The Baroque Cycle: Quicksilver, the Confusion, and the System of the World (139 page)

BOOK: The Baroque Cycle: Quicksilver, the Confusion, and the System of the World
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“What was the oracle’s answer?”

“After no more than a heartbeat’s hesitation, he turned towards the four spear-men who stood by him, and made a little twitching motion with his fly-whisk. They rushed forward and began to bind my arms behind my back. ‘What is the meaning of this? What are you doing to me, uncle?’ I cried. He answered: ‘That makes two—no,
three
stupid questions in a row, and so I would enslave you
thrice
if such a thing were possible.’ ‘My god,’ I said, as I began to understand the full horror of what was being done to me, ‘can you not see the evil of what you are doing? Bonny—and all the other slave-depots—are filled with our brothers, dying of disease and despair before they even get on those hellish slave-ships! Hundreds of years from now, their descendants will live on in faraway lands as outcasts, embittered by the knowledge of what was perpetrated against their forefathers! How can we—how can
you
—seemingly a decent man—capable of showing love and affection towards your wives and children—perpetrate such unspeakable crimes?’ To which the oracle replied, ‘Now,
that
is a good question!’ and with another flick of his fly-whisk sent me off to the holding-pit. I returned to Bonny on the same English boat that had brought me up the river, and my uncle had a new piece of India cloth to brighten his household.” Dappa now laughed out loud, his teeth gleaming handsomely in the rapidly deepening dusk of a crevasse-like Algiers back-street.

Jack managed a polite chuckle. Though the other slaves had probably never heard Dappa’s story told in English before, they recognized its rhythms, and grinned on cue. The Spaniard laughed heartily and said, “You have got to be one stupid nigger to think that’s funny!” Dappa ignored him.

“It is a good enough yarn,” Jack allowed, “but it does not explain how you ended up here.”

Dappa responded by pulling his ragged shirt down to expose his right breast. In the gloom Jack could barely make out a pattern of scars. “I don’t know letters,” he said.

“Then I’ll teach you two of them,” said Dappa, reaching out quickly and grasping Jack’s index finger before Jack could flinch away. “This is a D,” he continued, running the tip of Jack’s finger along the ridge of a scar, “for Duke. And this is a Y, for York. They trade-marked me thus with a silver branding-iron when I reached Bonny.”

“Not to rub salt in your wound, there, Dappa, but that same bloke is King of England now—”

“Not any more,” Moseh put in, “he was run off by William of Orange.”

“Well,
there’s
a bit of good news at least,” Jack muttered.

“From that point my story’s unremarkable,” Dappa said. “I was traded from fort to fort up the coast. Bonny slaves fetch a low price because, since we grew up in paradise, we are unaccustomed to agricultural labor. Otherwise I would’ve been shipped straight to Brazil or the Caribbean. I ended up in the hold of a Portuguese ship bound for Madeira, which was captured by the same Rabat corsairs who’d earlier taken
your
ship.”

“We must hurry,” Moseh said, bending his neck to stare straight up. Down here it had been night for hours, but fifty feet above them, the corner of a wall was washed in the red light of the sunset. The little slave-column doubled its pace, trotted around several more corners, and came out into a street that was relatively wide (i.e., Jack could no longer touch both sides of it at the same time). Onion-skins and vegetable-trimmings were strewn about, and Jack reckoned it to be some sort of a market, though all of the tables had been cleared and the stalls shuttered. A young, dark-haired man, oddly familiar-looking, was standing there waiting for them, and fell in stride as they passed. His Sabir was infused with an accent that Jack recognized, from his last Paris sojourn, as Armenian.

