thoughts wandered back to the earlier hour. His father would return home as his wife requested, only who knew by what route? A birthday party awaited him; he would not be pleased. At least it wasn't his own.
He became aware, suddenly, of the wind in the oak leaves, the distant clamor of the city. The clock had stopped. His eyes flicked around the circle, found the daydreaming face everyone else was looking at.
“Frazer.”
The young man blinked, fell back to earth. “Sorry. I drifted.”
“We await the next line.” P, was it? Or T? He couldn't remember, either.
“You,” he heard Sabrina breathe to Frazer, and memory opened its door, shed light upon teacher and student.
“‘Up or down go you at night,' ” Frazer recited promptly, “ ‘or by the light of day?'”
Phelan emitted a dry sound from the back of his throat, but no other comment. He shifted his attention to the dark-haired, strawberry-cheeked Estacia, next in the circle, who picked up the rhythm without a falter.
“‘Vine are you to twine and bind the branching hawthorn bough?' ”
“The clues,” Phelan said glibly when they had muddled their way through the rest of the riddles, “will become obvious to those who complete their years of study and training here. The more you learn of such ancient poetry, the more you realize that all poetry, and therefore all riddles, are rooted in the Three Trials of Bone Plain. Which are what?”
“The Turning Tower,” Frazer said quickly, perhaps to redeem himself.
“And?”
“The Inexhaustible Cauldron,” said the rawboned Hinton, all spindly shanks and flashing spectacles.
“And?”
“The Oracular Stone,” answered Aleron the indolent, who was bright enough, but preferred the easy question.
“Yes. Now. Of all the bards in the history of Belden, which bard passed all three tests?”
There was silence again. A dead oak leaf, plucked by the spring wind, spiraled crazily off a branch and sailed away. “Your muses are everywhere around you,” Phelan reminded them as the silence lengthened. “Your aids to memory, and creation. Sun, wind, earth, water, stone, tree. All speak the language of the bard. Of poetry.” The leaf was flying across the grass toward the great standing stones that circled the crown of the knoll above the river in a dance that had begun before Belden had a name.
“Where,” Frazer asked suddenly, “exactly, is Bone Plain? Are we on it?”
“Maybe,” Phelan answered, quoting his research. “No one has yet found conclusive evidence for any particular place. Most likely it existed only in the realm of poetry. Or it was translated into poetry from some more practical, prosaic event, which a mortal bard might have a chance of enduring. As we know, stones do not speak, nor do cauldrons yield an unending supply of stew except in poetry. Do you remember the bard who passed the tests?”
Frazer shook his head. Then he guessed, “Nairn?”
“No. Not Nairn. Great a bard as he was, he failed even the least complicated of the trials: the Test of the Flowing Cauldron. Which was what? Anyone?”
“The test of love, generosity, and inspiration,” Sabrina said.
“Thereby rendering himself at once immortal and uninspired. Not a good example to follow.”
“So where is he?” Frazer asked.
“Who?”
“Nairn. You said he's immortal.”
There was another silence, during which the teacher contemplated his student. Frazer's wild face, with its lean, wolfish bones framed by long, golden hair, looked completely perplexed.
“Where is your mind today?” Phelan wondered mildly. “Lost, it seems, along with Nairn in the mists of poetry. Between the lines. He did exist once; that is a matter of documented history. But the exacting demands of storytelling, requiring a sacrifice, transformed him from history into poetry.”
“But—”
“Into a cautionary tale.”
“About what?” Frazer persisted. “I'm confused. Why a cautionary tale about an illusion, if that's what Bone Plain is? And if not, then where do we go to find the tower that will give us three choices: to die, or go mad, or to become a poet? I want to become a bard. I want to be the greatest bard that Belden has ever known. Must I enter that tower? That metaphor?”
“No,” Phelan said gravely, hiding an urge to laugh at the notion. “It's not a requirement of this school. Nor of the Kings of Belden. You can go looking for the tower if you choose. Or the metaphor. At the moment, I'd prefer you just answer my question.” Frazer only gazed at him, mute and stubborn. Phelan glanced around. “Anyone?”
“The bard Seeley?” the quiet, country-bred Valerian guessed diffidently.
