The Birdcage (13 page)

‘There won't be anyone to do the nature book,' he says, ‘not now I have to do my tables.'

Felix glares warningly at Marina, who is about to observe that the nature book is the least of her problems, and suggests, diffidently, that he might take it on if Piers will help him.

‘I expect I shan't see so many things now, without . . .' Piers swallows, and his mouth turns down at the corners, but quite suddenly he remembers the butterfly and it is as if his grandfather has reached out to lay his hand upon his shoulder.

‘We could still see things,' says Felix carefully. ‘You could show me where you went, couldn't you? It might be rather fun.'

Piers stares at him and Marina shrugs impatiently, dreading any kind of emotional outburst.

‘He'll be going away to school in the autumn,' she says bracingly, ‘won't you, Piers? Lots of new things to do and see.'

Piers looks from one to the other, weighing the two suggestions, remembering something: . . .
the people who are easy-going are not the ones who have your true welfare at heart.
Then he nods.

‘Come along, then,' she says. ‘Time for your bath.'

He looks back at his father as he goes out with her and Felix sighs, hands in pockets, feeling a familiar sense of frustration.

On the evening after the funeral, when everyone has left, he finds Piers sitting in the carved chair in the hall.

‘Has he gone now?' he asks his father.

‘Yes,' Felix answers gently. ‘He's gone now, the grandfather we used to have with us, but there will be a part of him that's always here.' He stops, aware of his inadequacy, afraid of a misunderstanding.

‘Which part?' asks Piers rather anxiously.

‘It's difficult to explain,' says Felix quickly. ‘Not actually a piece of him as such. When people die there's a kind of metamorphosing.' He pauses, praying for help, and has an inspiration. ‘You know how a dragonfly leaves its cocoon behind, don't you? Well, it's rather like that. There's a prayer, it's from the Bible actually, which is read at funerals. It goes like this. “Behold, I shew you a mystery. We shall not all sleep, but we shall be changed. In a moment, in the twinkling of an eye”.'

He has closed his eyes in an effort to remember and opens them again, already regretting his impulse, for how can a child be expected to understand? But Piers is actually smiling; he stares up into the shadowy hall as if looking for something.

‘Yes,' he says with relief. ‘Yes, I like that. “We shall be changed”.' He repeats the phrase thoughtfully. ‘I suppose it could be into anything?'

‘Yes,' agrees Felix cautiously, wondering what is in his son's mind but glad to see that he looks happy and at peace. ‘Something rather nice, I think, don't you?'

‘Oh, yes,' answers Piers confidently. He looks again for the butterfly but the shadows are gathering and he guesses that it is already asleep, wings folded for the night. He hopes that Monty understands that Grandfather has changed: poor Monty is grieving for his master and refuses to be comforted.

‘I wish we could tell Monty,' he says. ‘About being changed, I mean. Oh, if only dogs could talk.'

‘I'm sure you are a great comfort to him,' says Felix. ‘He looks upon you as his master now, don't you think?'

Piers is amazed at such promotion: amazed and pleased.

‘But what about when I'm at school?' he asks. ‘I know that Mummy will feed him and let him out but she won't . . .'

He hesitates, trying to think of a phrase which doesn't sound disloyal, and Felix knows that he means that Marina will do her duty but nothing more. She's already suggested that Monty's bed be moved into the scullery: a move that Felix has fiercely vetoed.

‘I've got an idea,' he begins, ‘and you must tell me what you think of it. How would it be if I took Monty with me to the office each day during term? I go out quite a lot, round farms and woodland, seeing lots of people who like dogs. He could sleep under my desk when I'm working. Would he like it, d'you think?'

‘Oh, yes,' cries Piers. ‘I'm sure he would. And we can take him for long walks at the weekend.'

‘That's good, then,' says Felix. ‘But you're his master, remember. He'll look to you for lots of love and you must learn to groom him and feed him. When you go away to school in the autumn I'll take that over during term-time but you'll still have long holidays together, remember.'

‘I could brush him now,' says Piers eagerly, edging himself off the chair. ‘He'd like it, wouldn't he?'

‘No doubt about it,' says Felix. ‘Grooming's like having a cuddle. Do you both good.'