But before he’d had time to think on this, they’d spilled out into an open space: some sort of public square, difficult to make out in the dusky light, with a public fountain in the center and a few large, but very plain, buildings around the sides. One of these was all lit up, with hundreds of men trying to get in the doors. Quite a few of them were slaves, but there were many members of the
ocak,
too, as well as the usual Algerine assortment of Berbers, Jews, and Christians. As they came up against the fringes of this crowd, Moseh de la Cruz stepped aside and allowed the Spaniard to lunge past him, suddenly bellowing every vile insult Jack had ever heard, as well as diverse new-made ones, and jabbing various large, heavily armed Turks in the ribs, treading on the curly toes of their slippers, and kicking them in the shins to clear a path towards the building’s entrance. Jack expected to have his head scimitared off merely for being in the general vicinity of this uncivil Spaniard, but all the victims of his jabs and insults grinned and laughed the moment they recognized him, and then derived all manner of entertainment from watching him assail whomever stood in his path next. Moseh and the others, meanwhile, followed along in his wake, so that they arrived at the front door quickly—yet apparently none too soon. For the Turks standing guard there spoke angrily to Moseh and the others, pointing at the western sky, which had faded to a deep and nearly invisible blue now, like candle-light trying to penetrate a
porcelain saucer. One of the guards slugged Dappa and the Nipponese Jesuit as they went by, and aimed a blow at Jack, which he dodged.

Moseh had mentioned to him earlier that they lived in something called a
banyolar
and Jack reckoned this must be it: a courtyard surrounded by galleries divided into many small cells, one ring of galleries piled upon the next to a height of several storeys. To Jack, the overall design was much like certain old-fashioned theatres that stood along Maid Lane between the marshes of Southwark and the right bank of the Thames, viz. the Rose, the Hope, and the Swan. The big difference, of course, was that those Bankside theatres had armed men trying to keep Jack
out
whereas here they were abusing him for not having entered
soon
enough.

This, of course, was no theatre, but a slave-quarters. And yet the galleries, up to and including the flat roof of the
banyolar,
were crowded (at the moment anyway) with free Algerines, and so was most of the courtyard. But one part of that yard, off to one side of its central cistern, had been roped off to form a stage, or ring; and any number of torchères had been planted around it, so close to one another that their flames practically merged into a square window-frame of fire that shed fair illumination on the empty plot in the center.

All of the Turks packed turban-to-turban around the galleries were
very
excited, and rowdier than any group Jack had ever seen outside of a Vagabond camp. When not jostling for position or transacting elaborate wagers, they were paying close attention to certain preparations underway at the corners of the ring. As far as Jack was concerned, only two attractions could account for this degree of excitement among so many young men; and since
sex,
for Janissaries, was banned, Jack reckoned that they must be about to witness some form of
violence.

Following Moseh towards one of the corners of the fiery square, Jack was struck—but not particularly surprised—to discover Yevgeny, stark naked save for leather underpants and a thick coating of oil, and Mr. Foot, dressed up in scarlet finery and shaking a leather purse bloated with what Jack could only assume was specie. But before Jack could push his way in closer and begin asking questions, Yevgeny went down on his right knee: in and of itself, nothing remarkable. But here it was like setting off a granadoe. Everyone near him flung himself back, making an empty space with Yevgeny in the center. The crowd in the gallery went silent for a moment—then exploded with cheers of
“Rus! Rus! Rus!”

Yevgeny spread his arms out to their full seven-foot span, then
clapped his hands together, close enough to the ground to raise a puff of dust, then spread his arms again and did the same thing twice more. After the third clap he let his right hand fall to the earth, palm up, then raised it to his face and kissed his fingertips, then touched them to his forehead. During this little ceremony the cheering of
“Rus! Rus!”
continued at subdued volume—but now Yevgeny got up and vaulted into the square and the cheering rose to a level that made Jack’s ears ring, reminding him of the fifteen-hundred-gun salute. Yevgeny planted his feet in the middle of the square and adopted a strangely insouciant pose: supporting his left elbow in his cupped right hand, he rested his head on his left hand, and froze in that position.

