Authors: Annah Faulkner
âWhy here?' Mama asked.
âThere are lots of single white men in Moresby.'
Mama grinned. âGoody, I'm going to like it here.'
Dad gave her a sour look. âMoira won't like what's on offer. A lot of Government blokes are lazy bloody rejects from Australia. Most of them drink too much grog. It's the tropics. It does that to you.' Dad said his tinned food business was going like the clappers. He was selling heaps of other stuff as well, to trade stores all over Papua â clothes, torches, headache remedies, hurricane lamps and powdered milk. We drove up Tuaguba Hill which looked over the harbour. Black bodies in bright cloths tied around their middles milled about the docks and sweated in the afternoon heat.
âSee that island?' Dad pointed to a blob off the coast. âIt's Gemo Island, a leper colony.'
âNo,
really
?' said Mama.
âWhat's a leper colony?' I asked.
âA place where all your body bits fall off.' Tim's eyes crossed. âYou drink a glass of lemonade and your fingers stick to the glass. Your nose falls off in your hanky when you blow it.'
Worse than polio!
âIt's curable now,' said Dad.
âThen why haven't they cured the people in the leper colony?' said Tim.
âToo far advanced, I expect.'
âNo arms, no legs,' Tim chanted.
âThat's enough.'
âNo heads . . .'
âShut
up
!'
Port Moresby was a long lick of heat. Mama walked around flapping her arms, complaining she was going to burst. Dad said she'd be right once her body learned how to sweat. It took ten days. She gave a huge trembling sigh and mopped her face. âThank God.'
God
made her sweat?
Mama took me into town to buy sundresses and shorts.
âNo shorts,' I said.
âWhy not?'
âMy leg.'
âOh, blow your leg. It's the tropics.'
â
No
shorts.'
âOkay, cook if you want. You'll change your mind when you start to boil. In the meantime what'll it be: overcoats or sundresses?'
âWill you let down the hems?'
âSundresses to your ankles? You'll look ridiculous.'
âI don't care.'
âWhat about a new swimsuit? Or would you rather swim in overalls?'
A swimsuit was different. Swimming made my leg stronger and Mama and I went to Ela Beach whenever the tide was high. I loved being in the water without the brace, moving about freely like everyone else. There were two pontoons made from forty-four gallon drums. At low tide the pontoon closest to the beach got stuck on a carpet of shells, seaweed and starfish but at high tide it bobbed about and before long I could swim out to it and climb on top. Sometimes it was just Mama and me at the beach but one time we came out from the water and there was a little native girl sitting near our stuff. She looked up at us, shielding her eyes from the sun.
Mama nudged me. âSay hello.'
âHello,' I said. âI'm Bertie. What's your name?'
âJenny.' She looked my leg, but not as if she cared.
âWhy aren't you swimming, Jenny?'
âI'm not allowed. Only white people can swim here.'
âIs it true?' I asked Mama.
âYes, sadly.'
âWhy?'
âRules.'
âSilly bugger rules!'
âCareful with that language.'
âWell, they are,' I grumbled. If people could see colours they'd know your skin made no difference to how you were inside.
Mama was staring out to sea. I followed her eyes but all I could see was the blue Pacific rim.
âMama.'
Her eyes were locked on the horizon. What was she thinking about? Why did she do this so much lately â daydreaming on her own?
I touched her arm. âMama?'
Nothing.
I shook it. âLily May!'
She blinked and ran her hands down her shins. Her skin had gone the colour of maple syrup and she'd had her hair cut in a short bob. People had always looked at my mother but now they looked longer. She didn't seem to notice.
âHot,' she said. âGod-awful hot, but I like it here anyway. Did you call me Lily May?'
âYes.'
âWell, don't.'
âWhy not?'
âBecause I'm your mother and you're my child. You call me Mama.'
I agreed with her about Port Moresby. It was a funny place, lazy and exciting all at once, but not a place you could hide. Dad said there were only six thousand white people in town and they knew your business almost before you did. Moresby pressed against you with hot damp hands and filled your head with the musky smells of frangipani, copra, rotting plants and dead fish. There were sheets instead of blankets, fans instead of heaters and sundresses instead of sweaters. More than anything, Moresby was colour â the blood-red hibiscus Mama pinned in her black hair; the dark natives bent at the waist, sun flashing off their twisted serif-blades; the green mango leaves, dark purple betel juice and orange paw-paw. Colour was everywhere, and all of it begging to be painted. Which I did, on paper Dad brought me home from his office.