Piers dashes away across the hall and pauses at the door to look back at this man who says and does such kind things; at this father of his who doesn't really care about him. He is puzzled and confused – but the idea of being Monty's master takes hold of him again, comforting him, giving him a purpose, and he disappears towards the scullery.

Felix stands alone in the hall, head bent, remembering the funeral service, seeing again the quiet grave in the small country churchyard.
Thou knowest, Lord, the secrets of our hearts
.

His eyes burn with tears and he would give much to feel David Frayn's arm laid along his shoulder, to hear his voice. He passes across the hall towards the old man's study, knowing how very bleak life will be without him.

CHAPTER FOURTEEN

‘We're going on holiday,' Lizzie tells Pidge with great excitement as soon as she comes upstairs, one July evening. ‘We're going to the seaside and Angel is going to buy me a bucket and spade.'

Pidge stares at Angel, stretched along the sofa, her eyebrows high with disbelief.

‘To the
seaside
?'

‘Isn't it exciting, sweetie?' Angel doesn't move and she keeps her eyes closed. ‘I do think it's time Lizzie had a little holiday. A proper holiday near the sea.'

‘We're going on a train.' Lizzie clasps her hands together, hardly able to believe her good fortune. ‘And there's a castle.'

‘Hold on,' begs Pidge. ‘This is very exciting but why the unexpected need for ozone, Angel?' A thought occurs to her and she looks suddenly grave. ‘And does this place, which has a castle and is near the sea, happen to be on Exmoor?'

Angel sits up suddenly, dragging her wrapper around her.

‘Sweetie,' she says to Lizzie, ‘just go into my bedroom and see if you can find my cigarettes, would you?'

‘What are you up to?' asks Pidge in a low voice as soon as Lizzie disappears. ‘This is madness, Angel. Much worse than Molly's party. Remember how you felt then?'

‘I can't help it.' She stares up at Pidge miserably. ‘He can't come up this month because he's taking his holiday and next month the office here is closed for some repairs or something and they're postponing the partners' meeting until September. It'll be three months until I see him again, Pidge. Three months. How can I bear it?'

‘It'll be three months anyway, Angel,' answers Pidge urgently. ‘Or . . .' she frowns, ‘do you mean that Felix has set this holiday up?'

Angel shakes her head, pressing her lips together, looking away.

‘No, of course he hasn't,' says Pidge impatiently. ‘Stupid of me to think that he'd be so foolish. Please don't do this, Angel.'

‘You don't understand.' Angel stands up, taking Pidge's arm. ‘You see, it's simply that I can't just go on waiting. There's something so . . . oh, I don't know, degrading about it. It's not his fault, I know that, but I've got to make a move of my own. Do you see what I mean?'

‘Yes,' says Pidge gently. ‘Yes, of course I do, love, but it's the wrong move. You won't see him or if you do it'll be like the party all over again and you'll just feel horrid about the whole thing. Can you imagine how Felix will react if he comes across you and Lizzie in Dunster High Street? Especially if he has his wife and son with him? You'll blow it wide open and then what will you be left with?'

‘I don't know.' Angel looks distressed. ‘But sometimes I think it's better than doing nothing at all. One day he's going to leave me anyway, Pidge.'

Pidge looks at her compassionately, seeing that this is not the moment to talk about Lizzie's part – or her own – in the relationship, or about Felix himself.

‘Think it over,' she pleads.

‘I've booked the cottage,' says Angel defiantly. ‘I saw it advertised in the Sunday paper weeks ago and kept it just in case. Anyway, Lizzie will love it.'

Before Pidge can reply Lizzie is back.

‘I can't find them anywhere,' she tells Angel. ‘I've searched and searched.'

‘Oh, here they are,' cries Angel, retrieving the case from the side of the chair where she has hidden it earlier. ‘I
am
an idiot. Sorry, sweetie.'

‘I wish you could come with us,' says Lizzie to Pidge, her eyes bright with excitement, ‘but Angel only has a few weeks between her contracts and she says you can't get away from the library in August.'

‘No,' agrees Pidge after a moment. ‘No, I can't get away from the library.'