Nothing changed for several minutes, except that the torchères blazed and the cheers rang down from the deepening night sky. Finally another well-lubricated man in leather underpants performed the same series of movements and ended up standing next to Yevgeny in the same pose: this was a very dark-skinned Negro, not as tall as Yevgeny, but heavier. The cheering redoubled. Mr. Foot, who had added an expensive-looking cape to his ensemble, now came into the ring and hollered some sort of announcement up into the galleries, turning slowly round as he did, so that every member of the audience could inspect his tonsils even if hearing him was out of the question. Having concluded this, he scurried out of the ring. Yevgeny and the Negro turned to face each other in the middle of the fiery ring. Soon they had clasped their hands together, palm to palm like children playing at pat-a-cake. Rearing their heads back they smashed their faces together as hard as they could. Jack was startled; then they reared back like vipers preparing to strike, and did it a
second
time, and he was fascinated. Then they did it a
third
time, with no less violence, and Jack started to be appalled, wondering whether they would continue it until one of them was left senseless. But then they let go of each other and staggered apart with blood running down their faces from lacerations on their brows.

Now, finally, they got down to the actual business at hand: wrestling. And this was not greatly different from most other wrestling matches Jack had seen, except messier. Immediately both men got oil on their hands, then had to back away from each other and rub their palms on the ground to pick up dirt, which was shortly transferred to their bodies the next time they closed. So within a few minutes Yevgeny and the Negro were covered head-to-toe in a paste of blood, sweat, oil, and Algerian dust. Yevgeny had a wide stance, but the Negro knew how to keep his weight low, and so neither
could throw the other. The crisis occurred several minutes into the bout when the African got a grip on Yevgeny’s testicles and squeezed, which was a good idea, while looking up expectantly into Yevgeny’s face, which wasn’t. For Yevgeny accepted the ball-squeezing with a forbearance that made Jack’s blood run a little cool, and paid the Negro back with another vicious downward head-butt that produced a clearly visible explosion of blood and audible splintering noises. The African let go of Yevgeny’s private parts the better to clap both hands over his devastated face, and Yevgeny easily threw him into the dust—which ended the match.

“Rus! Rus! Ruuuuus!”
howled the worthies of the
ocak.
Yevgeny paraded around the ring, looking philosophical, and Mr. Foot pursued him holding up a yawning purse into which Turks flung money—mostly, whole pieces of eight. Jack liked the looks of this—until the whole purse was delivered direct into the hands of a large Turkish gentleman who was sitting on a sort of litter at ringside, his feet mummified in white linen and propped up on an ottoman.

“I
N
R
USSIA,
I
BELONGED
to a secret society, wherein we trained one another to feel no pain under torture,” Yevgeny said, offhandedly, later.

This remark dampened all conversation for a few minutes, and Jack took stock of his situation.

After a long series of wrestling-bouts, the torchères had been extinguished and the Turks and free Algerines had departed, leaving the
banyolar
to the slaves. Both the starboard and the larboard oars, in their entirety, had now convened on the roof of the
banyolar
to smoke pipes. The night was nearly moonless, with only the merest crescent creeping across the sky—out over the Sahara, as Jack supposed. Consequently there were more stars out than Jack had ever seen. A few lights glimmered from the embrasures of the Kasba, but other than that, it seemed that these ten galley-slaves had the night to themselves:

Larboard Oar

Y
EVGENY THE
R
ASKOLNIK
, a.k.a. “Rus”

M
R.
F
OOT
, ex-proprietor of the Bomb & Grapnel, Dunkirk,

and now entrepreneur-without-portfolio

D
APPA
, a Neeger linguist

J
ERONIMO
, a vile but high-born Spaniard

N
YAZI
, a camel-trader of the Upper Nile

Starboard Oar

“H
ALF
-C
OCKED”
J
ACK
S
HAFTOE
,
L’Emmerdeur,

King of the Vagabonds

M
OSEH DE LA
C
RUZ
, the Kohan with the Plan

G
ABRIEL
G
OTO
, a Jesuit Priest of Nippon

O
TTO VAN
H
OEK
, a Dutch mariner

V
REJ
E
SPHAHNIAN
, youngest of the Paris Esphahnians–

for the Armenian they’d picked up in the market was none other
*

“We are held captive in this city by the ineffable will of the market,” Moseh de la Cruz began.

These words sounded to Jack like the beginning of a well-rehearsed, and very long presentation, and so he was not slow to interrupt.

“Pah! What market can you possibly be talking about?” But looking around at the others it seemed that he was the only one showing the least bit of skepticism.

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