One day he came home with a big mahogany radiogram. He plugged it into the wall and turned it on and music burst in a shower of colours from a swarm of holes on the front. Then came the voice of the announcer.
âRadio 9PA, Port Moresby. It is now six o'clock. Here is the news.'
Two people had driven their car off the dirt road coming down from Sogeri, a village in the hills. The lady was dead, the man had been flown to Brisbane for surgery. Another lady had been killed in a fight between two of her boyfriends. A little boy had been stung by a stonefish and was fighting for his life in hospital.
âCheerful lot,' said Dad. âLet's have some music.' He unwrapped a stack of records. Tchaikovsky's
Nutcracker Suite
made me feel dark blue and creepy but
Carmen
was yellow and light as a butterfly and I made Dad play it again and again. But the best part of music was drawing it, turning the sounds into colours and shapes: Mozart into blue and yellow waves, Beethoven into orange and purple volcanoes and Gershwin into green wings.
âWhat on earth's that?' said Mama.
I was getting sick of her asking that question so I used my best Pidgin to explain I was drawing Schubert's piano.
âBokis bilong music me fight 'im teeth bilong 'im.'
âGood Pidgin, Bertie, but it's not a piano.'
âYes it is, and that's Schubert playing it.'
She sighed. âPoor old Schubert, if only he knew. Lucky for him he's dead.'
The dog Dad promised us arrived from South.
South
was what people called Australia. He was a pedigree terrier, black and white with short hard hair and one ear up and one down. We named him Snifter because his nose was always glued to the ground like a small vacuum cleaner. He was a dear little dog but straight away he became Tim's, which was just as well because we were fed up hearing about monkeys.
All of them were happy. Mama sweated, Dad had a pile of orders and Tim had Snifter. I had clouds. Thick grey clouds that stuck to my windpipe, and every time I breathed I could feel them getting bigger.
Chapter Seven
It was only six thirty in the morning but already the floorboards were warm. Moose and I lay on them, gazing at fluff balls under the bed. Today was the first day of the new school.
I fingered my locket. Mama had taken out her dreams and put in photos of her and Dad. She'd been in earlier to get me out of bed.
âI'm sick,' I'd said.
âOh dear. I must be a cruel mother to force you to the coal-face ailing but you're going to school anyway. Come on. Up.' She'd strapped the calliper on my leg. When I refused to get out of bed she'd sent in Dad.
âHup-ho, CP. Rise and shine.'
I pulled Moose over my head.
âHere comes the crane, one two three!' Dad picked me up, sheet, Moose and all, and dumped me on the floor. I still lay there, worrying about the day ahead. What if kids ganged up on me like they did in Melbourne? What if they bashed me? What if the teachers spoke only Pidgin or Motu and I couldn't understand them?
Mama came back and went to my wardrobe for a dress. She picked one with sleeves like elephants' ears and tossed it on the bed. âGet up, Roberta, now.' I dragged myself off the floor. Coronation School didn't have a uniform but I hated that dress so I went to the wardrobe for my second-best dress. In the bathroom I sloshed water over my face, scrubbed my teeth and gargled.
âQuit that racket and get out here, Roberta,' Dad roared from the kitchen. He meant it when he said
Roberta
.
I shambled down the hall. Sun beat through the fly-screen and bounced off the new white laminex table we'd bought at Steamies, which was short for Steamships Trading Company. There was another big store in town, Burns Philp, which Mama called Bee-Pees and Dad called Bee's-Pee. Mama turned from the stove with a plate of pancakes. âYou can't wear that dress, Bertie. Not for school. Go change.'
âI don't want to.'
âDo it.'
âI hate that other dress.'
âDo
it.'
Mama gave Tim and me packed lunches of peanut butter sandwiches and Vita-Weat biscuits glued together with butter and Vegemite and came downstairs to see us off. Because it was our first day, Dad was taking us to school and picking us up again afterwards. From tomorrow, we'd catch the bus.
Mama kissed my forehead. âHave a good day.' I grabbed a handful of her skirt and pressed it against my face. âCome on, love.' She prised my fingers loose. âEverything's going to be fine. You're a big girl now â grade three!' She ruffled Tim's curls. He flattened them again with his hands.