‘We'll send you a postcard, sweetie,' says Angel.

She looks at Pidge with a wheedling grin, rather as a naughty but penitent child might seek forgiveness, and Pidge cannot help but smile back at her.

‘Yes,' she says. ‘You do that.'

Lizzie hurries away to her attic room and wonders what she will take with her on holiday. She drags out her little suitcase, puts it on her bed and opens it: how small it looks. The battered teddy, which belonged to Michael Blake, must certainly go to Dunster and the small felt penguin – a present from Felix after a memorable birthday visit to the zoo – must also be of the party. She holds him in her hand, admiring his smart black-and-white coat and cheerful yellow beak and feet. Eyes closed, she remembers walking between Angel and Felix, just like a real family, and how they sat in the sunshine outside the small café and she ate an ice whilst the others drank coffee.

The penguin arrived by post later: ‘I came across this Penguin Person from Porlock on his way to Bristol Zoo,' Felix wrote in the card, and she named him Porlock because it has rather a good ring to it. She still has the card.

Singing to herself, Lizzie begins to pack her case.

Sitting in the shade of some furze, up on the hill behind the garth, Piers dries his eyes on his handkerchief and puts his arm about Monty's neck. Nobody has told him how unexpectedly grief strikes, catching you between a moment and a moment, crippling you with pain, making it impossible to swallow. Just now, as he watched the little bird, swinging and hopping in the topmost branches of the wind-shaped thorn, he turned instinctively to point it out to his grandfather: to confirm that it was the male stonechat, with his chestnut breast and black head. It was a terrific shock to find himself alone; no old man, leaning on his stick, watching the tiny bird with that dear, familiar expression that combined wonder, joy and gratitude, even though he'd seen the sight a hundred times before. Piers felt bereft then, as shocked and lonely as when his mother had explained that Grandfather had gone away and couldn't ever come back.

Each week he rides down to the churchyard on his new bicycle, Monty racing alongside, and goes to see the old man's grave. Although Monty is always put on his lead, his mother is not happy about dogs going into churchyards but the old sexton agrees with Piers that David Frayn would like to know that his dog visits him from time to time.

‘Although that's just his chrysalis,' explains Piers. ‘He's changed now, you know.'

The sexton nods wisely and leaves them to it, sitting together on the grassy mound in the sunshine, the little boy talking and talking to the dog – and to his grandfather – whilst he watches them from beneath the shadow of the yews lest the young fellow should get upset.

But it's at the most unexpected moments that Piers gets upset; moments that take him by surprise and which he can't control.

‘Big boys don't cry,' warns his mother, so that Piers knows that he must never show the tears and he wipes his face again now as he hears her calling from the garth below. They are going shopping in Dunster and he hurries down the hill, slipping on the dry, loose scree, still rubbing his face with his handkerchief.

‘Goodness, you do look hot,' she says, pushing back his hair from his eyes, straightening his Aertex shirt. ‘What a ragamuffin! Come in and be tidied up. No, we can't take Monty, it'll be far too hot for him in the car.'

Sometimes, as they drive through the lanes in the Morris, Piers remembers that last journey to Stoke Pero but today he stares the tears away, looking for the first blossoming of bell heather on Dunkery, seeing the white scut of a rabbit running in the ditch.

The village drowses in the afternoon sunshine, the rose-red castle standing guardian on the hill, and he follows his mother from the post office to the chemist and finally to Parhams. There are several people in the shop but his attention is immediately taken by a little girl, rather younger than he is, who stares about her, singing just beneath her breath. She wears a yellow frock and her thick plait is reddish gold and tied with a yellow ribbon. She turns suddenly, seeing him for the first time, and he sees that her eyes are amber-brown and rather shy although she looks friendly, as though she would like to smile at him.

He straightens up, stealthily trying to let go of his mother's hand in order to show that he is not a baby but a big boy who is going away to school next term, yet his face cannot help but respond to that cheerful little look. Alerted by the wriggling of his fingers, his mother glances down at him and then immediately at the object of his interest. At this moment the woman with the little girl turns too, and the four of them seem fixed for a brief moment in time, gazing at each other, until Piers feels his hand gripped even tighter and he is pulled away.