The Big Green Tent (2 page)

“Fine, I'll take him.” Ilya casually scooped up the kitten.

“They won't mind, at home?” Sanya said.

Ilya grinned. “I'm in charge at home. My mom and I get along great. She listens to me.”

He's so grown up, I'll never be like him. I could never say “My mom and I get along great.” It's true—I'm just a mama's boy. Though Mama does listen to me. And Grandmother listens, too. Oh, does she ever! But in a different way
, Sanya mused.

Sanya looked at Ilya's bony hands, covered all over in bluish-yellow bruises and scars. His fingers were so long they could reach two octaves. Mikha was trying to balance the kitten on his head, above the reddish gold tuft left there yesterday “for growing back” by the magnanimous barber at the Pokrovsky Gates. The kitten kept slithering off, and Mikha kept planting him on his head again.

Together, the three of them left the school building. They fed the kitten melted ice cream. Sanya had some money, just enough for four portions. As it turned out later, Sanya almost always had money. This was the first time Sanya had ever bought ice cream on the street and eaten it straight from the wrapper. When Grandmother bought ice cream, they took it home with them, placed the sagging mound in a special glass dish, and topped it with a dollop of cherry jam. That was the only way they ever ate it.

Ilya told them excitedly about the camera he was going to buy with the first money he earned. He also laid out his precise plan for making that money.

Out of the blue, Sanya blurted out his own secret—he had small, “unpianistic” hands, and that was a handicap for a performer like him.

Mikha, who had moved in with his third set of relatives in seven years, told these boys, nearly complete strangers, that he was running out of relatives, and that if his aunt refused to keep him he'd have to go back to the orphanage.

The new aunt, Genya, had a weak constitution and suffered from some undefined illness. “I'm sick from head to toe,” she would say with mournful significance. She complained constantly of pains in her legs, in her back, her chest, and her kidneys. She also had a daughter who was disabled, which put a further strain on her health. Any kind of work was beyond her strength, so her relatives finally decided that her orphaned nephew should move in with her, and that they would all contribute money for his upkeep. Mikha was, after all, the son of their brother, who had perished in the war.

*   *   *

The boys wandered aimlessly, chattering nonstop, until they found themselves on the banks of the Yauza, where they fell silent. They were struck with the same feeling in unison—about how fine it all was: trust, friendship, togetherness. There was no thought of who might be the leader. Rather, they took a mutual interest in one another. They still knew nothing of Sasha and Nick
*
or of the oath they took on the Sparrow Hills. Even the precocious Sanya hadn't discovered Herzen yet. And the run-down districts the boys had been wending their way through—Khitrovka, Gonchary, Kotelniki—had long been considered the dregs of the city, no setting for romantic oaths. But something important had transpired, and this sudden magnetic linkage between people can happen only in youth. The hook pierces the very heart, and the lines connecting us in childhood friendship can never be severed.

Some time later, after heated debate, this triumvirate of hearts, rejecting both “Trinity” and “Trio,” decided to choose the august moniker “Trianon.” They knew nothing about the breakup of the Austro-Hungarian Empire; they just liked the sound of it.

Twenty years later, Trianon would crop up in a conversation between Ilya and an official from the Department of State Security, a man of high but indeterminate rank, with the not altogether plausible name of Anatoly Alexandrovich Chibikov. Even the most zealous of the dissident-hunting KGB thugs of that era would have shied away from calling Trianon an anti-Soviet youth organization.

Ilya deserves most of the credit for preserving the group's memory for posterity. As soon as he laid his hands on his first camera, he began assembling a comprehensive photo archive that has remained intact to this day. True, the first file from their school years bears the mysterious label “The LORLs,” rather than Trianon.

Thus, the original catalyst for a union that would, in time, be amply documented, was not the noble ideal of freedom, worthy of the ultimate sacrifice of one's own life, or, far more tedious, the dedication of one's life, year after year, to an ungrateful public, as Sasha and Nick had done just over a century before. Instead, it was a mangy little kitten, who was not destined to survive the upheaval of September 1, 1951. The poor little thing died two days later in Ilya's arms, and was secretly but solemnly buried under a bench in the yard of 22 Pokrovka Street (called Chernyshevsky Street in those days, after someone else who squandered his life on lofty ideals). The building had once borne the nickname “The Vanity Chest,” but few of its current residents would have remembered this.