We climbed into the jeep and took off down the long road that led over the hill to Boroko. Dad drove flat out, whizzing around bends, making Tim slide across the back and shout with excitement. Then suddenly we were there, skidding to a stop in the gravel driveway of Coronation School. Through the dust I saw long low buildings with wooden louvres and wide verandahs set around a big square. There was a shelter shed, a wide shady poinciana tree and a dusty playground.
Dad lifted me out. âThere you go, honey bun. Have a good day. How about a kiss for your old man?'
I kissed his nice face with its tickly brown moustache and smell of Old Spice aftershave. He put his hand on Tim's shoulder. âHave a good day, son, and look after your sister.' Tim took my hand, his eyes behind the Coke-bottle glasses serious. Dad grinned, waved, gunned the motor and slammed the gears. âSee you at three o'clock,' he shouted and the jeep shot forward, bouncing up and down. Mama said he drove everything like it was supposed to fly.
A teacher took us to the quadrangle and a bell clanged; not a whirring bell but a big clunking bell. Kids ran in and formed lines. No black ones! Didn't black kids go to school?
âWe gather here for marching to class, Roberta. Can you march?'
I nodded, and she took me to stand with the grade threes. Tim promised to wait for me at play lunch and went to stand with the grade fives. Kids craned their necks at me but before anyone could say anything a little man in khaki shorts stomped onto the verandah. His stumpy white legs were smothered in black hairs and his red mouth opened like a cave.
â
Silence!
'
The National Anthem crackled out and all the kids began to sing.
God save our grey â shusqueen,
Long live our no â bullqueen,
God save our Queen.
The little man glared. âGood morning, children.'
âGood moor-ning, Mis-ter Bos-well.'
âA new term, children. I have great expectations.'
The sun beat on my head, the air wrapped me in its great sticky arms and Mr Boswell talked.
âThose not prepared to uphold our traditions of hard work, dedication, and godly behaviour can expect six of the best.'
My leg ached, I felt dizzy. Would he ever stop? At last the music scratched out.
â
Lef! Lef! Lef-ry-lef
!' Mr Boswell roared, and hundreds of feet pounded the dust.
Our classroom was big and airy and our teacher was Mrs Potts. She had frayed, dust-coloured hair and a face like copha but her aura was a lovely lemony-pink. She took my hand and I thought she was going to show me to my desk but instead she led me to the front of the class.
âThis is Roberta, children, and I want you to make her welcome. Roberta has had polio and wears a brace to keep her leg straight until her muscles become strong again. We all know how much suffering polio causes and we don't want to add to it, do we?'
Fifty round eyes stared at Mrs Potts. âSo if I hear of anybody teasing Roberta or upsetting her, they will go straight to Mr Boswell. Is that clearly understood?' Everyone dipped their heads. âRight,' said Mrs Potts. âWe'll get on.'
I went to my desk, the clunk of my boot filling the room.
Mrs Potts pointed to a list of sums on the blackboard. My heart sank. Two long lines of numbers. I copied them in my book, twirled my pencil and felt sweat trickle down my chest. Mrs Potts came down the aisle and peered over me, so close I could see the black hairs of her armpit spread like spiders' legs over her skin.
âHaving trouble, dear? Well now, you add up this column first . . .'
A boy across the aisle smirked. I felt my eyes mist and numbers swam across the page.
âYou don't understand?' said Mrs Potts. âNever mind, we'll sort it out later.'
When the bell went for play lunch she called me to her desk and wrote some shorter sums on the blackboard. She handed me the chalk. âCan you do these?' Through the louvres, I could see Tim waiting. I stared at the board, feeling the chalk grow sweaty in my hand. How could little shapes like 8 and 5 cause so much trouble?
Mrs Potts sighed. âNever mind, Roberta, I'll speak to your parents. You might be better off in grade two.'
No!
Mama would be spitting mad. The bell went. Tim disappeared. Spelling and reading were next but I couldn't concentrate. My book was wet with sweat and my pencil wouldn't write through it.
At lunchtime Tim and I found a patch of shade on the verandah and sat down to eat. I reached into my satchel. Something crawled across my hand. I yanked it back and at the same moment Tim leaped to his feet.
âCrikey bloody hell!'
Ants surged from my satchel into my lap. Tim hopped, swatted and slapped.
Nearby, kids laughed. âYou should've put your lunches in a fridge.' They pointed to a row of fridges at the end of the verandah. Too late now. I shook my lunch out of its wrapping. Ants crawled across the bread and struggled through peanut butter. In the Vita-Weats you couldn't tell ants from Vegemite. I remembered Dad saying he'd eaten an ant once, covered in chocolate . . . I picked up a Vita-Weat.