“Good guess, but no. Prudently, he never tried.” He waited. “No one? You do know this. You have all the history and poetry you need to unravel this mystery. Do so before I see you again. The weave is there, the thread is there. Find and follow.”
The students rose around him, scattered, all but for Frazer, whom Phelan nearly tripped over as he turned.
“I have another question,” he said doggedly.
Phelan shrugged lightly, sat back down. The boy's ambition was formidable and daunting; Phelan, wanting only his breakfast, was grateful he had never been so afflicted.
“If I can answer.”
“I've been at this school for seven years. Since I was eight. You're almost a master. So you must know this by now. How many years must we complete before we are finally taught the secrets of the bardic arts?”
Phelan opened his mouth; nothing came out for a moment. “Secrets.”
“You know,” Frazer insisted. “What's there. In every ancient tale, between the lines in every ballad. The magic. The power in the words. Behind the words. You must know what I'm talking about. I want it. When am I taught it?”
Phelan gazed at him with wonder. “I haven't a clue,” he said finally. “Nobody ever taught me anything like that.”
“I see.” Frazer held his eyes, his face set. “I'm not old enough yet to know.”
“No, no—”
“You've completed your studies. Everyone says you're brilliant. You could go anywhere, be welcome at any court. There's nothing you wouldn't have been taught. If you can't tell me yet, you can't. I'll wait.”
He seemed, motionless under the oak, prepared to wait in just that spot until somebody came along and enlightened him. Phelan yielded first, got to his feet. He stood silently, looking down at the young, stubborn, feral face.
“If such secrets exist,” he said finally, “no one told me. Perhaps, like that tower, you must go looking for them yourself. Maybe only those who realize that such secrets exist are capable of discovering them. I lack the ability to see them. So no one ever taught me such things.”
Frazer sat rigidly a moment longer. Gradually, his expression eased, through disbelief to a flicker of surprise at both himself and Phelan.
“Maybe,” he conceded uncertainly. He rose, blinking puzzledly at Phelan. “I thought if anyone knew, it would be you.”
He took himself off finally. Phelan, completely nonplussed, headed to the masters' refectory to fortify himself against several hours in the library archives, as he tried to find a way to say the same thing everyone else had said, twice a decade for five hundred years, only differently.
In his head, he could hear Jonah's derisive comments, even the ones he hadn't made yet. Phelan ignored them all, as he had so many others, and walked into the oldest building, under the shadow of its broken tower, to seek his breakfast.
Chapter Two
Across a thousand years of poetry, we have come to know Nairn the Wanderer, the Fool, the Cursed, the Unforgiven intimately through hundreds of poems, ballads, tales. We know his adventures, his loves, his failures, his despair. We have explored his most intimate passions and torments. He is named in any given century; he wears the face, the clothes, the character of those times. Even now, he speaks through our modern voices as he inspires new tales of love and loss, of his endless quest for death. His trials become ours and not ours: we seek to avoid his fate as we are equally fascinated by it.
But of the man behind, within the music and the poetry, who cast his unending shadow across a millennium and more, we know astonishingly little.
He is first named in the records of the village of Hartshorn as the son of a farmer in the rugged wilds of the north Belden known then as the Marches, during the reign of its last king, Anstan. That much at least is documented. Between his birth and the next documented detail of his life, we can only rely on later ballads, which give him the name “Pig-Singer” as a child for his astonishing voice, which he exercised frequently while tending to his father's pig herd. According to more ribald versions of the “Ballad of Nairn the Unforgiven,” he was often pelted with pig shit by his older siblings for spending more time sitting on the sty posts and singing than attending to his other chores. How the pigs responded to his remarkable gifts of voice and memory has not been documented outside of poetry. He vanished, probably with good reason, out of village life and into folklore at an early age, to surface again in history, a dozen or so years later, in a tavern on the edge of the North Sea, where he was pressed into service as a marching bard for the final battle of King Anstan's doomed reign: the Battle of the Welde.
Dark his hair, darker his eye,
Sweet as cream and honey his voice,
O the charm in it, O the lure of it,
He could wile a smile from the moon.
FRAGMENT OF “BALLAD OF THE PIG-SINGER,” ANONYMOUS

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