The kitten rested for eternity under the very park bench on which the young Pushkin had allegedly sat with his cousins, amusing them with his mellifluous little rhymes. Sanya's grandmother never tired of reminding him that the building they lived in had once been grand.

It was astonishing how everything at school changed in a matter of weeks. Mikha, of course, didn't feel the change as keenly—how could he, he was a newcomer. But Sanya and Ilya noticed it. In their class they still occupied the lowest rung in the hierarchy, but now they did not occupy it singly. They were there together. They became a recognized minority, set apart by some indefinite sign or mark that prevented them from blending into the status quo of this small world. The two leaders, Mutyukin and Murygin, kept a tight grip on all the others; but when they argued between themselves, the whole class split into two hostile factions, which the outcasts never tried to join—and they would not have been accepted anyway. At those times, gleeful, malicious, angry skirmishes erupted—with bloody noses and without—and the outcasts were left alone. When Mutyukin and Murygin made peace, their attention again turned to these odd, unsociable misfits. They were too easy to beat up. It was more fun to keep them in suspense and fear, and to keep reminding them who was boss here: not the Jewish four-eyes, the musician, and the class clown, but the “normal kids,” like Mutyukin and Murygin.

Fifth grade was the first year when there were different teachers for different subjects (math, Russian, botany, history, German, and geography), instead of just one teacher for reading, writing, and arithmetic—the sweet-tempered Natalya Ivanovna, who had even taught Mutyukin and Murygin the alphabet, and who still called them, affectionately, Tolya and Slavochka.

All the teachers were crazy about their own subjects, and assigned a lot of homework, which the “normal kids” clearly couldn't keep up with. Ilya, who had not excelled in grade school, was given a boost by his new friends, and by the end of the second quarter, just before the New Year, it became obvious that the rejects, the four-eyed weaklings and misfits, were thriving, and that Mutyukin and Murygin were lagging behind. The conflict, which grown-up people would have called a social one, grew more intense and more tangible, at least to the oppressed “minority.” It was then that Ilya introduced a term that would come in handy for many years to come—
mutyuks and murygs
. The term was basically synonymous with
sovok
(“a typical Soviet”), a term of later currency. The beauty of theirs lay in its apt self-evidence. It was there for the taking.

No one got under the skin of the mutyuks and murygs like Mikha, but with all of his orphanage experience, he easily weathered the schoolyard brawls. He never complained, but shook himself off, snatched up his hat, and took to his heels while the hoots and catcalls of his enemies rained down on him. Ilya played the clown with aplomb, and was often able to confuse his enemies with wisecracks or with sudden comic moves. Sanya proved to be the most sensitive and vulnerable among them. Still, it was his excessive sensitivity that served as his defense in the end.

Once, when Sanya was washing his hands in the school bathroom—a cross between a parliament and a den of thieves—Mutyukin was overcome with loathing for Sanya's unassuming pastime and suggested that he wash his mug, while he was at it. Sanya, partly from a desire to keep the peace, but also partly out of cowardice, did as he was told. Then Mutyukin grabbed a filthy rag for cleaning the floor and wiped it across Sanya's dripping face. By this time, they were surrounded by onlookers who were in the mood for some excitement. But they were disappointed. Sanya went pale, began to shake, then fainted, collapsing onto the tiled floor. The paltry enemy was, of course, vanquished, but the victory felt hollow. He lay on the floor in a contorted pose, his head lolling back. Murygin jabbed his side with the toe of his boot, just to make sure that he was really out cold. He called out to him with no malice whatsoever,

“Hey, Sanya, what're you doing down there?”

Mutyukin stared wild-eyed at the lifeless Sanya. Sanya didn't open his eyes, despite the insistent pokes and jabs. Just then, Mikha came in. He glanced at the mute scene, then rushed off to fetch the school nurse. A pinch of smelling salts revived Sanya, and the gym teacher carried him to the infirmary. The nurse measured his blood pressure.