âDon't you dare,' said Tim.
âI'm hungry.'
âSo am I but we'll have to wait till we get home.'
The bell clanged. Lunch was over.
Mrs Potts came to my desk. âDon't worry if you can't keep up this afternoon, dear. Just get through as best you can.'
I stared at the dips and curves on the blackboard . . . New Guinea . . . no, New Zealand . . . and my eyelids drooped. While the rest of the class drew maps I fell asleep over my desk.
At three o'clock the bell went and Tim and I waited on the front steps for Dad. By half-past three everyone had gone, except for the teachers, and by four o'clock they'd gone too. At four fifteen we were still waiting.
âHe's forgotten,' said Tim. âI'll have to walk home and get Mama and come back for you.'
âYou can't walk, Timmy. It's miles!'
âOnly two and a half. I'll be quick.'
âNo! You can't leave me on my own.'
He began to move away. âI'll run, Bertie. All the way, I promise.' And before I could stop him, he was gone.
I stared at the bend in the road where it disappeared between high bushes, then turned and looked behind me. The school yard was empty and the light was beginning to change, the sky turning the purple-yellow of an old bruise. Overhead thunder rumbled and the air went damp and still. Birds stopped singing. My breath came loudly in my ears.
How fast could Tim run?
How long before Mama came back?
. . .
No!
Dad had the jeep, Mama couldn't come back . . .
breathe
.
I took a step. Suddenly, the sun burst out. Two and a half miles. Eighty-eight steps to the end of the driveway.
Everything will be fine
. Four hundred and sixty-four . . . four hundred â no, six hundred and . . . Timmy would be running flat out, arms pumping, feet flying, up the hill, down the other side, along the straight road to home . . . eight hundred . . .
This is Roberta . . . wears a brace to keep her leg straight . . .
one thousand four hundred and . . . goblins were gnawing at my leg . . .
A small truck went past, slowed . . .
Stopped; sat with its motor running.
It had a canopy on the back.
No-one could see you in there if . . . I swallowed. The lump in my throat wouldn't go down. The truck began to reverse, its whine filling the air. It came level. A black face peered out.
âWhere you going, piccaninny?'
There were whiskers around his mouth and the whites of his eyes were yellow. I jammed my sticks into the dirt. My head was wobbling so hard it nearly fell off. I took a step forward.
âHey, piccanin'.' He put the truck in gear and snailed along beside me. âI arksed you where you going?' He leaned his elbow on the window as he drove, rolling a cigarette and licking its edge with a purple tongue. âYou lost? You want a lift?'
âNo. My father's coming. He's coming right now and he'll get you. Go away!'
He grinned.
I swung a stick over my head. âI'll bash you!'
He stuck the cigarette in his mouth and snorted. âYou wanna walk? Walk. Doesn't bother me.' He spat and a slimy gob hit my boot. I stared at it sliding down the leather; heard him put the truck in gear. Gradually the sound of it grew small.
The pain in my leg was like the goblins had bitten right through. I sat down at the side of the road by a ditch. Where was my father? The sun burned. I picked up a stone, drew stringy hair and whiskers in the dirt.
In the distance, I heard another motor. A car was barrelling down the road towards me, a small brown blob that got bigger and bigger. I slithered into the ditch and made myself small. I heard the car coming closer and closer and . . . slow . . . slower. Tyres crunched across the gravel.
The engine stopped. For a moment everything was quiet, and then came a voice. A man's voice. Not Dad's.
âI'm sure I saw something,' he said.
I reached out and filled my hands with stones. A shadow fell across me. I pulled my arm back and flung the stones as hard as I could.
âShite!'
I grabbed two more fistfuls.
âBertie, no!'
Mama?
She slid down beside me. âGod almighty, baby, are you all right?' She pulled me against her chest.
âIs she all right?'
I pulled back my hand.
Mama put hers over mine. âIt's okay, Bertie; it's Doug Davies from down the road.'
We sat in the back seat of his car. Mama cupped her hands. âYou can give me the stones now, love. You're safe.'
I would have given her the stones but my hands wouldn't let go.
âNever mind.' She dusted my face. âWhat on earth made you walk? Don't you know how dangerous it is for a little girl out there on her own? Anything could have happened to you, sugar
.
Anything.'