“How are you feeling?” she asked.

He answered that he felt fine, though he couldn't quite recall what had happened to him. When he did remember the dirty rag rubbing against his face, he almost retched. He asked for some soap and washed his face thoroughly. The nurse wanted to call his parents. It took some effort for Sanya to persuade her not to. Mama was at work, anyway, and he wanted to guard his grandmother from the unpleasantness. Ilya was enlisted to accompany his shell-shocked friend home, and the nurse wrote a note for both of them, dismissing them from class.

From that day on, counterintuitive though it might seem, Sanya rose in stature. True, they did start calling him Epileptic Gnome, but they stopped tormenting him: What if he had another fainting fit?

On December 31 school let out for the winter break. Eleven days of bliss. Mikha always remembered these days, each of them a revelation, and each different from all the others. On New Year's he received a wonderful present. After secret negotiations with her son, who solemnly promised her that his direct descendants would never claim their rights to that particular family heirloom, and he himself didn't mind in the least, Aunt Genya gave Mikha a pair of ice skates.

They were an American make, long outmoded, a hybrid between the standard Snegurkas and Hagues, with double blades and serrated front tips. The blades had been affixed to a pair of beat-up boots that had once been red, with huge star-shaped rivets. On the metal plate connecting the blade to the shoe, the word
Einstein
could be made out, followed by a series of incomprehensible numbers and letters. The boots had been thoroughly battered and broken in by their previous owner, but the blades gleamed like new.

Aunt Genya treated the skates like the family jewels, the way other families cherish their grandmother's diamonds.

And diamonds did figure into the story of these skates in a tangential way. In the year 1919, Lenin himself had dispatched Genya's older brother Samuel to the United States on a mission to organize the American Communist Party. For the rest of his life, Samuel had prided himself on his mission and regaled his relatives and close friends, of whom there were hundreds, with the details of the journey—until he was arrested in 1937. He was sentenced to “ten years of imprisonment without the right of correspondence,” and disappeared forever; but his remarkable story became the stuff of family legend.

In July 1919, Samuel traveled from Moscow through northern Europe by a roundabout route, finally arriving in New York Harbor on a Dutch trading vessel in the guise of a seaman. He clattered down the gangplank in boots that had been fashioned by the Kremlin cobbler, with an exceedingly costly diamond secreted in the heel. He carried out his mission: at the behest of the Comintern, he organized the first underground congress of the Communist Party. Upon completion of his task several months later, Samuel returned and reported directly to Comrade Lenin.

The whole of his modest travel allowance was spent on presents, minus twelve dollars spent on food. For his wife he brought home a red woolen dress with berries embroidered on the collar and shoulders, and red shoes three sizes too small. The skates were the third, and most expensive, American present in his luggage. He had bought them too big (with growing room) for his son, who died soon after.

He should have bought them for himself. As a boy, Samuel dreamed of gliding out into the middle of the skating rink with his body bent over the slick ice, racing past all those who turned up their noses at him—past the fine ladies in their muffs, the gymnasium students, the highborn young boys and girls, Marusya Galperin most likely among them. The skates had been buried in a chest for safekeeping, awaiting a new heir. But Samuel didn't have any more children, and the skates, which had lain for ten years untouched, were passed down to the son of his younger sister Genya.

Now, twenty years later, they changed hands—or rather feet—again, inherited by another relative of the heroic Samuel.

Thus, the first day of Mikha's vacation culminated in this unexpected gift, and far surpassed any happiness he could ever have imagined. And there was nothing that even hinted of the misfortune to follow.

*   *   *

On New Year's Eve, Aunt Genya's large family gathered around the table. The neighbors who shared their communal apartment had consented to having the festive dinner set up in the common kitchen, rather than in the 150-square-foot room that Genya occupied, together with her unmarried and endocrinologically challenged daughter, Minna, and, for some time already, Mikha. Aunt Genya prepared a sumptuous feast: both chicken and fish. That night, after the memorable repast, Mikha wrote a poem expressing his abiding impressions of the day.